Guest Post: The Romance of Scotch Whisky

FiveToday we have a guest post from Spirits Educator Russ Kempton, CSS. Russ shares with  us some of what he learned about Scotch whisky during his five trips to Scotland!

Impersonal – that’s how I would describe most of the distilleries in the world.  However, the opposite is true for the distilleries located in Scotland. Do other regions and countries have long and just as distinguished history in producing distilled spirits? – Yes; but I feel that for the romance and the mythology, there are none like the Scotch whisky distilleries.

Rugged, rustic, and remote outposts describe most of Scotland’s distilleries in operation today, not one alike and all unique. Scotland’s unique, complicated, eco-system produces exceptional, tradition-rich whiskies. Due to this environment, Scotch whisky is among the most diverse spirits in the world.

Since the mid 1800’s, the debate among whisky drinkers has been which type of Scotch whisky is the complete spirit – single malts or blends? Single malts epitomize the distilleries signature as to what can be produced at a single distillery, while the blended whiskies style come from the vision of the Blending Houses.

OneTo be classified as a single malt Scotch, these requirements must be met; distilled from 100% malted barley, a product of one distillery, produced exclusively in Scotland, aged a minimum of 3 years in oak barrels, and placed into the bottle at no less than 80 proof or 40 alcohol by volume. Single Malt Scotch has three basic ingredients; malted barley, water and yeast with the color coming from the oak during maturation.

Blended Scotch will come from whisky produced at many distilleries with the majority (average 60%) being distilled from various grains such as unmalted barley, maize, and wheat. The grain whisky in the blend must be aged a minimum of three years and aged to the label year, if the blend carries an age. The remainder of the blend will contain, on average, approximately 35 to 40 single malts.

Blended Scotch of higher quality and price will carry a higher concentration of single malts in the blend. Blends on the opposite end of the scale will carry more grain bringing the quality and price down. The blender wants their whisky to be consistent for their loyal consumers. For this reason, they strive to produce a whisky which has a distinguishable quality and characteristic.

FourMany Scotch whisky distilleries are located in the mountains or glens, near rivers, lochs, or along the coast. The four seasons and weather in the areas will affect the barley, fermentation, distillation, and maturation at the distillery. During maturation the oak barrels and casks “breathe” the local air simply because the barrels are watertight but not air tight. For example, whisky aged in warehouses by the sea will pick up definite maritime qualities, therefore affecting the finished whisky and giving it the signature from that specific region.

There are five steps to a finished product: malting, mashing, fermentation, distillation, and maturation.

MALTING: Barley is germinated during this step, converting the starches into fermentable sugars. It is then arrested by drying the barley in a kiln, usually over a peat fire, for 24 – 36 hours.  The longer in the kiln, the more smoke influence in the finished product. Peat is simply decomposed plant life, usually heather. Before being used in the kiln, the peat is pressed and dried.

MASHING: The dried grain, now known as malt, is milled into a coarse flour called grist. The grist is then mixed with hot water in a mash-tun where the conversion of starch into sugar is completed. This sugary liquid is now known as wort. The wort is next transferred into huge vats (washbacks) for fermentation.

FthreeERMENTATION: Yeast (unique to each distillery) is added to wort.  The sugars in the wort are converted into a low-proof alcohol known as wash.  This process takes 48 – 72 hours (average), some distilleries fermentation cycles are lower or higher.

DISTILLATION: The Wash is put in copper pot stills and distilled twice. The first distillation is the wash still with the spirit vaporizing, condensing to produce low wines. The second distillation in the spirit still consists of three cuts; only the middle- the heart- of the run is pure enough for maturation. The usable spirit is called “new make spirit” and sent on for maturation.

MATURATION: The new make spirit is aged in oak barrels or casks for a minimum of three years and starts to pick up its color and flavor profile. A ten-year maturation or longer period is typical for single malts of high quality. During aging, 1% – 3% of the spirit will evaporate each year; this is simply known as the “angel’s share”. Oak barrels or casks play a significant role during maturation; as much as 60% of the whisky’s flavor comes from the wood influence. Some distilleries use only sherry casks in their maturation process; however the vast majority will use used bourbon or Tennessee whiskey barrels since bourbon and Tennessee whiskey can only be produced in new charred oak barrels.

TwoThe Scots in the whisky industry are highly dedicated to their heritage, passionate about quality and committed to excellence.  All of this magic is fused from three basic ingredients, time, place, and environment.

Slainte Mhath! (pronounced Slan-Je-Va) – meaning “good health to yours” in Gaelic.

Russ Kempton, CSS, is a Distilled Spirits Educator conducting spirits education, training, seminars, tastings, events, dinners, and consulting throughout the United States. He also holds the Certificate of Expertise in the Sales & Service of Scotch Whisky, received in Edinburgh on one of his 5 journeys to Scotland.

 

 

Guest Post: Traveling in time at Château De Laubade Armagnac

IMG_0241Today we have a guest post from Hoke Harden, CSS, CWE. Hoke is well-known to SWE members as one of the contributors to the original CSS Study Guide and a popular (and highly-rated) conference speaker. Hoke invites us to travel back in time with a visit to Château de Laubade in Armagnac, and taste France’s oldest brandy, made by time-honored traditions now codified into law.

Located in the departement of Gers in the Gascogne region of south-west France, situated in the verdant rolling foothills of the Midi-Pyrénées, Armagnac hews to the old ways to make a unique rustic and earthy brandy celebrated the world over.

