Category Archives: A Sense of Place

Santa Fe, New Mexico

Today we have a guest post—the second in a series—by an author we have all gotten to know by the nom de plume of Candi, CSW. Click here to read the first article in the series, as Candi takes us on a tour of the Grand Canyon. Below, Candi takes us on the second leg of her southwest sojourn to New Mexico—complete with museums, turquoise jewelry, and (of course) New Mexico wine!  

After a worthwhile stop at the Grand Canyon, our next destination was New Mexico. We used Santa Fe as our base of operations and took side trips to Los Alamos and Taos. Given our preferences to avoid crowds and noise, our stay in Santa Fe was on weekdays. I highly recommend this strategy if your goal is a relaxing, all-adult trip.

Our side trips were both very scenic drives, which reminded me of the book cliff-type canyons and mesas of Colorado. Highlights of our side trips included:

Bradbury Science Center, Los Alamos. This is a free, small museum located in the center of the small town. Convenient parking right outside the door, staffed by enthusiastic volunteers. If you are a history and/or science buff, this is worth a stop. Provides a sobering, educational experience of our history from World War II to the present.

Los Alamos Nature Center. Not easy to locate, but once we found the place it was a literally hidden “gem”. Apparently run by a not-for-profit, again staffed by volunteers. The outdoor exhibits feature succulent gardens and local plants. Indoors, there were exhibits about plant, insect and animal life. If I am going to view snakes, scorpions and tarantula spiders, I prefer to do so when they are in glass-enclosed cases. Then I can take a close look and identify what I hope to never see in my own yard.

Taos, New Mexico

Millicent Rogers Museum, Taos. Again, not easy to locate, but what a find once we got there! This museum surfaced on my pre-trip research, thank goodness. Wonderful displays of Native American blankets, rugs, pottery, and ceramics. But the highlight was clearly Ms. Rogers’ collection of Southwest jewelry. Much more elaborate than my personal taste, but stunning. Silver, turquoise, other gems, necklaces, oh my! Highly recommended if Southwest culture and art are of any interest. Yet again, a helpful volunteer provided additional information on Taos to assist us in making a few stops on the way out of town.

When we checked in at the Rogers Museum, there was only one couple next to us doing the same thing. One of them mentioned that she was American, but had married a British citizen and lived in the UK. So the wine geek in me asked if she had tried the British sparkling wines and, if so, what did she think? Well. It turned out that she and her husband own vineyards in South Africa! I have the names of their brands to research. But I ask you, what are the odds of that type of meeting in a museum on the outskirts of a small town in New Mexico? Curiouser and curiouser.

The town of Dixon is located between Taos and Santa Fe. This little place is the site of Vivac Winery. This vintner features wines made from grapes grown in New Mexico. My preferences include both small-production wineries and those that feature grapes grown in the state in which the winery is located.

Photo via: https://www.facebook.com/VivacWinery

Sidebar: I understand that some connoisseurs tend to, ahem, frown upon wines that are not from the glamorous, well-known viticultural areas. One of the great things about wine is there can be something for all of us to enjoy.

The Vivac facility includes wine tasting, wines by the glass and even craft beer tasting. Lesson one about tasting in relatively remote areas: tasting room staff of these facilities may not be especially knowledgeable about wine. My strategy was to take an open-ended approach; for example, just asking what the server could tell me about the wine. Note- taking. Looking at label detail. Getting what information that I could. Part of the adventure.

Vivac wines sampled included Chenin Blanc, Dry Riesling, Sangiovese, Refosco, Tempranillo, and Cabernet Sauvignon. A plus was the wide selection of varietals from which to choose. I was not, however, able to discern enough variation in wine quality and impact to purchase the more expensive wines tasted. So Chenin Blanc and Sangiovese were the choices. We have since enjoyed a bottle of each and they have proven to be solid selections. Bonus: our hotel featured a program encouraging visits to local merchants. Each wine bottle was 15% off, and I had planned this visit before even learning about the discount. Score!

Our final day in New Mexico was reserved for Santa Fe. We began with a stop at the very popular Georgia O’ Keefe Museum. If you are a fan, it is worth a stop. But beware: the museum is small and the entry fee is steep compared to others that we encountered. We will return to the gift shop, though. Nice, varied selection and, duh, no fee to get into the shop!

Until this trip, I did not realize that Santa Fe is considered quite the culinary destination. There is even a Santa Fe School of Cooking. Given my wine passion, branching out into a beginning foodie has been a natural extension. So a stop at the School’s shop for School of Cooking products was a no-brainer. Oh, and remember the 15% discount? Another score at a shop I had already planned to patronize.

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Another sidebar: for takeout dinners, we especially enjoyed Blue Corn Cafe and Rooftop Artisan Pizza. Blue Corn was a place we visited 10+ years ago and they are still going strong. Rooftop is an affiliate of Blue Corn and makes some interesting pies featuring Southwest items such as green chiles and, yes, blue corn crust.

