Hugel’s Law

Alsace SceneAlsace, with its strategic location tucked between the Vosges Mountains and the Rhine River, has passed between French and German rule for hundreds of years. As a matter of fact, in the period between 1844 and 1919, Alsace was passed back and forth between the two regions four times! However, with the ratification of the Treaty of Versailles in 1919, Alsace became officially French.

Alsace has a long history of wine production…viticulture and wine making in the region has been traced to the fourth century BC!  However, due to the fact that even after Alsace’s return to France in 1919, German wine laws remained in effect for quite some time, Alsace was not granted an Appellation d´Origine Controllê until 1962.

Currently, 119 communes are allowed to produce Alsace AOC using the following ten grape varieties: Riesling, Gewurztraminer, Pinot Gris, Pinot Noir, Pinot Blanc, Sylvaner, Muscat, Chasselas, Auxerrois, or Klevener de Heilgenstein.  (Klevener de Heilgenstein, aka Savignin Rose, may only be grown in a few areas.)

The AOC for Traditional Method Sparkling Wines – Crémant d’Alsace – was approved in 1976. Crémant d’Alsace may be produced using any of the 10 approved grapes of the region, and may include Chardonnay as well.

Johnny Hugel in 2004

Johnny Hugel in 2004

Despite the fact that most Alsatian wines are dry, in 1983 two new designations were introduced – Vendange Tardive (Late Harvest) and Sélections de Grains Nobles (Botrytis-affected) – which may be used for sweet wines. These changes, now known affectionately as “Hugel’s Law,” came about as a result of an effort by Jean “Johnny” Hugel, who first described a wine as a “vendage tardive” after the long, hot summer of 1976.  Interestingly enough, up to this point the laws of the Alsace AOC stated explicitly that the wines be dry, despite the region’s Germanic influences and the long history of dessert wine production just across the border.

Johnny Hugel recognized that despite the laws, warm vintages had produced wines with residual sugar and the accompanying lushness and longevity.  He also knew that shortcuts could be taken in the cellar to produce sweet wines, so he drafted a set of strict rules and regulations for Vendage Tardive* and Sélections de Grains Nobles, which were eventually accepted by the INAO in 1984 (with the minimum sugar levels increased in 2001).  The Hugel & Fils website has a very nice summary of the regulations, and an homage to Johnny and his dedication in getting Hugel’s Law passed…click here and follow the link to “Vendage Tardive and SGN.”

Alsace ViewIn 1975, the laws were revised once again to designate some of the outstanding vineyards of Alsace as “Alsace Grand Cru.” Beginning with the 1983 harvest, 25 vineyards were allowed to use the “Grand Cru” designation on their labels.  The law was revised in 1992 when another 25 vineyards were added to the list.  The 51st Grand Cru, Kaefferkopf, was awarded in 2007. As of 2011, each of the Alsace Grands Crus was awarded its own AOC.

With very few exceptions, all of the Alsace Grands Crus wines are 100% varietal white wines and must be exclusively produced with one of the four “approved” varieties of the Alsace Grand Cru:  Riesling, Muscat, Pinot Gris, and Gewurztraminer.  The few exceptions include:

  • Zotzenberg, which may be produced from 100% Sylvaner; blends are also allowed.
  • Altenberg de Bergheim, which may produce blends containing 50-70% Riesling, 10-25% Pinot Gris, and 10-25% Gewurztraminer; as well as up to 10% (total) of Pinot Blanc, Pinot Noir, Muscat, or Chasselas – but only if the grapes were planted before 26 March 2005.
  • Kaefferkopf, which may produce blends containing 60-80% Gewurztraminer, 10-40% Riesling, up to 30% Pinot Gris, and up to 10% Muscat.

The website Alsace-Wine.net has a sortable list of Alsace Grand Cru linking to a great deal of information about each of these fascinating vineyards!

*Interesting Factoid:  The name “Vendage Tardive” is sometimes written in the plural form, “Vendages Tardives,” to indicate that several actual “sweeps” of the vineyard might be used during harvest. Both versions are correct.