Brandy began here on the many small family farms dotted across the landscape. Thrifty landholders naturally cultivated wine grapes amongst their other crops so good, basic drinking wine could grace their tables. Eventually, the wine found its way into brandy—although most of the farms were too modest to have their own distillery and each year they waited until a local distiller could hitch up his portable still and take it to each farm for custom distillation.

Thus custom and tradition created an agreement on basic methods of brandy production, but allowed, even encouraged, a fiercely independent style by each small-batch producer, since most of the brandy would remain for family consumption, unlike its famous northern neighbor, Cognac, which was focused primarily on commercial exports. Today, the commercial houses of Armagnac remain fairly small concerns, with each having its own way of doing things, but all bound by the officiating body of the Bureau National Interprofessionel du Armagnac.

IMG_0242Château De Laubade, located in the tiny village of Sorbets in the Bas-Armagnac AOC, is a storybook picture of a place, with its gated entrance, sturdy round tower and ancient mottled brick buildings leading to a fanciful Normandy-style chateau from 1870 perched on a hill to view the sweeping expanse of vineyards in the valley below.

These well-tended vineyards are essential, for only they are used for Château De Laubade’s Armagnacs. After the upheavals of phylloxera and oidium that devastated French vineyards, Armagnac recovered and settled in with several approved varieties, but at Laubade, only the four key varieties are allowed: Ugni Blanc, known in Italy as Trebbiano, a workhorse grape;  Folle Blanche, a delicate and floral variety that is susceptible to rot and difficult to farm; Baco Blanc, a French-American hybrid cross between Folle Blanche and Noah intended to give the character of Folle Blanche without the problems; and Columbard, which in this terroir provides impressively spicy and herbal characters to the blend.

Each year the varieties are harvested, fermented, distilled and barreled individually, to be aged and blended by the master distiller into the various Armagnacs the estate produces.

Originally, all distillation in Armagnac was done in a pot-and-column continuous copper still , an alembic Armagnacais, so only one distillation was required to gain sufficient alcohol strength and clarity. Today, any type of distillation is permissible; most distillers use the traditional method, others use the alembic double-distillation approach, depending upon style preferences.

IMG_0240Another traditional touch comes in with the choice of barrel. The Armagnacais traditionally prefer initial aging, from six months to a year, in a local black oak heavy in tannin from the nearby forest of Monlezun, then transferring the eau-de-vie to lighter, finer-grained, and older, more subtle toasted oak barrels from such sources as Limousin and Tronçais for continued but more elegant development.

The minimum aging to be designated Armagnac is one year, but most are blends of much, much older brandies to create the various VSOP, Reserve, XO, Hors d’Age and other well-matured designations.  Armagnac has also continued the tradition of maintaining single-vintage and single-variety releases, with the proviso that any single-vintage must be a minimum of ten years in barrel prior to release.

To maintain blending stocks, and to retard the loss of precious alcohol through evaporation in barrel, when a brandy has gained all it can from the barrel, it is racked into large bulbular glass demi-johns, which are then placed in the most revered cellar location, referred to as Le Paradis—Paradise.  These will be doled out in miniscule amounts and used judiciously to enhance new blends with added depth and nuance.

In one of the more remarkable tastings I have been fortunate enough to enjoy, a master distiller at Chateau de Laubade took me through three levels of sampling.

IMG_0246First, he provided four samples of eau-de-vie from the 2013 vintage which had received no barrel treatment: Ugni Blanc, Baco Blanc, Folle Blanche and Columbard. The differences among the ‘naked’ eau-de-vies were immediate, impressive and actually somewhat startling. The Ugni Blanc was lean, tight, mineral, and tartly, astringently acidic. The Baco was the reverse of that coin, rich, earthy, full in the mouth and expansive. The Folle Blanche was wonderfully floral, light, and bright and lively.  And the Columbard was impressively spicy and tangy and strong with herbal coriander-seed aromas.  Even from this rough and undeveloped primal state, one could easily see the wide range of possibilities a blending could take in the hands of a master.

For the second step, the master distiller brought out four more wines—again, the four basic varieties, but this time they were individually barrel-aged samples: an Ugni Blanc and Baco Blanc from the 1994 Vintage, a Columbard from the 1995 vintage, and a Folle Blanche from 2001.

Again, the differences were immediate and amazing. The mature Ugni Blanc had become forceful and deeply colored, but had maintained that almost steely intensity and structure it showed originally. The Baco, on the other hand, had become even richer, more rounded, and significantly more earthy, with an umami-mushroom undertone. The Columbard had deepened and strengthened its herbal-spice focus, tightened its structure, and had become one of the most singularly expressive Columbards I had ever experienced. And the Folle Blanche had developed a lacy, fruit-floral elegance and airiness that was lovely to linger over.  Again, one could consider the infinite possibilities of mingling these creatures into a master blend.

IMG_0258For the last stage of the tasting we strolled over to the chateau and in the midst of the lavishly decorated sitting room, overlooking the vineyards, I was offered my choices of a dazzling array of bottles from the offerings of Château De Laubade.  While wishing I had the fortitude to taste each and every one of these precious mahogany brandies, I restrained myself—with difficulty–to only a few select choices:  an XO with 15 to 25 years of age; an XO l”Intemporel No. 5 with 25-50 years; a vintage 1990; a vintage 1983; and as a finale, a vintage 1942, a brandy I simply could not resist.

