Guest Blogger: Reasons to Drink Wines from Uruguay… on site, if you can!

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Today we have a post from guest blogger Lucia Volk, CWE. Lucia tells us about a recent trip to Uruguay, where she toured the wineries and tasted the local wine, which in this case happened to include some world-class Tannat! 

When I watch sports games, I tend to root for the underdog. Drinking wine, I feel drawn to bottles that are lesser known.  While I congratulate estates and regions that enjoy high sales volumes because everyone agrees they are great, I truly admire winemakers who toil knowing that their wines will not easily find a space on a wine list or store shelf, no matter how good and how genuine the bottles they produce.

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Uruguay remains an underdog in the South American wine world, despite the quantum leap forward in quality wine production in the Canelones and Maldonado regions over the past decades. You probably remember the last time you had an Argentinian Malbec or Chilean Cabernet, but when did you pour your last glass of Uruguayan Tannat?

I recently had the opportunity to travel to Uruguay, and I can tell you right off the bat that everything that the travel literature says about how friendly and welcoming the Uruguayans are is true.  Moreover, winemakers I met were philosophical, (com)passionate, perfectionist, with a hint of non-conformist and quirky thrown into the mix—not every day do you encounter a wild hog kept as a vineyard pet, as you do at Los Nadies in Santa Lucia, Uruguay.

Canelones, the main wine region outside the capital, features a mildly hilly terrain crisscrossed by rivers, and inhabited by colorful birds. Agriculture makes up a significant part of the country’s GDP.  If you have recently eaten top quality grass-fed steak, it may have been raised in Uruguay.

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Winemakers search for poorer soils in the windier, coastal areas to plant their vines. Blessed with abundant sunshine and nightly cooling breezes from the ocean, their grapes ripen slowly and maintain a refreshing acidity. In most years, rain is sufficient and occurs at the right time, allowing for dry farming. Recurring humidity requires the application of copper/sulfur sprays during the growing season, but pesticides or fertilizers are generally not needed. Contrary to Argentina and Chile, most wineries in Uruguay are small to moderately-sized and family-owned. Chile’s Concha y Toro produces more than all of Uruguay put together on the 11,000ha it owns.

So if you want a hand-crafted South American red, sustainably farmed, your best bet is a bottle from Uruguay. Their specialty is the robust, red Tannat grape, imported by Basque migrants at the end of the 20th century.  While the European version of Tannat tends to live up to its tannic name, requiring extended aging before it shows its full potential, Uruguay’s more moderate climate and modern cellar practices—cold soaking and cool maceration—yield a softer version of Tannat, one that can be enjoyed quite young.

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In a still, dry, single-varietal Tannat you can expect to find tannins and acidity, for sure, alongside plum and blackberry, plus secondary aromas of French and American oak.  It is the perfect complement to grass-fed Uruguayan beef, fresh off the grill. Single varietal Tannat is varied, as I learned at a comparison tasting at Deicas Winery in Juanico. While every bottle—Mar de Piedras, Valle de los Manatiales, and Domaine Castelar—had a peppery-spicy-smoky component, there were clear differences between grippier, earthier wines and more velvety, vanilla-and-plum versions. The 2013 flagship Massimo Deicas Tannat was densely layered with aromas and flavors, a wine that will make you a believer.

Tannat’s grippiness can be tamed.  Frequently, you find it blended with Merlot (Equilibrio, Los Nadies; Gran Guarda, Stagnari) and the less tannic [!!] Cabernet Sauvignon (Rio Colorado, de Lucca). Less frequently, it is blended with Syrah (de Lucca), Zinfandel (Artesana, the only Uruguayan Zin producer so far) or Viognier (Alto de la Ballena).  You can reduce the tannin load by fermenting Tannat entirely in stainless steel (Bouza, sin barrica). You can submit Tannat grapes to carbonic maceration and produce a berry basket of aromas easy on the palate (Don Prospero, Pizzorno). You can turn Tannat into a refreshing, bright red, raspberry rosé (Tannat Rosado, Artesana).  You can even produce an acid-driven base wine, add more sugar, and re-ferment, hand-riddling it into a deeply colored, dry sparkling wine (Brut Nature, Gabriel Pisano).

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You can also dry the grapes—think Recioto and Amarone—and fortify Tannat to produce a purple-colored, spicy chocolate, peppery blackberry sweet desert wine (EtXe Oneko, Gustavo & Gabriel Pisano). And of course you can distill Tannat into a version of grappa (Bernardi). The options are endless!  It was fun to witness the inter-generational discussions between Gabriel and his uncle Daniel Pisano, or Agostina and her father Reinaldo de Lucca about new ways to produce or market Uruguayan wines. Family wine-making means preserving traditions, yet also moving along with the times.

Tannat is not only tasty, it is also good for you!  Polyphenols, compounds found in the skins and seeds of grapes, are responsible for most of the wine’s aromas. Among polyphenols are procyanidins, which have been shown to inhibit cholesterol plaque in blood vessels. Tannat contains almost four times as many polyphenols as Merlot or Cabernet Sauvignon.  Turns out that the tannin that gives the grape its name takes care of your heart!

