Guest Post: The (R)evolution of the Basque Country’s Txakolina

Celebrating Txakolina with dance in the town of Bakio

Celebrating Txakolina with dance in the town of Bakio

Today we have a guest post from Kerri Lesh, CSW and and Ph.d candidate. Kerri tells us about her search for Txakolina and other adventures in wine and the Basque Country of Spain. Kerri will be presenting a webinar on Txakolina and Basque wine on Saturday, March 9th at 10:00 am central time. 

Now advertised as a “Culinary Nation,” the Basque Country of Spain (Hegoalde) has changed quite a bit over the last few decades. Known in the native language Euskara as Euskadi, this part of Basque Country has evolved from a nation associated with terrorism, to one of gastronomic fame. Touting more Michelin-star restaurants per capita than anywhere in the world, cities like San Sebastián/Donostia have become increasingly attractive to foreigners searching for sandy beaches as well as great food and wine. This city is located in the province of Gipuzkoa, which extends to what we know as the French border and the rest of the Basque Country (Iparralde). To the west of this city is Bilbao—located in the province of Biscay/Bizkaia—and joining the southern borders of these two provinces is Álava/Araba, with Vitoria-Gasteiz as its capital. These three provinces not only make up the Basque Autonomous Community, but each contains a Denominación de Origen (DO) for Txakolina: Getariako Txakolina, Bizkaiko Txakolina, and Arabako Txakolina.

My first walk among the vineyards around Getaria

My first walk among the vineyards around Getaria

Just as the Basque Country is transforming, so is Txakolina. This wine—known as either Txakoli or Txakolina—has changed considerably over the last few hundred years. Its debated etymological roots, stemming from “etxeko ain,” meaning “enough for the home,” link this wine to the Basque language and local production for the home. As I interviewed people while living in the Basque Country, I found this iconic wine had not always had such a positive reputation. Older generations had a much different perspective on it than the younger generations of Basques and the tourists who have only had access to Txakoli for the last decade or so.

Production methods have changed the taste of Txakoli both abroad and closer to home. Today, there are three different styles of the wine—white, rosé, and red. However, well before designations of origin protected Txakolina, an advertisement for “Chacoli de Ezcaba” (the Castilian spelling) indicates that a wine with the same name was once produced in the province of Navarra with Garnacha. This would have been much different from the Txakolina produced today in the three DOs.

A vineyard of Hondarribi Zuri near where I lived outside of Elorrio withi Udalaitz Mountain in the background

A vineyard of Hondarribi Zuri near where I lived outside of Elorrio withi Udalaitz Mountain in the background

Cultural tastes play a role in the Txakolina available to consumers. While a rosé version of the wine made by producers such as Ameztoi and Txomin Etxaniz can commonly be found in the United States, drinking the rosé version is not part of local Basque culture. Most producers depend largely on the white grape Hondaribbi Zuri to make white wine, exporting rosé, which typically incorporates the red grape Hondaribbi Beltza, to countries such as the United States. Over time, producers such as Doniene Gorrondona have even created a version of Txakolina using the Traditional Method as well as red.

In addition to helping with a 2017 harvest in the Basque Country, I also had the opportunity to work a harvest in Casablanca, Chile. One weekend after the harvest was complete, a few colleagues from the winery and I got in a car in search of the Chilean Chacoli. I had read that Chacoli could be found near the Chilean city of Doñihue.

Discovering Chacoli in Chile

Discovering Chacoli in Chile

It took some digging around to find this wine, which included asking locals traveling on horseback and knocking on doors. After hours of driving around, we found one bodega and a couple of people who claimed to make it, mostly for local consumption. It tasted nothing like the Txakolina made in the Basque Country, which made sense considering the use of different grape varietals and production methods. Most of the producers also referred to their chacoli as chicha, a beverage typically from Latin America that is fermented from fruits or grains. While living in the Basque Country in 2017, I received news that a group of Chilean producers were revitalizing the production of Chacoli as a local artisanal wine that would typically be sold at local festivals and celebrations. Unlike its Basque ancestor, this version does not have a geographical or designation of origin.

It will be interesting to see how this wine will continue to change across the Basque DOs. and in Chilean artisanal production. Today in the Basque Country, the scale of Txakolina has evolved from being just “enough for the home,” to now being sold across the globe. It is also no longer solely advertised as a young white wine to be drunk soon after it is bottled, and can be enjoyed in its many forms over time whether it is white, rosé, or red; slightly effervescent, still, or sparkling; young or aged. As tourism continues to increase in the Basque Country, in turn opening up these winegrowing regions to globalized tastes, what will Txakolina look like in another 20 years?

Kerri Lesh, CSW and Ph.d candidate, will present a webinar on Txakolina and the Basque Country on Saturday, March 6th at 10:00 am central time. Click here f or more information on the March 9th webinar.

For more posts and interviews from Kerri Lesh, please visit http://www.kerrilesh.com/

Photo credits: Kerri Lesh, Cameron Watson

 

On the Docket: XXO Cognac

photo via: https://www.hennessy.com/fr-fr

photo via: https://www.hennessy.com/fr-fr

According to France’s Institut National de l’Origine et de la Qualité (INAO), as of December 6, 2018, Cognac has a new “official” aging classification!

