On the Radar: Trudy Thomas, CSE

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Master Distiller Lincoln Henderson once dubbed her “The Queen of Bourbon,” and in her stellar career Trudy Thomas has truly lived into that title, having recently become one of the few to achieve the Certified Spirits Educator designation from the SWE.

Trudy has a fascinating history.  She grew up in rural Kentucky, where she was introduced into the rich tradition of moonshine by her grandfather, who distilled his own spirits, flavored with fresh fruit and peppermint.  He even made copper coils for other distillers, one of which remains on display at the county courthouse.  She would watch him as he worked, sneaking tastes, learning from him—and become inspired by the passion and fire he had for what he did.

Despite this beginning, Trudy never intended to enter into the spirits industry.  She was a percussionist while at the University of Kentucky and dreamed of being a musician. Later, she graduated with a degree in speech therapy after an injury prompted a change in direction.

However, the past has a way of circling back around, though, and the fire and passion instilled by her grandfather found an outlet for Trudy first in bartending, then in the food and beverage industry as a whole.  Following this passion, she joined Spago Beverly Hills, where she was under the tutelage of Chef Wolfgang Puck for a period of four years.

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In 2008 she joined the JW Marriott Camelback Inn in Scottsdale, Arizona, to raise the bar on their beverage program.  In 2014 she joined the Gaylord Opryland property (managed by Marriott), where she is currently Director of Beverage, overseeing beverage for more than 20 outlets and banquets.

Trudy had been a judge of spirits and wine at BTI in Chicago, and also at the San Francisco Spirits Competition, and honed her skills in the evaluation of spirits.  While in Arizona, she decided to study for the CSW and the CSS, and was the first person to take and pass both examinations on the same day.  When the Society of Wine Educators introduced the CSE designation, she knew it was something that she wanted for herself both personally and professionally.  Preparing for the exam while working at Gaylord Opryland proved a challenge, with stops and starts along the way, requiring discipline to set aside the time to study.  With preparation help from fellow bartenders on evaluations and blind tastings, she passed the tasting portions of the exam; and returned later to take the multiple choice and essays.  Her presentation was on bourbon heritage in the America.

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To listen to Trudy reflect on her career, though, is to hear a story about the value of mentors and teachers, and of her appreciation for the many people along the way who mentored her in her own work, the likes of Lincoln Henderson, Parker Beam, Dave Pickerel, Bill Samuels, and Jimmy Russell, and other giants in the spirits industry.  She writes of the gentlemen who were so influential in her life:  “These legends are/were like fathers, kicking me in the behind when I needed it, most of the time they tried to restrain my fire and encourage my passion but they always believed in me and pushed me to the next level for success; they helped me to test my limits while remembering to never sacrifice loyalty; they gave me wings to fly while keeping my roots always planted in Kentucky soil. These mentors were both my heritage and my future.”

What’s next for Trudy?  First, she wants to continue to grow and improve the beverage programs for Marriott, and specifically at the Gaylord Opryland.  But most inspiring is her desire to instill in others the passion she feels for her craft, as those who came before had done for her.  “My biggest goal is to mentor others as I have been mentored, I truly want to give back to an industry which believed in me, a bartender with roots in rural Kentucky, and which has given me so many amazing opportunities and experiences, an industry with lifelong friends.  I had great mentors, I hope to be the same and pay it forward while making my mentors proud.”

Guest post written by Reverend Paul Bailey

Evolution of an Annual Wine Event: Reflections of a Veteran Volunteer

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Today we have a guest post from a frequent contributor that we know as Candi, CSW. Read on to see how Candi learned to navigate the risks and reap the rewards of volunteering on the wine and food festival circuit. 

For well over a decade, the major metropolitan city nearby has been the site of a wine festival. The key event is a Saturday afternoon tasting geared toward the public, adults only. The main tasting is nicely done. There are various foods to sample, wine tastings which can be geared to the chosen cuisine, hydration stations, even volunteers handing out bottled water and steering those departing to safe transportation alternatives. In summary, a wine and foodie’s paradise.

Over the past four years, an additional event has been part of the overall experience. The target audience for this occasion is trade and wine connoisseurs. Seminars detailing wine regions, marketing, advanced certifications, and other management topics such as inventory and on-premise wine programs are offered. This experience culminates in a Trade Tasting the evening prior to the main festival event. In a nutshell, a professional and geek’s “heaven”.

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2018 marked my fifth year as a volunteer. An anniversary! It has been an honor and a learning experience. My core career was in a very different industry. In 2014, I realized there was now time to pursue a true passion. Vino! So I prepared, enjoyed the study process, took a deep breath and tested for my CSW. Despite the naysayers who noted my lack of industry experience and the perceived low pass rate. I had nothing to lose. It was a quest. I went for it. I prevailed.

What I didn’t realize at the time was how highly regarded and universally recognized a CSW certification is within the hospitality industry. The credential opened the doors for me as a Somm volunteer. In fact, at my first volunteering experience, I met a Master Sommelier. We were instructed to wear all appropriate pins. Okay. The MS took one look and said “love your pin”. I confessed it was “newly minted”; turns out he is also a CWE.