 

 Post authored by Jane A. Nickles, CWE – your SWE Blog Administraor bevspecialist@societyofwineeducators.org

 

 

Meet the Board of Directors: David Glancy

Today we are continuing our series of posts to introduce you to the new members of SWE’s Board of Directors.  Read on to meet Master Sommelier David Glancy!

David GDavid Glancy has been a wine professional for over twenty years, and has earned more than his fair share of impressive credentials along the way. David is a Master Sommelier, Certified Wine Educator, Certified Specialist of Spirits, and French Wine Scholar. If we were to spell out all of his post-nominals it would look something like this:  David Glancy, MS, CSS, CSW, CWE, FWS.

After several years in the hospitality industry both the U.S. and Asia, David created and taught the Certified Sommelier Program at the Professional Culinary Institute (now known as the International Culinary Center) in Campbell, California. His educational experience also includes teaching wine and business management at Le Cordon Bleu’s California Culinary Academy in San Francisco.

More recently, David launched the San Francisco Wine School, offering professional wine courses and certification prep courses, in June of 2011. In addition, David currently runs SFsommelier Consulting, is on the Editorial Advisory Board of Sommelier Journal, and is Echanson Provincial for the Chaine des Rotisseurs Pacific Northwest.

David’s first love was a glass of Vouvray, soon followed by another glass. Today, he says he could happily live on Champagne alone. Welcome, David!

Meet the Board of Directors: Missi Holle

Last week, SWE welcomed its new Executive Committee and Board of Directors.  While many of our board members have served for quite a few years, there are also some new faces in the group as well.  Today we’d like to introduce you to one of our new board members, Missi Holle…and thank her for her service to the Society!

Missi HolleMissi Holle, CSW, CSS is a newly elected member of the Board of Directors for the Society of Wine Educators.  She has over 16 years of experience in the wine and spirits industry, has trained through the Court of Master Sommeliers and has most recently earned the Wine Location Specialist (with distinction) designation through the Center for Wine Origins.

Missi found herself “accidentally” in the beverage industry after earning her Marketing degree from the University of Florida.  Having worked nights and weekends as a server and bartender throughout college, her hospitality experience and the attraction of daytime hours led her to a full time job with a Central Florida wine & spirits distributor.  After 2 years, she decided to try her hand within the Corporate Meetings industry, working for Hard Rock Café and GES Exposition Services before passion led her back into the beverage business as a National Account Manager for Banfi Vintners (4 years) and now Kobrand Corporation (10 years).

Education has always been a focus for Missi and today, in addition to her position as National Account Manager for the southeast US, she is the Education Specialist for the Channel Division at Kobrand.

When not working, her favorite times are spent at the dinner table sharing her husband’s home cooked meals and great beverages with family and friends.  She loves to travel and check out new restaurants and bars, enjoys running and a good book!

Welcome, Missi Holle!

SWE Welcomes New Executive Committee and Board Members

SWE's new President, Guy Stout, MS

SWE’s new President, Guy Stout, CSS, CWE, MS

As of August 15, 2013 the Society of Wine Educators welcomed two new Board Members and a new Executive Committee.  Our new President is Guy Stout, CSS, CWE, MS, Corporate Director of Beverage Education at Glazer’s Distributing.

Rounding out the Executive Committee are:

  • Edward Korry, CWE, Vice President
  • Gary Spadafore, CWE, Educational Liasion
  • Don Kinnan, CWE, Secretary
  • Neill Trimble, Treasurer

 

Our two new members of the Board of Directors include David Glancy, CSS, CWE, MS, who currently serves as the Founder and Chief Executive Officer of the San Francisco Wine School, and Missi Holle, CSS, CSW, National Account Manager and Southeast Education Specialist for Kobrand Corporation.