Of course grapes other than Tannat grow in Uruguay, especially Bordeaux and Northern Rhone varietals. While most of Uruguay’s wine is red, whites are also produced.  I was able to try remarkable Riesling, Albariño, Viognier, Torrontés, Sauvignon Blanc and Chardonnay.  A recently established winery that is generating significant international buzz is Garzón in the eastern Maldonado region.  Conceived and financed by Argentine billionaire Alejandro Bulgheroni in consultation with Alberto Antonini, Garzón covers nearly 10,000 acres and uses the most up-to-date vinification technologies. Garzón’s Tannat Reserva 2015 made the Wine Spectator’s Top 100 Wines of 2017, the first Uruguayan wine to be thus honored.

Reinaldo and Agostina De Lucca’s photograph on shelf in tasting room, next to a vineyard map and Che…

Reinaldo and Agostina De Lucca’s photograph on shelf in tasting room, next to a vineyard map and Che…

If you are eager to explore Uruguay, I recommend reading the Uruguay chapter in Evan Goldstein’s Wines of South America, and studying www.uruguaywinetours.com, which lists all the wineries that are open to visitors.  The website makes it easy to contact bodegas ahead of time and arrange a tour. One thing to keep in mind is that Uruguay enforces a “zero tolerance law” that forbids drinking-and-driving. The solution is to hire a car for the day, or take a cab or ride share to where you want to go. Most Canelones wineries are 20-40 min outside the capital. If you want to visit Maldonado wineries, plan to spend a night in the lovely beach town of Punta del Este.

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Beyond wine, Uruguay offers natural beauty. It has an amazing coastline and expansive interior. Montevideo features museums, galleries, and restaurants. Its rambla, nearly 14 miles of uninterrupted sidewalk along the Rio de la Plata, bustles with locals, who drink their mate tea or other beverage of choice, waiting for the sunset.  You can pick up a friendly game of basketball or soccer in parks along the rambla or chat with cheerful locals walking their dogs. And do not forget to stop by the Montevideo Wine Experience, the friendliest wine bar on earth, on your way out of town, to sample local wineries you did not have time to visit.

If Uruguay is a bit too far for you right now, ask your local store to stock Tannat or your favorite restaurant to include one on its wine list, if they don’t do it already. Uruguayan wines have grit and personality, and are made by people who love what they do. They stand proudly apart from the wines of their better known neighbors—underdogs, for the time being, among South American wines.

Lucia-150x150Photos and story by Lucia Volk, CWE. Lucia runs MindfulVine, a Wine Education business in the Bay Area that specializes in tailored, at-home tastings to promote a greater enjoyment of wine. She grew up in Germany, where her grandfather started a Riesling winery. She knows what it takes to work those steep slate slopes by hand, and decided to start promoting Riesling and other European wines after obtaining a PhD in Anthropology in the United States, and working briefly in wine sales.

She now gets to have the best of two worlds and teach about global politics and cultures, as well as the many wonderful wine regions across the world. She is also working–slowly–on a book about the lesser known German Anbaugebiete.

Read more at:

If you read Spanish, try also these links:

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

 

 

Asti: Simple, Fruity, Delicious (and yet so Complicated)

http://www.astidocg.it/en/prodotto-gallery/

http://www.astidocg.it/en/prodotto-gallery/

Every wine lover—whether we admit it or not—has enjoyed a glass of Asti Spumante (which the wine cognoscenti will refer to simply as “Asti”) or Moscato d’Asti with lunch, brunch, or on New Year’s Eve.

It is predictable and quite correct—in most cases—to dismiss these sweet wines as “easy to love,” “great for beginners,” or “just a simple little quaff.” However, if we dig into the disciplinare of the Asti DOCG, we see that a range of wines are allowed to be produced under the designation—including wines from three sub-zones, late harvest wines, and bottle-fermented wines—all of which have probably never been referred to as “simple.” Add to these complications the fact that the rules of the DOCG were recently changed to allow the production of dry wines under the Asti DOCG—and we’ll see that perhaps we need to change our minds about Asti.

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For starters in breaking down the wines of Asti, we can determine that all of the wines produced under the Asti DOCG (located in Piedmont, Italy) are sparkling or slightly so, and are, in all cases, produced using 100% Moscato Bianco (more commonly known [outside of Italy] as Muscat blanc à Petits Grains). That’s pretty must where the similarities end. The differences are discussed below, after a short discussion on sweetness.

How Sweet it is: There is no simple statement of required levels of sweetness for the various versions of Asti. The appellation’s disciplinare does, however, state a required level of alcolometrico volumico potenziale—potential alcohol volume (the abv that would be achieved if all of the fermentable sugar was allowed to convert to alcohol)—in other words, a required ripeness at harvest for each style of wine. In addition, there is a required level of alcolometrico volumico effettivo—the actual alcohol by volume stated for each wine. By doing a bit of math, we can determine the difference between each wine’s required potential alcohol and required actual alcohol —which (using more math) will reveal the approximate amount of sugar allowed or required to be in the finished wine. For the purposes of this discussion, we’ll use the following formula: Brix X 0.55 = Potential Alcohol (or, Potential Alcohol/.55 = Brix).  Note: This calculation is at best a generality, but it is a good-enough starting point for a discussion on the character of these wines.

