Bucket List Travel: The d’Arenberg Cube

Photo of Chester Osborne and the Cube via: http://www.theleadsouthaustralia.com.au/

Photo of Chester Osborne and the Cube via: http://www.theleadsouthaustralia.com.au/

Just when you think you’ve been everywhere and seen everything, someone comes up with something new! In case you are looking to travel to the newest (and some might say weirdest, or to use a kinder term, most unique) tasting room in the wine world, book your tickets to South Australia and stop by the d’Arenberg Winery in McLaren Vale.

At the winery, you’ll find a plethora of creative wines, ranging from “Lucky Lizard Chardonnay,” the “Feral Fox Pinot Noir” and their range of “Stump Jump” wines, named after a plow that can plow through tree stumps.

If your visit is timed right (sometime in early part of 2017), you’ll also be able to visit their new tasting room—or, as they might prefer we call it, their new tasting cube. What’s a tasting cube, you ask? Well, at d’Arenberg it is a five-story, glass-encased steel and concrete structure inspired by the Rubik’s Cube.

Rendition of the completed Cube via: http://www.theleadsouthaustralia.com.au/

Rendition of the completed Cube via: http://www.theleadsouthaustralia.com.au/

The d’Arenberg Cube is the brainchild of Chester Osborn, the chief winemaker for d’Arenberg and the great-great grandson of founder Joseph Osborn. Chester describes the new cube/tasting room as “an architectural puzzle four modules wide, four high and four deep, is already soaring above the Mourvèdre vineyards in the heart of McLaren Vale.”  In addition of offering wines sales and tasting, the cube will host curated art exhibits as a permanent art installation room designed to give the impression of being inside a wine fermenter and featuring the work of Australian artist Jane Skeer to include hundreds of dangling VHS video tapes combined with projections of people treading grapes.

The cube will also feature a restaurant and a rooftop balcony. However, the most interesting feature just might the glass-surrounded “wine fog room,” set to feature a series of large aroma-filled containers attached to bicycle horns designed to “beep” the aromas of wine out to the room.

Some people are referring to the new construction as “Chester’s folly,” and Osborne himself admits that he has given d’Arry, his father, more than a few sleepless nights. But in my humble opinion, he’s going to have folks lining up for a look, a sniff, and a taste of the new d’Arenberg tasting room.

References/for more information:

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New Zealand Wine Regions: It’s (almost) Official!

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If you are a fan of crisp, clean, cool-climate wines, you no doubt adore New Zealand Sauvignon Blanc. You might even be able to tell the story of Cloudy Bay Vineyards, founded as recently as 1985, as one of a small group of wineries to venture into Marlborough and quickly establish one of the leading wine-producing areas in the New World while practically “inventing”  a new style of Sauvignon Blanc along the way.

As a true New Zealand wine aficionado, you can probably tell the story of the establishment of vineyards in the Gimblett Gravels area of Hawke’s Bay, where the combination of the soil, the geography, and the climate create one of the few areas in this small, maritime nation where thick-skinned, heat-loving red grapes like Cabernet Sauvignon and Syrah can ripen consistently.

If you are really into New Zealand wine, you can probably tell the story of “sunny” Nelson (located on the western side of the Southern Alps), Gisborne (the “Chardonnay capitol of New Zealand”), and Central Otago Pinot Noir, produced in the southernmost commercial wine-producing region in the world.

But did you know…all of the wine regions of New Zealand are “unofficial”? Winemakers certainly use them, and serious students of wine study them, and in 2006 the New Zealand Parliament, via the Geographical Indications (Wine and Spirits) Registration Act of 2006, created a registration system and scheme for wine and spirit geographical indications. However, the act was never brought into force and the geographical indications remained “unofficial.”

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That began to change last night—November 16, 2016—when the Geographical Indications (Wine and Spirits) Registration Amendment Act was passed by the New Zealand Parliament. This new law will enter into force during 2017, allowing for the registration of a set of internationally recognized and protected geographical indications in New Zealand.

