There’s a new IGP in town: Ratafia Catalana

Photo via: http://ratafiabosch.cat

Photo via: http://ratafiabosch.cat

Now, I know that’s a confusing opening line. So let’s break it down…Ratafia Catalana—a traditional spirit drink produced in Catalonia—has recently been awarded Indicación Geográfica Protegida (IGP) status by Spain’s Ministry of Agriculture (known officially as the Ministerio de Agricultura, Pesca y Alimentación). This occurred on October 22, 2018.

Ratafia Catalonia is technically a green walnut-flavored liqueur with a bitter flavor profile, often served as an aperitif, digestive, or even a nightcap.

But before we get into the details…let’s clarify one more thing: the term ratafia is used in several different countries to refer to several different things. Most wine lovers are familiar with Ratafia de Champagne, a PGI-designated, fortified wine (vin de liqueur) from the Champagne region produced via the fortification of unfermented (or just-barely fermenting) grape must (juice). This style of ratafia is also produced in Burgundy (Ratafia de Bourgogne); and other wine regions produce similar style wines (such as Pineau de Charentes)—although they do not always use the term ratafia.

Photo via: http://www.russet.cat

Photo via: http://www.russet.cat

In Catalonia (as is many other parts of the Mediterranean), ratafia is something quite different. In this case, Ratafia Catalana—which has been produced in the area for over 1,000 years—is a richly flavored, sweetened, aged, and oxidized liqueur.

The newly-codified regulations define Ratafia Catalana PGI as a brown-or-amber colored, sweetened liqueur flavored with green walnuts and other botanicals. Standard production requirements include the following:

  • Alcohol content between 24% and 30% abv
  • Sugar content between 100 g/L and 400 g/L
  • Flavored with green walnuts (the dominant flavor) as well as lemon verbena, cinnamon, and cloves (other botanicals are allowed as well)
  • Aged for at least three months in wooden containers—although many are aged for much longer, and often in oxidizing conditions (such as partially-filled demijohns)
.

.

Ratafia Catalana PGI may be produced anywhere within the Autonomous Region of Catalonia (Comunidad Autónoma de Cataluña). Some of the best-known and longest-produced commercial version of Ratafia Catalonia include Ratafia Bosch, produced since 1892 at Destilería Bosch (located in a suburb of Barcelona); and Ratafia Russet, produced in the La Garrotxa region since 1903.

If you are lucky enough to find a bottle, serve it neat (as an aperitif) before a meal, or pour it over ice and serve it alongside a dessert such as Crema Catalana, the cake-like Coca de Sant Joan, or with some of the local Catalan cheeses drizzled with honey (as in the dish known as Mel i Mató). Of course, it also works a digestive or a nightcap…or just about any time you need a break.

References/for more information:

PGI documents: IGP Ratafia Catalana

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Bailey’s and Beyond: The Irish Cream PGI

.

.

Everyone I know loves Bailey’s Irish Cream. In coffee, on the rocks, or in a fanciful cocktail such as the Mudslide, Girl Scout Cookie, or Nutty Irishman—it is just plain delicious.

Bailey’s Irish Cream was the first Irish cream liqueur on the market.  It was created in the early 1970’s by Gilbey’s of Ireland, a large distillery borne out of a gin distillery founded in 1857 by Sir Walter Gilbey.  The name “Bailey’s” was inspired by the name of a local restaurant owned by John Chesterman, who gave permission to use the name. The distillery—Gilbey’s of Ireland—eventually became a division of the even-larger International Distillers & Vintners, which eventually merged in with Diageo (the current producer of Bailey’s).

The Bailey’s brand of Irish cream liqueur may have been the first, and it may be the best-known, but it is certainly not the only Irish cream on the liquor store shelf—other brands include Carolan’s, Cremór, Kerrygold, Molly’s, and St. Brendan’s. Give one of these others a try, and you may find you fall in love with Irish cream liqueur all over again.

.

.

As of 2015, Irish Cream is a Protected Geographical Indication (PGI) and recognized as a unique product of Ireland. Irish Cream may be produced anywhere in Ireland (including the Republic of Ireland and the country of Northern Ireland), and may not be produced anywhere else.