The import of the previous tastings varietal tastings became evident , for with these armagnacs I could discern the contribution of the varietal characters as well as the resonance and depth that maturity brought to the marriage.  The firm linear structure of Ugni Blanc was enhanced by Baco’s warm, earthy richness, with the spice-lash of Columbard coming up from below and the lacy aromatics of Folle Blanche wafting above, and all coming together in the center with four made one and sum magnificently greater than parts.

In the two XO’s, differences of age showed clearly. The younger  XO was lighter, brighter, with more citrus and flower and orchard fruit shining clearly, only beginning to show the tinges of oncoming maturity along the edges. The older No. 5 Intemporel, with obvious and welcome richness from Baco, was profoundly deep and brooding, redolent of dried orange peel, savory mince, and prunes vying with old leather, cocoa, and baking spices, and lingered for the longest time.

IMG_0257The 1990 Laubade, a worthy reminder of the worldwide excellence of that vintage, was still bright and lively with apricot fruit, laced with firm acids, and showing the ability to age gracefully for many, many years.  Again, the striking elements of structure, earthiness, spice and flower were all present. Think of the 1990 as an Audrey Hepburn Armagnac: always young, always charming, teasing, enticing and never out of style.

The 1983 Laubade was more abundant, with more heft and weight and substance, with the feeling it was just now beginning to hit its prime. The foundation of Ugni and Baco were clearly there, with the Baco deepening and mellowing, yet, oddly enough, allowing more room for the spicy-herbal Columbard and faint floral perfume of Folle Blanche to “fill in the spaces” seamlessly, showing the pure mastery of the blender’s art coupled with the seasoning of age.

The 1942 Laubade was a quiet work of art, a gentle, soft, round, warm delight. Initially a bit tentative, it warmed and expanded in the mouth, and the post-nasal aromatics effulgently stimulated the senses. There is something profound in a brandy that bridges the years, that connects you to a time before you were born and like an old film or photo album calls up glimpses of things you never experienced.

In 1942 France had been ignominiously conquered by archenemy Germany, had the heart of its country occupied, with the pitiful remainder shoved into Vichy. The devastating war was flaring even higher, spreading all over the world.  Times were still difficult in Gascony but the land endured, as did the people, and there was even guarded optimism for a brighter future. Grapes still had to be harvested, wine made, brandy distilled.

IMG_0262This Armagnac was a sign of that future; made in hard times, perhaps it would be consumed in far better times. Such is the cloaked power of a well-made brandy, made reverent with age.  And such is the power of Château De Laubade Armagnac that 70 years later the brandy remained vibrant and alive – while the distant past was only dull regret and faded memory.

About the author: An enthusiastic lover of wine and spirits, Mr. Harden left a career in academia to follow his other muse for the last 27 years, trekking around the world to the great producing regions. Recently referred to as a veritable walking omnibus of wine and spirits knowledge, he has experienced every possible facet of the world of wine and spirits as a retailer, restaurateur, bartender, buyer, wholesaler, supplier, marketer, critic, writer, competition judge and an educator. He is currently with Elixir Vitae Wine & Spirits Consultants, a member of the Society of Wine Educators, Wine & Spirits Instructor at Mt. Hood Community College, and a Master Instructor with the French Wine Academy.

Hollywood and Wine

Mission San Diego de Alcalá

Mission San Diego de Alcalá

Southern California might be more famous for sandy beaches than vineyards these days, but it is actually the birthplace of the California wine industry. Back in 1769, long before California was a state, Father Junipero Serra, a Spanish Franciscan missionary, founded the first Catholic mission in California on the site of present-day San Diego.

This new outpost of Christianity, named San Diego de Alcalá, was the first of nine missions Serra would found, stretching from San Diego to modern-day San Francisco.  Up and down the length of what is now the state of California, the Franciscan Fathers gave the area its humble viticultural beginnings by planting the Mission grape for use in sacramental wines.

While many Americans know the story of the California Missions, even dedicated wine lovers might be surprised to learn that commercial winemaking in California also had its origins in the southern end of the state. California’s first commercial wineries were established in what is now Los Angeles as early as the 1820s.

Jean-Louis Vignes, from the Special Collections of the  UCLA Charles E. Young Research Library

Jean-Louis Vignes, from the Special Collections of the
UCLA Charles E. Young Research Library

By 1833, the area was growing Bordeaux varieties brought to the area by Jean-Louis Vignes, a native of the Bordeaux region of France. Vignes named his estate “El Aliso,” in honor of an ancient Sycamore tree growing near the entrance to his property. Known to his neighbors as “Don Luis del Aliso,” Vignes was an adventurer who traveled the world before settling down, planting vineyards, and making wine in southern California.

Many producers following in Vignes’ footsteps, and the area of southern California soon became the largest grape-growing area in the state. However, winemaking in the region was decimated by the dual threats of prohibition and pierce’s disease. Soon, the land in southern California became more valuable to the makers of residential housing, parks, and office buildings than it was to the producers of wine.

However, winemaking still survives in the area today. The South Coast AVA with over 3,000 acres under vine includes parts of the counties of Los Angeles, San Bernadino, San Diego, Orange, and Riverside.  The Temecula Valley AVA, located in Riverside County, currently has over 1,500 acres planted to vine. Smaller plantings are to be found in the Ramona Valley AVA and the San Pasqual Valley AVA (both in San Diego County). The area’s most planted varieties include Zinfandel (including some very old vines), Cabernet Sauvignon, Merlot, and Syrah. The area is also becoming increasing known for sturdy Rhône varieties including Petite Sirah and Viognier.