Continuing to serve on the Board of Directors are:

  • Maria E. Denton, CWE (Pinnacle House – Washington Wholesale)
  • Gary Spadafore, CWE, Educational Liasion

    Gary Spadafore, CWE, Educational Liasion

    Patrick D. Dodd, CWE, CSS (Gallo Family Vineyards)

  • Margie Ferree-Jones, PhD (Collins College of Hospitality Management – Cal Poly, Pomona)
  • Mary Gorman-McAdams DWS, MW
  • Linda G. Lawry, DWS, CWE (International Wine Center)
  • Paul Wagner (Balzac Communications & Marketing)
  • Henry Wasserstein (Skadden, Arps, Slate, Meagher & Flom LLP)
  • Barry Wiss, CWE (Trinchero Family Wine Estates)
  • Hayato Kojima, CWE, Director Emeritus (Wine & New Life, Ltd.)
  • William Lembeck, CSS, CWE, Director Emeritus (Wine & Spirits Program)
  • Sharron McCarthy, CSW, Director Emeritus (Banfi Vintners)

The Hard-working office staff of SWE continues to be:

  • Sharron McCarthy, CSW, Director Emeritus;  William Lembeck, CSS, CWE, Director Emeritus; and Neill Trimble, Treasurer

    Sharron McCarthy, CSW, Director Emeritus;
    William Lembeck, CSS, CWE, Director Emeritus; and Neill Trimble, Treasurer

    Shields T. Hood, CSS, CWE, General Manager

  • Vanessa Brandenburg, Operations Director
  • Ben Coffelt, Education & Technology Manager
  • Jessica Morse, Education Programs Assistant
  • Eva Woo, Education Programs Assistant
  • Kerry Lynch, Membership and Events Assistant
  • Jane A. Nickles, CSS, CWE, Education and Certification Consultant

Welcome and Congratulations to our new board! Here’s to a successful SWE Year.

 

For contact information, please consult the SWE Website at: http://www.societyofwineeducators.org/contact

SWE Presents 2013 Grand Award to Professor “Chip” Cassidy

Chip and GobletEvery year, at the annual conference, the Society of Wine Educators grants a prestigious lifetime achievement award to a deserving wine professional.  Known as “The Grand Award,” this award has been presented to a plethora of wine luminaries, includng Robert Mondavi, Sandro Boscaini, Jancis Robinson, Warren Winiarski, Carol Meredith, and Mike Grgich.

This year’s award was presented to Patrick J. Cassidy during the Friday luncheon of the Society’s 37th Annual Conference, held in Orlando, Florida.   

Professor “Chip” Cassidy’s wine experience began over 40 years ago in New York. Working in a wine shop through college led to the head sommelier’s position at the Breakers Hotel in Palm Beach. He later became the wine buyer for the Crown Wine and Spirits chain, and worked previously at Sunset Corners, a large volume wine shop. He currently serves as a wine and beverage instructor at the Chaplin School of Hospitality & Tourism Management of Florida International University.

A member of the entering class of FIU’s inaugural year, Chip graduated with a Bachelor’s Degree in Hospitality Management. His teaching career began in 1984. Today he teaches Wine Technology, The Business of Wine and recently has developed a Wine Certificate Program offered to professionals already working in the wine or related fields.

A noted speaker and fundraiser, Professor Cassidy was instrumental in developing the concept to build the Southern Wine and Spirits Beverage Management Center, a state of the art wine teaching laboratory. A man of many “hats”, Chip is a decorated Vietnam War veteran, avid reader, and passionate fisherman. Today he resides in South Miami-Dade County with his wife Christine and beloved golden lab, Darius.

Chip and HarrietDuring the awards presentation, Harriet Lembeck, Mistress of Ceremonies, presented Chip with a Riedel “Grand Shiraz” goblet with the following inscription: The Society of Wine Educators toasts  Patrick J. “Chip” Cassidy, CSH & TM at Florida International University for Impeccably High Standards as a Wine Communicator, Fundraiser, War Hero, and Mentor to his Students. Orlando, FL 2013.

Congratulations, Professor Cassidy!

The Wine Formerly Known as Tricastin

Rhone1973 was a very good year for the winemakers of the Côteaux du Tricastin.  The region, which sits on the eastern bank of the Rhône River, was approved as an AOC after nine years as a VDQS.  It’s a unique area, slightly at a crossroads, being the northernmost appellation of the southern Rhône, with vineyards sitting at a slightly higher elevation than elsewhere in the Rhône.

