On the Docket: XXO Cognac

photo via: https://www.hennessy.com/fr-fr

photo via: https://www.hennessy.com/fr-fr

According to France’s Institut National de l’Origine et de la Qualité (INAO), as of December 6, 2018, Cognac has a new “official” aging classification!

Here is the new law, straight from the update of the Cahier des Charges: “Les mentions ‘XXO’ et ‘Extra Extra Old’ sont des mentions spécifiques dont les eaux-de-vie présentent un vieillissement égal ou supérieur à 14 ans.”

Translation: According to the INAO, the initialism “XXO” or the term “Extra Extra Old” is a newly-approved aging designation for use on bottles of Cognac where the youngest spirit in the bottle is 14 years old.

For now, while we’re talking about cognac, here are a few other fascinating facts about Cognac:

A corner of paradise: In some cellars, the oldest cognacs are put into demi-johns (large glass containers designed to allow the aging process to continue without air contact and the annual evaporative loss experienced via wooden barrels). These oldest-of-the-old spirits are often kept in a separate, dark corner of the cellar sometimes referred to as un coin de paradis (“a corner of paradise”).

.

.

What a history: According to archaeological records, the area around Charente was planted with vineyards, and well-known for wine production as early as the first century CE. The wines of the area—particularly those from the port of Poitou—were first sold to Dutch interests (along with salt from the Atlantic Coast). By the 15th century, the Dutch had begun to distill the wines of Charente in order to preserve them during the long ocean voyages.

The trade takes off: Many cognac firms are more than 200 years old. For example, Martell was founded in 1715, Rémy Martin in 1724, Delamain in 1759, Hennessy in 1765, Godet in 1782, and Courvoisier in 1843. On January 23, 1860, a landmark trade treaty was signed between England and France (under the auspices of Napoleon III), and soon thereafter the trading of Cognac expanded exponentially.

The legislation: Cognac was among the first “batch” of six wine-and-spirit AOCs approved by the INAO on May 15, 1936. The geographical boundaries of the defined Cognac region had been legally defined a few decades earlier, in 1909. In 1938, the six geographical designations  (crus) – Grande Champagne, Petite Champagne, Borderies, Fins Bois, Bons Bois, and Bois Ordinaires – were added to the Cahier des Charges.

References/for more information:

Post authored by Jane A. Nickles, your blog administrator…

There’s a new IGP in town: Ratafia Catalana

Photo via: http://ratafiabosch.cat

Photo via: http://ratafiabosch.cat

Now, I know that’s a confusing opening line. So let’s break it down…Ratafia Catalana—a traditional spirit drink produced in Catalonia—has recently been awarded Indicación Geográfica Protegida (IGP) status by Spain’s Ministry of Agriculture (known officially as the Ministerio de Agricultura, Pesca y Alimentación). This occurred on October 22, 2018.

Ratafia Catalonia is technically a green walnut-flavored liqueur with a bitter flavor profile, often served as an aperitif, digestive, or even a nightcap.

But before we get into the details…let’s clarify one more thing: the term ratafia is used in several different countries to refer to several different things. Most wine lovers are familiar with Ratafia de Champagne, a PGI-designated, fortified wine (vin de liqueur) from the Champagne region produced via the fortification of unfermented (or just-barely fermenting) grape must (juice). This style of ratafia is also produced in Burgundy (Ratafia de Bourgogne); and other wine regions produce similar style wines (such as Pineau de Charentes)—although they do not always use the term ratafia.

Photo via: http://www.russet.cat

Photo via: http://www.russet.cat

In Catalonia (as is many other parts of the Mediterranean), ratafia is something quite different. In this case, Ratafia Catalana—which has been produced in the area for over 1,000 years—is a richly flavored, sweetened, aged, and oxidized liqueur.

The newly-codified regulations define Ratafia Catalana PGI as a brown-or-amber colored, sweetened liqueur flavored with green walnuts and other botanicals. Standard production requirements include the following:

  • Alcohol content between 24% and 30% abv
  • Sugar content between 100 g/L and 400 g/L
  • Flavored with green walnuts (the dominant flavor) as well as lemon verbena, cinnamon, and cloves (other botanicals are allowed as well)
  • Aged for at least three months in wooden containers—although many are aged for much longer, and often in oxidizing conditions (such as partially-filled demijohns)
.

.