According to Philip Gregan, CEO of New Zealand Winegrowers, “the Geographical Indications (Wine and Spirits) Registration Act will be a significant advance for the New Zealand wine industry. Our Geographical Indications—the names and places where our wines come from— are at the very heart of the New Zealand wine story and this new law provides an additional level of protection for them.”

New Zealand wine regions—it’s almost official!

For more information, see the website of the New Zealand Winegrowers

post authored by Jane A. Nickles…your blog administrator

Alternative Grains in American Whiskey

Today we have a guest post from Lisa Graziano CSW, CSE. Lisa tells us about a new trend—using alternative grains in American Whiskeys!

Triticale in the fields

Triticale in the fields

Whiskey can be made from any kind of grain.  Most whiskeys use a majority of malted barley—but it does not have to be this way! The All-American favorite, Bourbon, is required to consist of a minimum 51% corn; generally, the remainder of the mash bill will be wheat, rye and/or barley.

Happily, the craft spirits movement in the U.S. is booming and as a result there is a lot of experimentation going on throughout American whiskey culture.

Enter exotic grains to the mix.  Quinoa, touted lately as power grain for its health benefits, also makes a fine whiskey.  Triticale, a wheat-rye hybrid developed in Scotland and Sweden in the late 1800s, is also being distilled with excellent results.  Oats are being distilled along with the less-common red and blue corn varieties.

How do these different grains affect the flavor of the whiskies made from them?

Let’s start with quinoa.  Feisty Spirits in Colorado makes a 100% quinoa-based whiskey which delivers a nose that is grainy with hints of chili peppers.  The flavor is actually somewhat gin like with some chili pepper and rich grain aspects on the finish.  This whiskey is aged ever-so-briefly in oak barrels—it’s actually called a “barrel rinse,” to be specific.

Quinoa fields in Ecuador

Quinoa fields in Ecuador

Feisty Spirits, located about 65 miles north of Denver, specializes in exotic grain whiskies making everything from quinoa, triticale, and cocoa-ginger whiskeys to a red, white, and blue corn whiskey that is limited production and distributed around the fourth of July.  Dry Fly Distilling out of Washington State and Corsair Distillery located in Tennessee and Kentucky also make exotic grain whiskies.

Triticale whiskey gives aromas of golden raisins on the nose and when aged in neutral barrels conveys flavors of caramel, honey and raisins with a smooth sweet finish.  It is more like an Irish whiskey, and both Feisty Spirits and Dry Fly Distilling make triticale whiskies.

If you like oatmeal, you need to try an oat whiskey.  These spirits exude a nutty oatmeal quality and a rich creaminess that is delightful.  Koval Distillery out of Chicago and High West Distillery in Utah both make nice examples of oat whiskies.

photo via: http://blog.balconesdistilling.com/

photo via: http://blog.balconesdistilling.com/

For different corn whiskies turn to Colorado and Texas.  Balcones Distilling in Waco, Texas makes a Baby Blue Corn Whiskey and Feisty Spirits makes an assortment of red, white, and blue corn whiskies.  Blue corn gives flavors of sweet hazelnuts and is softer than the red and white varieties.  Red corn gives flavors of caramel corn and is drier on the finish than its counterparts.

Another trend in whiskey making is using hops.  It was bound to happen at some point—the craft beer movement has finally spilled over into whiskey!  Feisty Spirits makes a Hop Schnapps and Corsair Distillery makes Hop Monster Whiskey.  These spirits really mess with your nose—smells like beer, tastes like whiskey!  They have great aromatics and a dry finish with various flavors depending on what kind of hops are used and how they are brewed.

For an interesting read and an education in exotic grains in whiskey go to the book “Alt Whiskeys” by Darek Bell, owner of Corsair Distillery.  He gives a partial list of alternative grains that includes many of which I have never heard!  (E.g.:  Teff, Fonio, Job’s Tears and Emmer, to name a few.)  He also includes the recipes for many of his whiskies with the caveat that “Home distilling is illegal in the US. Period.”

With craft spirits hitting their stride now is the time to try some of these unique offerings made from grains you would never have expected to be made into whiskey.   Slainte!