We strolled the Santa Fe Plaza, but found the shopping to be limited with more vacant retail space than we expected. And, the shops seemed to alternate between tacky-touristy and very glamour-oriented with prices to match. A benefit that resulted: we had time to walk further, to the galleries and shops along Canyon Road.

After seeing the Rogers Museum the previous day, my interest in Southwest art, pottery and ceramics had grown. One of the Canyon Road galleries had several “starter” collectible pieces that appealed. One followed me home. Looking at the piece every few days since returning, it still entices and reminds me of the vacation. Sort of like bringing home a bottle of wine you’ve tasted, enjoying after a year or two, and confirming that your purchase was a good decision.

Thanks to our first stop at the Grand Canyon, we were acclimated to altitude. But on our Santa Fe day, we again walked well over 3 miles, all on hard surfaces. It was well worth the additional 1+ miles we put in to get to Canyon Road. At the end of the afternoon, we began to feel the impact of the activity. A bit sore. Made it back to the hotel, slowly. Walked to the lobby elevators. Tired. Just thinking of putting our feet up and re- hydrating.

Photo via: https://www.casarondena.com/winery/

Wait. My “Wine-Dar” (Wine Radar) went off on the way into the elevator. We took the elevator to our floor, unloaded all of our purchases, and my husband went to the ice machines. I just had to go back downstairs and check out my Wine-Dar. Sure enough, there was a table set up in a corner of the lobby. Hotel staff at the ready. Several bottles of Red on the table, White in an ice bucket. Glasses. I approached the table and noted one gentleman wore Sommelier name tag. OK. I explained that I was a complete wine geek, and basically asked what he was doing.

Turns out that many hotel guests are unaware that New Mexico makes wine. And, once a week, they offer wine samples to guests from one of the small wineries. This week, it was Casa Rondeña, a vintner new to me. Never one to be shy about wine, I asked if I might take a two glasses of vino up to our room; of course! So I asked about the various options and settled upon one glass of a Bordeaux-style blend of Merlot, Malbec and Cabernet Franc. My other choice was another blend: Tempranillo, Syrah and Cabernet Sauvignon.

Back up the elevators with two glasses of wine and a smile on my face. Put feet up. Once that was done, there were no plans to leave the room until morning. Pacing ourselves.

For the evening, we had takeout already in the frig, along with a half-bottle of Vivac Chenin Blanc. At dinnertime, we got out the paper plates, enjoyed our takeout, and began with the Vivac in our trusty plastic wine glasses. At one point, I got up to refill my glass. Opened the frig, which required turning my back on husband. Poured some wine, and heard behind me a light tapping sound. Although I was tired, I was alert enough to know two things. One, the tapping sound was made with a plastic wine glass gently coming in contact with a table. Two, the translation was: “hit me again, woman”. He’s not a demanding soul, but, hey, I was the one standing up by the frig.

Later, each of us sampled the two Casa Rondena wines. Husband preferred the Bordeaux- style blend. I preferred the other blend. So each of us got the remainder of our preferred wine. In a glass glass, even. Funny how preferences work out that way.

A very nice visit to New Mexico. A blend of culture, beautiful drives, shopping, nice dining, and enjoying new and different wines.

By the way, did you know that Scottsdale, Arizona now has a wine trail? Stay tuned for Part Three.

In the meantime, New Mexico Wine Cheers!

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Today we have a guest post and book review brought to us by Harriet Lembeck, CWE, CSE. Read on as Harriet reviews a beautiful book about the wine and food of Piedmont, Italy!

Book Review: The Wines and Foods of Piemonte—text and photos Tom Hyland, maps by Alessandro Masnaghetti

If you are planning a trip to Piemonte, this book is a must. If not, once you read Tom Hyland’s book, you will be clamoring to go with this in your backpack. Hyland informs you about grapes not often seen in the US, such as the red Ruché, Freisa, and Pelaverga, and the white Timorasso. His book covers reds, whites, sparkling and dessert wines.

This book covers the well-known wine regions, and will fill in your current knowledge with all types of delicious tidbits. For instance, did you know…

• Barolo DOCG is produced in eleven neighboring communes—and within the area there are several dozen crus (legally recognized nenzioni geografiche aggiuntive [geographical designations])—each of which may be described as a unique terroir.
• The Alto Piemonte—with its borderline continental/Mediterranean climate—contains the little-known Boca DOC, which produces an acid-driven Nebbiolo-based red wine that is delicious while still young.
• The Montalbera Winery in Castagnole Monferrato produces as many as four versions of Ruché a year, which may include a stainless steel-fermented version, an oak-aged version, and a passito version.