Springtime in the Temecula Valley AVA

Springtime in the Temecula Valley AVA

While not part of the South Coast AVA proper, the area just north of Los Angeles is home to California’s newest (as of mid-2014) AVA, the Malibu Coast AVA, established on July 18, 2014. Upon its approval, the area’s two existing AVAs, Saddle-Rock Malibu and Malibu-Newton Canyon, became sub-appellations of the new Malibu Coast AVA.

Warmer, drier, inland AVAs in Southern California include the Cucamonga Valley AVA, (shared by Riverside and San Bernadino Counties) with just over 1,000 acres of vines. The large Antelope Valley of the High California Dessert AVA, and its tiny neighbors, the Sierra Pelona Valley and the Leona Valley AVAs, are located slightly to the north and east of Los Angeles.

Guest Post: Onward to Trentino

Frescoed palazzo in Trento

Frescoed palazzo in Trento

Today, we have another guest post from New York Wine Educator Paul Poux, CSW, as he finishes his trip to Italy with a wine tour through Trentino!  Click here to read about the first part of his trip.

Trento – what a beautiful, impressive town, stuffed full of handsome Medieval palazzi, many of them frescoed – on the outside! After several days in chilly Alto Adige, we had returned to the Italy that we knew, and basked in the warmer temperatures and cheery “Buongiornos!” that we realized had been absent in the north.

That night, at a casual pizzeria alongside a piece of the Medieval city’s old wall, I only saw three wines on the menu, all by the glass: a white, red, and a Franciacorta. I of course ordered the Franciacorta, but what arrived was Trento DOC, a local product, and like Franciacorta, a traditional method sparkling. Its fine bubbles and Trento origin felt perfectly right to me – more so since I had a tasting the next day at the Trento DOC offices.

Schloss Tirolo

Schloss Tirolo

It’s actually “Trentodoc,” one word without spaces, explains Sabrina Schench, the director of promotion. I compliment her on the name since I think it’s a clever way to refer to itself. “It doesn’t sound like we are a doctor?” she asks uncertainly.

Awarded its DOC in 1993, two years before Franciacorta, Trentodoc has its vineyard zones in the cooler hills above Trento and allowed grapes are Chardonnay, Pinot Nero and Pinot Meunier, with Chardonnay dominant.  Trentodoc offerings range from non-vintage Brut aged at least 18 months on the lees to 24 months for Vintage brut to at least 36 months for a Riserva.

I tasted 15 brut and brut zero (“dosaggio zero”) wines dating back as far as 2004 and amidst the stream of what Trentodoc calls “tiny and persistent” bubbles I found neutral aromas but in many a delicious flavor of golden delicious apples. Why was I chasing Franciacorta when I had discovered a unique and refined wine right here in Trento?

Trentodoc tasting lineup

Trentodoc tasting lineup

Trentodoc produces 7 million bottles that are mostly consumed within Italy. They are outgunned in the promotion game by Franciacorta (14 million bottles) and by Prosecco (245 million) and they know it. They are planning outreach to parts of the US market in 2015 and realize it is going to take time. But to show me what is possible within Italy, they sent me to Ferrari.

Giulio Ferrari was the first to make traditional method sparkling wine in the area, over 100 years ago. He visited and studied Champagne’s methods and planted the first cuttings he brought back. His sparkling production stayed small until he sold to the Lunelli family in 1952.

Ferrari’s subsequent success has inspired almost 40 other Trentodoc producers but Ferrari is the largest, at 5 million bottles responsible for 70% of Trentodoc production.

Cantine Ferrari

Cantine Ferrari

The visitors’ center for Cantine Ferrari announces that it is not just a winery but something approaching a fashion brand. Red carpet runways lead past photo collages of boldface names enjoying Ferrari Trentodoc: Donatella Versace, Jessica Alba, Woody Allen, Andy Warhol, even Margaret Thatcher.

Camilla Lunelli, a member of the family who have owned Ferrari since 1952, is warm and welcoming. She assures us that it is a Ferrari Trentodoc, not Franciacorta, that is served at the official residence of the President of the Italian Republic, and to the Italian national soccer team.

I tasted four of Ferrari’s offerings, from the Ferrari Brut NV ($25), with a characteristic green apple flavor, to the Riserva Lunelli 2004 ($60 but not commonly available in the US), aged 8 years, that possessed remarkable earthy and umami aromas.

Why do Americans not know more about Ferrari and about Trentodoc?

Lunelli says the answer is somewhat complicated: “First we have to say what we are not. We are not Champagne. We are not Franciacorta. And we are not Prosecco.”

Pauls headshotOur guest blogger, Paul Poux, CSW, finds joy in combining food, wine and travel. Paul provides wine education ‘experiences’  to Millennials for wine brands and regions; and does marketing and sponsor management for food and wine festivals around the country.

Paul’s favorite wines are Amarone and Muscadet. Tell him yours at paul@pouxcompany.com

 

 

Guest Post: Hiking and Sipping Through Alto Adige

Lago di Resia

Lago di Resia

Today we have a guest post from New York Wine Educator Paul Poux, CSW. Paul was lucky enough to take a summertime trip to Italy’s northernmost wine regions, and he is letting us come along for the ride! Read on for Paul’s fascinating account of this trip to Alto Adige and beyond:

I was determined to not drink Pinot Grigio until my trip to Alto-Adige.