Upon reflection, I believe there are many similarities between other service industries and hospitality. I’ve found that many of my core career skills have been transferable. In my experience, the key universal characteristics are as follows.

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Credentialing, determination, comebacks, and striving. As noted above, industry credentials are valued. I’ve encountered many people determined to obtain certifications and to advance. Sometimes they fail; shoot, I’ve failed before. But I’d like to believe that I still learn from such experiences. And persistence matters. I’ve met multiple Advanced Sommeliers, for example, that keep going for the red pin. They put themselves out there and don’t give up. This determination is honored.

Diversity reigns. I am, ahem, one of the more mature volunteers. It seems that most of the Somm volunteers are 30- and 40-somethings. A few younger, a few older. And I’ve read multiple mainstream articles this year about the persistent, overall problem of age discrimination. Not in my hospitality industry experience. A willingness to learn, to pitch in with whatever needs to be done, business-appropriate appearance, a positive attitude and dedication. Those attributes are respected and, in my opinion, have nothing to do with age. I have never experienced any form of bias. Period.

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Events that embrace a continuum continue to thrive and to grow. What began as a wine- and food- only event has evolved into wine, beer, spirits, food service, management, and credentialing experience. The reality is that many on-premise establishments cannot afford a wine-only skill set in today’s economy. A more comprehensive range of knowledge, skills, and attributes improves likelihood of job opportunities and advancement. Seems to apply to many work settings, doesn’t it?

Reaching out, networking and relationships are critical. Had I not had a beginning network to contact before my first opportunity, no one would have known I had a credential and wanted to help. My first opportunity was well-supervised and geared toward a small, discreet event. Who cares? I would have taken any experience offered. As I continue to volunteer each and every year, I’ve been assigned more complex tasks. And, more importantly, additional opportunities. Last year, I was able to taste wines pre-seminar with two Advanced Sommeliers and tested my very basic skills. Just by asking to observe them I was invited to the party! Unforgettable to this geek. And each year becomes a reunion of sorts with the more experienced Somms. It’s now to the point where this introvert actually enjoys connecting and even hugs!

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Details, details details. Many of us have attended wine tasting seminars. The infamous white paper placements. Each holding 4, 6, 8 10, even more wine samples. You may know the drill. Between seminars, we volunteers set up those rooms, and then pour the wines. On every such occasion for me, I’ve poured alongside general volunteers. We need those general volunteers. But they often lack a Somm volunteer’s eye for detail. In my case, attention to detail was an absolute requirement for my original career. It is natural for me to go from placemat to placemat when we are supposedly “done”. I check for missed pours; this is a special hazard for whites. Every single time, I find multiple missed pours. Back to the room lead. Request the bottle. Fix the situation. Even as attendees begin to fill the room. A quick smile and a comment “we want to make sure you can enjoy all of the wines”. Doesn’t phase me. Always a positive with the room lead.

Risk taking and risk management. Most organizations value risk-taking and people who stretch/extend. Striving to learn new skills and to get credentialed are just two examples of risk-taking. And risk management programs are also seemingly universal. Reaching out as an unknown to volunteer as a Somm after obtaining my CSW was a risk. It worked. Personal risk management clearly applies when I am tasting. Whether in a seminar, pre-seminar, trade tasting, whatever. I took a course in safe serving of alcohol before my first volunteer experience and have maintained that certification (yes, another credential). Useful when serving others, essential for my personal safety.

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Got a spare minute? Buff, polish, repeat. There is always what I call a “war room” near each group of seminar rooms. This is similar to staff rooms in other industries, where routine, as-time-permits tasks can be completed. The war room is for volunteers only (proper credentials required, thank you very much). That’s where all pre- and post-seminar activity occurs. Delivery of wines and related items, and delivery of wine glasses fresh from the commercial dishwashers. Everyone buffs and polishes glasses. Everyone, no matter how far up the chain of command.

My routine has become get my event credentials, report to the war room, check in with highest-ranking person there, and start buffing and polishing. The workload is always there. I get plenty of practice. Sometimes, I am assigned elsewhere when needed. This year, it just so happened that buff/polish was needed most during my shift. And for more than an hour after my shift. I kept going. Another quest. And the willingness to be flexible and get the job done was duly noted. Not that I expect people to keep score, but it builds credibility.

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Spontaneity and fun. Who hasn’t had some comic relief in the workplace? Maintaining a sense of humor and being open to new experiences is healthy and keeps us coming back, I think. This year, at a networking lunch, I found a table with strangers. Ended up seated between two young brothers from Hungary. They were there to promote Furmint, the currently-in-vogue dry white. They questioned me about America; I did the same about Hungary. I’ve never been to Europe, much less Hungary. We learned from each other; what an enjoyable experience!