Irish Cream is classified as a liqueur under the rules of the European Union, and as such must have a minimum alcohol by volume of 15% and a minimum of 100 g/L of sugar (approximately equivalent to 10%).  Irish cream liqueurs vary in terms of alcohol and sugar, but many are in the range of 17% to 20% alcohol by volume and 20% to 25% sugar.

.

.

In addition to meeting the EU standards for liqueurs, the PGI for Irish Cream requires the following:

  • Irish Dairy Cream: Irish Cream liqueur must contain a minimum of 10% milk fat (which does not sound very appealing), all of which must be from cream produced from milk produced in Ireland. Ireland is known for the quality of its dairy products, and many top-bred Irish dairy cows create the “cream” in Irish cream.
  • Irish Whiskey: Irish cream is required to contain at least 1% by volume Irish whiskey. The remainder of the alcohol content may be from any type of alcohol of agricultural origin (and in most cases is likely to be neutral spirits).
  • Specific Production Techniques: Ireland claims to have created the technique of creating shelf-stable cream liqueurs. Two techniques are allowed for use in the production of Irish Cream. One technique—known as the single-stage method—involves mixing together the spirits, sugar, cream, flavorings and emulsifiers and sending the entire batch through a process of homogenization until the average particle size of the cream globule is reduced to less than 5 microns, preferably less than 2 microns. This will allow the liqueur to remain emulsified. The second method—known as the two-stage method—involves homogenizing the cream (to the same micron-size standard) first and then mixing it into the remainder of the ingredients (sprits, sugars, flavorings, and emulsifiers).
.

.

There are few specifications as to the stabilizers, colorings, emulsifiers, and flavorings that may be used in Irish cream liqueur beyond those typical for food safety, additives, and advertising. While many flavors are produced—Strawberries-and-Cream! Pumpkin spice! Espresso! Salted Caramel! Chocolate-Cherry!—the original Bailey’s Irish Cream Liqueur is reported to be flavored with Irish whiskey, Irish Cream, and chocolate or cocoa. The formulas are typically considered closely guarded secrets, but other flavors may include a bit of honey, caramel, vanilla, almond, coffee, or cinnamon.

The production requirements and product analysis do not make the delicious and delectable Irish Cream liqueur sound very appealing, so we’ll end with a few tasting notes. For starters, here is the official tasting note for Bailey’s Irish Cream: “the perfect marriage of fresh, premium Irish dairy cream, the finest spirits, aged Irish whiskey, and a unique chocolate blend.”  Other often-used descriptions include velvety, creamy, smooth notes of toffee, burnished gold, and honeyed memories of the Emerald Isle. That’s more like it.

References/for more information:

 

 

New Standards for Vermouth di Torino!

.

.

Turin has long been recognized as the birthplace of vermouth, and has remained a center of vermouth production since Benedetto Carpano first added an infusion of herbs and spices to the local wines of the region, back in 1786.

Vermouth di Torino is still a popular style of vermouth, and has had protected status since 1991. As of March 22, 2017, the protected status for Vermouth di Torino has been further defined by a new set of technical standards, presented by the Italian Ministry of Agriculture and Forestry.

Under these new standards, Vermouth di Torino IGT is defined as an aromatized (flavored) wine produced within the province of Piedmont, using a base of Italian wine, and fortified with the addition of spirits.

Other standards include the following:

  • The main flavoring must be artemisia (an herb also known as wormwood), with additional herbs and spices allowed
  • Alcohol by volume must be between 16% and 22%
  • The color may range from light yellow to amber yellow and red; the color of the final product should reflect the color of the base wines and the flavorings, although the use of caramel coloring is permitted
  • Allowed sweeteners include sugar, grape must, caramel, and honey
  • The type and origin of the base wines may be specified on the label if they represent at least 20% by volume of the finished product

The new standards also allow for a Vermouth di Torino Superiore IGT, with a minimum of 17% alcohol by volume. At least 50% of the base wine and the flavorings used for Vermouth di Torino Superiore (aside from the artemisia) must be grown in Piedmont.

It seems like tonight would be an excellent time to enjoy a Vermouth di Torino straight up or on the rocks—or perhaps a Negroni or a Boulevardier.