Ratafia Catalana PGI may be produced anywhere within the Autonomous Region of Catalonia (Comunidad Autónoma de Cataluña). Some of the best-known and longest-produced commercial version of Ratafia Catalonia include Ratafia Bosch, produced since 1892 at Destilería Bosch (located in a suburb of Barcelona); and Ratafia Russet, produced in the La Garrotxa region since 1903.

If you are lucky enough to find a bottle, serve it neat (as an aperitif) before a meal, or pour it over ice and serve it alongside a dessert such as Crema Catalana, the cake-like Coca de Sant Joan, or with some of the local Catalan cheeses drizzled with honey (as in the dish known as Mel i Mató). Of course, it also works a digestive or a nightcap…or just about any time you need a break.

References/for more information:

PGI documents: IGP Ratafia Catalana

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Bailey’s and Beyond: The Irish Cream PGI

.

.

Everyone I know loves Bailey’s Irish Cream. In coffee, on the rocks, or in a fanciful cocktail such as the Mudslide, Girl Scout Cookie, or Nutty Irishman—it is just plain delicious.

Bailey’s Irish Cream was the first Irish cream liqueur on the market.  It was created in the early 1970’s by Gilbey’s of Ireland, a large distillery borne out of a gin distillery founded in 1857 by Sir Walter Gilbey.  The name “Bailey’s” was inspired by the name of a local restaurant owned by John Chesterman, who gave permission to use the name. The distillery—Gilbey’s of Ireland—eventually became a division of the even-larger International Distillers & Vintners, which eventually merged in with Diageo (the current producer of Bailey’s).

The Bailey’s brand of Irish cream liqueur may have been the first, and it may be the best-known, but it is certainly not the only Irish cream on the liquor store shelf—other brands include Carolan’s, Cremór, Kerrygold, Molly’s, and St. Brendan’s. Give one of these others a try, and you may find you fall in love with Irish cream liqueur all over again.

.

.

As of 2015, Irish Cream is a Protected Geographical Indication (PGI) and recognized as a unique product of Ireland. Irish Cream may be produced anywhere in Ireland (including the Republic of Ireland and the country of Northern Ireland), and may not be produced anywhere else.

Irish Cream is classified as a liqueur under the rules of the European Union, and as such must have a minimum alcohol by volume of 15% and a minimum of 100 g/L of sugar (approximately equivalent to 10%).  Irish cream liqueurs vary in terms of alcohol and sugar, but many are in the range of 17% to 20% alcohol by volume and 20% to 25% sugar.

.

.

In addition to meeting the EU standards for liqueurs, the PGI for Irish Cream requires the following:

  • Irish Dairy Cream: Irish Cream liqueur must contain a minimum of 10% milk fat (which does not sound very appealing), all of which must be from cream produced from milk produced in Ireland. Ireland is known for the quality of its dairy products, and many top-bred Irish dairy cows create the “cream” in Irish cream.
  • Irish Whiskey: Irish cream is required to contain at least 1% by volume Irish whiskey. The remainder of the alcohol content may be from any type of alcohol of agricultural origin (and in most cases is likely to be neutral spirits).
  • Specific Production Techniques: Ireland claims to have created the technique of creating shelf-stable cream liqueurs. Two techniques are allowed for use in the production of Irish Cream. One technique—known as the single-stage method—involves mixing together the spirits, sugar, cream, flavorings and emulsifiers and sending the entire batch through a process of homogenization until the average particle size of the cream globule is reduced to less than 5 microns, preferably less than 2 microns. This will allow the liqueur to remain emulsified. The second method—known as the two-stage method—involves homogenizing the cream (to the same micron-size standard) first and then mixing it into the remainder of the ingredients (sprits, sugars, flavorings, and emulsifiers).
.

.

There are few specifications as to the stabilizers, colorings, emulsifiers, and flavorings that may be used in Irish cream liqueur beyond those typical for food safety, additives, and advertising. While many flavors are produced—Strawberries-and-Cream! Pumpkin spice! Espresso! Salted Caramel! Chocolate-Cherry!—the original Bailey’s Irish Cream Liqueur is reported to be flavored with Irish whiskey, Irish Cream, and chocolate or cocoa. The formulas are typically considered closely guarded secrets, but other flavors may include a bit of honey, caramel, vanilla, almond, coffee, or cinnamon.

The production requirements and product analysis do not make the delicious and delectable Irish Cream liqueur sound very appealing, so we’ll end with a few tasting notes. For starters, here is the official tasting note for Bailey’s Irish Cream: “the perfect marriage of fresh, premium Irish dairy cream, the finest spirits, aged Irish whiskey, and a unique chocolate blend.”  Other often-used descriptions include velvety, creamy, smooth notes of toffee, burnished gold, and honeyed memories of the Emerald Isle. That’s more like it.

