Minervois-La Livinière

minervois windmillThe wine region of Minervois, located just north of Corbieres in France’s western Languedoc region, is named for the village of Minerve, which is itself named for Minerva, the Roman goddess of wisdom.

The region has a long history of wine production, dating back to early Roman, or even pre-Roman times.  In modern times, the Minervois was granted an AOC in 1985, and since that time, the wines of the area have increased in quality due to significant investments in equipment, infrastructure, and improved vineyard management.

The Minervois AOC covers dry red wines based on Grenache, Syrah, and Mourvèdre, which together must make up at least 60% of the blend, and may be rounded out by Carignan and Cinsaut.  The region’s white wines, which may be dry or sweet, are generally made from a variable blend including Bourboulenc, Vermentino, Rousanne, Marsanne, and Grenache Blanc. A sweet version of the white wine, made from late harvest and/or dried grapes, is referred to as Minervois Noble, but does not have its own appellation.

minervois la liviniereAlmost immediately upon the granting of the 1985 Minervois AOC, the producers of La Livinière, a small corner in the northern portion of the area, began to lobby for an AOC of their own. In 1999 they were successful, and the Minervois–La Livinière AOC, for dry red wine only, was born.  The area covered by the appellation includes the village of La Livinière itself, as well as five others nearby:  Cesseras, Siran, Felines-Minervois, Azille and Azillanet.

The 30 or so producers of Minervois-La Livinière, tucked into the Petit Causse foothills of the south-facing Black Mountains, abide by a slew of standards that are quite a bit stricter than those that apply to the wines produced under the “basic” Minervois AOC.  For one, yields are 45 hectoliters per hectare (hls/ha) vs. the 50 allowed for the basic wines, and eight additional months of aging are required.

languedocAnother tough rule involves the “agrément” tasting that is done in November, the year after harvest.  Each stage of the three-stage tasting involves a producer, an enologist, and a merchant; and the final outcome is pass or fail.  If a wine passes, it can wear the title of Minervois-La Livinière, and if not, it can be bottled under the “basic” Minervois AOC.  The tasting panel, it seems, is tough; the M-LL board rejects between 30 – 40% of all wines submitted.  This is a higher rejection rate than any other appellation in France; the percentage rejected for the country as a whole is closer to 5%.

Wines that qualify as Minervois-La Livinière are authorized to use a specific label style which includes a cap with the La Livinère logo and a quality guarantee number. Minerva, and Minervois, should be proud!

For more information, see the entry on Minervois-La Liviniere wines at Languedoc.com.  http://www.languedoc-wines.com/english/aoc_liviniere.asp

Click here to return to the SWE Website.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

The Wines that Made America

22947164_mlWhat do Lincoln’s top hat, Neil Armstrong’s Space Suit, and Chateau Montelena’s 1973 Chardonnay have in common?

They are all part of a new collection curated at the Smithsonian Institution called “101 Objects That Made America.” Chosen from among the Smithsonian’s collection of over 137 million artefacts by Richard Kurin, the Under Secretary for Art, History, and Culture, these 101 objects tell the cultural history of America.

Other artefacts chosen include the American Buffalo and the Bald Eagle from among “Wild America” and Lewis and Clark’s Compass, representing “Discovery.” Alexander Graham Bell’s telephone and FDR’s microphone were chosen to represent “The American Voice.”

101-Objects-America-vintage-california-wines-88-963Vintage California wines, represented by Chateau Montelena Chardonnay 1973 and Stags Leap Wine Cellars Cabernet Sauvignon 1973 were chosen as emblematic of “America in the world. The bottles of wine, which are currently on display at the Smithsonian’s Museum of American History, are accompanied by the story of the 1976 “Judgment of Paris” wine tasting that brought California wines to the world’s stage for the first time, as they won first place in a blind tasting contest featuring California wines vs. French wines, as evaluated by Fench judges on French soil.  Often referred to as “the vinous shot heard ‘round the world,” the event shocked the Old World wine establishment to the core and set the stage for California wines, and other wines of the new world to come into their own.

See the website of the Smithsonian Institution and Smithsonian Magazine for more information.

Click here to return to the SWE Website.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

“The Wine of the Crunchy, Rust-Pink Sands”

“If any Beaujolais can outlast a dog and grow in stature with the years, it is the wine grown on the crunchy, rust-pink sands which anchor this windmill, this Moulin-à-Vent.” 