It has been such a joy, such a privilege, so see the event grow, thrive, evolve. And to note my skills doing the same thing. I can wait until next year. Because, in the meantime, I have new wine ideas to pursue. I’d never had Franciacorta, for example.

Cin-Cin, Here’s to Learning! Cheers! Happy Holidays!

There’s a new IGP in town: Ratafia Catalana

Photo via: http://ratafiabosch.cat

Photo via: http://ratafiabosch.cat

Now, I know that’s a confusing opening line. So let’s break it down…Ratafia Catalana—a traditional spirit drink produced in Catalonia—has recently been awarded Indicación Geográfica Protegida (IGP) status by Spain’s Ministry of Agriculture (known officially as the Ministerio de Agricultura, Pesca y Alimentación). This occurred on October 22, 2018.

Ratafia Catalonia is technically a green walnut-flavored liqueur with a bitter flavor profile, often served as an aperitif, digestive, or even a nightcap.

But before we get into the details…let’s clarify one more thing: the term ratafia is used in several different countries to refer to several different things. Most wine lovers are familiar with Ratafia de Champagne, a PGI-designated, fortified wine (vin de liqueur) from the Champagne region produced via the fortification of unfermented (or just-barely fermenting) grape must (juice). This style of ratafia is also produced in Burgundy (Ratafia de Bourgogne); and other wine regions produce similar style wines (such as Pineau de Charentes)—although they do not always use the term ratafia.

Photo via: http://www.russet.cat

Photo via: http://www.russet.cat

In Catalonia (as is many other parts of the Mediterranean), ratafia is something quite different. In this case, Ratafia Catalana—which has been produced in the area for over 1,000 years—is a richly flavored, sweetened, aged, and oxidized liqueur.

The newly-codified regulations define Ratafia Catalana PGI as a brown-or-amber colored, sweetened liqueur flavored with green walnuts and other botanicals. Standard production requirements include the following:

  • Alcohol content between 24% and 30% abv
  • Sugar content between 100 g/L and 400 g/L
  • Flavored with green walnuts (the dominant flavor) as well as lemon verbena, cinnamon, and cloves (other botanicals are allowed as well)
  • Aged for at least three months in wooden containers—although many are aged for much longer, and often in oxidizing conditions (such as partially-filled demijohns)
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Ratafia Catalana PGI may be produced anywhere within the Autonomous Region of Catalonia (Comunidad Autónoma de Cataluña). Some of the best-known and longest-produced commercial version of Ratafia Catalonia include Ratafia Bosch, produced since 1892 at Destilería Bosch (located in a suburb of Barcelona); and Ratafia Russet, produced in the La Garrotxa region since 1903.

If you are lucky enough to find a bottle, serve it neat (as an aperitif) before a meal, or pour it over ice and serve it alongside a dessert such as Crema Catalana, the cake-like Coca de Sant Joan, or with some of the local Catalan cheeses drizzled with honey (as in the dish known as Mel i Mató). Of course, it also works a digestive or a nightcap…or just about any time you need a break.

References/for more information:

PGI documents: IGP Ratafia Catalana

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Welcome to the World, Van Duzer Corridor AVA!

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The Alcohol and Tobacco Tax and Trade and Tax Bureau (TTB) of the United States has approved a new American Viticultural Area (AVA), to be known as the Van Duzer Corridor AVA. The new AVA—covering approximately 59,871 acres in portions of Polk and Yamhill Counties in Oregon—lies directly to the west of (and along the western border of) the Eola-Amity Hills AVA, and is entirely within the boundaries of established Willamette Valley AVA. This brings the total number of AVAs in the US to 244, and a total of 19 in Oregon.

The Van Duzer Corridor AVA will be in effect as of January 14, 2019.  According to the TTB’s statement, there are 18 commercially-producing vineyards covering a total of approximately 1,000 acres of vines and 6 wineries—including Van Duzer Vineyards, Firesteed Winery, and Left Coast Cellars—located within the boundaries of the new AVA.

Map of the Van Duzer Corridor AVA, via the original petition (TTB website)

Map of the Van Duzer Corridor AVA, via the original petition (TTB website)

The AVA petition acknowledges that the area within the Van Duzer Corridor shares many features with the surrounding areas; however, the region is sufficiently unique to have been established as a separate AVA…particularly due to its winds. The distinguishing features of the area include the following:

  • The elevation: The Van Duzer Corridor itself is a narrow tunnel-like “wind gap” (area of low elevation) tucked into the Coastal Ranges. Commercial vineyards in the area are planted at an elevations ranging from 150 feet to 650 feet above sea level.  The areas located to the north, south, and west of the Van Duzer Corridor AVA are far more mountainous, with elevations ranging from 600 feet to 2,000 feet above sea level.
  • The winds: The new AVA is located at the eastern edge of this wind gap where the tunnel-like area of low elevation expands into a wide  region of rolling hills that allow the cool, eastward-flowing marine air to flow relatively unimpeded. According to the petition, the average daily wine speed in the Van Duzer Corridor AVA is approximately 10 miles per hour—nearly twice the average speed of the surrounding areas.
  • The climate: The average temperature of the Van Duzer Corridor AVA is consistently cooler than the surrounding areas. The Van Duzer Corridor area averages several hundred cumulative degree days fewer than the surrounding areas during the growing season. For instance, in 2014, the McMinnville AVA had a total of 2819 growing degree days (GDD), while the Van Duzer Corridor had 2624 GGD. This lower overall temperature leads to a longer growing season, longer “hangtime,” and—combined with the effects of the wind—thicker-skinned grapes.