References/for more information:

 

 

New Standards for Vermouth di Torino!

.

.

Turin has long been recognized as the birthplace of vermouth, and has remained a center of vermouth production since Benedetto Carpano first added an infusion of herbs and spices to the local wines of the region, back in 1786.

Vermouth di Torino is still a popular style of vermouth, and has had protected status since 1991. As of March 22, 2017, the protected status for Vermouth di Torino has been further defined by a new set of technical standards, presented by the Italian Ministry of Agriculture and Forestry.

Under these new standards, Vermouth di Torino IGT is defined as an aromatized (flavored) wine produced within the province of Piedmont, using a base of Italian wine, and fortified with the addition of spirits.

Other standards include the following:

  • The main flavoring must be artemisia (an herb also known as wormwood), with additional herbs and spices allowed
  • Alcohol by volume must be between 16% and 22%
  • The color may range from light yellow to amber yellow and red; the color of the final product should reflect the color of the base wines and the flavorings, although the use of caramel coloring is permitted
  • Allowed sweeteners include sugar, grape must, caramel, and honey
  • The type and origin of the base wines may be specified on the label if they represent at least 20% by volume of the finished product

The new standards also allow for a Vermouth di Torino Superiore IGT, with a minimum of 17% alcohol by volume. At least 50% of the base wine and the flavorings used for Vermouth di Torino Superiore (aside from the artemisia) must be grown in Piedmont.

It seems like tonight would be an excellent time to enjoy a Vermouth di Torino straight up or on the rocks—or perhaps a Negroni or a Boulevardier.

What is your favorite way to enjoy Vermouth di Torino?

References/for more information (in Italian):

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

 

SWE’s Bourbon Mini-Conference Recap—Day 1!

...

Click here for a recap of SWE’s Bourbon Mini-Conference, Day 2

Last week, April 7th and 8th, the Society of Wine Educators hosted their first spirits-focused mini-conference in Louisville, KY with Bourbon as the centerpiece.  It was a full house at the Brown Hotel, and the Bourbon conversations started to buzz at the welcoming happy hour.  Attendees had traveled from all over the US as well as a few folks coming from Hong Kong and Shanghai to learn about America’s favorite spirit.  It might have been the location—after all, 95% of Bourbon is produced in Kentucky—and every speaker and tour guide boasted that there are more Bourbon barrels ageing in the state than residents.

We kicked off the seminars early in the morning with Chris Morris, master distiller from Woodford Reserve.  He gave us the foundation for the next couple days with an in-depth analysis of the distillation process and how Woodford Reserve does things slightly different.  Longer than usual fermentations (5 days as opposed to the normal 3 days), a developed “double barrel” program, sour and sweet mashes, and a particular attention to the “five sources of flavor” (fruit and floral, spice, grain, sweet aromatics, and wood) are some of the tools that Chris uses in crafting delicious Bourbons.

Chris Morris of Woodford Reserve

Chris Morris of Woodford Reserve

Beth Burrows, general manager at Down One Bourbon Bar, brought a different twist to the subject with her innovative variations of some classic cocktails.  The wine geek attendees were seduced by Beth’s use of Barolo Chinato and Cocchi di Torino to craft two variations on the Manhattan.  She used a jalapeño infused simple syrup and herbs to make one of the best Bombini cocktails I’ve ever had.  Then, the room was lit up (literally), when Beth demonstrated setting fire to some hay in order to smoke a glass in which to serve a cocktail. All this flare aside, the lesson was to match the base spirit to all the other flavors present in the drink.

Beth Burrows of the Down One Bourbon Bar

Beth Burrows of the Down One Bourbon Bar

After a lovely lunch at the hotel, we all boarded a pair of buses and took off for distillery tours at Jim Beam and Bulleit.  Beam makes 50% of all the Bourbon produced in KY, but the tour was incredibly personal and hands on.  The buses weaved through the myriad of rickhouses, where all the barrels are stored—four years for Beam White Label.  We were able to taste the fermenting mash, dip our fingers in the distillate right off the still, and smell the aged whiskeys are they headed to the bottling line.  Some attendees were able to take away a bottle with their fingerprint in the wax closure!