Wouldn’t I have my fill of it then? It was the wine I recognized most from the region. Pinot Grigio from Alto Adige, with its mineral zing, was refreshing in the New York summer heat. It kept showing up at home, in our monthly wine club shipment and in the trips my dog (and husband) would make to Trader Joe’s NYC store. Our upstate NY store carried 4 wines from Trentino-Alto Adige, all whites, 2 of them Pinot Grigio. And the most recognized Pinot Grigio in the US, Santa Margherita, is from the region.

But when I got to the Alto-Adige, and then Trentino, I saw little Pinot Grigio in stores and on wine lists. The regional website, AltoAdigeWines.com, barely mentions the varietal.

What gives?

I had already had my wine world knowledge tweaked my first night in Milan, at a local trattoria. I chose a Franciacorta from the list, which, when in Milan, is a locally sourced wine from Lombardy. I love sparkling wine and had only had Franciacorta DOCG, once. It was the first night in Italy and I felt like celebrating! But what arrived was not bubbly but a still white wine. The menu had read “Franciacorta,” but the bottle said, “Curtefranca DOC.” I later learned that the Curtefranca DOC was created in 2008 for still whites and reds, to prevent just this sort of confusion. Luckily this Curtefranca Bianco from Ca’ del Bosco, one of the most famous producers in the region, was comforting and cool.

Kellerei Bolzano

Kellerei Bolzano

The next day we drove to Alto-Adige, in a blinding rainstorm coupled with the stop-and-go traffic expected on a Saturday in late July, what the Italians call the “esodo d’estivo” – the summer exodus. The swollen Adige River raced alongside the Autostrada and through sheets of rain I could see the vertical cliffs of the Dolomites. The Dolomite Mountains are compressed coral reefs, rich in calcium and acidity. Grapevines in Guyot and pergola formation cover the valley floor and stretch above in steep terraces, from 600 to 3,300 feet above sea level. Apple orchards and castles perched on hillsides fill in the few remaining spaces. As we ascended into the mountains, the rain abated, then stopped. The Dolomites form rings around parts of the region and we could see storm clouds hovering on the far side of the mountains, not able to advance. During our trip, we received very little rain, while the rest of Northern Italy had storms day after day. Some growing areas in the region receive 300 days of sunshine a year.

Our hotel was in the village of Tirolo, about an hour northwest of Bolzano, the capital. Tirolo gave the town and the entire region its name: Alto-Adige is called Südtirol in German. Alto-Adige was part of Austria until 1918, and it is still Italy in name only. The primary language is German. The food, such as the bread dumplings called knodel, is Austrian. All the tourists were from Germany. The architecture is picture-perfect “Sound of Music,” chalet-style houses with colorful flowers spilling out of balcony windowboxes. In every village, spotless cobbled streets frame beautiful clock towers that ring on the quarter-hour, all day and all night.  Not great if you are trying to sleep, but it means you don’t miss breakfast, either.

Hiking the Dolomites

Hiking the Dolomites

Dinner that night was – finally – an introduction to two of the wines of the region. A perfumed Gerwürztraminer from Cantina Tramin glittered gold in our glasses as the sun set. The town of Tramin claims the grape originated there. It was lower in acid and left a slight bitterness on my tongue. Our next wine, an inky Lagrein Riserva from Cantina Meran, showed black fruit, tobacco and some chocolate. It took me a while to learn to pronounce it as the locals do, la-GRYNE. This was my first good taste of this full-bodied wine from an indigenous grape, and I loved it, although it too was low in acidity, and slightly bitter on the finish.

The next day was spent hiking, where we had our introduction to a “rifugio” hut. These are located way up the mountains and are a destination for hikers, who can eat lunch or stay overnight. I was imagining a one-room shack staffed by an elderly couple who would share their cheese and charcuterie; so I was delighted when we arrived at a modern restaurant overlooking a mountain lake and surrounded by waterfalls and patches of snow. We ordered lunch and a bottle of Vernatsch, the indigenous varietal that accounts for 20% of Alto-Adige’s wine output. This wine (called Schiava in Italian and Trollinger in Germany) is Maraschino cherry-colored with strong candied fruit aromas. When sniffing it I was sure it was semi-sweet but it’s a dry wine, served chilled. It seems not to be taken very seriously except by its producers, but it proved a perfect pairing with my knodel soup. It felt good to be eating and drinking, not hiking. Two of the many dogs in the restaurant started barking at each other. We made friends with others at our farmer’s table. All was good at the top of the mountain.

Alto Adige has 8 DOCs and no DOCGs, and 75% of its output carries the “Südtirol” DOC designation, stamped on the label and on the top of the capsule, a great regional branding technique. Varietal name(s) are usually added to the label.