Fun Fact: the original petition, filed by Jeff Havlin—chairman of the Van Duzer Corridor AVA Committee and owner of Havlin Vineyard—in 2011, listed the AVA’s name as “Perrydale Hills.” However, the TTB determined that the suggested name did not have sufficient national recognition (“viticultural significance”) and the name was eventually changed to Van Duzer Corridor.

Welcome to the world, Van Duzer Corridor AVA!

References/for more information:

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Welcome to the World, Upper Hudson AVA!

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The Alcohol and Tobacco Tax and Trade and Tax Bureau (TTB) of the United States has approved a new American Viticultural Area (AVA), to be known as the Upper Hudson AVA. The new AVA will be in effect as of January 7, 2019.

The new AVA covers approximately 1,500 square miles in upstate New York, mainly located to the north and northeast of the city of Albany.  This brings the total number of AVAs in the US to 243.

The petition for the Upper Hudson AVA was originally submitted in July of 2015 by Kathleen and Andrew Weber of Northern Cross Vineyard. The new AVA lies to the north of the Hudson River Region AVA (established in 1982), but it does not overlap the boundaries of any existing AVAs.

The vineyards in the area are currently heavily planted to cold-hardy hybrids including Marquette, Frontenac, La Crescent, La Crosse, Itasca, Prairie Star, and Melody. Many of these grapes were developed at New York’s Cornell University or by Elmer Swenson at University of Minnesota specifically for cold climates. Some vinifera varieties (such as Muscat, Tai, and Cabernet Franc) are planted as well.

Boundary of the Upper Hudson AVA - from the AVA Petition (second boundary amendment) via the TTB

Boundary of the Upper Hudson AVA – from the AVA Petition (second boundary amendment) via the TTB

According to the original petition, the Upper Hudson AVA has a distinctly colder climate and shorter growing season than the surrounding areas. This is in large part due to the fact that many of the surrounding areas experience the temperature modifications of a nearby body of water (such as the Great Lakes to the north, and the Hudson River to the south). There is no such moderating influence on much of the area of the Upper Hudson AVA.

The Upper Hudson AVA is currently home to just over a dozen 20 wineries and vineyards—including Northern Cross Vineyard, Altamont Winery, and Hummingbird Hills Winery—and more than 60 acres (24 ha) of vines.

Welcome to the world, Upper Hudson AVA!

References/for more information

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

On the Radar: Elizabeth Yabrudy, CWE

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Meet Elizabeth Yabrudy: the only Venezuelan, and the only South American, to have achieved the Certified Wine Educator designation from the Society of Wine Educators.

A journalist with a M.Sc. in Electronic Publishing from City University London, Elizabeth’s interest in wine began in 2007, when she took an introductory class in wine at Bodegas Pomar, the only winery in Venezuela.  The class inspired her to explore the wine world on an informal basis, which ended up leading her to attend the Academia de Sommelier de Venezuela.  During her preparation, she did internships with Pernod Ricard and Diageo and invested herself in study.  She became a sommelier in 2009, and later that year traveled to Bordeaux and took an intensive course in the wines of France.  Then, about the year 2010, she was asked by an aunt to teach an introductory wine class in the aunt’s hometown of Carupano, and that experience was all it took.  Having been introduced to both teaching and serving as a sommelier in a restaurant, it became clear to her that she did not want to be a floor sommelier, but rather a wine educator.

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Around 2012, she began to explore more formal study options, and chose the Society of Wine Educators specifically because of the emphasis upon wine education.  She passed her CSW in December 2014, having had to travel to Montevideo, Uruguay, for the exam because there was no testing center in Venezuela. That’s dedication!  Along the way, she became involved in a project called the Diageo Bar Academy; she already had some knowledge of spirits but wanted to go deeper, so she took the CSS test in 2016.  While preparing with the CSS Study Guide, she reached the section on rum, and was delighted that at last she would be reading about something with which she was familiar, as Venezuela is an important rum producing country.  As such, she reached out to Jane Nickles, SWE’s Director of Education, and agreed to write an updated  segment on Venezuelan rum  just in time for the annual update of the CSS Study Guide. (See page 113 in the 2018 version of the CSS Study Guide for a sample of Elizabeth’s work!)

