Guest Post: My Journey to the CSW

Today we have a guest post from Joey Casco, CSW.  I read Joey’s story about how he studied for the CSW while balancing a full-time job and a family on his blog The Wine Stalker and liked it so much I asked him if we could re-print it here.  I hope you find it as motiviating as I did! Read on for Joey’s take on how to pass the CSW on the first try.

Today I will be sharing the experience I had with studying for and taking the CSW test. I also hope that it helps those who are currently preparing or planning on taking the test in the future.

So all-encompassing you may forget to feed the dog!
So all-encompassing you may forget to feed the dog!

I received the Society of Wine Educators Certified Specialist of Wine Study Guide in October, 2013. I had already been reading up and trying to get a head start for some time before hand but when the book actually arrived I had a sinking feeling in my stomach. I had until mid-January to absorb the crap out of this book.

Way back when I was in school I was a C average student. I got A’s and B’s in the subjects I loved and D’s and F’s in the subjects I just couldn’t connect with. Because of this I had to pass my final science test to even graduate high school. I passed it by one point. Which is weird, because a few years after high school I became a complete science nerd. Go figure.

Outside of school I’ve always, always over-achieved at the things I’m passionate about. This isn’t just a hobby, though. This particular passion is wine, and that passion has brought me to the lucky position of being a wine professional. This is how I earn a living. So this particular obstacle that I now was determined to overcome had a very serious motivation… FAMILY. I’m now 34 and married with a three year old daughter. This certification would put letters at the end of my name for life and help the financial future of my family. No pressure, right?

The CSW has a 55% pass rate average. That’s kind of scary. However, this could be because some distributors and companies make it mandatory for certain employee positions. Wine might not be that person’s thing so the material might not hold their interest, or they might be starting from absolutely nothing. It’s a tall order to become a wine specialist when you don’t even know the grapes of Bordeaux yet. So there was some comfort in knowing that I’ve been a wine guy for quite some time.

I started studying hardcore. Immediately. Highlighting the Study Guide and rewriting pretty much the entire book into notes in an insanely organized notebook. Being pretty

used to dealing with my own A.D.D. since I’ve had it, ya know, my entire life, I’ve found

Behold, the thickness of my notes!

Behold, the thickness of my notes!

that if I’m focused on being perfectly, psychotically organized I’m also focused on the material… and absorbing it.

See those tabs? It was separated by chapter with the smaller chapters together in broader topic like South America. If I made a mistake, whether it was spelling or just a screw up, I’d force myself to restart the whole page. Yeah, it was OCD-mania.

I planned to be finished with the Study Guide the first few days of January by taking two weeks per 75 pages. The first week I’d do the whole reading, highlighting, notebook thing and the second week I’d review and do flash cards just on those 75 pages. Then move on.

I did this every night from 10 pm to 3 am at the kitchen table. The Sirius Satellite Radio “Spa Channel” would be playing in the background because it was “music” that wouldn’t distract me. I needed to focus, not start singing along to the Foo Fighters. I’d be at work anywhere from 6 am to 8 am the following day so I wasn’t getting much sleep. Sunday was my only day off from studying because a guy needs to watch Boardwalk Empire and The Walking Dead, right?

I finished the first pass of the book on January 5th. Around this time we learned that the test would take place on March 27th instead of mid-January. A few more months of preparation? Yes, please! I put all of my focus onto the website like I had planned but with less haste in reading speed.

At this point I made possibly the most important decision I made during this whole thing… I created a highlight system for the study guide. My highlights from the first pass were yellow. What good would it be if I highlighted the things I came across on the online quizzes yellow too? Everything would just be yellow. I’d have an entire book that’s

Asiago and Cabernet, you are my only friends!

Asiago and Cabernet, you are my only friends!

highlighted yellow with things I now know and things I still need to know. That’s not helpful at all.

My highlight system went like this:

Yellow (yellow) – First pass. It turns out it was pretty much A LOT of basic / broad ranging stuff I didn’t know yet. It didn’t seem basic at the time but it becomes just that. This is, after all, for Specialists of Wine. Basic knowledge for this is pretty advanced anywhere else.

Orange  – It was suggested by mentors and others that I know it.

Green – Things that came up on the website / online quiz that I didn’t know yet.