At the Jim Beam Distillery

At the Jim Beam Distillery

Next, the folks at Bulleit treated us to an entirely different experience. Bulleit is housed in the historic Stitzel-Weller Distillery. It is quite a bit different in that the base spirit is not distilled on site; however, they revealed plans to build a large new facility within a few years in order to consolidate operations.  Highlights of the tour included visiting the historic cooperage and hanging out for a short time in Tom Bulleit’s office.

At the Bulleit Campus

At the Bulleit Campus

The day was topped off with an incredible dinner with cocktail pairings at Proof Restaurant and Bar, located in Louisville’s 21C Museum Hotel.  The 21C is a modern art museum as well as a hotel, so we dined surrounded by art (and even hanging above us).  In between courses, Hoke Harden, CSE took us on a journey through the history of Bourbon, the various foundational families, and the events that led Bourbon to find a home in Kentucky.  Heading back to the Brown, everybody was in a state of bliss, with full bellies and inspired minds.

Bourbon Dinner at the 21C Museum and Hotel in Louisville

Bourbon Dinner at the 21C Museum and Hotel in Louisville

Uisce Beatha Eireannach Goes Legit!

Dunguaire Castle, County Galway

Dunguaire Castle, County Galway

Ok, for the record, Uisce Beatha Eireannach – Irish whiskey – has always been legit! However, soon, the legal standards that regulate the spirit will be greatly expanded and enhanced.

As every good CSS student knows, Irish whiskey has been defined and regulated since 1980 by the Irish Whiskey Act.

The Irish Whiskey Act of 1980 is a fairly concise document – no more than one page long – and states that Irish whiskey must:

  • Be distilled in Ireland from a mash of cereal grains
  • Be distilled to an alcoholic strength of less than 94.8% alcohol by volume (189.6 proof)
  • Be distilled in such a way so that the distillate has an aroma and flavor derived from the materials used
  • Contain no additives except for water and caramel coloring
  • Be stored in wooden casks in Ireland for no less than three years

The act further goes on to define blended Irish whiskey as a spirit which must be comprised of at least two different distillates. And that’s it!

However…as of October 30, 2015, a new set of technical standards will be implemented in accordance with the European Union requirements for the PGI status of Irish whiskey.

These standards expand upon the Irish Whiskey Act of 1980 and include the following regulations:

  • Irish whiskey must be bottled in Ireland or, if not bottled in Ireland, it must be shipped off the island in inert bulk containers and subject to company controls and strict verification to ensure the safety and integrity of the product.
  • Irish whiskey is not allowed to be exported from Ireland in any type of wooden container.
.

.

These new regulations also provide definitions for the following types of Irish whiskey: 

Irish Malt Whiskey: Irish malt whiskey must be made from 100% malted barley. The wort is separated from the solids before fermentation. Irish malt whiskey must be distilled in pot stills. The traditional practice is to use smaller pot stills in order to encourage complex flavors and a full, oily texture, however, there are no requirements as to the size of the still.  Irish malt whiskey is traditionally triple-distilled, although double distillation may be used.

Irish Grain Whiskey: Irish grain whiskey is produced from a mash containing a maximum of 30% malted barley. The remainder is made up of unmalted cereal grains – typically maize, wheat, or barley. The mash typically does not undergo any separation of the solids from the liquids before distillation. This type of whiskey is continuously distilled using column stills.  Irish grain whiskey may have either a light or a full flavor profile, depending on the cut points and other techniques employed by the distiller.

Irish Pot Still Whiskey:  Irish pot still whiskey is required to be produced using a mash containing a minimum of 30% malted barley and a minimum of 30% unmalted barley. The remainder of the mash may be either malted or unmalted barley, and may include up to 5% other unmalted cereal grains (usually oats or rye). The wort is separated from the solids before fermentation. This type of whiskey must be batch distilled in pot stills. The traditional practice is triple-distillation in large pot stills, although double distillation may also be employed and there are no requirements as to the size of the still. 

.

.

Blended Irish Whiskey: Blended Irish whiskey is a blend of two or more different whiskey types, which must be made in accordance with the standards stated above, and which may include Irish malt whiskey, Irish grain whiskey, and/or Irish pot still whiskey. The whiskeys that make up the blend may also be chosen from different distilleries, ages, types of cask finish, and flavor profiles in order to achieve the desired flavor and consistency.  Blended Irish whiskey tends to be smooth and mellow with a range of flavors, and a light, silky mouth feel.