What is your favorite way to enjoy Vermouth di Torino?

References/for more information (in Italian):

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

 

Uisce Beatha Eireannach Goes Legit!

Dunguaire Castle, County Galway

Dunguaire Castle, County Galway

Ok, for the record, Uisce Beatha Eireannach – Irish whiskey – has always been legit! However, soon, the legal standards that regulate the spirit will be greatly expanded and enhanced.

As every good CSS student knows, Irish whiskey has been defined and regulated since 1980 by the Irish Whiskey Act.

The Irish Whiskey Act of 1980 is a fairly concise document – no more than one page long – and states that Irish whiskey must:

  • Be distilled in Ireland from a mash of cereal grains
  • Be distilled to an alcoholic strength of less than 94.8% alcohol by volume (189.6 proof)
  • Be distilled in such a way so that the distillate has an aroma and flavor derived from the materials used
  • Contain no additives except for water and caramel coloring
  • Be stored in wooden casks in Ireland for no less than three years

The act further goes on to define blended Irish whiskey as a spirit which must be comprised of at least two different distillates. And that’s it!

However…as of October 30, 2015, a new set of technical standards will be implemented in accordance with the European Union requirements for the PGI status of Irish whiskey.

These standards expand upon the Irish Whiskey Act of 1980 and include the following regulations:

  • Irish whiskey must be bottled in Ireland or, if not bottled in Ireland, it must be shipped off the island in inert bulk containers and subject to company controls and strict verification to ensure the safety and integrity of the product.
  • Irish whiskey is not allowed to be exported from Ireland in any type of wooden container.
.

.

These new regulations also provide definitions for the following types of Irish whiskey: 

Irish Malt Whiskey: Irish malt whiskey must be made from 100% malted barley. The wort is separated from the solids before fermentation. Irish malt whiskey must be distilled in pot stills. The traditional practice is to use smaller pot stills in order to encourage complex flavors and a full, oily texture, however, there are no requirements as to the size of the still.  Irish malt whiskey is traditionally triple-distilled, although double distillation may be used.

Irish Grain Whiskey: Irish grain whiskey is produced from a mash containing a maximum of 30% malted barley. The remainder is made up of unmalted cereal grains – typically maize, wheat, or barley. The mash typically does not undergo any separation of the solids from the liquids before distillation. This type of whiskey is continuously distilled using column stills.  Irish grain whiskey may have either a light or a full flavor profile, depending on the cut points and other techniques employed by the distiller.

Irish Pot Still Whiskey:  Irish pot still whiskey is required to be produced using a mash containing a minimum of 30% malted barley and a minimum of 30% unmalted barley. The remainder of the mash may be either malted or unmalted barley, and may include up to 5% other unmalted cereal grains (usually oats or rye). The wort is separated from the solids before fermentation. This type of whiskey must be batch distilled in pot stills. The traditional practice is triple-distillation in large pot stills, although double distillation may also be employed and there are no requirements as to the size of the still. 

.

.

Blended Irish Whiskey: Blended Irish whiskey is a blend of two or more different whiskey types, which must be made in accordance with the standards stated above, and which may include Irish malt whiskey, Irish grain whiskey, and/or Irish pot still whiskey. The whiskeys that make up the blend may also be chosen from different distilleries, ages, types of cask finish, and flavor profiles in order to achieve the desired flavor and consistency.  Blended Irish whiskey tends to be smooth and mellow with a range of flavors, and a light, silky mouth feel.

So on October 30, 2015 (and maybe every other day of the year), raise a glass – of Jameson, Tullamore DEW, Kilbeggan, or whatever you choose – and toast your friends “Sláinte mhaith!”

Post authored by Jane A. Nickles, your blog administrator

For more information:

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

Congratulations to our First Class of Certified Spirits Educators!

During our 2015 conference in New Orleans, the Society of Wine Educators administered the first ever Certified Spirits Educator exam to a group of leading industry professionals.  Six candidates successfully demonstrated superior theoretical knowledge through multiple choice and essay questions, tasting acumen through accurate blind identifications and rationales, presentation skills to a targeted audience, and proof of responsible beverage service.  For more information on the rigors of this exam click here.