Blue – Final pass. Really in-depth stuff that was too advanced for me (or just too much information) to get the first time around but I now could handle. Blue was also used for completely obscure things they might slip in.

These colors were also used on my flash cards. In the upper left hand corner of the flash card I put the number of the chapter and highlighted that number the appropriate color. That way I could see the importance of knowing the answer and why. If it was orange it very well could be on the test. If it was green it was on a quiz and thus could be on a test. And if it was yellow and I was having a problem with it… well, I better get it together on that one right away because I should know that one by now.

The website was invaluable. If I recall correctly it took me about two weeks to thoroughly read the entire website material, pass the quizzes, and identify what was also in the Study Guide. That last part is important because if it’s not in the Study Guide then it’s not on the test.

A big ol' stack of fun!

A big ol’ stack of fun!

After all of that it was time to do a final pass in the Study Guide, pinpoint the things I feel I should know that I hadn’t memorized yet and the really obscure stuff that might be on the test to trip us up, and then focus on maps aaaaaand… FLASH CARDS!!!!

Flash cards are important. Reading something over and over again does jack squat. You need to challenge your brain to retrieve that information. Don’t believe me? Read this.

The great thing about flash cards is you can use them while doing almost anything. Like watching The Little Mermaid for the millionth time, having a Princess tea party, cooking Mac and Cheese, you get the point.

The test was set for March 27th and the two weeks before the test I was burnt out. I didn’t want to play anymore. I’d look at the cover of the book and go “uuuuuugh”. I’d start using the flashcards and just not be feeling it. Not much of anything got done study-wise those two weeks. I just wanted it to be over. I wanted to play NHL 13 and actually go to bed at a normal hour for once. I had gone full bore at this thing for so long and I didn’t think I could learn much more. It wouldn’t have done me any good.

On the day of the test, myself and my peers headed off Cape Cod to the test location. I was nervous and wanted to cram on the ride up. My study pal,  Angela Busco , ever the optimist and to whom I owe tremendously, told me that I’ve got it in the bag and to just relax. So I kept my hands off of the material. There was no relaxing.

The test is an hour and there are 100 multiple choice questions. You can write notes on the question sheet but not on the answer card. I skipped five questions that I was unsure of so I could come back to them after I answered the rest. However, whenever I did that I’d forget to leave that questions spot empty on the answer card and I’d fill it with the answer to the next question. So I had to erase it and fix it (and the following ones too) when I saw the numbers weren’t aligning. I was completely finished around the 40 minute mark and began to read the questions again. I had planned to take the whole hour and keep going over it to make sure I had everything right, but I just couldn’t do that. Second guessing yourself is the worst thing you can do. So the finished test went into the folder and was turned in.

I couldn’t eat that morning from the stress but now I was hungry. All I had was a few dollars on me and McDonalds was right down the street so we went there and talked about the test. Note to self: McDonalds is always a bad idea even if it’s the closest option.

Well-earned:  Joey's CSW Pin

Well-earned: Joey’s CSW Pin

After the test I couldn’t sleep for three nights. All the questions kept popping back up in my head and I was haunted by the questions I had since learned I answered wrong. What if I didn’t fill in the envelope right and they fail me for not following instructions? What if all those dots I had to erase actually registered and completely messed my right answers up? I knew pretty quickly by talking to the others that there was one question that I knew the answer to but got wrong because I read it wrong, and two others that my first-thought answer was right but I ended up changing. What if there was a bunch of those? It all was getting in my head. I was a mess.

On April 8th, a pretty hectic day all in itself, a Certified Specialist of Wine pin arrived in the mail. It came with a certificate saying that I am now a Certified Specialist of Wine. It also came with a letter saying that I scored a 93, meaning I only got 7 questions wrong out of 100. My mother was there when I got it. I gave her a big bear hug and lifted her up and started jumping around. Literally while I was doing this I got a text from Angela saying she just got her results back and she had passed.

I really can’t measure how honored I am to be recognized by an organization like the SWE. I worked my b*** off for six months and it was entirely worth it. Every tired minute. Just the learning experience alone was a tremendous opportunity. That opportunity was given to me by my employer, Luke’s of Cape Cod (of which I am the Fine Wine manager of the Dennisport location). I’m already eternally grateful to them for a number of things and this adds one more.