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Asti DOCG: Asti DOCG is sometimes referred to as Asti Spumante; both terms are acceptable for use under the DOCG. Asti/Asti Spumante DOCG is produced via second fermentation in pressurized tanks (autoclaves) using the production method commonly referred to as the Charmat Method—known in Piedmont as the Metodo Marinotti.  By EU definition, spumante means “sparkling” and as such, the minimum pressure of the dissolved bubbles of Asti is 3 atm. For these wines, the required minimum potential alcohol is 11.5%. Until recently, the required actual abv was 6.0% to 9.5%; a bit of math tells us that the (previsouly) required minimum residual sugar was around 3.6% (making these wines demi-sec or dolce [semi-sweet to sweet]). However…

New! Asti Secco: In August of 2017, the regulations were revised, and the maximum required actual alcohol (formerly 9.5%) was deleted. This means that Asti DOCG may now be produced in a dry style.  The only change in the actual rules appears to be the deletion of the 9.5% maximum actual abv requirement, but the Asti DOCG Consortium is encouraging the use of the term “secco” for wines with a 11% minimum abv (actual), and the use of the term “dolce” for the traditional, sweet wines. (The revision in the disciplinare only applies to Asti/Asti Spumante DOCG and does not affect the wines described below.)

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Asti Metodo Classico DOCG: These wines, which may also be referred to as Asti Spumante Metodo Classico DOCG, are required to be produced using the Traditional (bottle-fermented) Method of sparkling wine production and must be aged on the lees for a minimum of nine months. The required minimum sweetness (based on a required potential minimum alcohol of 12% and a required actual alcohol of 6% to 8%) is approximately 7% residual sugar and are therefore all of these wines are sweet (dolce).

Moscato d’Asti DOCG: This is the beloved, sweet sipper that has recently become so popular (although experienced wine lovers see this as a prime example of “everything old is new again” popularity). Moscato d’Asti is made using the “partial fermentation” method of sparkling wine production (also—somewhat obviously—also known as the “Asti method”). This means these wines are made by one pressurized fermentation (only) that is interrupted while there is just a bit of bubble (a maximum of 2 atm) built up in addition to a good deal of sweetness still left in the wine.  The numbers of 11% minimum potential alcohol and 4.5% to 6.5% acquired alcohol means that these wines are always sweet with at least 8% residual sugar (to use generalized terms).

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Moscato d’Asti Vendemmia Tardiva DOCG: This late-harvest version of Moscato d’Asti requires a minimum potential alcohol of 14% and a acquired alcohol of 11%, meaning these wines will have at least (approximately) 5% residual sugar. This wine is not allowed to be chaptalized and must be aged for at least one year from the date of harvest.

Sub-regions: As for the sub-regions of the Asti DOCG, they are only approved for a few of the wines and (of course) they have a few of their own requirements:

  • Canelli: This sub-zone (located in the center section of the DOCG) is only approved for Moscato d’Asti, and the wines using this designation must have a potential alcohol of 12% abv (slightly higher than the general requirement of 11%).
  • Santa Vittoira d’Alba: This sub-zone (located to the west of the central DOCG zone) is approved for Moscato d’Asti and Moscato d’Asti Vendemmia Tardiva.  Moscato d’Asti Santa Vittoira d’Alba must have a potential alcohol of 12%. The vendemmia tardiva wines have quite a few unique requirements, including: a potential alcohol content of 15% and an actual minimum of 12% abv, a minimum aging of two years (beginning with January 1 of the year after the vintage year), and partial-drying of the grapes (post-harvest).
  • Strevi: Like the Canelli sub-zone, Strevi (located on the eastern edge of the DOCG) is approved for Moscato d’Asti only, and the wines using this designation must have a potential alcohol of 12% abv (slightly higher than the general requirement of 11%).

Asti….like we said, so fun, fruity, simple, and (sometimes) sweet….and yet again, so complex.

References/for more information:

 

 

 

Austria: Serious about Sekt

http://www.austrianwine.com/our-wine/austrian-sekt/

http://www.austrianwine.com/our-wine/austrian-sekt/

As serious students of wine might remember, Austria updated it wine laws—in quite a major overhaul—in July of 2016. As part of this mashup, the laws concerning PDO Austrian Sekt were revised, and as of this the 2017 harvest, these laws have been refined and come into effect. As such, it seems like a good time to take a deep dive into the new laws concerning bubbles from Austria!