So on October 30, 2015 (and maybe every other day of the year), raise a glass – of Jameson, Tullamore DEW, Kilbeggan, or whatever you choose – and toast your friends “Sláinte mhaith!”

Post authored by Jane A. Nickles, your blog administrator

For more information:

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

Congratulations to our First Class of Certified Spirits Educators!

During our 2015 conference in New Orleans, the Society of Wine Educators administered the first ever Certified Spirits Educator exam to a group of leading industry professionals.  Six candidates successfully demonstrated superior theoretical knowledge through multiple choice and essay questions, tasting acumen through accurate blind identifications and rationales, presentation skills to a targeted audience, and proof of responsible beverage service.  For more information on the rigors of this exam click here.

Please, meet and congratulate the first group of official Certified Spirits Educators!

.

.

Hoke Harden, CSW, CSE, B.N.I.C. Certified Cognac Educator, and French Wine ScholarAn enthusiastic lover of wine and spirits, Mr. Harden left a career in academia to follow his other muse for the last 27 years, trekking around the world to the great producing regions. Recently referred to as a veritable walking omnibus of wine and spirits knowledge, he has experienced every possible facet of the world of wine and spirits as a retailer, restaurateur, bartender, buyer, wholesaler, supplier, marketer, critic, writer, competition judge and an educator. He is currently with Elixir Vitae Wine & Spirits Consultants, a member of the Society of Wine Educators, Wine & Spirits Instructor at Mt. Hood Community College, and a Master Instructor with the French Wine Academy.

Hoke on the CSE Exam: The new Certified Spirits Educator program is a highly complex self-study program offered to professional spirits educators and industry professionals; the equivalent to the Society’s highly acclaimed Certified Wine Educator. Other programs dabble in spirits or include ancillary courses in the basics; the CSE focuses singularly on the world of spirits.

daubenmire, experts photos shoot, 2014

daubenmire, experts photos shoot, 2014

Linda Pettine, CWE, CSELinda Pettine is an Associate Professor for the College of Culinary Arts, Providence Campus, Johnson & Wales University. She has been at Johnson & Wales University since 2000, where she teaches in the Beverage & Dining Service Department. She was recognized for her teaching skills with the Beverage & Dining Services Department Service Award in 2001 and Teacher of the Year in 2007.  With over 20 years of industry experience, Ms. Pettine operated and managed fine dining restaurants in the south suburbs of Boston before joining the faculty at Johnson & Wales. Prior to that, she was a sales associate at Branded Liquors in Westwood, Mass. Linda is an active member of the Society of Wine Educators, Women Chef’s & Restaurateurs, and the USBG. She is a Certified Wine Educator, Certified Specialist of Spirits, and a Certified Hospitality Educator. Pettine recently became a Certified Cognac Educator and is certified through the Ėcole du Vin as an international Bordeaux educator. She holds degrees from Massachusetts Bay Community College, North Adams State College, and Johnson & Wales University.

Linda on the CSE Exam: I am fortunate in my like that I have had the opportunity to pursue my passions, “wine and spirits”.  The time and effort studying for the CSE exam was rigorous and demanding utilizing a variety of study techniques and tasting formats.  However, when you are passionate about the subject, it seems less like work and more like a journey.  I am thrilled to have arrived at my destination!

.

.

Lisa Graziano CSW, CSELisa Graziano grew up with a German father and Irish-American mother in Los Angeles, California. An education in beer, wine and spirits came with this upbringing. She has pursued the study of wine and spirits seriously for the past eight years, earning both Certified Specialist of Wine and Spirits from the Society of Wine Educators, and currently works as a retail hand seller for Gallo Fine Wines and consults for Bottle Shop 33 in Denver. Her current passion is craft spirits and educating people about them – and she’s obviously great at it!

Lisa on the CSE Exam: The CSE exam was certainly challenging!  I ate, slept, studied and tasted spirits intensely for three months to prepare.  The SWE online Spirits Academy was a helpful tool in preparing for the exam as was the list of iconic spirits and suggested reading list. 

.

.

Harriet Lembeck, CWE, CSEHarriet Lembeck is a prominent wine and spirits educator and writer. She is President of the Wine & Spirits Program, headquartered in New York City, and was the Director of The New School Wine Classes for their 18-year duration. She has revised and updated the textbook “Grossman’s Guide to Wines, Beers, and Spirits”, is a favorite speaker on wine and spirits at SWE Conferences, and is a contributing editor to Beverage Dynamics Magazine.