          Andrew Jefford, The New France

5063906_mlWhat a great quote, from Andrew Jefford.  It’s so good that I did not even attempt to write a better introduction to today’s post,  which, by the way, is written with a tip of the hat to today’s world-famous release of Beaujolais Nouveau. But instead of focusing on the party drink of the day, I thought we’d look at Moulin-à-Vent, considered to be the most noteworthy of the ten Crus of Beaujolais.

The appellation Moulin-à-Vent, located just around the middle of the northern section of Beaujolais shared by the ten Crus, sits just south of Chenas and to the north and east of Fleurie.  As there is no actual town named Moulin-à-Vent, the vineyards themselves are located in either the commune of Romanèche-Thorins or Chénas. The name Moulin-à-Vent comes from on old windmill standing to the northwest of Romanèche-Thorins, now preserved as the last remaining specimen in the Beaujolais region.

gamay grapes beaujolaisThe richness, full-flavor, and longevity of Moulin-à-Vent can be traced, at least in part, to the unique soil of the region.  The soil here is a pink crumbly granite with a uniquely high level of the mineral manganese. This is toxic to the grape vines; not enough to kill the vines, but enough to cause chlorosis, a vine disease that reduces the ability of the plant to produce insufficient chlorophyll. This alters the vine’s metabolism enough to severely reduce yields and contributes to grapes with intense, concentrated flavors.

Young Moulin-à-Vent tends to have the cherry-berry-smoky-spice aromas and flavor profile typical of Beaujolais, with a bit more tannic structure and even a hint of oak (and definitely minus the banana candy-bubbly gum profile often seen in Nouveaus).  However, with age, the finest examples can mellow…many people say that Moulin-a-Vent is best consumed at around six years old, and some can be cellared for 10 to 20 years.

As the wines age, they lose some of their fresh fruitiness, and develop more Pinot-like beaujolais vineyardscharacteristics.  You could say that as they age they start to resemble Pinot Noir. There’s even a word for this process:  Pinoter.  The definition for “Pinoter,” if you can believe it, is to “develop Pinot Noir-like characteristics with age.”

You might see the term ““fûts de chêne,” meaning “oak casks” on the label of an oak-aged Moulin-à-Vent.  In addition, the following lieu dits can be added to the label: Les Carquelins, Les Rouchaux, Champ de Cour, En Morperay, Les Burdelines, La Roche, La Delatte, Les Bois Maréchaux, La Pierre, Les Joies, Rochegrès, La Rochelle, and Les Vérillats.

I read through about 100 wine reviews (and tasted one outstanding version of Moulin-a-Vent, the Domaine Diochon 2011) while researching this post, and found the following tasting terms to be the most used:  rose aromas, touch of mineral, violets, cherries, raspberry, blackberry, well-structured, complex, elegant…and my favorite, “piercingly fragrant.”

Click here to return to the SWE Website.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

Grape Stems into Grappa

Grappa GlassSome say the name “Grappa” is based on the Italian town of Bassano del Grappa, located in Italy’s Veneto Region.  Others say it is based on the fact that the word grappa literally means “grape stalk” in Italian.

We may never know exactly where the word came from, or where grappa was first made, but we do know that grappa has been produced, as a by-product of the Italian winemaking trade, since the Middle Ages. Itinerant distillers used to travel from vineyard to vineyard, distilling the fresh pomace (called vinaccia in Italian) on the spot, and providing the vineyard workers with a raw, potent spirit to ward off the cold.

The tradition of vineyard distillation is no longer practiced, as the stems present in the pomace tend to produce a small amount of methanol, which is toxic and must be carefully removed during distillation. Thus, current Italian law does not allow distillation to take place at the winery; winemakers must bring their pomace to a distiller (or run their own operations, separate from the winery premises).  This change has actually help to transition the reputation of grappa from the “moonshine” of yesterday to the artisanal spirit of today.

Modern grappa is produced via column stills, pot stills or traditional steam distillation. Grappa is generally bottled at 40 to 45% alcohol by volume and may be produced from a single variety, known as a monovitigno, or, more commonly, from a mixed batch.  After distillation, grappa may be aged for several months in glass or other inert containers before distribution as a clear, unaged spirit.  Some grappas are oak aged and may be labeled with terms such as vecchio (old) or stravecchio (extra-old).