The Basics: These regulations apply to “Austrian Sekt with Protected Designation of Origin” (Österreichischer Sekt mit geschützter Ursprungsbezeichnung [gU]). Such wines must be designated on the labeled as Qualitätsschaumwein or Sekt and one of the following terms: Klassik, Reserve, or Grosse Reserve (Grand Reserve). These wines must be produced using just the 36 grape varieties designated for use in Austrian Quality wines, although specific grapes or blends are not mandated. The carbon dioxide dissolved in the bottle must be a minimum of 3.5 atm.  (Click here for a list of the: The Austria 36-Grape Varieties)

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Austrian Sekt Klassik:

  • May be produced using any sparkling wine production method
  • Grapes must be sourced from one single Austrian State, which must serve as the wine’s appellation of origin
  • Must be vinified in Austria
  • Minimum 12.5% abv
  • Minimum of 9 months aging on the lees; may be released to the consumer after October 22 of the year following harvest
  • All styles (red, white, rosé) and all sweetness levels are allowed

Austrian Sekt Reserve:

  • Must be made using the traditional method of sparkling wine production with whole-cluster pressing
  • Grapes must be sourced from one single Austrian State, which must serve as the wine’s appellation of origin
  • Must be hand-harvested
  • (No regulations regarding abv)
  • Minimum of 18 months aging on the lees; may be released to the consumer after October 22 of the second year following harvest
  • Must be brut-level sweetness or drier
  • May be red, white, or rosé, but rosé must be produced using red grapes only
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Austrian Sekt Grosse Reserve (Grand Reserve):

  • Must be made using the traditional method of sparkling wine production with whole-cluster pressing
  • Grapes must be sourced from one single Austrian winegrowing community, vineyard designation from registered sites permitted
  • Must be hand-harvested
  • (No regulations regarding abv)
  • Minimum of 30 months aging on the lees; may be released to the consumer after October 22 of the third year following harvest
  • Must be brut-level sweetness or drier (maximum 12 g/L R.S.)
  • May be red, white, or rosé, but rosé must be produced using red grapes only

For many of us, it seems like these regulations come just in time for the winter holidays, giving us one more reason to reach for the bubbly!

References/for more information:

Guest Blogger: Southwest Sojourn Part Two: New Mexico

Santa Fe, New Mexico

Santa Fe, New Mexico

Today we have a guest post—the second in a series—by an author we have all gotten to know by the nom de plume of Candi, CSW. Click here to read the first article in the series, as Candi takes us on a tour of the Grand Canyon. Below, Candi takes us on the second leg of her southwest sojourn to New Mexico—complete with museums, turquoise jewelry, and (of course) New Mexico wine!  

After a worthwhile stop at the Grand Canyon, our next destination was New Mexico. We used Santa Fe as our base of operations and took side trips to Los Alamos and Taos. Given our preferences to avoid crowds and noise, our stay in Santa Fe was on weekdays. I highly recommend this strategy if your goal is a relaxing, all-adult trip.

Our side trips were both very scenic drives, which reminded me of the book cliff-type canyons and mesas of Colorado. Highlights of our side trips included:

Bradbury Science Center, Los Alamos. This is a free, small museum located in the center of the small town. Convenient parking right outside the door, staffed by enthusiastic volunteers. If you are a history and/or science buff, this is worth a stop. Provides a sobering, educational experience of our history from World War II to the present.

Los Alamos Nature Center. Not easy to locate, but once we found the place it was a literally hidden “gem”. Apparently run by a not-for-profit, again staffed by volunteers. The outdoor exhibits feature succulent gardens and local plants. Indoors, there were exhibits about plant, insect and animal life. If I am going to view snakes, scorpions and tarantula spiders, I prefer to do so when they are in glass-enclosed cases. Then I can take a close look and identify what I hope to never see in my own yard.

Taos, New Mexico

Taos, New Mexico

Millicent Rogers Museum, Taos. Again, not easy to locate, but what a find once we got there! This museum surfaced on my pre-trip research, thank goodness. Wonderful displays of Native American blankets, rugs, pottery, and ceramics. But the highlight was clearly Ms. Rogers’ collection of Southwest jewelry. Much more elaborate than my personal taste, but stunning. Silver, turquoise, other gems, necklaces, oh my! Highly recommended if Southwest culture and art are of any interest. Yet again, a helpful volunteer provided additional information on Taos to assist us in making a few stops on the way out of town.

When we checked in at the Rogers Museum, there was only one couple next to us doing the same thing. One of them mentioned that she was American, but had married a British citizen and lived in the UK. So the wine geek in me asked if she had tried the British sparkling wines and, if so, what did she think? Well. It turned out that she and her husband own vineyards in South Africa! I have the names of their brands to research. But I ask you, what are the odds of that type of meeting in a museum on the outskirts of a small town in New Mexico? Curiouser and curiouser.

The town of Dixon is located between Taos and Santa Fe. This little place is the site of Vivac Winery. This vintner features wines made from grapes grown in New Mexico. My preferences include both small-production wineries and those that feature grapes grown in the state in which the winery is located.

Photo via: https://www.facebook.com/VivacWinery

Photo via: https://www.facebook.com/VivacWinery

Sidebar: I understand that some connoisseurs tend to, ahem, frown upon wines that are not from the glamorous, well-known viticultural areas. One of the great things about wine is there can be something for all of us to enjoy.