Please, meet and congratulate the first group of official Certified Spirits Educators!

.

.

Hoke Harden, CSW, CSE, B.N.I.C. Certified Cognac Educator, and French Wine ScholarAn enthusiastic lover of wine and spirits, Mr. Harden left a career in academia to follow his other muse for the last 27 years, trekking around the world to the great producing regions. Recently referred to as a veritable walking omnibus of wine and spirits knowledge, he has experienced every possible facet of the world of wine and spirits as a retailer, restaurateur, bartender, buyer, wholesaler, supplier, marketer, critic, writer, competition judge and an educator. He is currently with Elixir Vitae Wine & Spirits Consultants, a member of the Society of Wine Educators, Wine & Spirits Instructor at Mt. Hood Community College, and a Master Instructor with the French Wine Academy.

Hoke on the CSE Exam: The new Certified Spirits Educator program is a highly complex self-study program offered to professional spirits educators and industry professionals; the equivalent to the Society’s highly acclaimed Certified Wine Educator. Other programs dabble in spirits or include ancillary courses in the basics; the CSE focuses singularly on the world of spirits.

daubenmire, experts photos shoot, 2014

daubenmire, experts photos shoot, 2014

Linda Pettine, CWE, CSELinda Pettine is an Associate Professor for the College of Culinary Arts, Providence Campus, Johnson & Wales University. She has been at Johnson & Wales University since 2000, where she teaches in the Beverage & Dining Service Department. She was recognized for her teaching skills with the Beverage & Dining Services Department Service Award in 2001 and Teacher of the Year in 2007.  With over 20 years of industry experience, Ms. Pettine operated and managed fine dining restaurants in the south suburbs of Boston before joining the faculty at Johnson & Wales. Prior to that, she was a sales associate at Branded Liquors in Westwood, Mass. Linda is an active member of the Society of Wine Educators, Women Chef’s & Restaurateurs, and the USBG. She is a Certified Wine Educator, Certified Specialist of Spirits, and a Certified Hospitality Educator. Pettine recently became a Certified Cognac Educator and is certified through the Ėcole du Vin as an international Bordeaux educator. She holds degrees from Massachusetts Bay Community College, North Adams State College, and Johnson & Wales University.

Linda on the CSE Exam: I am fortunate in my like that I have had the opportunity to pursue my passions, “wine and spirits”.  The time and effort studying for the CSE exam was rigorous and demanding utilizing a variety of study techniques and tasting formats.  However, when you are passionate about the subject, it seems less like work and more like a journey.  I am thrilled to have arrived at my destination!

.

.

Lisa Graziano CSW, CSELisa Graziano grew up with a German father and Irish-American mother in Los Angeles, California. An education in beer, wine and spirits came with this upbringing. She has pursued the study of wine and spirits seriously for the past eight years, earning both Certified Specialist of Wine and Spirits from the Society of Wine Educators, and currently works as a retail hand seller for Gallo Fine Wines and consults for Bottle Shop 33 in Denver. Her current passion is craft spirits and educating people about them – and she’s obviously great at it!

Lisa on the CSE Exam: The CSE exam was certainly challenging!  I ate, slept, studied and tasted spirits intensely for three months to prepare.  The SWE online Spirits Academy was a helpful tool in preparing for the exam as was the list of iconic spirits and suggested reading list. 

.

.

Harriet Lembeck, CWE, CSEHarriet Lembeck is a prominent wine and spirits educator and writer. She is President of the Wine & Spirits Program, headquartered in New York City, and was the Director of The New School Wine Classes for their 18-year duration. She has revised and updated the textbook “Grossman’s Guide to Wines, Beers, and Spirits”, is a favorite speaker on wine and spirits at SWE Conferences, and is a contributing editor to Beverage Dynamics Magazine.

Harriet on the CSE exam: I think that the Certified Spirits Credential is very important for those who teach spirits as well as wine, and for those who already have the Certified Wine Educator credential, it completes the picture. The test was very comprehensive. Multiple choice questions (not as easy as one might think), writing an essay, and then completing two differently-styled tastings made for a long day, but each element was necessary for a candidate to illustrate familiarity with the subject of spirits.

.

.