GrappaGrappa is often served as a digestif, or, as a caffè corretto (corrected coffee), with a shot of espresso. A variation of this is the resentin (“little rinser”), where the espresso is consumed first, followed by a swirl of grappa served in the same cup.

In the European Union, the term “grappa” is restricted to use for products produced in Italy, parts of Switzerland, or San Marino. However modern craft distillers in the United States and elsewhere, such as Cedar Ridge Winery and Distillery and Clear Creek Distillery, are making artisanal pomace brandies labeled with the term “grappa.”

Click here to return to the SWE Website.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

Toro de Osborne

Toro_Osborne_Cabezas_de_San_JuanThe Osborne Bull:  regarded as the “unofficial” symbol of Spain, he weighs sixty tons and stands as tall as a four-story building. There are currently 90 of them scattered throughout the country, many of which are protected as national monuments.

His image can be found on stickers, key rings, and, at sporting events featuring Spanish teams or athletes, embedded in the middle of the Flag of Spain. The free-standing bulls are so emblematic of Spain that separatists have, on occaision, attempted to tear them down at various times in Catalonia, Mallorca, and Galicia.

The “Toro de Osborne” was designed by famed Spanish graphic designer Manolo Prieto in 1956 as an image to be used on bottles of Osborne’s “Veterano” Brandy de Jerez. Over 500 “Billboard versions” of the bulls, with the name “Veterano Osborne” painted across them in red, were soon scattered strategically throughout Spain, along the roads and highways.

Osborne BullBy the 1980’s, the Bulls had become so indicative of the Osborne brand that the company stopped painting their name across the bulls.  Today, there are only two signs in Spain with the word “Osborne” still painted on them; one at the Jerez de la Frontera Airport, and one in the town of El Puerto de Santa María, where the Osborne headquarters is located.

In 1998, a Spanish law was passed that prohibited billboards and other advertising along Spanish roadways.  It seemed as though the bulls were to be torn down to comply with the new law.  However, an unprecedented popular movement caused the Spanish Supreme Court to “pardon” the Osborne Bull due to cultural and artistic interests.  In the words of the Spanish Supreme Court, the Osborne Bull had “exceded its initial advertising sense and has been integrated into the landscape.”

Osborne Bull flagThe original bulls were carved, true to Manolo Prieto’s original drawing, out of wood.  However, the wooden signs soon weathered and were replaced with a sturdier metal version.  Today’s metal bulls are created from seventy individual pieces of iron held together by 1,000 bolts, four scaffolding-like turrets held in place with bases that weigh a combined 55 tons, and decorated with 20 gallons of black paint. The Osborne Bulls are maintained by the family of Félix Tejada, one of the leading “metalúrgicos”  (metalsmiths) of Spain.

Click here to visit the Bodegas Osborne website.

Click here to return to the SWE Website.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

 

 

 

A Bitter Battle over Sweet Wine in the Loire

.

.

Quarts-de-Chaume is just one of the famous sweet wine appellations in the Loire.  A slightly larger region, surrounding Quarts-de-Chaume and somewaht less prestigious, is known as the Coteaux du Layon. The Coteaux du Layon includes the area of Quarts-de-Chaume as well as the equally famous AOC of Bonnezeaux. A third, larger area, encompassing the entire commune of Rochefort-sur-Loire, is known as the Coteaux du Layon Rochefort-sur-Loire AOC.

Quarts-de-Chaume, with its long history stretching back to the Middle Ages, was expected to be the wine that led the wines of the Loire into the future. Despite the fact that the Loire is one of the largest quality wine producing areas of France, the fame and fortune of the Loire lags far behind the other large wine producing areas in France.  One possible reason for this was determined to be that the vineyards of the Loire do not have an official ranking system such as those in Burgundy, Bordeaux, and Champagne, and a plan for ranking the vineyards was created.

Photo Credit: Jim Budd of the "Jim's Loire" Blog

Photo Credit: Jim Budd of the “Jim’s Loire” Blog

The ranking of the Loire’s vineyards got off to a rocky start in 2003, when the Coteaux du Layon AOC was granted the Loire’s first Premier Cru designation, to be known as Chaume Premier Cru des Coteaux du Layon.  The designation did not last for long, however, as the committee for the Quarts de Chaume appellation felt that this title caused confusion with their own name and created an unfair advantage for the new designation. Thus, the Premier Cru title was suspended.