Piazza Walther in Bolzano

Piazza Walther in Bolzano

The day we descended from our fairy-tale village to visit Bolzano, we were almost sorry: this pretty, cheery town was crowded with vacationers and the line to see Otzi, the preserved Neolithic man recovered in 1991 from a retreating glacier, wound around the block.  So we walked, visited the local Medieval castle, and visited wineries since grapevines are strung in and around Bolzano. Vineyards planted in the local soils of quartz porphyry produce high-quality Lagrein, which is becoming the ‘it’ wine of the region, supplanting other grapes and even apple orchards. But at Kellerei Bozen and other cooperatives, and at the many wineries on the “Strada del Vino dell’Alto Adige,” a range of wines is on offer, not just LaGrein, Vernatsch and Gewürtztraminer but accomplished Sauvignon Blanc, Pinot Blanc, Chardonnay, and commonly a blend of all three; Pinot Noir, Merlot, Cabernet Sauvignon; and traditional red blends and blends that incorporate Lagrein.  But I hardly saw Pinot Grigio: I don’t think much of it is consumed locally.

But it was time for a palate cleanser. We were ready to head south to Trentino and its capital, Trento. To follow us along on our trek, tune back in tomorrow and we’ll take you on a tour of Trentino!

 

Pauls headshotOur guest blogger, Paul Poux, CSW, finds joy in combining food, wine and travel. Paul provides wine education ‘experiences’  to Millennials for wine brands and regions; and does marketing and sponsor management for food and wine festivals around the country.

Paul’s favorite wines are Amarone and Muscadet. Tell him yours at paul@pouxcompany.com

Guest Post – On the Weinstrasse: Pfalz

Today we have a guest post from Houston-based Wine Educator James Barlow, CS, CWE. James’ article describes an amazing trip he recently took along the Wine Route in the Palantinate. Read on!

Old Town Neustadt

Old Town Neustadt

Nestled comfortably in the Haardt Hills, which is an extension of France’s Vosges Mountains, is the exquisite town of Neustadt. The town happens to be the central point for the 85-kilometer long German Wine Route (“Weinstrasse”) through the Palantinate.  I recently spent two weeks in this fascinating area.

Established in 1935, this is the oldest of the German wine routes. The ‘trail’ is a windy road that delivers you past many of the great wineries and famous vineyard sites throughout the region. The Weinstrasse has the most expansive array of vineyards that I have ever encountered.  The drive is breathtaking as it winds through historic wine villages such as Forst and Bad Durkenheim, which holds the largest wine festival in the world.

The picturesque Haardt hills and Palatinate forest provide a stunning backdrop for the various varietals grown in the Pfalz. The trail starts right near the French border of Alsace with the symbolic German Wine Gate in the town of Schweigen-Rechtenbach.  It is made of sandstone which is also the main soil structure throughout the Weinstrasse.  There is a

The Wine Gate in Schweigen-Rechtenbach

The Wine Gate in Schweigen-Rechtenbach

rather unique tasting room with an abundance of excellent wine to sample and buy.  The trail ends at the House of the German Wine Route in Bockenheim an der Weinstrasse.  The Rhine River flows lazily through the area as it continues onward through Germany.

One common theme with the wine of the Pfalz was that most of the wines were Trocken (dry). The typical American consumer often has a stigma with German wines thinking that they are all syrupy sweet and uncomplicated.  The Pfalz wines are quite the opposite with most being dry and deliciously complex.  The reason that dry wines are common throughout this region is that it is one of the hottest in Germany and therefore the grapes can ripen to a greater degree.  The ensuing wines created can range from off dry to completely bone dry.

I had the distinct pleasure of traveling the entirety of the Weinstrasse as well finding quaint towns a little off the main road. St. Martin was one such town that we decided to visit.  Our guide’s favorite winery, Weingut Egidiushof, was located here and recommended that we try the wines.  The town’s name came from the huge sandstone church of St. Martin, with its statue of the saint overlooking the town.

The people of Weingut Egidiushof were very hospitable as we sat down in the small tasting room to try a plethora of selections such as Silvaner, Riesling, and Muller Thurgau. The whites had a common theme as all of them had a distinct tropical fruit bouquet, were un-oaked, and had good acidity. They produced some delightfully light reds with the Blauer Portugieser being the best of the bunch.  It, in fact, was the wine that we drank while watching Germany eliminate Argentina in the World Cup Final.  The wine was light bodied (like a Pinot Noir) with an easy acidity and vibrant fresh red fruits that reminded me of a Cru Beaujolais.

The Wine Village of Wachenheim

The Wine Village of Wachenheim

The crown jewel winery of the entire trip was actually in the Haardt hills of Neustadt. The winery was called Muller Catoir.  It is managed by 9th generation owner Philipp David Catoir (pronounced Kat wah) and the vineyards have been in the family since 1774. Muller Catoir is part of the VDP system in Germany.  This system holds the wineries to a higher standard of quality which include lower yields and typically hand harvesting.The quality wines at this winery were second to none.

The wine maker, Martin Franzen, is from the Mosel and makes a true effort to showcase terroir and varietal character. Five wines were tasted, starting with the Haardt Dry Riesling 2013. It showed an abundance of tropical fruit with vivacious acidity.  The Haardt Muskateller (Muscat a Petite Grains) 2013 was brilliant and a wine to seek out for summer.  My personal favorite was the Haardt Spatburgunder (Pinot Noir) 2012 which offered sleek acidity to pair with the delicious bright fruits and just a kiss of oak.  Spätburgunder is beginning to gain traction in the wine world with low yield, boutique wines that can rival Burgundy in quality.  The most interesting was the dessert wine Herzog Rieslaner Trockenbeerenauslese 2007.