The Vivac facility includes wine tasting, wines by the glass and even craft beer tasting. Lesson one about tasting in relatively remote areas: tasting room staff of these facilities may not be especially knowledgeable about wine. My strategy was to take an open-ended approach; for example, just asking what the server could tell me about the wine. Note- taking. Looking at label detail. Getting what information that I could. Part of the adventure.

Vivac wines sampled included Chenin Blanc, Dry Riesling, Sangiovese, Refosco, Tempranillo, and Cabernet Sauvignon. A plus was the wide selection of varietals from which to choose. I was not, however, able to discern enough variation in wine quality and impact to purchase the more expensive wines tasted. So Chenin Blanc and Sangiovese were the choices. We have since enjoyed a bottle of each and they have proven to be solid selections. Bonus: our hotel featured a program encouraging visits to local merchants. Each wine bottle was 15% off, and I had planned this visit before even learning about the discount. Score!

Our final day in New Mexico was reserved for Santa Fe. We began with a stop at the very popular Georgia O’ Keefe Museum. If you are a fan, it is worth a stop. But beware: the museum is small and the entry fee is steep compared to others that we encountered. We will return to the gift shop, though. Nice, varied selection and, duh, no fee to get into the shop!

Until this trip, I did not realize that Santa Fe is considered quite the culinary destination. There is even a Santa Fe School of Cooking. Given my wine passion, branching out into a beginning foodie has been a natural extension. So a stop at the School’s shop for School of Cooking products was a no-brainer. Oh, and remember the 15% discount? Another score at a shop I had already planned to patronize.

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Another sidebar: for takeout dinners, we especially enjoyed Blue Corn Cafe and Rooftop Artisan Pizza. Blue Corn was a place we visited 10+ years ago and they are still going strong. Rooftop is an affiliate of Blue Corn and makes some interesting pies featuring Southwest items such as green chiles and, yes, blue corn crust.

We strolled the Santa Fe Plaza, but found the shopping to be limited with more vacant retail space than we expected. And, the shops seemed to alternate between tacky-touristy and very glamour-oriented with prices to match. A benefit that resulted: we had time to walk further, to the galleries and shops along Canyon Road.

After seeing the Rogers Museum the previous day, my interest in Southwest art, pottery and ceramics had grown. One of the Canyon Road galleries had several “starter” collectible pieces that appealed. One followed me home. Looking at the piece every few days since returning, it still entices and reminds me of the vacation. Sort of like bringing home a bottle of wine you’ve tasted, enjoying after a year or two, and confirming that your purchase was a good decision.

Thanks to our first stop at the Grand Canyon, we were acclimated to altitude. But on our Santa Fe day, we again walked well over 3 miles, all on hard surfaces. It was well worth the additional 1+ miles we put in to get to Canyon Road. At the end of the afternoon, we began to feel the impact of the activity. A bit sore. Made it back to the hotel, slowly. Walked to the lobby elevators. Tired. Just thinking of putting our feet up and re- hydrating.

Photo via: https://www.casarondena.com/winery/

Photo via: https://www.casarondena.com/winery/

Wait. My “Wine-Dar” (Wine Radar) went off on the way into the elevator. We took the elevator to our floor, unloaded all of our purchases, and my husband went to the ice machines. I just had to go back downstairs and check out my Wine-Dar. Sure enough, there was a table set up in a corner of the lobby. Hotel staff at the ready. Several bottles of Red on the table, White in an ice bucket. Glasses. I approached the table and noted one gentleman wore Sommelier name tag. OK. I explained that I was a complete wine geek, and basically asked what he was doing.

Turns out that many hotel guests are unaware that New Mexico makes wine. And, once a week, they offer wine samples to guests from one of the small wineries. This week, it was Casa Rondeña, a vintner new to me. Never one to be shy about wine, I asked if I might take a two glasses of vino up to our room; of course! So I asked about the various options and settled upon one glass of a Bordeaux-style blend of Merlot, Malbec and Cabernet Franc. My other choice was another blend: Tempranillo, Syrah and Cabernet Sauvignon.

Back up the elevators with two glasses of wine and a smile on my face. Put feet up. Once that was done, there were no plans to leave the room until morning. Pacing ourselves.

For the evening, we had takeout already in the frig, along with a half-bottle of Vivac Chenin Blanc. At dinnertime, we got out the paper plates, enjoyed our takeout, and began with the Vivac in our trusty plastic wine glasses. At one point, I got up to refill my glass. Opened the frig, which required turning my back on husband. Poured some wine, and heard behind me a light tapping sound. Although I was tired, I was alert enough to know two things. One, the tapping sound was made with a plastic wine glass gently coming in contact with a table. Two, the translation was: “hit me again, woman”. He’s not a demanding soul, but, hey, I was the one standing up by the frig.

Later, each of us sampled the two Casa Rondena wines. Husband preferred the Bordeaux- style blend. I preferred the other blend. So each of us got the remainder of our preferred wine. In a glass glass, even. Funny how preferences work out that way.

A very nice visit to New Mexico. A blend of culture, beautiful drives, shopping, nice dining, and enjoying new and different wines.

By the way, did you know that Scottsdale, Arizona now has a wine trail? Stay tuned for Part Three.