The Premier Cru title for Coteaux du Layon-Chaume was ultimately reinstated in November 2011, after the Quarts-de-Chaume appellation was awarded the first Grand Cru title in the Loire.  Even this has not been without controversy, as one of the largest producers of Quarts-de-Chaume, Domaine des Baumard, has filed a lawsuit with the Conseil d’État challenging the new law.

According to many sources, the Baumards’ main issue with the new AOC is the revised, more stringent regulations that accompany the “Grand Cru” ranking, which would prohibit certain vine-growing and winemaking practices long employed by the estate. One such practice, for example, is cryoextraction (freezing the grapes before they are pressed). Under the new laws, cryoextraction would be banned in the Quarts-de-Chaume Grand Cru as of 2020.

Other producers in the Loire are upset that the Grand Cru and Premier Cru status applies only to sweet wines and excludes the dry wines of the region.

.

.

It seems vineyards classification in France, with so much prestige and money on the line, is a tricky business. I seem to recall reading that the same sort of bickering plagued the 1855 Classification of Bordeaux—and more recently, the 2012 classification of St. Émilion.

As of now, the Quarts-de-Chaume Grand Cru along with Coteaux du Layon Premier Cru Chaume AOCs still stand…and we’ll have to wait and see what the future holds.

References/for more information:

Click here to return to the SWE Website.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

 

 

 

 

A New AVA for Santa Barbara

14956727_lThere’s a new AVA in Santa Barbara County! Officially approved on October 1, 2013, the new Ballard Canyon AVA is located within the existing Santa Ynez AVA.  With this new addition, there are now a total of five AVAs located within Santa Barbara County:  Santa Ynez Valley, Sta. Rita Hills, Happy Canyon of Santa Barbara, Santa Maria Valley, and the newest member, Ballard Canyon.

Santa Barbara County, located a 90-minute drive north of Los Angeles, sits on the Southern California coast between San Luis Obispo County to the north and Ventura County to the south. The area is geologically unique in that it is one of the few places on the California Coast where both the coastline and the mountain ranges – including the Santa Ynez Mountain Range (located near the coast) and the San Rafael Mountain Range (further inland) run east-west as opposed to north-south.

The transverse nature of the region creates an east-west flow of ocean breezes off of the Pacific Ocean, as well as a diversity of soils from diatomaceous earth near the shore and chert and limestone further inland.  With such diverse terroir, it makes sense for the region to host five AVAs.

santa barbara vineyardsSanta Maria Valley – The Santa Maria Valley, 35 miles north of Santa Ynez, is the northernmost of Santa Barbara’s five AVAs, and was the first area to be officially recognized as an AVA.  The often foggy and windswept region has complex soil conditions and is known for cool weather grapes including Chardonnay and Pinot Noir. The oldest commercial vineyard in Santa Barbara County, the Nielson Vineyard, was planted in 1964 in Santa Maria Valley.

Santa Ynez Valley – The region’s largest AVA, Santa Ynez Valley, is a long, east-west corridor with a diversity of climates; the cool temperatures near the coast become progressively warmer inland. Many types of grapes and wine are produced in this region, from Chardonnay, Pinot Noir, and botrytis-affected wines in the west to Bordeaux and Rhône varieties in the west.

Sta. Rita Hills – The Sta. Rita Hills AVA sits mostly within the larger Santa Ynez Valley AVA, on its western border, and therefore much cooler than the inland areas. Located just a few miles from the Pacific Ocean, the area generally sits under marine layer clouds and fogs in the morning.  By 10 am, the fogs burns off and gives way to a few hours of calm sunshine.  In the afternoon, the on-shore breezes pick up, giving this region an overall maritime climate well-suited to Chardonnay and Pinot Noir. Located between the towns of Buellton and Lompoc, the area is intersected by the Santa Ynez River.