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During her preparation time for the CWE, she was working as an independent professional, teaching about wine to beginners and non-professionals, and offering formal courses like: Wine for Amateurs, Wine Aromas Recognition Workshop, Wine Varietals Recognition Workshop, and Oratory for Sommeliers Workshop.  Focused preparation is essential for the CWE, and Elizabeth took advantage of the many study tools the SWE offers, such as the CWE Study Site and the Facebook Group. In addition, she attended the CWE Boot Camp in 2017 and 2018, and as a result was part of only 12% of the people who pass the CWE on their first try.

Wine is now a part of who Elizabeth is.  She writes:  “I enjoy and respect working with wine.  I feel I am very fortunate because I managed to combine my passion for wine with my professional title as Journalist and Electronic Publisher.  For me, working with wine is a pleasure and a continual learning process.  It is a nonstop career.  It is not only about tasting, it is about learning history, culture, geography, agriculture, chemistry, enology, and gastronomy.  Being a wine educator also gives you the advantage of meeting people, people who can learn from you, and people whose curiosity you can awaken to learn more about and–as I did—fall in love with wine.”

Elizabeth is a Certified Wine Educator, Certified Specialist of Wine, Certified Specialist of Spirits, and a Sommelier from the Academia de Sommeliers de Venezuela.  She lives in Caracas and manages the tasting room of a store called Celicor Boutique, where, among other things, she plans and leads events.  She is looking forward to continuing her studies in wine and plans to keep her full focus on wine education.  Thank you for your work, Elizabeth!

Guest post written by Reverend Paul Bailey

New Grape Varieties approved for Austrian Wine

Vineyards in Kamptal - photo via: www.austrianwine.com

Vineyards in Kamptal – photo via: www.austrianwine.com

The Austrian Wine Marketing Board has just made a big announcement: four new grape varieties have been added to the list of “approved” varieties for use in the PGI and PDO wines of Austria! This makes for a total of 40 approved grapes, including 14 red and 26 white varieties, all of which will be valid for use as of the 2018 vintage.  All of the newly-approved grape varieties are white.

Here is a bit more information on these grapes:

Blütenmuskateller: Blütenmuskateller is a hybrid white grape variety created in Russia (then the USSR) in 1947. It is a somewhat complicated combination of Severny (itself a vinifera X amurensis hybrid) crossed with Muscat Blanc à Petits Grains. In Russia, the grape was known as Cvetocny (Cvetochny). The grape is renowned for its ability to achieve high sugar content and is often used in sweet wines. Wines based on Blütenmuskateller tend to show “grape-y” Muscat-like notes in addition to aromas of tropical fruit, flowers, perfume, and sweet spices such as nutmeg.

Goldmuskateller: Goldmuskateller is a golden-berried version of Muscat believed to be native to northern Italy—where it is known as Moscato Giallo and used in some of the DOC wines of Trentino and Alto Adige. It is most likely a descendant of Muscat Blanc à Petits Grains. Goldmuskateller is often used to produce sweet wines, but dry wines can be delightful as well. Goldmuskateller-based wines tend to show the rich fruit, “grape-like” aromas common to Muscat as well a deep yellow-gold color and musky-spicy-floral aromas and flavors.

Vineyards in Bergland - photo via: www.austrianwine.com

Vineyards in Bergland – photo via: www.austrianwine.com

Muscaris: Muscaris is a German-bred hybrid grape created via the combining of Solaris (a white-skinned hybrid of Merzling and Geisenheim) X Muskateller (Muscat). Muscaris grapes tend to develop high levels of sugar and acidity, making them a good choice for sparkling wines. Typical aromas include lemon, orange, tangerine, and “musky perfume.”

Souvignier Gris: Souvignier Gris is a pink-skinned, German-bred hybrid grape created via the union of Cabernet Sauvignon and Bronner (a white-skinned hybrid of Merzling and Geisenheim). Souvignier Gris is known for high must weights and somewhat neutral fruity-floral aromas reminiscent of Pinot Blanc.

Three of the new grape varieties—Blütenmuskateller, Muscaris, and Souvignier Gris—are considered to be particularly resistant to fungal diseases such as powdery mildew and downy mildew. Such grapes are known as “PIWI” varieties (Pi = Pilz [fungus]; wi = widerstandsfähig [resistant]) and are well-suited to organic and sustainable viticulture.

Vineyards in Styria - photo via: www.austrianwine.com

Vineyards in Styria – photo via: www.austrianwine.com

Wine students might find it surprising that the list of newly-approved grape varieties includes hybrids. However, Austria has included hybrids (specifically Ráthay and Roesler) on its list of approved varieties for several years.

Click here for an updated list of:  The Austria 40-wine grapes approved for use in Austria

References/for more information:

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

The Darnibole PDO

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England and Wales have both had a set of PGI- and PDO-designated regulations for certain wines (both still and sparkling) since 2007. These regulations are approved for a range of grapes (including Chardonnay, Bacchus, Pinot Noir, Pinot Meunier, Pinot Blanc, Pinot Gris, and about 60 other grapes) and encompass the entirety of the countries’ geographical areas—save for those spots with an elevation higher than 220 meters (722 feet) above sea level.