Ira Norof, CWE, CSEIn 1976 Ira’s wine & spirits career began in a retail wine shop.   As his knowledge and passion for the product grew, he eventually became a Sommelier in a Beverly Hills Restaurant.   In 1983, he was hired by Southern Wine & Spirits of California, and in 1996 he was named the Director of Education.  His illustrious career has taken him to visit most of the major wine regions in Europe and the Americas.  He attained the CWE (Certified Wine Educator credential) in 1999.  He holds a diploma from the Bordeaux Wine School and is a certified International Bordeaux Educator, as well as a certified Cognac Educator as ordained by le Bureau National Interprofessionnel du Cognac. He is a guest lecturer at Cal Poly Pomona’s School of Hospitality each semester. Ira served as the President of the Society of Wine Educators from 2010 – 2013 and has been on the Board of Directors of the Los Angeles Chapter of the AIWF and was a member of the Bon Appetit Tasting Panel.  Ira remains actively involved in many wine-related charity events throughout the country.

Ira on the CSE exam: I am privileged to have been part of the first CSE exam and will continue to mentor within our California organization on both wine and spirits education. We have over 200 CSW and/or CSS certified employees in the state as well as 4 CWEs. I look forward to help increase those numbers in the coming months.

.

.

Jane A. Nickles, CWE, CSE, MBA – “Miss Jane” is the Director of Education for the Society of Wine Educators and in charge of all educational materials such as study guides, workbooks and online courses as well as exams and certification instruments.  In the past two years, she has introduced SWEbinars, ebooks, online prep classes, our blog, and computer-based testing to SWE.  Before working for SWE, she  created and taught wine classes for 20 years at Le Cordon Bleu Colleges, was the 2012 Banfi award winner for best score on the CWE exam, won the 2008 WOSA wine essay award (the prize for which was a 2-week tour of the winelands of South Africa), and has published countless textbooks and journals, including the latest editions of the SWE Study Guides.

Miss Jane on the CSE exam: Over the past few years, the CSS program has grown rapidly, and we have received an increasing number of requests for more in-depth programs and a higher level certification in spirits. One could even say the CSE was created due to popular demand!

Congratulations to our new CSEs! Now…who will be next?

A New PGI – Ratafia de Champagne!

http://www.champagne-courtillier.com

photo via: http://www.champagne-courtillier.com

Quick! If you are a CSW, tell me – what is Pineau des Charentes? If you are a CSS, answer me this: What is Pommeau de Normandie?

The answer to both questions is: a sweet, fortified, wine-based beverage, typically referred to in the European Union as a Vin de Liqueur.*

Now, here’s my next question: What is Ratafia de Champagne?

Answer: A Vin de Liqueur, produced in the Champagne region that – after an 800-year history of production – just received its first-even PGI status as of August 27, 2015. Bottles of Ratafia de Champagne, alternatively known as Ratafia Champenois, will be eligible for PGI status as of the 2016 release.

The new PGI is actually part of a larger project, begun back in June of 2014 when a group representing distillers, wine growers, and wine producers in the Champagne region created an organization known as the “Association of Producers of Spirits of the Champagne Geographical Indication” (Boissons Spiritueuses Champenoises). Among the goals of the group was to obtain PGI status for Marc de Champagne, Fine de Champagne, and Ratafia de Champagne. PGI status was obtained for Marc de Champagne in January 2015; the PGI for Fine de Champagne was approved in February 2015.

The regulations for Ratafia de Champagne PGI specify that the product is produced using the three main grapes of the Champagne region – Pinot Noir, Pinot Meunier, and Chardonnay. The juice that will be fortified and made into Ratafia is pressed after the juice to be used in the area’s famous sparkling wine is pressed – during the first part of the final – or rebèche – pressing.  The juice is then fortified with grape-based brandy of the region, which is also produced from the rebèche juice.  Production of Ratafia de Champagne will be limited to 15 million bottles – about 6% of the total output of the AOC – per year.

*More specifically, Pineau des Charentes is a Vin de Liqueur produced in the Cognac (Charentes) region of France, from must freshly pressed from the allowed grapes of the region. The must is fortified with Cognac, and the resulting beverage – at 16–22% alcohol by volume – is aged for at least 18 months, with a minimum of 12 in oak.  Being produced from unfermented must, Pineau des Charentes can also be classified as a mistelle.