If you’re currently studying for the CSW, here’s my advice to you:

  1. Color-code your highlights to learn in layers.
  2. Make lots of flash cards and use them ALL THE TIME.
  3. Use the website but don’t rely on it.
  4. Don’t second guess yourself.
  5. No McDonalds.

Good luck!

Our Guest Author, Joey Casco, CSW, is the Fine Wine Manager of Luke’s of Cape Cod.  A proud new CSW, he may be reached at his blog, The Wine Stalker and on Twitter.  We’d like to congratualate him on his excellent CSW Score of 93, and wish him luck on his next project, as he prepares to tackle the CSS!

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Grottino di Roccanova

The town of Matera in Basilicata

The town of Matera in Basilicata

Grottino di Roccanova…if you’ve never heard of it, don’t be too hard on yourself.  I chose to write about Grottino di Roccanova because it is so obscure.  If this is the first you have ever read about it, I am sure you are in good company.

Grottino di Roccanova is a small, relatively new DOC located in the Basilicata wine region – which is about as far south as you can go in Italy.  Basilicata is located on mainland Italy’s southern border, tucked in-between the “heel of the boot” (Puglia) and the “toe of the boot” (Calabria.)  Perhaps we should say Basilicata is the “instep” of Italy (or maybe not).

In 2009, Grottino di Roccanova was approved as a DOC region and became the fourth DOC located in Basilicata.  It joined three others:  – Matera DOC, Terre dell’Alta Val d’Agri DOC and Aglianico del Vulture DOC. Of course, seasoned wine students may recognize Aglianico del Vulture Superiore as Basilicata’s lone DOCG.  The richer, longer-aged version of Aglianico del Vulture received DOCG status in 2010. A wide range of wines is also produced in the region under the Basilicata IGT.

GrottinoGrottino di Roccanova DOC produces red, white, and rosé wines using primarily Sangiovese for the reds and Malvasia Bianca for the whites. The area itself is part of three communes:  Sant’Arcangelo, Castronuovo di Sant’Andrea Potenza, and Roccanova. The terrain, being made up of hills and mountains in the southern end of the Apennine Mountain Range, is rugged and diverse.

The red and rosato wines of the Grottino di Roccanova DOC are based on Sangiovese, which must be present in the wines between 60 and 85%. The remainder may be made up of Malvasia Nera, Montepulciano, and Cabernet Sauvignon; each of which may be present at levels between 5 – 30%. Any remainder may be comprised of any native red grape approved to be grown in the Basilcata IGT.

The white wines, known as Grottino di Roccanova Bianco, must be a minimum of 80% Malvasia Bianca.  The remainder of the wine may comprise any non-aromatic white variety approved to be grown in the Basilicata IGT.

More information on Grottino di Roccanova DOC may be found on the website of the Cervino Vini Company.

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Chartreuse, “Elixir of Long Life”

ChartreuseChartreuse is a spirit with a long and fascinating history. The story begins in 1605, when the monks of the Vauvert Monastery, a branch of the Carthusian Order located in a suburb of Paris, were given an ancient document by Hannibal d’Estrées, a Marshall of King Henri IV.  The manuscript was a formula for an “Elixir of Long Life,” most likely the work of a 16th century alchemist with a great knowledge of herbs and plants in the treatment of illness.

The formula, containing over 130 ingredients, was so complex that it was never fully used by the monks at the Vauvert Monastery.  However, in the early 1700’s, the monks sent the manuscript to the Grande Chartreuse – the head monastery of the Carthusian Order.  The apothecary for the Grand Chartreuse undertook an exhaustive study of the formula and, by 1737, had unraveled the mystery and designed a practical formula for the preparation of the elixir.

The monks began production of the formula, which was sold in the town of Grenoble and other villages located close to the Grande Chartreuse Monastery.  The elixir had a natural, clear green color, and from the fame of the liqueur, the color became known as “chartreuse.” Today, Chartreuse still bills itself as “the only liqueur to have a color named after it.”