In the meantime, New Mexico Wine Cheers!

Welcome to the World, Petaluma Gap AVA!

Map via: http://petalumagap.com

Map via: http://petalumagap.com

Welcome to the World, Petaluma Gap AVA!

The Alcohol and Tobacco Tax and Trade Bureau (TTB) of the United States has—just today—approved the first new American Viticultural Area (AVA) in over a year, and it is…the Petaluma Gap AVA!

Along with the approval of the new AVA—located in California’s Sonoma and Marin Counties—the southern boundary of the North Coast AVA is being expanded to include the northern portions of Marin County. The Petaluma Gap AVA overlaps a portion of the Sonoma Coast AVA and will be considered a sub-appellation of the newly re-outlined North Coast AVA.

The petition for the Petaluma Gap AVA was submitted by the Petaluma Gap Winegrowers Alliance in February of 2015. According to the petition, the unique factors of the area include the following:

  • The Petaluma Gap itself: A geological feature known as a “wind gap,” the Petaluma gap is actually a 15-mile-wide area of low-lying hills that create something of an opening in the otherwise much taller Coast Mountains. This area stretches from the Pacific Ocean, eastward to the bucolic Sonoma town of Petaluma, and then straight on through to San Pablo Bay. The effect on the area is as follows: as the inland areas heat up during the day, the heat causes the warm air to rise, and the cool air off the Pacific Ocean is pulled up into the gap. The wind gains speed as it travels, and eventually empties into the bay.
  • The Wind: Late afternoon wind speed within the Petaluma Gap is typically 8 miles per hour, and it is often clocked in at over 20 mph. In contrast, winds in the surrounding areas rarely get above 2 or 3 miles per hour.
  • The Climate: Mornings are cool and typically foggy. Late mornings and early afternoons are increasingly warm after the fog burns off. However, the breezes typically begin by mid-afternoon, cooling things down and bringing in the evening fog. The diurnal temperature range can be forty to fifty degrees (F).
  • The Grapes: The almost-daily winds tend to help reduce yield in the vines, creating late-ripening, small-berried fruit with intense flavors and good acidity.
Map via: http://petalumagap.com

Map via: http://petalumagap.com

An announcement regarding the establishment of the Petaluma Gap AVA was published in the Federal Register on December, 7, 2017; this final rule will be effective on January 8, 2018. The area within the new AVA totals 202,476 acres. There are currently over 80 winegrowers, 4,000 acres of vines, and 9 wineries located within the boundaries of the new region. The area is planted mainly to Pinot Noir along with Chardonnay and Syrah. Click here for a list of wineries located within the region, as well as those that produce wine using Petaluma Gap fruit.

We look forward to tasting these wines—and welcome to the world, Petaluma Gap AVA!

Note: Before today, the last AVA to be approved in the United States was the Appalachian High Country AVA (encompassing parts of North Carolina, Virginia, and Tennessee) in October of 2016. With the change in the Executive Branch that occurred earlier this year, several key posts at the Department of the Treasury were left vacant, including several whose signatures are required for new AVA rulings. However, in recent weeks these positions have been filled (including Brent James McIntosh, General Counsel and David Kautte, Assistant Secretary for Tax Policy). It seems that the business of approving AVAs is back on!

References/for more information:

Belgium and the Netherlands have a PDO Wine: the Maasvallei Limburg PDO

Map via: http://wijngoed-thorn.nl/nl/3/nieuws

Map via: http://wijngoed-thorn.nl/nl/3/nieuws

The Maas River (known in France as the Meuse) runs for over 575 miles (925 km) from its source in France’s Grand Est Region. From there, it flows north through Belgium, then forms a portion of the border between Belgium and the Netherlands before turning slightly to the east and wandering a bit before joining the Hollands Diep and flowing into the North Sea.

A portion of the area where the Maas forms the border between Belgium and the Netherlands (about 60 square miles) is known as the Maasvallei Limburg. Maasvallei Limburg has (believe it or not) recently been designated as a PDO wine region by the European Union. This is noteworthy for several reasons, including the area’s northerly location (between 50° and 51ºN) and the fact that this will be the first PDO wine region that crosses the border and includes area within two separate EU countries.

According to the EU petition, “Grapes for wine were cultivated in the abbeys along the Maas in the early Middle Ages. Historical texts refer to modest wine production within the abbey walls. A number of place names also refer to vineyards—including “Wingerd” (vine)—which indicate a history of wine cultivation in the area. Wine was one of the reasons that the convent of noble Benedictine nuns in Thorn acquired its status as an abbey-principality.”

In modern times, winemaking is fairly new to the area, and still somewhat obscure with just 10 producers on the Belgian side of the area (including Wijnomein Aldeneyck) and only one on the Dutch side (Wijngoed Thorn).