However, since early 2017 England has also had a PDO for one very specific wine—Darnibole Bacchus—grown in one very specific 5-hectare (12.4-acre) plot and produced at one very specific winery. To date, Darnibole is the only single-vineyard wine in the UK to be awarded PDO status. Sounds interesting!

For starters, Darnibole PDO wine may only be produced at the Camel Valley Winery, located in Cornwall County in south east England. Darnibole PDO is a dry white wine made from 100% Bacchus grapes.

The regulations for Darnibole PDO are quite specific, and include the following:

  • Must be produced from 100% Bacchus grapes, grown in the specified region
  • Must be hand-harvested, and crushing must begin within 2 hours of the completion of the harvest
  • May not be acidified, de-acidified, chaptalized, or sweetened
  • Must be cold-pressed with minimal pressure and cold-fermented to dryness
  • May be racked and fined, but no animal products may be used at any point in the production process
  • Must be bottled under screw cap
Photo via: www.camelvalley.com/gallery

Photo via: www.camelvalley.com/gallery

The PDO application and document declare that the Bacchus wine produced in Darnibole is sufficiently different from the other Bacchus-based wines produced in England to warrant its own PDO, and may be described as follows: “Fresh with an expression of minerality providing for apple or gooseberry notes beginning at the front and persisting throughout. Occasionally, notes of kumquat and white peach appear and grassy notes at the end. Less obviously fruit-driven and more mineral than other Bacchus.”

The Darnibole PDO is of particular interest at this point in time, as it remains to be seen how the United Kingdom-based geographical indications (which include Scotch Whiskey, Irish Whiskey, and Stilton Cheese in addition to other products) will be handled after the UK exits the EU (if this does indeed come to pass). The subject was discussed a few weeks ago on the Drinks Business website.

 References/for more information:

 Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Austria’s Styria presents: Junker Wine 2018!

Photo via: www.steirischerwein.at

Photo via: www.steirischerwein.at

Austria’s Styria presents: Junker Wine 2018!

First things first: It’s pronounced yun-ker. 

There have been some significant changes to the wine regulations of Austria’s Steiermark (Styria) region this year. For instance, all three of the wine-producing regions within the Federal State of Styria—Vulkanland Steiermark, Südsteiermark, and Weststeiermark—were declared to be Districtus Austriae Controllatus (DAC) regions. And just like that, the Schilcherland DAC, which was approved as a DAC for dry rosé produced using the Blauer Wildbacher variety in October of 2017, is now gone (poof!) although the famous Schilcher Rosé will continue to be produced under the new Weststeiermark DAC.

Specific details (and EU approval) of these new DACs is still in the works, so more details—as well as changes—are expected in the next few months. We’ll do our best to keep you posted.

However, it’s good to note that one thing remains unchanged, and that is the tradition of Der Steirische Junker (the release of the year’s first wines of Styria) on the Wednesday before Saint Martin’s Day (November 11). This year, the release fell on Wednesday, November 7.

Photo via: www.steirischerwein.at

Photo via: www.steirischerwein.at

Junker is a wine you’ll most likely need to travel to experience. These young, fresh, and fruity “nouveau” wines are produced in red, white, and rosé versions and may be made using any of the approved grapes of the region.

The release of Junker wine has been accompanied by huge Präsentationen held (since 1995) in Graz (the capital of Styria) and Wien (Vienna) to celebrate the new wines of the year produced in Styria. This year, over 200 Junker wines were released, including included those produced using the following varieties: Sauvignon Blanc, Riesling, Chardonnay (known here as Morillon), Pinot Blanc (Weissburgunder), Welschriesling, Pinot Gris (Grauburgunder),  Traminer, and Blauer Wildbacher (Schilcher).

From the looks of the pictures on the Junkerpräsentation website, it might be worth a trip.

References/for more information:

  • https://www.austrianwine.com/our-wine/wine-growing-regions/steiermark-styria/
  • https://www.austrianwine.com/our-wine/glossary/?tx_a21glossary%5Bletter%5D=J&cHash=811f21096db518a3e201d9a63e068541
  • https://www.steiermark.com/en/styria/destinations-for-day-trips/styrian-junker-presentation_p905227
  • https://www.steiermark.com/en/holiday/food-and-drink/delicatessen-stores/wine/grape-varieties
Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Guest Post: What exactly is a natural wine?

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Today we have a guest post authored by Roger Bohmrich, MW. Roger is one of the most respected wine professionals in the country, as well as one of our all-time favorite SWE conference speakers. Read on while Roger untangles the confusion surrounding natural wine! 

What exactly is a natural wine, you may ask? Are wines with this moniker officially regulated by governments? Are they required to meet certain universal standards? How do they differ from – and are they superior to – organic or biodynamic wines? These and other salient questions frustrate inquiring wine drinkers. The fundamental problem is that, for now, the exact definition is both elusive and variable; consequently, winemakers, proponents and private associations have stepped into the void, minting their own rules. There is a degree of commonality, but not enough to come away with a precise characterization of natural wine, a term which is being applied to a myriad of styles from “orange” wines made in amphora to far more conventional iterations.