The monks protected their secret recipe throughout the centuries, including the tumultuous time surrounding the French Revolution when all religious orders were Char Yellowexpelled from France.  The Chartreuse monks left France in 1793, but one monk remained behind with a copy of the original manuscript.  Another monk secretly retained the original; shortly after leaving The Grand Chartreuse Monastery he was arrested and sent to prison in Bordeaux.  However, he was not searched and eventually passed the original document to a friend, Dom Basile Nantas.  Dom Basile was convinced the Monks of the Grand Chartreuse would never return to France, so he sold the recipe to Monsier Liotard, a pharmacist in Grenoble.  The pharmacist, however, never attempted to produce the elixir.  When Monsieur Liotard died, his heirs returned the manuscript to the Chartreuse Monks.

The Monks of Chartreuse were allowed to return to their Monastery in 1816, and resumed the production of their Chartreuse elixir.  In 1838, they introduced a sweeter version of “Yellow Chartreuse” flavored with saffron.

In 1903, the French government expelled the Monks once again, and the Chartreuse distillery was nationalized. The Monks fled to Spain and built a new distillery in Tarragona where they produced a liqueur they called “Une Tarragone.”

In the years following the nationalization of the distillery and Monastery, the French government sold the Chartreuse brand and trademark to a company who set up an operation known as the “Compagnie Fermière de la Grande Chartreuse.” The company went bankrupt in 1929. Upon the announcement of the bankruptcy, friends of the monks Char VEPpurchased the remaining shares and gifted them back to the Monastery.

After regaining ownership of their brand and trademark, the Monks returned to their distillery located in Fourvoirie, not far from their original Monastery, and resumed production of authentic Chartreuse liqueurs.  When, in 1935, the Fourvoirie distillery was severely damaged by a landslide, the Monks moved to Voiron, where the production facility still exists today.

The selection and preparation of the “secret” blend of over 130 herbs is still done today in the Monastery.  Once prepared, the ingredients are taken to the production facility in Voiron where they are macerated, distilled, and aged in oak casks for several years.  In addition to “Green Chartreuse” and “Yellow Chartreuse,” a special bottling known as V.E.P. Chartreuse (“Viellissement Exceptionnellement Prolongé”) is produced.   V.E.P. is aged longer than the other two products, and is packaged in a reproduction of the bottles used in 1840.  Each bottle of V.E.P. is individually numbered, sealed with wax and presented in a wooden box.

Since 1970, a company known as “Chartreuse Diffusion” handles the packaging, marketing, and distribution of Chartreuse products. However, the Carthusian brothers still prepare and produce the liqueur, and to this day, remain the only people who know the secret formula for their “Elixir of Long Life.”

For more information, visit the Chartreuse Website.

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The Winds of Wine: The Roaring 40’s

The Clipper Route - designed to take advantage of "The Roaring 40's"

The Clipper Route – designed to take advantage of “The Roaring 40’s”

They roar across the Indian Ocean and on into the South Pacific, battering any land mass that stands in their way. They were known during the Age of Sail, and helped to speed ships traveling from Europe as they navigated around the horn of Africa and onward to Australia. Even today, round-the-world yacht voyages and high-speed sailing competitions hope to catch a ride on the strong winds known as the Roaring 40’s.

The Roaring 40’s are strong, westerly winds found in the Southern Hemisphere, generally between the latitudes of 40 and 50 degrees. These fierce winds are caused by the combination of air being displaced from the Equator towards the South Pole combined with the force of the earth’s rotation.

As is true with most things in nature, the route and boundaries of the Roaring 40’s are not consistent, as they tend to shift north towards the equator in the southern winter and south towards the South Pole in the southern summer. However, New Zealand is generally sitting right in their path, where the winds can hit the islands on the west side.

The mountain ranges that run down the “spine” of the islands serve as a blockade, and create a rain shadow for much of the eastern coast of the country. For this reason, most of New Zealand’s vineyards are located in the rain shadows created by the Southern Alps on the South Island and various mountains and volcanoes on the North Island.

"Windy Wellington" is located on the Cook Strait on New Zealand's North Island

“Windy Wellington,” located on the Cook Strait on New Zealand’s North Island

The Cook Strait, the band of water that separates the North and South Island of New Zealand, is the only opening for the winds between the two land masses and becomes something of a “wind tunnel” for the blasts. The Cook Strait, only 14 miles wide as its narrowest point, is understandably considered one of the most unpredictable and dangerous waterways in the world.  The Cook Strait is named for James Cook, who, in 1770, became the first European to sail through it. The Maori name is Raukawa or Raukawa Moana.