Hyland’s writing is very graceful and readable, and a large glossary fills in definitions, that if he stopped to explain, would slow up the flow of his story. Interviews with winemakers and chefs are most informative. Hearing different producers argue for single vineyard wines versus wines from blends of vineyards, or hearing discussions of the use of small barrels versus large barrels, helps to explain the complexity of these wines from Piedmont.

A list of recommended wines, restaurants, local foods, and further suggested reading all combine to make this book invaluable to travelers, wine students, and lovers of Italian wine as well.

Bibliographical details: The Wines and Foods of Piemonte Text and Photos Tom Hyland, Maps by Alessandro Masnaghetti, University of Nebraska Press,  208 pages, paperback. Available on Amazon.com

Harriet Lembeck is a CWE (Certified Wine Educator) and a CSE (Certified Spirits Educator – a new designation). She is President of the Wine & Spirits Program, and revised and updated the textbook Grossman’s Guide to Wines, Beers and Spirits. She was the Director of the Wine Department for The New School University for 18 years. She can be reached at h.lembeck@ wineandspiritsprogram.com.

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

Today we have a guest post from Laura Masramon. Ms. Masramon is a personal sommelier and a member of the DO Empordà Wine Route. This is the second part of our two-part series on the wines of the Empordà DO, located on the Mediterranean Coast in Spain’s Costa Brava (Catlonia).  Click here to read the first part of the series: The Ancient History of the Empordà Wine Region.   

Photo via: Ruta del Vi Empordà

After the phylloxera crisis, it took several generations—until the 1930s—for wine-growing in Empordà to begin once again. In the early days, the farmers were hard-pressed for money and had to join forces. This was the origin of the local wine and olive oil cooperatives, some of which are still in operation today and open to public, such as the Celler Cooperatiu d’Espolla (1931), Empordàlia (1947) and Cooperativa Agrícola de Garriguella (1963).

The tourists arrive: With the arrival of the tourist boom in the 1960s, many farmers decided to move to the coast and go into tourism. They left the countryside to create a first-rate tourist destination, the Costa Brava.

Charming restaurants and hotels were built to attract visitors. Nowadays Empordà gastronomy is famous all over the world. Restaurants like El Bulli, run by chef Ferran Adrià, revolutionised modern cuisine for over two decades. Another reference in the area is El Celler de Can Roca (designated “Best Restaurant in the World” in 2013 and 2015 by the British magazine Restaurant. In fact, the province of Girona boasts the highest number of Michelin stars per capita. The best way to enjoy Empordà wines is with the local gastronomy. 

Photo via: Ruta del Vi Empordà

Beginning in the 1990s, a group of young wine experts returned to the farms. Their grandfathers had preserved very old vines, some of which were over a hundred years old. The new generations used these vines and their expertise to create unique, authentic wines. At present their wines are on their way to excellence.

These young oenologists seek to revive the regional varieties to the point of mastering them and understanding them in depth. Thus they obtain wines that express the terroir of the Empordà. They are modern wines but at the same time they speak to us of those 2,700 years of history. Some wineries opt for classic fermentations in stainless-steel vats with ageing in 225-litre and 300-litre oak casks and finish by leaving the wine to rest in bottles with natural corks. Other wineries experiment with methods of fermentation and ageing in amphoras, biodynamic crops and natural wines. 

Tramuntana wines: The DO Empordà is a small area with 2,000 hectares (4,900 acres) of vineyards and some 50 wineries. This part of the country is strongly influenced by a dry wind that comes from the north of Europe, the tramuntana, which batters the vines violently with gusts of up to 120 km (75 miles) per hour. The sea breeze however counteracts its effects and hydrates the grapes, allowing a slower ripening of the fruit and a more balanced vine.

Photo via: Ruta del Vi Empordà

The Empordà DO has a mosaic of different terrains stretching in small vineyards between the Mediterranean Sea and the foothills of the Pyrenees. The soils are predominantly granite and slate, sand and silt. Some vineyards cling to terraces of schists and slate. Others grow on clay, pebbles and gravel. There are vineyards facing north, south, east and west. There are vineyards by the sea, on the Empordà plain or lining the hillsides. In addition to this infinite number of terrains there are a large variety of grapes. The most dominant are Garnacha Blanca, Garnacha Gris, Garnacha Tinta, and Carignan (Mazuelo/Cariñena) , as well as the recently discovered but clearly very old White Carignan (Cariñena Blanca) variety.

The predominant red wines have a bright colour with aromas of ripe fruit; in the mouth they are full-bodied, with round, rich tannins thanks to being aged in barrels. The whites can be light, fresh and perfumed when made with Macabeo or Muscat of Alexandria. They can also be unctuous and warm when made with Garnacha Blanca and Garnacha Gris and fermented in barrels.