*Pommeau, also technically a mistelle, is made in the Calvados region with unfermented apple juice, fortified with one-year-old Calvados. The resulting mixture, which has 16-18% alcohol by volume, is then aged in oak barrels for a minimum of 14 months.

Post authored by Jane A. Nickles – your blog administrator!

 

The EU Vodka War

Vodka and red caviarPlease don’t throw sour grapes at me for saying this: it is merely a quote. But here goes, “Would the French like Champagne to be distilled from plums, and would the British accept whisky from apricots?”

The answer is “obviously not” – but the question was asked in earnest by Richard Henry Czarnecki, a member of the European Parliament representing Poland. The time was 2007, and the occasion was the end of a heated debate in what is now known as “The Vodka War.”

Vodka has, for centuries, been produced and consumed by the countries of the “vodka belt” – Poland, Belarus, Ukraine, and Russia; the Baltic States of Latvia, Estonia, and Lithuania; and the Nordic states of Finland, Sweden, Norway, and Iceland – many of whom are now members of the EU. These vodkas are traditionally made from grains or potatoes, with the majority made from a mix of grains; and some of the finest examples are made from potatoes – particularly Poland’s unique, high-starch Stobrawa  variety.

Then along came Cîroc – a unique French beverage distilled from grapes, produced in a neutral style, and branded as vodka. In response, the European Union proposed to revise their regulations on distilled spirits, and split the vodka product group into several categories based on raw materials and in some cases, flavor.

European ParliamentThis did not go over well with some members, and on February 20, 2006, Poland – with the backing of the EU vodka belt countries and Germany – demanded that the EU definition of “vodka” be restricted to those spirits produced from grains, potatoes, or sugar beets.  Vodka, they claimed, was entitled to the same protections as to base ingredients and manufacturing processes as those awarded whiskies and brandies, and as such, should be granted the same assurances as to the quality and originality of the product.

Alas, this was not met without resistance, and the other EU producers of vodka, such as France and the UK, not to mention the non-traditional vodka producers of the rest of the world, countered with an argument that said that such restrictions would dissuade innovation and competition, and could be seen as an attempt to monopolize the vodka market by the Vodka Belt countries. The United States even threatened a trade war via the World Trade Organization.

Horst Schnelhardt, MEP from Germany, suggested a compromise: the EU definition of vodka could be written so as to include those products distilled from (1) cereals and/or potatoes, and/or those produced from (2) “other agricultural raw materials.” Those vodkas produced from “other agricultural raw materials” – such as grapes, carrots, or onions – must be labeled with a statement “produced from grapes” (or whatever the raw material may be). This proposal, referred to as the “The Schnelhardt Compromise,” passed, and is the law of the European Union today.

The Vodka Belt

The Vodka Belt

Poland, however, is not appeased and has responded by forming the Polish Vodka Association. The PVA, under the leadership of President Andrzej Szumowski, vows to protect the legacy of Polish Vodka. As of January 13th, 2013, a Polish law was passed defining Polish vodka as a product made exclusively in Poland, from Polish-grown grains or potatoes. Bottles meeting these criteria will be able to display a “Polska Wódka/Polish Vodka” symbol on their labels, as well as the official PGI for Polish Vodka.

References/for more information:

  • https://eur-lex.europa.eu/legal-content/EN/TXT/PDF/?uri=CELEX:32008R0110&from=EN
  • https://www.beveragedaily.com/Article/2006/06/28/Vodka-war-splits-EU

Post authored by Jane A. Nickles, CWE, CSS – your blog administrator.

 

 

 

 

 

Bitters and Bittered

bittersCocktail bitters reside in a class by themselves. Essentially, cocktail bitters are aromatics and flavoring extracts that have been macerated in neutral spirits. Cocktail bitters are so intensely concentrated as not to be considered potable on their own—or, as the official phrasing has it, “Not for singular consumption.”