Ballard-Canyon-IdentityBallard Canyon – Located in the center of Santa Ynez Valley, with Sta. Rita Hills to the west and Happy Canyon to the east, the area’s newest AVA enjoys the hot, sunny days of its relatively inland position, and the cool nights brought in by post-sunset ocean breezes.  At 7,800 acres (560 of which are planted), Ballard Canyon is by far the smallest AVA in Santa Barbara County.  (By comparison, Sta. Rita Hills is 64,000 acres.) Ballard Canyon is planted heavily towards the Rhône varieties of Syrah, Grenache, Roussanne, and Viognier, as well as Sangiovese, Sauvignon Blanc, and other international varieties.

Happy Canyon of Santa Barbara – First recognized as an AVA in 2009, Happy Canyon is located to the east of the Santa Ynez Valley, making this one of the warmest areas in Santa Barbara County.  Summertime temperatures often reach the low to mid-nineties.  The region specializes in Bordeaux and Rhône varietals.  Local lore suggests that the name of the region comes from the time of Prohibition when bootleg alcohol was produced in the region, prompting folks to “take a trip to Happy Canyon.”

Some beautiful maps of the AVAs of Santa Barbara can be found on the website of the Santa Barbara County Vintners’ Association: http://sbcountywines.com/vineyards/map.html.

Click here to return to the SWE Website.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

 

Within the Walls of Clos Vougeot

.

.

The vineyard was originally planted, and the wall built around it, by the Cistercian monks of Cîteaux Abbey around the year 1336.  The Château de Clos de Vougeot, built by rebuilding and enlarging a small chapel on the property, was added in 1551.

After the French Revolution, the Château and vineyards were taken from the Church by the State and in 1881 were sold to Julien-Jule Ouvrard (who also bought Romanée-Conti). After Ouvrard’s death, Clos de Vougeot passed to his three heirs, who put the estate up for sale in 1889.  as a result of this sale, the vineyard was subdivided for the first time since its creation 700 years prior. Since that initial division, the estate has gone through several generations of inheritance subdivisions and land sales, such that today Clos de Vougeot has over 80 individual owners.

.

.

The vineyard itself is roughly rectangular, sloping from the northwest corner down towards the south and east. Roughly 117 acres of the enclosure are planted to vineyards. As the vineyard is large and situated on a slope, there is a great deal of diversity in the terroir within the enclosed vineyard.  While most other vineyards in Burgundy have been delineated and classified by soil, Clos Vougeot seems to have been classified by the delineation of the wall itself.

The area surrounding the Château, in the northwest corner of the vineyard, is considered to be the finest.  The soils here are light chalk and gravel over well-drained oolitic limestone. This portion of the vineyard borders the Grand Cru vineyards of Musigny and Grands Échezeaux.

The middle region of the vineyard has soil consisting of softer limestone, clay, and gravel with moderate drainage.  Most of the other Côte de Nuits vineyards situated at this level of the slope are classified as premier cru.

.

.

The lowest portion of the vineyard borders RN74, the main road of the area, and is nearly flat, with alluvial clay soil and poor drainage. This part of the vineyard borders mostly village and regional-level vineyards. No other Grand Cru vineyard in the Côte de Nuits stretches down the hill to RN74.

Clos de Vougeot is a Grand Cru AOC for red wine produced from Pinot Noir. Red wine that does not meet the INAO regulations for Grand Cru status, such as those regarding maximum yield and minimum sugar levels at harvest, may be bottled as Vougeot Premier Cru.  White wines produced with Chardonnay may also be produced under the Vougeot Premier Cru AOC.

The array of soils and vineyard owners added to the typical vintage variations expected in the Burgundy region mean that Clos de Vougeot wines are produced in a dizzying array of quality levels and even styles.

When the Cistercians tended the vineyard, they produced batches of wine from the entire vineyard, and then blended them to a style and quality consistency. In more modern times, the finest wines of Clos de Vougeot, dense and robust while young, can blossom with perhaps ten years of age into elegant wines worthy of the Grand Cru Status.

References/for more information:

Click here to return to the Society of Wine Educators website.

 

 

 

1855: It was a Very Good Year…

Bordeaux 1Its a familiar story to wine enthusiasts…in 1855, Napoleon III, the Emperor of France, decided that France would host an event to rival the Great Exhibition held in London four years earlier.  That event, the Exposition Universelle de Paris, would showcase all the glory that was France – including its finest wines.

One of the exhibitors was the Bordeaux Chamber of Commerce, which decided to feature a list of the region’s best wines. However, knowing better than to draw up the list themselves, they asked the Syndicat of Courtiers (Bordeaux’s Union of Wine Brokers) to draw one up.