A year later, construction began on the Tricastin nuclear plant, just west of the Rhône, and within a few miles of the vineyards. In France, where three quarters of the electricity is generated via nuclear power, you are never far from a reactor. So, life went on, both nuclear and bucolic.

That is, until July 2008, when 4,755 gallons of Uranium solution were accidentally released in a “Level One International Nuclear Event.” That’s level one out of seven, on the Nuclear Reactorsmall side, so officially this event was labeled as an “anomaly” as opposed to an “accident” or even an “incident.” However, no one seems to like the thought of nuclear radiation near their food, wine, or water!

Needless to say, sales of Côteaux de Tricastin wines plummeted.  In a business where image is everything, the name “Tricastin” had become associated with a nuclear error, however small. Some producers reacted by printing the name of the appellation in teeny-tiny print, or even moving it to the back label.  Others brought in Geiger counters to prove the wine was not radioactive. Some even gave into EU incentives to dig up their vines and find a new profession.

Others began to look for a more permanent solution, and petitioned the INAO for a name change.  The INAO, defenders of terroir that they are, do not take name changes lightly. However, in this case, a change was allowed and as of the 2010 vintage, Côteaux du Tricastin is now officially known as the Grignan-Les Adhémar AOC.

Château de Grignan

Château de Grignan

The new name refers to Grignan, the main village of the region, which comes complete with an elegant Château and ties to both nobility (the dashing Count of  Grignan was a member of the noble Adhémar family) and French literature (the 17th-century letters of the Marquise of Sévigné were addressed to an inhabitant of the Château). The vignerons of the region thought this was a nicer association than glow-in-the-dark wine.

Along with the name change, tougher standards for the wines of the region were enacted, which include lower permitted yields, restrictions on herbicides, and minimum percentages for the highest quality grapes.

Red wines of the Grignan-Les Adhémar AOC are made from Syrah and Grenache, with Carignan, Mouvèdre, and Cinsaut permitted up to levels of 15% each, as long as their combined total does not exceed 30%. Whites are a blend of Grenache Blanc, Clairette, Marsanne, Roussane, and Viognier; with no single variety allowed to exceed 60% of the final blend.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administration jnickles@societyofwineeducators.org

Coro Mendocino

Point Arena Lighthouse, Mendocino, California

Point Arena Lighthouse, Mendocino, California

Mendocino County is known for many things, including its often mentioned “official #1 cash crop,” the Skunk Train, and the Point Arena Lighthouse. We wine lovers also apprciate its 13 AVAs (two more pending), it sparkling wines, and the Café Beaujolais.

But did you know that Mendocino County is also home to the only “Regional-Identity” wine program in the United States? In an approach somewhat similar to that of many European appellations, any wine producer in Mendocino County can produce the wine, known as “Coro Mendocino,” provided they follow the rules.

According to the Coro Mendocino website, “Coro means ‘chorus’ in Italian and Spanish and is reflective of the collaborative spirit of Mendocino County’s winemakers, our distinctive voices heard together in harmony–in accord.”

The rules – and there are many – include basing the wine on the Zinfandel grape variety.  Zinfandel must be between 40% and 70% of the blend, and no other grape variety can take a dominant role.  The other grapes in the blend can include the following varieties, as long as they do not overpower the Zinfandel:  Syrah, Petite Sirah, Carignane, Sangiovese, Grenache, Dolcetto, Charbono, Barbera, and Primitivo. There is also a 10% “free play” provision that states that 10% of the blend may be from any vinifera variety.

Coro Mendocino LabelsAll grapes in the blend must be 100% Mendocino fruit and the wine must be produced at a bonded Mendocino County Winery.  The wine must be aged for one year in barrel, followed by one year in bottle.  Along with a fairly detailed list of production parameters and labeling requirements, the wine must pass the strict review of the Coro Mendocino selection panel and review process.