The Hambach Castle and Vineyard

The Hambach Castle and Vineyard

Rieslaner is a cross of Silvaner and Riesling that is highly susceptible to Noble Rot. There is very little Rieslaner in the world and this vineyard is nestled in the Haardt hills, so a TBA wine is not able to be produced every vintage.  This wine was exceptional and rivaled the sticky Selection de Grains Nobles wines of Alsace.  The Haardt Riesling Kabinett 2013 was a surprise.  It had just a touch of residual sugar, but the wine was perfectly balanced by the backbone of acidity.  The minerality came to the forefront and gave the wine a striking personality.  All in all, Muller Catoir is a winery that is offering whites and reds of impressive quality that should be sought out.

Just outside of Neustadt in Wachenheim was another excellent producer called Weingut Dr. Burklin-Wolf. This winery is considered one of the three main quality wineries of note known as The Three B’s, the others being Von Buhl and Basserman-Jordan. Dr. Burklin-Wolf had excellent Rieslings that had definite aging potential, especially in the 2013 vintage.  The best of the selections tasted was the Wachenheim Altenburg Riesling 2013 which showed powerful acidity with precise citrus fruits and exquisite minerality.

The Pfalz wine country is an experience that one should definitely seek out if in Germany. The history and sheer volume of vineyards are enough to make a wine lover immediately start to geek out.  I had the pleasure of trying several wines like a Schwarzriesling Rosé

Neustadt, on the Wine Route in the Palatinate

Neustadt, on the Wine Route in the Palatinate

and Rubin Cuvee Halbtrocken Sparkling that I have never seen in the states.  The abundance of wineries throughout the wine road could keep any interested traveler busy for weeks.

Many can say that they have traveled through Paris, Champagne, and Burgundy, but how many can boast a trip through the picturesque Weinstrasse? I am thankful that I can.

Our guest author, James Barlow, CS, CWE, is a wine director of over 6,000 wines labels for a store owned by Spec’s Fine Wines and Liquors in Houston, Texas. He is also the author of the widely recognized wine blog thewineepicure.com. James is also a recent recipient of the CWE Certification (Congratulations, James!) and as such has taken on the duty of teaching the Certified Specialist of Wine course to fellow employees in hopes of having the best educated staff in the state of Texas. Way to go, James!

Click here to return to the SWE Website.

A Saturday SWEbinar: The Dirt on Spain!

spain Heredia WineryWhy not start the weekend with a Saturday SWEbinar?

This Saturday – July 26, 2014, at 10:00 am Central Time – we’re offering a repeat performance of “The Dirt on Spain”!

Hosted by SWE’s Director of Education, Jane A. Nickles, this session’s tagline is “A Terroir-Tinged Trip through the Tierra of Spain.”

Jane’s session will cover some of the unique geographical and geological attributes that make Spains wine so special – such as the albariza of Jerez, the estuaries of Rías Baixas, and the llicorella of Priorat. (If none of that made sense to you, be sure and read chapter 11 in the CSW Study Guide – soon)!

Below you will find the details on this sessions, as well as the link to the online classroom.

Login Instructions: At the appointed time, just click on the link. (Links will be attached to the date and time announcement of each session in the list below and will go “live” a few days before the scheduled date.) When the SWE Adobe Connect homepage appears, click on “enter as a guest,” type in your name, and click “enter room.” Remember that each session is limited to 100 attendees, and that several of our past sessions have reached capacity. We are hoping to avoid this issue in the future by offering more SWEbinars, but it is still a good idea to log on early!

If you have never attended an Adobe Connect event before, it is also a good idea to test your connection ahead of time.

If you have any questions, please contact Jane Nickles: jnickles@societyofwineeducators.org

Click here for the 2014 SWEbinar Calendar

A SWEbinar for Tuesday: Cognac with Hoke Harden, CSS, CWE

Photo credit: Rosier Photography

Photo credit: Rosier Photography

This Tuesday – July 22, 2014 – at 12 noon central time, we are please to continue our series of “spirited SWEbinars” with a session on Cognac, led by Hoke Harden, CSS, CWE.

This webinar is sure to be fascinating for CSS students and fans of Cognac alike! Hoke will be joining us “fresh off” of his latest trip to the Cognac Region, and is sure to be full of insider information and travel tips. For those of you studying for the CSS, be sure and read chapter 5 in the CSS Study Guide ahead of time to brush up on your Cognac and brandy knowledge!

This SWEbinar is offered free of charge and is open to the public.

Login Instructions: At the appointed time, just click on the link. When the SWE Adobe Connect homepage appears, click on “enter as a guest,” type in your name, and click “enter room.” Remember that each session is limited to 100 attendees, and that several of our past sessions have reached capacity. We are hoping to avoid this issue in the future by offering more SWEbinars, but it is still a good idea to log on early!

If you have never attended an Adobe Connect event before, it is also a good idea to test your connection ahead of time.

  • Tuesday, July 22 – 12 Noon Central Time – Cognac (from the CSS, chapter 5), hosted by Hoke Harden, CSS, CWE

If you have any questions about our SWEbinar program, please contact Jane Nickles: jnickles@societyofwineeducators.org

Click here for the 2014 SWEbinar Calendar

Friday’s SWEbinar: The Dirt on Spain!

spain Heredia WineryThis Friday – July 11, 2014, Jane Nickles CSS, CWE, will be hosting a SWEbinar all about the wines of Spain (chapter 11 in the CSW Study Guide).