It did not take the Syndicat long to think through the list; two weeks later, they were finished.  Their original list included 58 of the finest Châteaux of the Gironde department – four first growths, 12 seconds, 14 thirds, 11 fourths, and 17 fifths.   Apparently, the brokers did what brokers do:  they assigned the rankings based on price, reasoning that the market, in its infinite wisdom, had already ranked the wines based on who was commanding the highest price.  This move makes more sense if you know that in the 1850’s; the wine trade in Bordeaux was still largely controlled by the British.

bordeaux 2The Syndicat’s original list ranked the Châteaux by quality within each class. Mouton-Rothschild, quite famously, was at the head of the seconds.  However, the controversy concerning the entire list was such that by the time the Exposition rolled around, a few months after the list was first released, they had rescinded the quality listing within the categories, quickly claimed that no such hierarchy had ever been intended, and took to listing the Châteaux alphabetically.

As every good wine student knows, the only formal revision to the original list came in 1973, when, following a half-century of unceasing effort by Baron Philippe de Rothschild, Mouton was elevated from second-growth to first growth, and the winery’s motto became “Premier je suis, Second je fus, Mouton ne change.”  (“First, I am. Second, I used to be. Mouton does not change.”)

9.8-The-Haut-Medoc-4-color-[Converted]Since 1855, many changes have occurred in the names and ownership of the properties. However, as long as an estate can trace its lineage to an estate in the original classification, it can retain is cru classé status. Due to divisions of the estates, the 58 original estates now number 61.

And now for the rest of the story…

As any good CSW Student knows, Bill Lembeck, CWE, has designed the maps for the last few editions of the CSW Study Guide.

Next month, (Spoiler Alert) SWE will launch its 2014 version of the CSW Study Guide, and Bill has once again designed and updated the maps for us – this time in color! As a special bonus, Bill has created this map of the Häut-Médoc which gorgeously lists the Châteaux of the 1855 Classification.  A larger image and pdf of the map is available here.

Enjoy, and many thanks to Bill!

 

 

 

The Romance of Saint Amour

Saint-AmourSaint Amour claims to be the most romantic of the Beaujolais Crus. It’s tough to argue with the “romance angle” when a wine’s name translates – literally- to “Saint Love” and loosely to “holy love,” “pure love,” or a variety of other equally delicious and romantic terms. Duboeuf describes their Saint Amour as “the wine of poets and lovers.”

According to the “Discover Beaujolais” website, more than 25% of the wine’s sales occur in February, around Valentine’s Day – most likely helped by the Smiling Cupids or hearts that adorn many of the labels.  Suffice it to say that, with both the cheery name and the reasonable price (about one-quarter of the cost of Pink Champagne) going for it, this wine is ready for romance.

Saint Amour is the northernmost Cru of the region, located where the granite soils of Beaujolais – so prized for the growing of Gamay – give way to the limestone soils of the Mâconnais to the north, better suited for the cultivation of Chardonnay.  Saint Amour actually borders the Saint-Véran AOC in the Mâcon, and many vignerons in the region own land and produce wine in both regions.

duboeuf sainat amourNot to quell the rumors of romance, but local lore actually suggests that the region was named after a Roman soldier rather than an angel of love. St. Amateur, the story goes, was a soldier of war who converted to Christianity after narrowly escaping death, and established a monastery overlooking the Saône River.

The wines of Saint Amour can be enjoyed while young, and while youthful often show aromas and flavors of cherry, berry, peach, apricot and spice. Most producers say the wines need at least a year to open up, and are at their supple best with two or three years of aging, when floral aromas start to shine. Some producers claim their Saint Amour is capable of producing vin de garde, wines suitable for aging, and can reveal their complex side anytime between four and 8 years after bottling.

Designated as a Cru in 1946, perhaps the wines of Saint Amour can remind us that love is grand in all its forms – through youth, middle age, and maturity – and that a good wine is always an excellent accompaniment to romance!

Discover Beaujolais:  http://www.discoverbeaujolais.com/

Duboeuf/Saint Amour:  http://www.duboeuf.com/en/page/Selection/Beaujolais-Fleurs-Saint-Amour#/en/page/Selection/Beaujolais-Fleurs-Saint-Amour