Coro Mendocino has been produced every year since 2001. The 2010 version, set to be released on June 22, 2013, has a total of ten producers, including Brutocao, Claudia Springs, Fetzer, Golden, Mendocino Vineyards, McFadden, McNab Ridge, Parducci, Philo Ridge, and Ray’s Station. Tickets to the release party are almost sold out…but if you hurry, you might be able to grab a pair.  There will be a lovely dinner, and you know the wine will be great!

For more information:

 

German Wine Laws: Revised, Reviewed, and Re-learned

Germany RiverHave you ever felt that German wine terminology, with its Geisenheimer Rothenberg and its Amtliche Prüfungsnummer is a bit confusing?

If so, hang on, because it just got a bit more interesting. In keeping with the EU wine blueprint, German wine law was recently reformed for the first time since the last set of major revisions in 1971.  These latest changes occurred in 2009, and now wines are divided into three broad categories, with all kinds of loops and squiggles betwixt and between.

Many of these terms will look and sound familiar to serious students of wine.  But if you happen to be studying for a certification (or any other reason) look closely…there are some significant changes, particularly in the names of the categories.

The new levels of the classification hierarchy for all wines, in ascending order of quality are: 

  • Wein:  This category, previously referred to as tafelwein or table wine, is used for basic wine. There are very few guarantees of quality at this level and most wein is made for the domestic market. These wines may be enriched or chaptalized to increase the final alcohol level of the wine. Some of the wine available at this level is imported bulk wine, mostly from Italy. In order to use the term “Deutscher Wein” the wine must be 100 percent German in origin.
  • ggA – Geschützte Geographische Angabe:  This category contains what used to be referred to as “landwein” or “country wine.” These wines correspond to the PGI category in the overall EU scheme and are a step up from the basic wein category.  At this level, the grapes must be slightly riper than those for wein (half a percent more potential alcohol); Germanyhowever, chaptalization is still permitted. A minimum of 85% of the grapes must be grown in Germany in one of the designated landwein regions, with the particular region specified on the label.
  • gU – Geschützte Ursprungsbezeichnung:  This new designation has two sub-categories, and  includes those wines previously covered by the  Qualitätswein bestimmter Anbaugebiete (QbA) and  Qualitätswein mit Prädikat (QmP) categories. All of these wines are PDO wines. They must carry a place name on the label, with 100% of the grapes from the named region.  The terms Qualitätswein (QbA) and Prädikatswein (QmP) will continue to be used.

The subcategories of gU (Geschützte Ursprungsbezeichnung) are as follows:  

  •  Qualitätswein is the lower level of the two gU categories. These wines are defined as “quality wine from a designated region.”  These wines represent the largest proportion of German wine output. Qualitätswein wine must come from one of thirteen Anbaugebiete (specified winegrowing regions), be made with one of the approved grape varieties, and reach sufficient ripeness for recognition as a quality wine. Chaptalization is, however, permitted for this category.
  • Germany Steep VineyardsPrädikatswein is the highest quality level designation.  These wines may be defined as “quality wine with attributes.”  Prädikatswein must be produced from grapes grown within the same thirteen Anbaugebiete as the Qualitätswein. These wines may NOT be chaptalized.

To make matters just a bit more complicated, wines at the Prädikatswein level, have another element in their name which indicates the level of the ripeness of the grapes at harvest.  Luckily, these terms have not changed, but just as a refresher, here they are:

  • Kabinett: light- to medium-bodied wines made from grapes with the lowest ripeness level of the prädikate. These wines average 7 to 10 percent alcohol.
  • Spätlese (“late harvest”): wines of additional ripeness made from grapes harvested after a designated picking date. With the extra ripening time, the grapes develop more intense flavors and aromas than Kabinett.
  • Auslese (“selected harvest”): wines made from grapes that have stayed on the vine long enough to have a required level of sugar. The wines can be intense in bouquet and taste, and they have a potential alcohol level in excess of 14 percent.
  • Beerenauslese (BA; “selected berries”): rich, sweet dessert wines made from individually harvested berries, which are sweeter than Auslese and which may also be affected by the honeyed influence of botrytis, known in German as Edelfäule.
  • Eiswein (“ice wine”): wines made from frozen grapes harvested at a BA level of ripeness or higher. Having already become overripe from staying on the vine as late as January, these grapes are harvested after they freeze in the vineyard. They are crushed immediately, and much of the water in the berries is discarded as ice, leaving grape must with a very high sugar level (see chapter 5).
  • Trockenbeerenauslese (TBA; “selected dried berries”): wines from individually picked berries that are overripe to the point of being raisins and are often further shriveled by botrytis. TBAs are considered to be among the world’s greatest dessert wines.