Harriet on the CSE exam: I think that the Certified Spirits Credential is very important for those who teach spirits as well as wine, and for those who already have the Certified Wine Educator credential, it completes the picture. The test was very comprehensive. Multiple choice questions (not as easy as one might think), writing an essay, and then completing two differently-styled tastings made for a long day, but each element was necessary for a candidate to illustrate familiarity with the subject of spirits.

.

.

Ira Norof, CWE, CSEIn 1976 Ira’s wine & spirits career began in a retail wine shop.   As his knowledge and passion for the product grew, he eventually became a Sommelier in a Beverly Hills Restaurant.   In 1983, he was hired by Southern Wine & Spirits of California, and in 1996 he was named the Director of Education.  His illustrious career has taken him to visit most of the major wine regions in Europe and the Americas.  He attained the CWE (Certified Wine Educator credential) in 1999.  He holds a diploma from the Bordeaux Wine School and is a certified International Bordeaux Educator, as well as a certified Cognac Educator as ordained by le Bureau National Interprofessionnel du Cognac. He is a guest lecturer at Cal Poly Pomona’s School of Hospitality each semester. Ira served as the President of the Society of Wine Educators from 2010 – 2013 and has been on the Board of Directors of the Los Angeles Chapter of the AIWF and was a member of the Bon Appetit Tasting Panel.  Ira remains actively involved in many wine-related charity events throughout the country.

Ira on the CSE exam: I am privileged to have been part of the first CSE exam and will continue to mentor within our California organization on both wine and spirits education. We have over 200 CSW and/or CSS certified employees in the state as well as 4 CWEs. I look forward to help increase those numbers in the coming months.

.

.

Jane A. Nickles, CWE, CSE, MBA – “Miss Jane” is the Director of Education for the Society of Wine Educators and in charge of all educational materials such as study guides, workbooks and online courses as well as exams and certification instruments.  In the past two years, she has introduced SWEbinars, ebooks, online prep classes, our blog, and computer-based testing to SWE.  Before working for SWE, she  created and taught wine classes for 20 years at Le Cordon Bleu Colleges, was the 2012 Banfi award winner for best score on the CWE exam, won the 2008 WOSA wine essay award (the prize for which was a 2-week tour of the winelands of South Africa), and has published countless textbooks and journals, including the latest editions of the SWE Study Guides.

Miss Jane on the CSE exam: Over the past few years, the CSS program has grown rapidly, and we have received an increasing number of requests for more in-depth programs and a higher level certification in spirits. One could even say the CSE was created due to popular demand!

Congratulations to our new CSEs! Now…who will be next?

A New PGI – Ratafia de Champagne!

http://www.champagne-courtillier.com

photo via: http://www.champagne-courtillier.com

Quick! If you are a CSW, tell me – what is Pineau des Charentes? If you are a CSS, answer me this: What is Pommeau de Normandie?

The answer to both questions is: a sweet, fortified, wine-based beverage, typically referred to in the European Union as a Vin de Liqueur.*

Now, here’s my next question: What is Ratafia de Champagne?

Answer: A Vin de Liqueur, produced in the Champagne region that – after an 800-year history of production – just received its first-even PGI status as of August 27, 2015. Bottles of Ratafia de Champagne, alternatively known as Ratafia Champenois, will be eligible for PGI status as of the 2016 release.

The new PGI is actually part of a larger project, begun back in June of 2014 when a group representing distillers, wine growers, and wine producers in the Champagne region created an organization known as the “Association of Producers of Spirits of the Champagne Geographical Indication” (Boissons Spiritueuses Champenoises). Among the goals of the group was to obtain PGI status for Marc de Champagne, Fine de Champagne, and Ratafia de Champagne. PGI status was obtained for Marc de Champagne in January 2015; the PGI for Fine de Champagne was approved in February 2015.

The regulations for Ratafia de Champagne PGI specify that the product is produced using the three main grapes of the Champagne region – Pinot Noir, Pinot Meunier, and Chardonnay. The juice that will be fortified and made into Ratafia is pressed after the juice to be used in the area’s famous sparkling wine is pressed – during the first part of the final – or rebèche – pressing.  The juice is then fortified with grape-based brandy of the region, which is also produced from the rebèche juice.  Production of Ratafia de Champagne will be limited to 15 million bottles – about 6% of the total output of the AOC – per year.