While the Roaring 40’s are noted as being among the strongest winds in the world, they are, believe it or not, bested by even stronger winds that form closer to the South Pole, known as the “Furious Fifties” (50 to 60 degrees south), and the  “Screaming Sixties” (below 60 degrees south).

For more information on “The Winds of Wine,” see our posts on The Mistral and The Zonda.

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All of Vienna in One Glass

viennaVienna has a unique history of wine production.  The bustling capital city is home to 612 hectares (1,500 acres) of vineyards, planted in both the outer districts and outskirts of the city.  These vineyards provide a substantial amount of lovely scenery as well as a significant economic input to the city of Vienna.

The quality wines of Vienna are classified under the Weinbaugebiete region of Wien (Vienna). As is to be expected for a modern urban region, Wien is by far the smallest, in terms of both square mileage and production, of Austria’s four Weinbaugebiete. Wien produces a mere 1% of the total output of Austria.

Traditionally, wines from Wien have been known as “Heuriger,”or wine tavern wines.  A unique Austrian tradition, a Heuriger is basically a tavern operated by a wine maker and may only serve its own wines.  Some are open year-round and serve a wide variety of food, while others, known as “Buschenschank” are hidden among the vineyards and may only be open a few weeks a year, serving the new wine of the vintage and simple “snacks” to accompany the wine.

Vineyards ViennaNowadays, the wines of Wien are enjoying a newly-found reputation as fine wines; many are to be found on the wine lists of the most forward-thinking and renowned restaurants, and some have even reached “cult wine” status. As of the 2013 vintage, the region’s traditional wine has earned the highest classification status available to Austrian wines – the Districtus Austriae Controllatus (DAC).

The Viennese DAC is officially known as Weiner Gemischte Satz DAC. Gemischter Satz (loosely translated) means “mixed set” and the qualifications for the DAC are both highly unique and very strict. This style of wine has been called “all of Vienna in one glass.”

To qualify, the wine must be made from white wine grapes grown in Vienna area vineyards planted with at least three quality grape varieties. The grapes must be harvested, pressed, and fermented together, with the largest portion of a single grape variety no more than 50% and three varieties must make up at least 10% each. The wines are meant to be fruit-forward and are not allowed to show “significant influence of oak.”

St. Charles' Church (Karlskirche) in Vienna

St. Charles’ Church (Karlskirche) in Vienna

An unusual factor of this DAC is that the grapes must not just be processed together; they must also be grown together in what is now known as a “field blend” – side by side in the vineyard. While the regulations require a minimum of three different varieties, up to 15 varieties are listed as “approved” for use and may be present in a single wine.  Approved varieties include traditional Austrian varieties such as Grüner Veltliner, Sylvaner, Traminer, Rotgipfler, Neuburger, Weissburgunder (Pinot Blanc) and Grauburgunder (Pinot Gris), as well as international varieties such as Chardonnay (sometimes known in Austria as “Morillon”).

Viennese wine not made according to the strict standards for the Weiner Gemischte Satz DAC will continue to be bottled under the Wien Weinbaugebiete category.

Click here for more information on the Weiner Gemischte Satz DAC from the AustrianWine.com website.

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La Bouteille de Suze

SuzeSuze, a lightly sweet type of bittered liqueur, was created in Paris in 1889 by a distiller named Fernand Moureaux.  While Suze has long been popular in Europe as an aperitif and mixer, it has just become available on the American Market.

The original recipe for Suze called for wild gentian root harvested from the mountains of the Jura and Auvergne regions of France.  Other ingredients in this highly aromatic, bright yellow liqueur include vanilla, dried wildflowers, fennel, bitter oranges, and honey.

Now produced by Pernod Ricard, Suze is among the top selling aperitifs in France.  The fame and reputation of Suze received quite a boost in 1912 when it was featured in the painting “La bouteille de Suze” (Bottle of Suze) by Pablo Picasso.