It’s all about the sugar:  In the post-1971 wine regulations, historically renowned vineyards and other aspects of terroir have been largely ignored in favor of classifying wines by grape ripeness.  This priority makes a good deal of sense in the cool-climate vineyards of Germany, where ripeness is never guaranteed, and when it is achieved, it is given the honor it is due.

But terroir is not to be forgotten: Some top-notch wine producers in Germany draw attention to their unique and diverse terroir through the efforts of the VDP.  The VDP, “Verband Deutscher Prädikatsweingűter” was founded in 1910 as the Association of German “Naturweinversteigerer” (natural, meaning non-chaptalized) wines.  Today, the VDP has member estates from all 13 Anbaugebiete with the goals of preserving Germany’s traditional viticultural heritage, encouraging excellent wine production, and designating top vineyards sites in each region. The VDP classification system of top vineyard sites was revised in 2012 and now has four levels of classification. These are listed below, in order from listed from highest to lowest:

  • VDPVDP Grosse Lage: The highest level vineyards of the estate, translated as “great site.” (The term Erstes Gewächs (“first growth”) is used in the Rheingau, and there are other regional variations as well.)
  • VDP Erste Lage: The second highest level vineyards of the estate, translated as “first site.”
  • VDP Ortswein: Translates as “classified site wine.”
  • VDP Gutswein:  Represents good, entry-level wines, translated as “estate wine.” The wines originate from an estate’s holdings within a region, and meet the stringent standards prescribed by the VDP.

Whew! I know that was pretty tough to read, but wasn’t it worth it to consider yourself up to date – at least for now – on the German wine classifications?

Let’s hope so!

 

 

 

Protection for Prošek?

Diocletian Palace in SplitProšek is a traditional wine made in the region of Dalmatia on the eastern coast of  Croatia.  The history of the wine in this region has been traced back as far as 305 AD, when the area was still part of the Roman Empire.  In that year the Emperor Diocletian, weary and ill, became the only Roman Emperor to ever voluntary leave the position.  He abdicated his throne and went to live in Dalmatia in the city of Split, where his ancient palace still stands.  Written records tell us that Emperor Diocletian was a big fan of the sweet local wine, Prošek.

Prošek is still made throughout Dalmatia, both in the coastal areas and on many of the hundreds of islands that make up the region. The wine holds a traditional place in the family life of many Croatians, who make a batch of the wine when a child is born, and put the bottles away to be opened on the child’s wedding day.

Primosten Vineyards in CroatiaProšek is a sweet wine made in the passito method.  After harvest, the ripe grapes are spread out on straw mats and allowed to dry for several days to a few weeks, concentrating their sugar and flavors.  The wine generally has 12% sugar and 15% alcohol.  While there is no set formula for the wine, which is loosely regulated as a “specijalno vino” or specialty wine, typical grapes include the varieties Bogdanuša, Maraština, Grk, and Vugava, which are all native Croatian white grapes. Some versions, especially those considered to be the highest quality, use Plavac Mali in the blend. Due to its high sugar content and long aging tradition, the wine is often loosely compared to Vin Santo or Sherry.