 

Most cocktail bitters are botanicals in a neutral spirit base, although, while uncommon, it is possible to produce bitters with a glycerin base. In the United States, cocktail bitters are considered “food extracts” and are therefore regulated by the Food and Drug Administration rather than by the Alcohol and Tobacco Trade and Tax Bureau (TTB) or other alcohol-regulating agencies. Thus, they have wider distribution than wines and spirits, including in most food and grocery stores.

 

Cocktail bitters began, much like many other spirit groups, as medicinal and restorative tonics created by infusing botanicals in alcohol in order to extract their (presumed or actual) health benefits. One of the most prevalent forms of bittering agents used was Peruvian cinchona bark, also called quinine, which became popular as part of the potions used to treat malaria and tropical fevers. Other common bittering botanicals were used as well, and many are still in use today, such as caffeine, hops, gentian, and burdock root, as well as many other forms of herbs, roots, leaves, barks, and spices.

 

Flowering Gentian

Flowering Gentian

Some of these medicinal elixirs were favored as refreshing beverages, while others remained in highly concentrated form as tonics. In many cases, the tonics came to be used to flavor other beverages, as in the gin and tonic, pink gins, and other such drinks, where a dash of bittering agents was called for to liven the drink. Bitters were so much a part of beverage culture that the earliest definition of a cocktail included a bittering agent. To be exact, the definition, formulated in 1806, listed “spirits of any kind, sugar, water, and bitter.”

 

Outside of FDA regulations regarding use of certain approved foodstuffs, there is no limit or regulation on what may constitute a recipe for cocktail bitters; thus, much is left up to the discretion and whim of the creator. Cocktail bitters have found a new popularity, and there are many unique, creative products on the market today. Two of the most “classic” brands are Angostura Bitters and Peychaud’s Bitters: 

 

Angostura Bitters: The most well-known of the cocktail bitters began with the House of Angostura. Angostura Bitters were created as a medical concoction in 1824 by Dr. Johann Siegert, a doctor in Simón Bolivar’s Venezuelan army. It was named after the town of Angostura (later, Ciudad Bolivar), although, oddly enough, the recipe did not contain the local angostura bark as an ingredient, even though other bitters did. The House of Angostura later relocated to Port of Spain

Photo of “Angostura bitters 003" by Gryffindor

Photo of “Angostura bitters 003″ by Gryffindor

in Trinidad, where it resides today. The company also owns and operates rum distilleries on the island, both for the Angostura brand and by general contract for several others. Readily recognizable with its bright yellow cap and oversize paper label, Angostura is easily the world’s dominant brand of bitters.

 

Peychaud’s Bitters: Peychaud’s Bitters were invented by the Haitian Creole Antoine Amédée

Peychaud in his apothecary shop in New Orleans, circa 1830. The concoction was originally designed to go in his powerful spirit libations said to be served in dainty eggcups known by the French term coquetiers (a possible explanation for the origin of our term “cocktail”). This is a savory, exotic style of bitters with highly lifted aromatics. Peychaud’s Bitters are an integral part of the original recipe for the Sazerac cocktail.

 

As a pleasant side effect of the current cocktail renaissance, the bitters market is exploding with

artisan and local versions of cocktail bitters, with more entering the market each day. Fee Brothers, Regan’s #6 Orange Bitters, Bittermen’s, the Bitter Truth, Bittercube, Basement Bitters, and Bar Keep Bitters are among the many artisan-produced bitters available today. A plethora of flavors are also being produced; one can find bitters based on fennel, lavender, grapefruit, rhubarb, dandelion, molé, pineapple, apple, curry, and Jamaican jerk seasoning.

 

The creativity for bitters, it seems, knows no bounds.

Cocktail bitters, bittered spirits, vermouth, quinquinas, and Americanos are all topics that receive new and expanded coverage in our 2015 edition of the Certified Specialist of Spirits Study Guide…due out by January!

Click here to return to the SWE Homepage.

The Bartender’s Handshake

Fig 10-7 different brands of fernetThe beverage world abounds with spirit amari (bittered spirits), which may be classified as aperitifs, which are generally served in diluted forms as cocktails to stimulate the appetite, or as digestifs, which are often served in more concentrated forms to enhance digestion after a meal.