The Sint Servaasbrug Bridge over the River Maas (Maastricht, the Netherlands)

The Sint Servaasbrug Bridge over the River Maas (Maastricht, the Netherlands)

The Maasvallei Limburg PDO is approved for varietally-labeled red and white wines—however, according to the EU documentation, “blending is allowed, but something of an exception.”  Grapes approved for the region include the following:

  • Red Grapes: Acolon (a Blauer Lemberger  X Dornfelder cross), Dornfelder, and Pinot Noir
  • White Grapes: Auxerrois, Chardonnay, Gewürztraminer, Pinot Blanc, Pinot Gris, Riesling, and Siegerrebe (a Madeleine Angevine X Gewürztraminer cross)

Welcome to the world, Maasvallei Limburg PDO!

References/for more information:

 

The “New” New Zealand

Queenstown, Otago

Queenstown, Otago

If you’ve been following the wine news (or even some of our posts here at Wine, Wit, and Wisdom), you know that New Zealand is in the process of formalizing its geographical indications for wine and spirits. It is a long and interesting tale, but here is the gist:

New Zealand’s Geographical Indications (Wine and Spirits) Registration Act of 2006 created a registration system for wine and spirit geographical indications and allowed for the scheme of regions and subregions currently in use; however, the act was never brought into force. Fast forward ten years to November of 2016, and a revised law, the Geographical Indications (Wine and Spirits) Registration Amendment Act, was passed. As a result, the 2006 Act entered into force in July of 2017. Soon thereafter, applications for geographical indications began to be filed with the New Zealand Intellectual Property Office.

Mount Maunganui (suburb of Tauranga, Bay of Plenty)

Mount Maunganui (suburb of Tauranga, Bay of Plenty)

Three geographical indications—New Zealand, South Island, and North Island—were immediately approved as “enduring indications.” Several other applications for wine regions (geographical indications) and subregions (known as “local geographical indications”) have been submitted—many of these have been accepted and should become “official” in a few months—and some are still pending. Geographical indications (excluding enduring indications) will need to be renewed after the first five years, and every ten years thereafter.

One of the newly-accepted applications for geographical indications is Marlborough. Here’s an update on the area:

Accounting for over 59,000 acres (24,100 ha), the Marlborough region on the South Island is home to over two-thirds of all of New Zealand’s vines and grape production. The region is heavily planted to Sauvignon Blanc (47,000 acres/19,000 ha) and in many ways has shaped the explosive growth in New Zealand wine overall. Marlborough is also the largest producer of Pinot Noir in the country, with much of the region’s 6,400 acres (2,600 ha) of Pinot Noir is made into sparkling wine. Chardonnay, Pinot Gris, Riesling, Gewürztraminer, and Viognier are grown here as well.

Blenheim, Marlborough

Blenheim, Marlborough

Cloudy Bay, which gave its name to a now-famous Sauvignon Blanc producer, and Clifford Bay are both situated along the coast of Marlborough.  The Marlborough Region can be considered to have three separate areas (unofficial subregions), from the Wairau Valley in the north, to the Awatere Valley further south, and the Southern Valleys on the inland side.

  • Wairau Valley: The Wairau Valley (known by the Maori as Kei puta te Wairau—the place with the hole in the cloud) is one of New Zealand’s sunniest places. The region is known for stony, alluvial soils and a cool climate that tends to become drier as one heads inland.
  • Awatere Valley: The Awatere Valley is located to the south of the Wairau Valley, stretching inland from the coast into the Kaikoura Ranges. This is one of the coolest, driest, and windiest areas of Marlborough—and many of the vineyards have some elevation.
  • The Southern Valleys: Located inland, the vineyards of the Southern Valleys—consisting of the Omaka, Fairhall, Brancott, Ben Morvan and Waihopai Valleys—wind and wrap around the surrounding hills. The area has a great diversity in terms of mesoclimates and soils, but does tend to heavier, more clay-based soils than the areas closer to the coast.
Auckland

Auckland

Other geographical indications of the “New” New Zealand that have been accepted (as of November 15, 2017) include Hawke’s Bay, Gisborne, Matakana (a subregion of Auckland), Waiheke Island (also a subregion of Auckland), Northland, Wairarapa, and Canterbury. More are sure to come, and we’ll be posting them as they are announced here.

References/for more information:

  • https://www.iponz.govt.nz/about-ip/geographical-indications/register/
  • https://www.nzwine.com/en
  • https://www.nzwine.com/en/our-regions/marlborough/

Post authored by Jane A. Nickles, your blog administrator

Guest Blogger: Book Review—The Wines and Foods of Piemonte

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Today we have a guest post and book review brought to us by Harriet Lembeck, CWE, CSE. Read on as Harriet reviews a beautiful book about the wine and food of Piedmont, Italy!

Book Review: The Wines and Foods of Piemonte—text and photos Tom Hyland, maps by Alessandro Masnaghetti

If you are planning a trip to Piemonte, this book is a must. If not, once you read Tom Hyland’s book, you will be clamoring to go with this in your backpack. Hyland informs you about grapes not often seen in the US, such as the red Ruché, Freisa, and Pelaverga, and the white Timorasso. His book covers reds, whites, sparkling and dessert wines.