Jane’s session is entitled “The Dirt on Spain – A Terroir-Tinged Trip through the Tierra of Spain.” Jane’s session will discuss some of the unique geographical and geological attributes that make Spains wine so special – such as the albariza of Jerez, the estuaries of Rías Baixas, and the licorella of Priorat. (If none of that made sense to you, be sure and read chapter 11 in the CSW Study Guide – soon!) This SWEbinar will be held twice in July - on Friday, July 11th at 12 noon central time, and again on Saturday, July 26th at 10 am central time.

Below you will find the details on this sessions, as well as the link to the online classroom.

Login Instructions: At the appointed time, just click on the link. (Links will be attached to the date and time announcement of each session in the list below and will go “live” a few days before the scheduled date.) When the SWE Adobe Connect homepage appears, click on “enter as a guest,” type in your name, and click “enter room.” Remember that each session is limited to 100 attendees, and that several of our past sessions have reached capacity. We are hoping to avoid this issue in the future by offering more SWEbinars, but it is still a good idea to log on early!

If you have never attended an Adobe Connect event before, it is also a good idea to test your connection ahead of time.

Swebinar in the grassFriday, July 11 – 12 Noon Central Time – The Dirt on Spain: A Terroir-Tinged Trip through the Tierra of Spain (based on Chapter 11 in the CSW Study Guide), hosted by Jane A. Nickles, CSS, CWE

Guest Post – The Power of One: The Wente Clone

Today we have a guest post from Amy Hoopes of Wente Vineyards. Ms. Hoopes give us a fascinating story of the history of the Wente Clone Chardonnay, as well as a preview of her conference session, to be presented on Friday, August 15th at the 38th Annual Conference of the Society of Wine Educators.

 

Wente Clone Chardonnay

Wente Clone Chardonnay

The Power of One – The Wente Clone

When Ernest Wente was a student at the University of California at Davis in the early 20th century, the California wine industry looked a lot different than it does today. There was no established model, but the area and its wines were beginning to garner respect and attention around the country and the world for the potential quality of California wines. California was just showing the inklings of what it would eventually become – one of the world’s most respected wine making regions.

While at U.C. Davis and with the help of Professor Bonnet, Ernest Wente began researching the background of Chardonnay, which is now known as the unique variety responsible for making the best white wines of Burgundy, France. He fell in love.

With the help of Leon Bonnet, Ernest convinced his father, Carl H. Wente, to allow him to import some cuttings from the vine nursery at the University of Montpellier in southern France.  In addition, he acquired some promising budwood from Chardonnay vines planted at the Gier Vineyard in Pleasanton; vines which had been imported from Burgundy a number of years earlier by Charles Wetmore, founder of Cresta Blanca Winery, one of the other original Livermore wineries.

Over the next 30 to 40 years (even through Prohibition), Ernest selected vines that seemed to offer the best of all worlds—a strong, resistant vine that produced fresh, clean aromas and rich apple and pear characters when fully ripe.

Little did he know that he was changing the landscape of wine in America forever.

At first he was merely pleased with the vines’ performance in the vineyard. They grew well and were healthy and vigorous. And then came the wine. The family was so pleased with the results that they were the first to produce a varietally-labeled California Chardonnay, with the 1936 vintage—a practice that few pursued in those days.

chardonnayWente Vineyards Chardonnay soon grabbed the attention of others. As winemakers in the Golden State tasted Ernest’s Chardonnay, they quickly began asking for cuttings of the vines. And Ernest, ever a friend and colleague to his fellow winemakers, never turned anyone away. Throughout the 1940s and 1950s the Wente Clone (as it was now being called) began to spread across the state.

In fact, there were fewer than 150 acres of this varietal, then known as “Pinot Chardonnay,” in all of California in 1962. Then, the Guide Michelin declared that the Wente Chardonnay was the finest white wine produced in America, and the rush to plant this varietal began. By this time, three generations of the Wente family were involved, and they knew that they had something special in their vineyards.

The greatest vineyards and wineries in California began replanting their Chardonnay vines with the new clones, and the results were startling. Within a few years, the Chateau Montelena Chardonnay, which featured a significant percentage of the Wente clone, won the Great Paris Tasting of 1976. This firmly positioned California Chardonnay on the worldwide map of fine wines.

And that was just the beginning; winery after winery crafted award-winning wines from those grapes. Sangiacomo Vineyards, Kistler, Kongsgaard, Ramey, and Paul Hobbs have all featured the Wente Clone in wines that have won widespread critical acclaim.

The power of one clone transformed California’s viticultural landscape, and in so doing, converted generations of American winemakers and wine drinkers to the glories of Chardonnay. Over 100 years and five generations, Wente Vineyards has made Chardonnay the most popular wine in the New World.

AmyHoopesbw_pp (1)Amy Hoopes will present “The Power of One: The Wente Clone” on Friday, August 15th at 8:45 am as part of the 38th Annual Conference of the Society of Wine Educators. At this session, Ms. Hoopes will  tell the whole story of the Wente Clone. Attendees will have the opportunity to taste through a flight of wines from Wente Vineyards and its many relatives around California who have built their winemaking reputation on the Wente Clone.

As Executive Vice-President and Chief Marketing Officer of Wente Family Estates, Amy Hoopes oversees all global marketing and sales operations for the family-owned wine portfolio including Wente Vineyards, Entwine, Murrieta’s Well, Double Decker, and Hayes Ranch, as well as for the lifestyle operations, The Course, The Restaurant and the Concerts at Wente Vineyards.

Click here to return to the SWE Website.