Garnatxa de l’Empordà: One of the jewels of Mediterranean culture which has so far been preserved is the traditional Garnatxa de l’Empordà,  a natural sweet wine aged by the solera system (that is, in barrels that are never completely emptied, in which successive grape vintages are blended). These wines are exposed to years of oxidative ageing, yet still retain the acidity and sweetness of the grape. They are exquisite wines, with highly concentrated aromas of candied fruits like vine peaches and dried apricots, nuts like almonds and walnuts, roasted aromas like coffee and reductive aromas like honey. In the area there are wine cellars with very old ageing barrels, with the oldest ones dating back to 1860.

Photo via: Ruta del Vi Empordà

The Empordà DO regulatory council was officially recognized in 1975.  Come visit!

Laura Masramon is Personal Sommelier and member of the DO Empordà Wine Route.  She is also co-director of the wine branding seminars Marca Vi and Vivid Enoconference. More information may be found on her website, Lauramasramon.com.

References/for more information:

• www.doemporda.cat
• http://ca.costabrava.org/que-fer/enogastronomia/ruta-del-vi

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

Cap de Creus

Today we have a guest post from Laura Masramon. Ms. Masramon is a personal sommelier and a member of the DO Empordà Wine Route. In this first part of a two-part series, she tells us about the ancient beginnings of the Empordà DO, located on the Mediterranean Coast in Spain’s Costa Brava (Catalonia).

In the far north-eastern tip of Spain—bordering the south of France—there is a natural area formed by the end of the Pyrenees as they disappear into the Mediterranean Sea. At this point of the northern Costa Brava, known as Cap de Creus, the mountains create idyllic little creeks with crystalline, turquoise waters. Between the sea and the mountains lies the Empordà plain. Three natural parks cover much of the area.

Wine has been made in this part of the Mediterranean coast since winemaking first began. However, up until just a few decades ago, most of the wine was sold for local consumption, and Empordà wines were not known outside the region. Nowadays, all that has changed.

The Empordà is an emerging region for both its wines and its wine tourism. Every year there is a rise in the number of new vines planted and old vines recovered, in the number of new wineries and the number of tourists visiting the area that want to taste the new wines.

The Dalí Theater in Figueres, Spain

However, wine is not the Empordà’s only attraction. It is a dream land, a refuge for Catalans seeking inspiration. It is the land of artists like Salvador Dalí, a source of creativity and a place for resting and communing with nature. Despite attracting a large number of tourists, particularly in summer, this region has managed to preserve the beauty of its countryside in the face of urban development. It has small villages that live on tourism, farming and culture.

Greco-Roman wine culture: The origin of the word Empordà comes from the Greek village of Empúries. The archaeological remains of this village have revealed grape seeds from 2,700 years ago as well as commercial letters written on sheets of lead with orders for wine. Wine amphoras have even been found off-shore, onboard sunken ships with the cork stoppers and the wine inside them still intact.

The Romans also inhabited these lands and extended the Empordà wine trade throughout Europe, just as the emperor Marcus Aurelius Probus (232-282 AD) ordered when he said: “may the citizens plant vines and become rich”. Vine growing has always been synonymous with prosperity, culture and wealth.

Even today, a tour of Costa Brava may include a visit to the Greek and Roman ruins of Empúries, an archaeological site from over 2,000 years ago, with remains of trade and vine growing. 

Sant Pere de Rodes-Photo via: Ruta del Vi Empordà

Monasteries, vine terraces and stone wine cellars:  The Greeks and Romans left an indelible mark but their age came to an end. In the Middle Ages, local monks grew vines on the slopes of Cap de Creus, in the surroundings of the magnificent Benedictine monastery of Sant Pere de Rodes (9th-19th centuries). The cultivation of vines on these arid, stony, steep terrains was hard work but the money that they made from selling wine enabled them to be self-sufficient.

The old 17th-century wine cellar at the monastery of Sant Pere de Rodes can still be visited today.

The great wine-growing crisis gave the cork industry a boost: Just before the famous phylloxera plague crossed the Pyrenees and began devastating all the vines, Empordà wine experienced its golden age. The wine was exported to Europe and the former Spanish colonies in America. The arrival of phylloxera, in 1879, brought about the most terrible modern crisis and the villages became impoverished. In place of vines, olive trees and cork oaks were planted. Costa Brava is currently one of the most important regions in the world for the production of corks. One of the most original wine tourism offers is to see cork being collected. This activity only takes place in June and July and is available at certain wineries. 

It took several generations for vines and wine production to return to the region, as we will soon see in part two of this series: The Contemporary History of Empordà Wine. Stay tuned!

About the author: Laura Masramon is Personal Sommelier and member of the DO Empordà Wine Route.  She is also co-director of the wine branding seminars Marca Vi and Vivid Enoconference. For more information on Laura, see her website. 

References/for more information:

• www.doemporda.cat
• http://ca.costabrava.org/que-fer/enogastronomia/ruta-del-vi

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!