*More specifically, Pineau des Charentes is a Vin de Liqueur produced in the Cognac (Charentes) region of France, from must freshly pressed from the allowed grapes of the region. The must is fortified with Cognac, and the resulting beverage – at 16–22% alcohol by volume – is aged for at least 18 months, with a minimum of 12 in oak.  Being produced from unfermented must, Pineau des Charentes can also be classified as a mistelle.

*Pommeau, also technically a mistelle, is made in the Calvados region with unfermented apple juice, fortified with one-year-old Calvados. The resulting mixture, which has 16-18% alcohol by volume, is then aged in oak barrels for a minimum of 14 months.

Post authored by Jane A. Nickles – your blog administrator!

 

The EU Vodka War

Vodka and red caviarPlease don’t throw sour grapes at me for saying this: it is merely a quote. But here goes, “Would the French like Champagne to be distilled from plums, and would the British accept whisky from apricots?”

The answer is “obviously not” – but the question was asked in earnest by Richard Henry Czarnecki, a member of the European Parliament representing Poland. The time was 2007, and the occasion was the end of a heated debate in what is now known as “The Vodka War.”

Vodka has, for centuries, been produced and consumed by the countries of the “vodka belt” – Poland, Belarus, Ukraine, and Russia; the Baltic States of Latvia, Estonia, and Lithuania; and the Nordic states of Finland, Sweden, Norway, and Iceland – many of whom are now members of the EU. These vodkas are traditionally made from grains or potatoes, with the majority made from a mix of grains; and some of the finest examples are made from potatoes – particularly Poland’s unique, high-starch Stobrawa  variety.

Then along came Cîroc – a unique French beverage distilled from grapes, produced in a neutral style, and branded as vodka. In response, the European Union proposed to revise their regulations on distilled spirits, and split the vodka product group into several categories based on raw materials and in some cases, flavor.

European ParliamentThis did not go over well with some members, and on February 20, 2006, Poland – with the backing of the EU vodka belt countries and Germany – demanded that the EU definition of “vodka” be restricted to those spirits produced from grains, potatoes, or sugar beets.  Vodka, they claimed, was entitled to the same protections as to base ingredients and manufacturing processes as those awarded whiskies and brandies, and as such, should be granted the same assurances as to the quality and originality of the product.

Alas, this was not met without resistance, and the other EU producers of vodka, such as France and the UK, not to mention the non-traditional vodka producers of the rest of the world, countered with an argument that said that such restrictions would dissuade innovation and competition, and could be seen as an attempt to monopolize the vodka market by the Vodka Belt countries. The United States even threatened a trade war via the World Trade Organization.

Horst Schnelhardt, MEP from Germany, suggested a compromise: the EU definition of vodka could be written so as to include those products distilled from (1) cereals and/or potatoes, and/or those produced from (2) “other agricultural raw materials.” Those vodkas produced from “other agricultural raw materials” – such as grapes, carrots, or onions – must be labeled with a statement “produced from grapes” (or whatever the raw material may be). This proposal, referred to as the “The Schnelhardt Compromise,” passed, and is the law of the European Union today.

The Vodka Belt

The Vodka Belt

Poland, however, is not appeased and has responded by forming the Polish Vodka Association. The PVA, under the leadership of President Andrzej Szumowski, vows to protect the legacy of Polish Vodka. As of January 13th, 2013, a Polish law was passed defining Polish vodka as a product made exclusively in Poland, from Polish-grown grains or potatoes. Bottles meeting these criteria will be able to display a “Polska Wódka/Polish Vodka” symbol on their labels, as well as the official PGI for Polish Vodka.

References/for more information:

  • https://eur-lex.europa.eu/legal-content/EN/TXT/PDF/?uri=CELEX:32008R0110&from=EN
  • https://www.beveragedaily.com/Article/2006/06/28/Vodka-war-splits-EU

Post authored by Jane A. Nickles, CWE, CSS – your blog administrator.

 

 

 

 

 

Shrubs and Switchels!

Shrub CherryShrubs and Switchels! It sounds more like a project for an arborist than a “new discovery” for mixologists. However, mixologists have “discovered” the two, and are quickly realizing that what was ancient can be new and exciting in the modern era of mixology.

Shrubs and switchels have a rich history with accounts of “drinking vinegars” dating back to 15th century England’s use as medicinal cordials.  Shrubs are an intriguing blend of fruit, sugar, and vinegar created to preserve fruit long after harvest.  Recipes and methods for making shrubs may vary, but the result is a delightful liquid that captures the essence of fresh fruit.  A proper shrub has a flavor that’s both tart and sweet, so it stimulates the appetite while quenching thirst.