The painting, actually a collage, incorporates bits of newspaper, wallpaper, and construction paper to portray (some art critics say “suggest”) a liquor bottle with a label, a glass, an ashtray, and a lit cigarette. These all rest on a blue table in front of a wall covered with diamond-patterned wallpaper and pieces of newspaper.

glass and bottle of suzeThese elements all represent the popular daily Parisian routine of reading the paper while smoking and drinking in a café; however, at the same time, the newspaper articles themselves tell of the terrifying events of the First Balkan War. Many art critics believe these elements represent the juxtaposition of the simple pleasures, as well as the horrors, of modern life.

If you would rather concentrate on life’s pleasures, try a White Negroni – 2 parts gin, 1 part Suze, and 1 part White Vermouth shaken and strained over ice, garnished with a lemon twist.

“La Bouteille de Suze” (Glass and Bottle of Suze) by Pablo Picasso is currently on display at the Kemper Art Museum in St. Louis. Click here to read about the painting in the museum’s archives.

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Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

“Dr. Zwack, das ist ein Unicum!”

zwackProduced in Budapest, Hungary; Unicum is a bold, bitter liqueur created using over 40 different botanicals. Unicum was invented in 1790 by Dr. József Zwack, Royal Physician to the Hungarian Court, in order to settle the stomach of Emperor Joseph II, then the Holy Roman Emperor and King of Hungary.

The beverage is said to have received its name when Emperor Joseph proclaimed, “Dr. Zwack, das ist ein Unicum!” meaning the drink was “rather unique!”

In 1840, the Doctor’s son, József Junior, founded J. Zwack & Partners, the first Hungarian liqueur manufacturer. Soon, J. Zwack & Partners was one of the leading distilleries in Eastern Europe, producing over 200 varieties of spirits and liqueurs and exporting them all over the world.  The distillery was handed down through the generations of the family and successfully operated until the facility was completely destroyed during World War II.

After the war, in 1948, the distillery was seized from the Zwack family and nationalized by the Communist regime.  János and Péter Zwack, the grandson and great-grandson of the founder, escaped the country with the original Zwack recipe.  Another grandson, Béla, remained behind to give the regime a “fake” Zwack recipe and became a regular factory worker.

Zwack PosterMeanwhile, János and Péter migrated to the United States and settled in the Bronx.  Péter worked diligently in the liquor trade and entered into an agreement with the Jim Beam Company to produce and distribute products under the Zwack name.

In 1988, one year before the fall of the communist regime, Péter returned to Hungary in 1988 and repurchased the Zwack production facility from the state.  By 1990, the production of the original Zwack formula and many other products resumed in Budapest.

The Zwack Company has since recovered its position as the leading distillery of Eastern Europe and is now run by the sixth generation of the Zwack family.

Click here to visit the Zwack Website

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Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

Plymouth Gin

Photo by Gernot Keller

Photo by Gernot Keller

In the late 1700’s, at the time the London Dry Gin style was becoming wildly popular,  distillers in other English cities developed their own styles of gin as well.  Plymouth, Bristol, Warrington, and Norwich all had their unique styles. Plymouth Gin, produced since 1793, is the only one of these historic gins still produced today.

The building which was to become the Plymouth Gin distillery was originally a Dominican Monastery inhabited by an order known as the Black Friars. In 1536, at the time of the Reformation, the Monastery was dissolved and the building was put to other uses, including a debtor’s prison and a meeting place.  Legend has it that the Plymouth pilgrims who sailed to America aboard the Mayflower spent their last night in England here in 1620. The next morning, they made the short walk down to the harbor, ready to set sail to America and found a “new” Plymouth. The Mayflower ship forms a part of Plymouth Gin’s trademark label today.

In 1697, the building became the Black Friar’s Distillery.  Part of the distillery is housed in what was once the rectory of the monastery and retains a hull-shaped timber roof built in 1431.  This makes it one of the oldest buildings in Plymouth and a protected national monument.  With records of a “mault-house” on the premises dating to 1697, the distillery also claims to be the oldest working gin distillery in the world. The distinctive Plymouth Gin began to be produced in 1793, not long after the business became known as “Coates & Company.”

plymouth ginIn 1896, Plymouth Gin was mentioned in what is considered to be the first documented recipe for the drink that would become known as the dry martini. The recipe, under the name “Marguerite Cocktail,” appeared in a book published by the Excelsior Publishing House in New York known as “Stuart’s Fancy Drinks & How to Mix Them,” by Thomas Stuart.  Plymouth Gin is listed as the key ingredient, along with “French Vermouth and a dash of orange bitters.”