Croatia, after some tumultuous times in recent history, gained its independence in 1991 and is scheduled to become the 28th member of the European Union on July 1, 2013.  While this certainly is considered progress in the positive sense, EU membership brings with it a host of regulations.  Croatia currently has a system of regulating its wines, and classifies its wines as Vrhunsko Vino (premium quality wine), Kvalitetno Vino (quality wine), and Stolno Vino (table wine).  These categories surely will undergo changes soon, as have the wine regulations of most EU members.

prosekOne facet of entry into the EU that might be a bit harder to love is the current EU quibble with the term “Prošek.”  Being a wine enthusiast, one of the first things that most likely came to your mind upon reading this article was the similarity between the name “Prošek” and that of Italy’s popular bubbly, Prosecco.

The name “Prosecco” has protected designation of origin (PDO) status and can only be used for wines from the desginated Prosecco region, so much so that the name of the main grape recently had to be changed from “Prosecco” to “Glera.”

While Prošek and Prosecco-the wines themselves-have little in common, one being a light, dry bubbly from Italy and the other being a sweet, passito, still wine from Croatia; the two words sound too close for comfort for the EU authorities, who have ruled that after July 1, the Croatian wine cannot be labeled using the term Prošek.

Croatia’s Ministry of Agriculture filed an application to protect the term Prošek, but the European Commission requested that it be withdrawn.  For the time being, it is up to Croatia to get the ban lifted. Perhaps they can find a way to protect Prošek before it is too late. Best wishes to all involved…

 Post written by Jane A. Nickles, CWE (your SWE Blog Administrator) bevspecialist@societyofwineeducators.org

 

The Grands Crus de Bordeaux of 2010

Guest Author Paul Wagner takes us along as the Grand Crus de Bordeaux of 2010 travels to San Francisco, New York, Chicago, Washington DC, L.A. and beyond…

san franciscoThe Garden Court at the Palace Hotel in San Francisco began life 140 years ago as an open-air courtyard for horse-drawn carriages. Modeled on the Paris Opera House, the Palace enclosed the courtyard in 1904 and covered it with a glorious expanse of Belle Epoque stained glass. The Garden Court normally serves breakfast and lunch to hotel guests, but on January 18, 2013 the Garden Court is closed for a private event.

Twenty-four hours earlier, more than 110 owners and winemakers of the top chateaux in Bordeaux left their homes to promote the wines of the great 2010 vintage. The tour is a combination of military logistics combined with the grand opera of great wine.

By eight o’clock the next morning the Garden Court is a flurry of activity. Fifty-five tables are draped with sparkling white linen and crystal arranged throughout the room, each to be shared by two of the chateaux. In the center of the Garden Court, a small army of highly trained staff is given a briefing to prepare for their roles in the show.

red wine tasting line up of glassesAt 12:50 the chateau owners begin to arrive at the Garden Court, and the staff takes up its stations. Outside, a crowd of more than 200 importers, distributors, restaurateurs, retailers and media have already registered and are anxiously waiting to get in. The last few chateau owners push their way through the crowd and take their positions at their tables. It’s show time.

The critics are raving about the 2010 vintage.  The Domaine de Chevalier white is described by Gilbert and Gaillard as “Fleshy, polished, very fresh attack with clean, clear-cut aromas. Full, long and ethereal.”

The Wine Spectator describes the Smith-Haut Lafitte red as “Gorgeous, with alluring black tea and warm ganache notes that unfurl slowly, while the core of intense steeped plum, anise, blackberry compote and black currant confiture sits patiently in reserve.”

The buzz in the room is audible. Every chateau seems to have its share of fans and old friends. The chateau owners are now opening more bottles.  Robert Parker says of the Canon La Gaffaliere, “On the palate, the wine is dense and full-bodied, with stunning concentration, purity, texture and length.”  Decanter says that the Pomerol of Petite Village is “Impressive wine this year. The best ever? Dense, complex nose. Explosive fruit on the palate. Velvety texture.”

SauternesNear the end of the tasting, the crowd slows its pace and packs the space in front of the Sauternes tables. A top distributor puts his arm around the shoulders of a famous restaurateur and leans in to share a story. A winemaker from Napa buries his nose in a glass of Suduiraut and then slowly shakes his head in wonderment. His companion chuckles. Exhausted, smiling, with teeth stained black from scores of red wines, the tasters slowly walk out of the Garden Court into the night.