Here is the new law, straight from the update of the Cahier des Charges: “Les mentions ‘XXO’ et ‘Extra Extra Old’ sont des mentions spécifiques dont les eaux-de-vie présentent un vieillissement égal ou supérieur à 14 ans.”

Translation: According to the INAO, the initialism “XXO” or the term “Extra Extra Old” is a newly-approved aging designation for use on bottles of Cognac where the youngest spirit in the bottle is 14 years old.

For now, while we’re talking about cognac, here are a few other fascinating facts about Cognac:

A corner of paradise: In some cellars, the oldest cognacs are put into demi-johns (large glass containers designed to allow the aging process to continue without air contact and the annual evaporative loss experienced via wooden barrels). These oldest-of-the-old spirits are often kept in a separate, dark corner of the cellar sometimes referred to as un coin de paradis (“a corner of paradise”).

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What a history: According to archaeological records, the area around Charente was planted with vineyards, and well-known for wine production as early as the first century CE. The wines of the area—particularly those from the port of Poitou—were first sold to Dutch interests (along with salt from the Atlantic Coast). By the 15th century, the Dutch had begun to distill the wines of Charente in order to preserve them during the long ocean voyages.

The trade takes off: Many cognac firms are more than 200 years old. For example, Martell was founded in 1715, Rémy Martin in 1724, Delamain in 1759, Hennessy in 1765, Godet in 1782, and Courvoisier in 1843. On January 23, 1860, a landmark trade treaty was signed between England and France (under the auspices of Napoleon III), and soon thereafter the trading of Cognac expanded exponentially.

The legislation: Cognac was among the first “batch” of six wine-and-spirit AOCs approved by the INAO on May 15, 1936. The geographical boundaries of the defined Cognac region had been legally defined a few decades earlier, in 1909. In 1938, the six geographical designations  (crus) – Grande Champagne, Petite Champagne, Borderies, Fins Bois, Bons Bois, and Bois Ordinaires – were added to the Cahier des Charges.

References/for more information:

Post authored by Jane A. Nickles, your blog administrator…

On the Radar: Pamela Wood, CWE, CSW, CS

Pamela Wood teaching to the crowds

Pamela Wood teaching to the crowds

Pamela Wood, CWE, CSW, CS, did not initially intend to find a place in the world of wine.  She was introduced to wine in a Wine Appreciation class at the University of Santa Cruz in the 80s, but took a different career path in real estate finance; she spent a decade at this in the Silicon Valley–Bay area and became the youngest woman to become the regional President of the California Mortgage Brokers Association.

However, she had a passion beyond real estate:  skiing.  She had skied in many places in the United States and Europe, but knowing of its reputation for the best snow around, she moved to Utah in 1998 and pursued a career in the ski industry.  Travelling became a larger part of her life, and she often found herself near a wine region:  Hunter Valley, Champagne, Burgundy, Provence, Tuscany, Piedmont. She realized she had an interest and passion for wine—what goes in the bottle, where it comes from, how its made, the history and culture behind it.  And this was the passion she made her own.

Pamela Wood in Oregon's Willamette Valley

Pamela Wood in Oregon’s Willamette Valley

She also found that her adopted state of Utah did not have the wine education resources that California has.  So she began to study on her own, reading, learning, tasting.  She organized friends and had monthly tastings on a specific topic.  She kept studying, and realized it was time to get serious.  The closest certifying body she could find that seemed to fit into her life was the International Wine Guild in Denver, Colorado; she registered for and passed her Level 1 Sommelier exam.  On the flight back from Denver, she had a voice message from the Park City’s Fox School of Wine asking if she was interested in teaching.

She accepted, and has been teaching there since 2011.  In 2012, she opened the Park City Wine Club, a thriving social members organization, through which she leads wine events, food and wine pairings, wine dinners and private events throughout the Park City area and indeed the state.  She expanded the Club in 2015 to include wine tours, and she has taken people to California, Oregon, Washington, and even to Hawaii for the Kapalua Wine Festival.  In 2019, she will offer a tour to Spain and Southwest France.

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Still, Pamela was eager to learn more, and that’s when she found the Society of Wine Educators.  She sat for and passed the CSW in 2015.   Still yearning for more, she decided to study for the CWE designation.  At the time, she was working for world class resorts, running her own business, and to add still more into the mix was asked to become the wine educator for the Department of Alcohol and Beverage Control for the State of Utah, which involves teaching wine classes to employees of state liquor and wine stores.  So, study time was limited at best.   However, she utilized all the resources she could lay her hands on:  the new CSW workbook, flashcards, quizzes, and other tools offered by the SWE.

She made her way to her first SWE conference this past August in New York, attended the CWE Boot Camp, and took the exam.  She was hoping to pass maybe three areas, but she passed the exam in its entirety on her first attempt, did her presentation in October, and was awarded her CWE on 1 November 2018.

Pamela continues to run the Park City Wine Club.  She has also signed on as the Director of Education for the Culinary Wine Institute, and develops training for resorts and restaurants nationwide to educate servers, increase wine sales, and improve overall customer satisfaction.  And, she continues in her other venues to teach and travel.  She has ended up far from where she thought she would be back at the beginning.  But, as Pamela herself says:  “I am so lucky to have developed my passion into a career, its hard to call this work when you love what you do!”

Guest post written by Reverend Paul Bailey