The style of Plymouth Gin is crystal-clear color in color with a full-bodied texture, fruity aromas and a very aromatic juniper berry profile.

For more information, visit the Plymouth Gin website.

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Post authored by Jane A. Nickles, CWE – your SWE Blog Administrator – jnickles@societyofwineeducators.org

Of Roads and Négrette

The Coat of Arms of Fronton

The Coat of Arms of Fronton

The year is 100 BCE…the Romans are continuing their northward expansion into southern Gaul – the land which will become modern day France.  Everywhere the conquering Romans go, they make their mark with the two main defining elements of the Roman Empire – roads and wine.

It is believed that the first vines in The Languedoc-Roussillon were planted around this time – and soon thereafter, vines were planted in Fronton as well – a smaller area to the west .

Located just north of Toulouse, Fronton, now an AOC, features rustic red and rosé wines.  Known as Côtes du Frontonnais until 2005, the region has rocky soils and a very dry, warm climate.  The main red grape of Fronton is Négrette, an ancient Gallic variety that is related to Malbec.  This was recently determined through genetic testing of Négrette which unfortunately disproved the traditional story of the grape:  that it was originally from Cyprus and was introduced into the area by the Knights Templar, returning from the crusades.  While it is true that the region was taken over in the 12th Century by the Knights Hospitaler, a monastic military order similar to the Knights Templar, it seems the grape was in the region before the Knights.

Almost 85% of Fronton AOC wines are red, which must contain a minimum of 50% Négrette.  The other 50% may include a mix of Cabernet Sauvignon, Cabernet Franc, Syrah, and Malbec.

Négrette at Harvest

Négrette at Harvest

Négrette has a very distinct character and profile, featuring aromas of anise and red fruit.  Some people describe the wines as “foxy.” On the palate, the wines can show strong dark and dried fruit flavors with very little tannins, lending the wine a pronounced suppleness.  Winemakers making blends based on Négrette have to blend carefully with other grapes, as the delicate characteristics of the grape can be easily overpowered by more tannic varieties.

There are scattered plantings of Négrette found throughout the world, perhaps most surprisingly in the San Benito AVA, located in the Central Coast of California.  In California, it was known as Pinot St-George until 1997.  There are some plantings of Négrette in the Loire, notably in the Fiefs Vendeens area.  In the Loire, Négrette can legally be called “Ragoutant.” 

Viticulturally, Négrette does best in warm climates, as it is very susceptible to gray rot and odium.  The wines are best consumed within a few years of their release.

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Post authored by Ben Coffelt  – bcoffelt@societyofwineeducators.org

Guest Post: Turbiana, is it Trebbiano…or not?

TurbianaToday we have a guest post from Wai Xin, a wine educator based in Singapore.  Xin brings us on a fascinating journey to get to the truth about Turbiana!

Modern DNA profiling ability has enabled researchers to name most grapes and their parentage. But for those who won’t be spending time on reports, they find the proof in the glass. While not always exact, some characteristics that run in the vine family can be tell-tale signs of its lineage, with slight variations attributed to vintage and geographical differences. But if you need a grape to stump someone, try Turbiana.

Sitting at a Zenato wine dinner three months ago, I overheard diners and their enthusiasm to taste the flagship wines – two vintages (2005 & 2006) of Sergio Zenato Riserva and a 2008 Amarone della Valpolicella Classico. All rich and opulent, and should you have a case of the 2005 Sergio Zenato Riserva, it is certainly a good time to start exploring. But what really started the discussion among nearby wine specialists wasn’t the Amarone, they were two dry whites from Lugana.

Lugana is a small region south of Lake Garda, sitting near the border of Veneto and Lombardy. As often happens to a small region nestled between two large areas, it is often overlooked.

To try and figure out Lugana, I pulled my phone out from pocket and conjured my secret stash of wine resources. A Dropbox account containing handy resources such as maps, scholarly texts, and in this case, 521 official documents detailing all the approved Italian wine regions from IGT to DOCG.