Early the next morning the chateau owners leave for Los Angeles, where they pour at a consumer tasting for more than 2,000 people that afternoon.

The Wine Enthusiast raves about the Cantemerle: “A great success for this southern Médoc chateau, this is fine, elegant and perfumed. It bursts with a black fruit flavor, balanced by smooth tannins and acidity.”

James Suckling says of the Chateau La Lagune, “What a lovely texture to the wine, with super soft and supple tannins and blackberry and currant character.”

new york mapSunday is a travel day to New York, followed by a tasting in the ballroom at the Marriott Marquis in Times Square on Monday, with more than 900 in attendance. It’s time to focus on the Médoc itself, from Margaux to St. Estephe. “Shows serious, well-embedded grip, and the core of fruit is spot on. This has the range, length and cut for the cellar,” the Wine Spectator notes of the Chateau Giscours.

Stephen Tanzer loves the Branaire-Ducru: “Bright ruby-red. Floral aromas of fresh red cherry, redcurrant, violet, gunflint and minerals. Suave on entry, then pliant and sweet, with a plush texture and a smoky quality to the redcurrant, blackberry and floral flavors.”

Jancis Robinson says that the Beychevelle is “Inviting, savoury dark fruit. Wonderfully juicy in the middle of all that tannin structure. Chewy and dense and then a chocolate sweetness at the very end.”

chicago mapIn Chicago, the legendary Drake Hotel sets up the Gold Room the night before in preparation, but a malfunction in the fire sprinkler system soaks one end of the room in the middle of the night. The staff works through the night, and by 11:00 a.m., when a few Bordelais arrive to inspect, the dark red carpet and marble floors are flawless. The grapevine motif in bas relief  glitters on the gold pillars that line the room.

Berry Bros. & Rudd sing an ode to the Pichon Comtesse de Lalande: “Silky, creamy and lush, it has a killer body and a spectacular finish.”

Farr Vintners is enchanted with the Phélan Ségur: “Layered, opulent, ripe and fleshy, this beauty should drink nicely for 10-15 years.”

The group leaves early the next morning to fly to Washington, DC, for their fifth tasting in six days.   While 2010 was a stunning vintage throughout Bordeaux, perhaps the greatest wines are the Sauternes. And like the wines, the reviews are effusive.

dc mapThe Wine Spectator says that the Coutet “Offers a bright inner core of honeysuckle, pineapple, star fruit and white peach flavors, coated for now with heather honey, marzipan and mango notes. Fresh and racy through the finish, this is an elegant beauty, showing terrific cut and precision”

Chateau Suduiraut got the attention of the Wine Enthusiast: “Richly textured, with an opulent feel, concentrated, the fruit buried in the dense flavors. It makes for a big, powerful wine, looking to a long future.”

James Suckling notes the Chateau Guiraud has “Ripe lemon peel and orange. Some honey and vanilla with loads of new wood. Dense and very sweet on the palate with nice pure fruit and firm tannins from the oak that still needs time to soften.”

As they fly home, the Bordelais leave lasting memories of both their wines and themselves. Clyde Beffa of K&L wines notes, “We are told that the 2010s will be long lasting wines. One journalist said that the wines would age for a century… it was another monumental vintage from a magnificent Bordeaux decade.”

Indeed it is. And sixteen days later, one hundred and five chateau owners fly to China. There are other worlds to conquer.

1 paulwagner1 12 11 (3)Paul Wagner is president of Balzac Communications & Marketing and is also an instructor for Napa Valley College’s Viticulture and Enology department and the Culinary Institute of America at Greystone. He is a regular columnist for Vineyards & Winery Management Magazine, and contributes to Allexperts.com in the field of wine and food.

Paul is a founding member of the Academy of Wine Communications, a member of the nominations committee of the Culinary Institute of America’s Vintner’s Hall of Fame, and was inducted into the Spadarini della Castellania di Soave in 2005.

In 2009 he was honored with a “Life Dedicated to Wine” award at the Feria Nacional del Vino (FENAVIN) in Spain. He is also a member of the board of directors of the SWE.