This book covers the well-known wine regions, and will fill in your current knowledge with all types of delicious tidbits. For instance, did you know…

  • Barolo DOCG is produced in eleven neighboring communes—and within the area there are several dozen crus (legally recognized nenzioni geografiche aggiuntive [geographical designations])—each of which may be described as a unique terroir.
  • The Alto Piemonte—with its borderline continental/Mediterranean climate—contains the little-known Boca DOC, which produces an acid-driven Nebbiolo-based red wine that is delicious while still young.
  • The Montalbera Winery in Castagnole Monferrato produces as many as four versions of Ruché a year, which may include a stainless steel-fermented version, an oak-aged version, and a passito version.

Hyland’s writing is very graceful and readable, and a large glossary fills in definitions, that if he stopped to explain, would slow up the flow of his story. Interviews with winemakers and chefs are most informative. Hearing different producers argue for single vineyard wines versus wines from blends of vineyards, or hearing discussions of the use of small barrels versus large barrels, helps to explain the complexity of these wines from Piedmont.

A list of recommended wines, restaurants, local foods, and further suggested reading all combine to make this book invaluable to travelers, wine students, and lovers of Italian wine as well.

Bibliographical details: The Wines and Foods of Piemonte Text and Photos Tom Hyland, Maps by Alessandro Masnaghetti, University of Nebraska Press,  208 pages, paperback. Available on Amazon.com

HarrietHarriet Lembeck is a CWE (Certified Wine Educator) and a CSE (Certified Spirits Educator – a new designation). She is President of the Wine & Spirits Program, and revised and updated the textbook Grossman’s Guide to Wines, Beers and Spirits. She was the Director of the Wine Department for The New School University for 18 years. She can be reached at h.lembeck@ wineandspiritsprogram.com.

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Estonian Vodka, now a Protected Geographical Indication

Map of the Baltic States

Map of the Baltic States

Earlier this month, the Baltic country of Estonia was approved for its first protected geographical indication (PGI), as awarded by the European Union. The product of choice is Estonian vodka. Vodka has a documented history of production in the area of Estonia that dates back to the 1400s.

According to regulations, PGI-indicated Estonian Vodka must be produced entirely in Estonia using raw materials grown in Estonia and Estonian water. Estonia now joins Poland, Lithuania, Finland, and Sweden as EU countries that have PGI status for their vodka.  An application for Norwegian vodka is pending.

The Estonian city of Tallinn

The Estonian city of Tallinn

A trip to Estonia might be in order, if only to taste the vodka and experience what the Lonely Planet website considers one of the “best value” destinations for 2018. While you are there, you can visit the old town center of Tallinn—one of Europe’s most complete walled cities, the Kumu Gallery—a 7-storey limestone, glass, and copper art museum, and the Great Guild Hall—built in 410 and housing historical exhibits documenting the history of the Baltics through art, music, literature, language, stamps, and coins.

References/for more information:

Post authored by Jane A. Nickles, your blog administrator

 

New York State of Whiskey: Empire Rye

Empire Rye logo via: www.empirerye.com

Empire Rye logo via: www.empirerye.com

It all started at a craft spirits conference in late 2015, during that hour when all of the best work gets done at a conference: the late-night, after-hours drinking session.

It seems that at a particular table, a group of New York State craft distillers had gathered and the conversation turned towards the state’s nascent craft whiskey industry. According to Tom Potter, founder of New York Distilling Company, a group of them “shook hands, and decided to do something” to differentiate and protect those distillers using local products and high-quality craft production methods.

Not long after, the Empire Rye Whiskey Association was born. According to their website, the association intends to be “an homage to New York State’s pre-Prohibition rye whiskey-making heritage and a testament to the ingenuity and industriousness of its contemporary distillers.”

The standards for a whiskey to be labeled as an “Empire Rye” include the following:

  • The mash bill must include a minimum of 75% New York State-grown rye grain (which may be any combination of raw or malted)
  • It must be distilled to no higher than 160 proof
  • It must be aged for a minimum of two years in charred, new oak barrels—and placed into the barrel at no more than 115 proof
  • It must be produced entirely at a single New York State distillery—including mashing, fermentation, distillation, and barrel maturation—and made (excepting maturation time) in a single distilling season (January 1 through June 30 for the spring season, or July 1 through December 31 for the fall season)
  • Products so produced may display the “Empire Rye” logo on the bottle.
  • A product made from the Empire Rye whiskeys of more than one NY distiller may be created and labeled as “Blended Empire Rye”
Photo Credit: Empire Rye/Facebook

Photo Credit: Empire Rye/Facebook

Empire Rye is not a protected geographical indication, nor is it defined by state or federal law—for now, it remains a trademark and certification mark used by members of the Empire Rye Whiskey Association. But who knows what the future may bring? This is some tasty whiskey.

Examples of Empire Rye are widely available up and down the east coast of the USA. I was also able to locate three examples on retail shelves in central Texas (each bottle I found was priced in the $40 to $50 range). For those in other locations, online retailers or a trip to New York might be your best bet.

Members (and whiskeys) of the Empire Rye Whiskey Association (as of October 2017) include:

References/for more information:

Post authored by Jane A. Nickles, your blog administrator

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