Switchels are a blend of molasses (honey or maple syrup), water, vinegar, and usually ginger.  In Laura Ingalls Wilder’s book The Long Winter, there is reference to a switchel-like drink claiming how it quenched the thirst without upsetting the stomach after hot work making hay.

Using shrubs and switchels to create refreshing beverages is truly an American story that came about in the 18th century.  A 19th century magazine noted, “When the thermometer ranges among the nineties, it is not so much a question of what we shall eat as what we shall drink.”  (Surely, SWE members would agree!)

Physicians cautioned that ice water, which was difficult to obtain and maintain, was a “very grim and deleterious beverage, every glass of which should be labeled with skull and crossbones.” Too much ice water, they believed, could cause indigestion, bloating and other more serious problems.  Shrubs and switchels provided an acceptable alternative, especially as these drinks would “cheer, but not inebriate.”  It was not long after, with shrubs 3further American ingenuity, they were served with whiskey and brandy.  In 1862 when Jerry Thomas’ groundbreaking book The Bar-Tender’s Guide was published, shrubs had become so ingrained in our cocktail culture that several were featured.

Fast forward to today and you will find a collection of mixologists across the country reaching back through history to reclaim vinegar’s more palatable past.  According to Tony Abou-Ganim, superstar bartender and author of The Modern Mixologist, “Skilled mixologists construct cocktails not from set recipes, but from building blocks of base spirit, modifiers and accents. The key is to balance between the flavors of alcohol, sweet, acid and bitter” Shrubs and switchels offer an alternative to lemons and limes for adding that acidity.

A number of shrubs are now available commercially, but they are also easy to make.  Just mix fresh fruit, sugar and vinegar together and let them steep until the flavors blend and balance to your taste.  Essentially any fruit from berries to melons and apples to rhubarb can be made into a shrub.  A good rule of thumb is one part fruit, one part sugar, and one part vinegar.  You can then adjust to taste.

There are two basic methods to create shrubs; hot or cold.

The hot method: This method is faster, but creates a jammy result.  This method works best in preserving harder fruits like apples and rhubarb.  Add equal parts sugar and water to saucepan, heat and stir until the sugar dissolves.  Add fruit and cook on low heat until the fruit juice blends into the syrup. Let the mixture cool, strain and then add vinegar to the syrup.  Bottle and let rest in the refrigerator for a couple of weeks to further integrate.

The cold method: This method takes longer, but gives a fresher fruitier result.  This method works best in preserving delicate fruits and berries.  Steep the fruit in sugar for 24 hours (or longer) in a covered container in the refrigerator.  After a day or two, your fruit should be swimming in juice and syrup.  The longer it sits, the more flavorful the shrub will be.  Add vinegar and let the mixture sit again for 24 hours.  Strain the syrup from the solids and bottle the shrub.   Shake the bottle well before using as some sugar may settle to the bottom.

shrubs 2Regardless of the method all shrubs mellow with time.  The tartness and sweetness remain, but they start to harmonize after a few weeks in the fridge.

In addition to the choice of fruits, experimentation can be made with the type of sugar and vinegar used.  White sugar is most versatile, but brown, raw, honey and molasses can have some interesting results.  Apple cider vinegar is most commonly used, but others have had success with white wine, red wine, and even balsamic vinegar.

Shrubs can add depth and complexity to a cocktail, but be careful.  Since they are already acidic, they don’t always play well with citrus juice.  Use a light hand and taste as you’re building your ingredients.

I have experimented with substituting shrubs in place of the acid component in my cocktails.  I use a base spirit, a shrub, a complementary liqueur or cordial, and bitters to create my concoctions.  While not all have been successful, the creative process has been fun!  Two cocktails that stood out as triumphs were one made with rum, blackberry shrub, ginger liqueur and lime bitters and another made with brandy, lemon shrub, orange liqueur and orange bitters.  I look forward to my continued research in this “new discovery” of ancient “drinking vinegars”.

What are some of your uses for shrubs and switchels?  Please share your experiments and recipes as we dabble with history.

Post authored by Brenda Audino, CWE. After a long career as a wine buyer with Twin Liquors in Austin, Texas, Brenda has recently moved to Napa, California (lucky!) where she runs the Spirited Grape wine consultancy business. Brenda is a long-time member of SWE and has attended many conferences – be sure to say “hi” at this year’s conference in NOLA!

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!