Undoubtedly, there is implicit appeal in the idea. Many of us, or at least a significant minority, tend to favor the pure and unadulterated in what we eat and drink. Wine is late to the natural party, however, and follows in the footsteps of the food industry. The word “natural” on all manner of foods from cereals to condiments does, studies show, speak to many U.S. consumers. On the other hand, few realize these supposedly unvarnished edibles may contain numerous artificial ingredients owing to lax or non-existent regulations. This should be a cautionary tale for those who willingly opt to apply “natural” to wines. They might have been wiser to choose another term – if indeed these wines share a definable profile and deliver added value to consumers.

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Consumer Reports, an independent nonprofit organization, conducted tests on a variety of food products displaying the term natural on their packaging. Their analysis revealed that Del Monte Fruits Naturals contain preservatives potassium sorbate and sodium benzoate. Kraft Natural Cheese has cellulose powder and an antifungal, natamycin. Alexia Sweet Potato Fries, which claim to be “All Natural,” contain xanthum gum. “We have long argued,” Consumer Reports writes, “that consumers should not be duped by ‘natural’ labels that currently aren’t backed by meaningful standards.” The U.S. Food and Drug Administration (FDA) has not put forward a rigorous, comprehensive set of rules governing the use of natural with respect to foods. In 2016, they sought comments from the public and a ruling may be forthcoming. The FDA says they have interpreted the term “natural” to mean products “with nothing artificial or synthetic.” As Consumer Reports points out, that may not be the case in practice. Moreover, FDA admits that they do not consider production methods – a major oversight. Similarly, the Alcohol and Tobacco Tax and Trade Bureau (TTB) has left the door wide open when it comes to alcoholic beverages. Their longstanding Ruling 85-4 stipulates that the designation “natural” with reference to wine is allowed provided that there is no added alcohol or brandy. Is it unreasonable to believe that wine drinkers are entitled to more than this?

Current definitions of natural wine provide a big tent to practitioners. Importers Jenny & François in New York, who are specialists in this niche, say on their website: “What we call natural wines are wines made with the least possible use of chemicals, additives and overly technological procedures.” That seems reasonable as far as it goes, yet it does not translate to an identity clearly distinct from organic or biodynamic wines. Alice Feiring, an American writer who supports the movement, offers an even more flexible concept she calls “natural enough.” This represents a pragmatic concession to the intervention every winemaker must undertake at some point. Tim Patterson, an insightful winemaking consultant, wrote in Wines & Vines that the challenge in finding a coherent definition “stems ultimately from the fact that no wine on earth is entirely natural—and yet every wine is, at its core, natural.”

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All this leaves us wondering about the genesis of the natural wine movement. Some say it was spawned in Beaujolais in the 1980s, when a small band which became known as the “gang of five,” headed by Marcel Lapierre, chose to pursue a non-interventionist winemaking regime. They were inspired by Jules Chauvet, a winemaker and researcher, who aspired to return to the hands-off practices of old. This group became known above all for their sans soufre approach: no sulfur dioxide was added. This by itself was a radical choice since sulfites were (and remain) the universal additive to protect wine from spoilage.

Curiously, though, today’s so-called natural wines are not, except in rare cases, as free of sulfites as possible. Limits on SO2 vary considerably within the natural wine community. France’s Association des Vins Naturels (AVN) says their members must agree not to add sulfites, yet they accept limits of 20 mg/l for red wines and 30 mg/l for whites (that is, above the naturally occurring level). Italy’s Association VinNatur apparently does not set limits but claims wines from their members range from less than 10 mg/l to 70 mg/l in total SO2, “with a few exceptions.” The Consorzio Vini Veri (CVV) sets a cap of 80 mg/l for dry wines and 100 mg/l for sweet wines. Raw Wine, a fair orchestrated by natural wine champion Isabelle Legeron MW, accepts at most 70 mg/l for all colors and styles. This limit was adopted by Decanter Magazine when they assembled 122 natural wines for review (May 2017). In other words, consumers seeking a sulfite-free drinking experience – or as close to that as possible – need to look elsewhere. One option would be wines labeled “USDA Organic,” which do not allow sulfites to be added and are permitted to contain a maximum of 10 mg/l, the level typically created as a byproduct of fermentation.

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The natural movement is struggling with – or, in some cases, trying to avoid – the issues surrounding terminology and definition. Isabelle Legeron chose as the subtitle of her book, Natural Wine, “An introduction to organic and biodynamic wines made naturally.” Does this shine a bright light on the true identity of natural wine, or simply reinforce the confusion with other methods? She recognizes that “there is, as yet, no official accreditation” for natural wines, “which leaves the term open to abuse and thus to criticism.” In the face of the limitations, she admits in all honesty that “perhaps ‘natural wine’ is not the best term to use.” Her passionate conviction is nonetheless expressed in the following statement: “…people all over the world have chosen to use the term ‘natural,’ in the face of all the alternatives, to describe healthily grown, nature-friendly, low-intervention wines that truly express their place of origin.” It seems unfair to quarrel with this idealistic depiction. The commitment at the heart of the cause to unsullied wine with authentic character is an attractive attribute; the devil is in the detail.