“I vini a denominazione di origine controllata “Lugana” devono essere ottenuti dalle uve provenienti dal vitigno Trebbiano di Soave localmente denominato Turbiana o Trebbiano di Lugana.”

white wine tastingIn loosely translated essence, “Trebbiano di Soave, in local terms Turbiana or Trebbiano di Lugana.” Trebbiano and Soave sounded familiar enough to us. Done deal.

Or is it?

Two weeks after that dinner, on a friend’s insistence I met Fabio Zenato from Le Morette. “You must meet this man and his wines” my friend said, “I have never tried this variety before.”

At our meeting, an assortment of sparkling, dry, red and dry white wines were laid out on the table, and the word Lugana caught my eyes again. But instead of calling it a Trebbiano di Soave, Fabio addressed it with an alien name Turbiana. Tur. Interesting…

Very often Trebbiano, one of the most planted varieties in Italy, has its name appended with a region. Names like Trebbiano d’Abruzzo, Trebbiano di Soave, Trebbiano di Romagna and others are aplenty. The French call it Ugni Blanc, but even with that, it is still one of the many French synonyms.

In 2001, a group of researchers from University of Milan looked into the differences between these “Trebbiani” and other grape varieties that could be related. The result showed huge genetic differences suggesting that most Trebbiano, if related, must be cousins. Two grapes showed remarkable resemblance; Trebbiano di Soave and Verdicchio were 99% similar, while Turbiana differed slightly with Verdicchio at 97%.

Fabio supported the 2001 study. With this result, he can prove his claim since it had clearly demonstrated that Turbiana was significantly different from Trebbiano. I support his cause, and by calling it Trebbiano, it only misrepresents the Lugana native to a distant family. To get things right, Trebbiano di Lugana needs to be correctly known as Turbiana, and Trebbiano di Soave as Verdicchio.

lugana vineyardsIn Singapore, Lugana wines are almost non-existent with only a handful of merchants carrying one or two labels. The Zenato Luganas are available in Crystal Wines, while Monopole carries a Lugana from Tommasi owned Villa Giradi. Fabio’s visit to Singapore in October was to look for an importer. In December, his wines were showcased over a Veneto wine dinner, but as of today, I am not certain if anyone was confident to take up the distribution rights.

With my few experiences of Turbiana, it had came across being neutral and shapeable. While at other times, fully expressive of its fruits and minerals. Such unpredictability can make it difficult to handle, yet intriguing for some. The name change will do some good, but first it has to overcome the many obstacles ahead.

Tasting Notes: 

Zenato Lugana DOC San Benedetto 2012 – Hint of ripe tropical fruits showed initially and supported by a more melon-like aroma. While the palate was crisp and bone dry, the fruit flavors that showed on the finish was a welcoming touch. A simple wine but paired fine with fresh seafood.

Zenato Lugana Riserva “Sergio Zenato” 2007 – Having aged in oak barrels, tinge of smoky aroma overshadowed a neutral fruit. Palate had a light hint of residual sweetness and finished off with good roundness. Rather akin to a rich Chardonnay.

Le Morette Lugana DOC Mandolara – Youthfulness of the wine showed both in glass and palate. A gentle expression of fresh apple and flowers, the steel-like palate was driven by pronounced salty mineral touch that cut from beginning to finish.

Le Morette Lugana DOC Benedictus  Keeping the skin with the juice gave a nice straw gold tone and dense phenolic volume. Partially fermented in small oak barrels also imparted spicy note to the rich spectrum of aromas. If there’s a lack of description for the wine, one can say there’s a taste of grape flesh within.

Wai Xin, CSW, FWS is a wine communicator based in Singapore. He describes his journey to wine as follows – “I woke up one day and decided to throw my Java coding career out of the window for a lifetime of intoxication. Believing strongly that wine is for enjoyment and not a trading commodity, I encourage sensible, affordable drinking and the exploration of individual preferences.”

Wai Xin is the author of a blog entitled “Wine Xin- The Babbler”, as well as a contributing author for EnjoyWine.Sg and ChubbyHubby.Net (a food, family, and lifestyle blog). Xin may be reached at this.is@winexin.sg or via twitter @Winexin.

Note from Jane N:  What I find most interesting about Xin is his “98” score on the CSW – very impressive!!

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