These amari contain botanicals with carminative properties intended to lessen gastric discomfort after rich meals. Just ask a bartender, a wine student, or a serious foodie you will hear them tell you its true: they work! Botanicals known for their carminative properties include angelica, aniseed, basil, caraway, cardamom, cinnamon, coriander, cumin, dill, fennel, ginger, hops, nutmeg, parsley, and sage.

One of the most popular Spirit amari is Fernet Branca. Fernet Branca was invented in Milan in 1845 by Bernardino Branca. It soon became famous worldwide and led to the founding of the Fratelli Branca Distillery.

Archives of the Boston Public Library

Archives of the Boston Public Library

Fernet has recently become quite popular in the United States as both a beverage and a hangover cure, but its popularity long precedes the craft cocktail scene. So popular is it among industry professionals that a shot of Fernet Branca has been called the “bartender’s handshake.”

In Prohibition-era San Francisco, fernet was legally consumed on the grounds of being “medicinal.” San Franciscans still drink it—over 30% of the fernet consumed throughout the entire United States is consumed in San Francisco.

Argentina consumes more fernet than any other nation. The beverage’s popularity is reflected in the fact that a leading  Cuarteto (an upbeat, popular dance-hall music genre) song is “Fernet con Cola.” 

The secret recipe for Fernet Branca is reportedly known by only one person, Niccolò Branca, the current president of the Fratelli Branca Distillery. It is said that Niccolò personally measures out the flavorings for each production run.

Fernet ValleyThe Branca brand, while definitely one of the better-known, is not the only producer of fernet. Fernet is actually a type of herbal-based bitter that is made by other producers, as well. Many Italian companies, including Luxardo, Cinzano, and Martini & Rossi, produce fernet. Fernet is produced internationally, as well, such as in Mexico, where the popular Fernet-Vallet is made.

Each brand of fernet has its own secret combination of herbs and botanicals. However, a good fernet is likely to include myrrh and saffron, both known for their “disgestivo” and antioxidant properties. Other ingredients rumored to be included are linden, galangal, peppermint oil, sage, bay leaves, gentian root, St. John’s wort, rhubarb, chamomile, cardamom, aloe, and bitter orange.

Fernet Branca, as well as other versions of Italian spirit armai, French spirit amer, and various types of vermouth, quinquina, and americano that will be covered in the new 2015 edition of the Certified Specialist of Spirits study guide…to be released in January, 2015!

Post authored by Jane A. Nickles, CSS, CWE – your SWE Blog Administrator: jnickles@societyofwineeducators.org

Click here to return to the SWE Homepage.

La Bouteille de Suze

SuzeSuze, a lightly sweet type of bittered liqueur, was created in Paris in 1889 by a distiller named Fernand Moureaux.  While Suze has long been popular in Europe as an aperitif and mixer, it has just become available on the American Market.

The original recipe for Suze called for wild gentian root harvested from the mountains of the Jura and Auvergne regions of France.  Other ingredients in this highly aromatic, bright yellow liqueur include vanilla, dried wildflowers, fennel, bitter oranges, and honey.

Now produced by Pernod Ricard, Suze is among the top selling aperitifs in France.  The fame and reputation of Suze received quite a boost in 1912 when it was featured in the painting “La bouteille de Suze” (Bottle of Suze) by Pablo Picasso.

The painting, actually a collage, incorporates bits of newspaper, wallpaper, and construction paper to portray (some art critics say “suggest”) a liquor bottle with a label, a glass, an ashtray, and a lit cigarette. These all rest on a blue table in front of a wall covered with diamond-patterned wallpaper and pieces of newspaper.

glass and bottle of suzeThese elements all represent the popular daily Parisian routine of reading the paper while smoking and drinking in a café; however, at the same time, the newspaper articles themselves tell of the terrifying events of the First Balkan War. Many art critics believe these elements represent the juxtaposition of the simple pleasures, as well as the horrors, of modern life.

If you would rather concentrate on life’s pleasures, try a White Negroni – 2 parts gin, 1 part Suze, and 1 part White Vermouth shaken and strained over ice, garnished with a lemon twist.

“La Bouteille de Suze” (Glass and Bottle of Suze) by Pablo Picasso is currently on display at the Kemper Art Museum in St. Louis. Click here to read about the painting in the museum’s archives.

Click here to return to the SWE Website.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org