Among the intellectual leaders of the movement, there seems to be a consensus that, to qualify as a natural wine, the vineyards should be farmed in accordance with organic or biodynamic methods. Raw Wine has proposed a charter with this stipulation along with other criteria: a manual harvest, no added yeasts, no interference with the malolactic conversion, no additives (except sulfites), no sterile filtration or pasteurization. Reverse osmosis and the spinning cone (to remove alcohol) are disallowed. The AVN essentially agrees with these rules. The CVV stands apart, saying their rules “are even more restrictive” than organic or biodynamic. Overall, natural appears to straddle these alternate designations, depending on the country, but lacks rigorous independent certification or official regulation. This raises an obvious question: What precisely does natural wine offer that is not already delivered by certified organic and biodynamic wines?

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Leaving technical nuances aside, there is as well an enormous range of styles which enthusiasts place under the natural umbrella. This only adds to the challenge of coherent messaging. The diversity is reflected in the standouts in Decanter’s tasting of natural wines. There are orange-colored whites fermented with the skins such as La Stoppa “Ageno” from Emilia-Romagna made from Malvasia di Candia Aromatica, Decanter’s top wine. (Interestingly, the proprietor, Elena Pantaleoni, prefers artisanal to natural to describe her wines.) There are many other grape varieties well out of the mainstream including Vitovska and Pinela. But the selections are not limited to the obscure and encompass familiar grapes and appellations. There is a Muscadet from Domaine des Cognettes, a Riesling Kastelberg from Marc Kreydenweiss in Alsace, and a Chinon from Domaine de L’R. These producers are organic or biodynamic and may refer to making wine as “naturally as possible,” but they do not advertise that they are producing “natural wine” per se. Evidently, the winemakers themselves recognize the ambiguities.

When some professionals hear the term natural, they think of faulty, cloudy, quirky wines they may have tasted. It appears, however, that the category has been extended well beyond the oddities which were the leading edge of the movement; now, natural embraces wines which, in most respects, look and taste like mainstream counterparts. Putting bad winemaking aside, there is nothing wrong with the spirit behind natural wines. The quest for wines free of chemicals and heavy-handed manipulation is admirable and should be encouraged. As for the adventurous amphora-made examples with unusual flavor profiles, drinkers can approach each iteration on a take-it-or-leave-it basis. Circling back to the initial questions, we have to conclude that natural as a descriptor for wine means different things to different people. To gain a larger audience, exponents must work toward a universal definition and prove how the label differs from organic and biodynamic. Until then, the concept is likely to remain an ideal in search of an identity.

Roger Bohmrich, MW

Roger Bohmrich, MW

About the author: Roger Bohmrich, MW has enjoyed a fulfilling career in the wine trade and is currently an independent consultant, educator, writer and competition judge. He has worked for two national importers, last as Senior VP-Marketing of Frederick Wildman & Sons. More recently, he was Managing Partner of Millesima USA, the U.S. affiliate of Europe’s leader in direct sales of fine wines to consumers. Roger became one of the first U.S. Masters of Wine in 1993 and led the formation of the Institute of Masters of Wine (North America), where he served as its first President. He has appeared often as a speaker at wine festivals and conferences, and his articles and writing have been published in the Journal of Wine Research, Wine Business Monthly, Santé, Wines & Vines, and other publications. Roger has traveled extensively around the world of wine, and in recent years he has judged competitions in Argentina, Turkey and China.

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This article was first published on the Wine Knowledge section of the website of Wine Auction Prices—the Bluebook of Wine Values. It is re-published here with the permission of Edward Brooks, Managing Director of Grande Marque Management (owner of Wine Auction Prices). Click here to visit their site, which includes a wealth of wine information (and a podcast version of this article as well). Some of our favorites include “Unraveling the Tangled Web of Terroir,” “Bordeaux Classifications—do they have Relevance and Value,” and “A Story of Mystery and Romance: the Family Tree of Famous Grape Varieties.” The next essay to be published will be “Premox – Is the Threat Over?” – we are looking forward to it!

References/for more information:

  • Feiring, A. Naked Wine: Letting Grapes Do What Comes Naturally. Da Capo Press, 2011.
  • Legeron, I. Natural Wine: An Introduction to Organic and Biodynamic Wines Made Naturally. CICO Books, 2014.
  • “Natural” on Food Labeling. www.fda.gov/Food, November 11, 2017.
  • Patterson, T. Inquiring Winemaker. Natural, Natural Enough, And Sort of Natural. Wines & Vines, December 2011.
  • Rock, A. Peeling Back the ‘Natural’ Food Label. www.consumerreports.org, January 29, 2016.
  • Woolf, S. It’s only natural: the 31 wines you need to try. Decanter, May 2017.
  • www.jennyandfrancois.com