Lisa Graziano has been in the wine and spirits business for the past 10 years.  Originally from Los Angeles, California she previously worked as a professional harpist and realtor.  She is one of the first to earn the CSE certification and having grown up in a European household has a nearly lifelong education in beer, wine and spirits!

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

Welcome to the World, Appalachian High Country AVA!

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On October 27, 2016, the Alcohol and Tobacco Trade and Tax Bureau (TTB) of the United States government approved the country’s 239th American Viticultural Area (AVA): The Appalachian High Country AVA. The new AVA, which encompasses some segments of the famed Appalachian Trail, includes portions of northeastern Tennessee, northwestern North Carolina, and southwestern Virginia; encompassing eight counties across the corners of the three states. The AVA will be effective as of November 28, 2016.

The new AVA covers a 2,400-square-mile area and currently contains 71 acres of planted and producing vines, 21 commercial vineyards, and 10 wineries, including the New River Winery, Spencer Mountain Winery, and Watauga Lake Winery. The new AVA is not located within any established viticultural area, but it shares a portion of its eastern border with the Yadkin Valley AVA of North Carolina.

According to the petition, the Appalachian High Country AVA is a unique wine growing area based on the following characteristics:

map via: https://www.regulations.gov/document?D=TTB-2016-0003-0003

map via: https://www.regulations.gov/document?D=TTB-2016-0003-0003

Elevation: Elevation in the new area falls between 1,338 and 6,260 feet above sea level, with the majority of the planted areas in the 3,000–6,000 foot range, with an with an average vineyard elevation of 3,206 feet.

Climate and weather:  The area within the new AVA is significantly cooler; the average annual temperature of the proposed Appalachian High Country AVA is, on average, between 2 degrees and 8 degrees (F) cooler than the surrounding areas.  The proposed AVA is classified as a Winkler Climate Region I/II; the Yadkin Valley AVA to the west is classified as a Winkler Region III/IV.

Soil: There are 26 different soil types found within the new AVA; of these, two (Watauga-Clifton-Chandler and Clifton-Chester) are found only within the proposed viticultural area. In layman’s terms, these soils feature a deep, loamy, well-drained sub-soil over granite and gneiss bedrock.

Over 24 different grape varieties are currently grown in the area which include vinifera varieties (led by Cabernet Franc, Merlot, and Viognier); and hybrids (led by Marquette, Marechal Foch, and Seyval Blanc).

Welcome to the World, Appalachian High Country AVA!

To read the original petition, as well as all amendments and comments regarding the establishment of the Appalachian High Country AVA, click here.

post authored by Jane A. Nickles…your blog administrator

Guest Blogger: High Altitude Wines and Shangri-La

The Altura Maxima Vineyard photo credit: http://www.bodegacolome.com/

The Altura Maxima Vineyard photo credit: http://www.bodegacolome.com/

Today we have a post from JoAnn DeGaglia, CSW, CS. JoAnn takes us on a trek to some high-altitude vineyards, and even to the legendary land of Shangri-La.

Mountain vineyards have numerous challenges. To get a feel for this, consider the typical challenges faced by all vineyards—such as like power supply, water, and environmental impact, erosion—and multiply them. Then, add in the fact that everyone is working on the side of a steep, difficult (and maybe dangerous) site, and that the complex climate conditions affecting a vineyard site are amplified in the mountains above the fog line. On the brighter side, high elevation sites do receive much more sun with lower heat accumulation and but higher diurnal temperature fluctuations. But then there’s this: pressure from insects, birds, rodents and wild animals is much more intense in remote mountain locations. Like I said—it’s a challenge.

The highest vineyards in the world are in Argentina in the Salta region located in the Altura Maxima vineyard at 9,849 feet (and some claim it is even higher). This “extreme” vineyard produces grapes with a very think skin, resulting in rich, tannic wines with complex flavors. The first vintage of Altura Maxima wine was released in 2012 by Bodega Colomé (part of the Hess Family Estates). That wine—Colomé Altura Maxima 2012—is 100% Malbec and priced at $125. It might sound like a lot—until you realize that only 165 cases (six barrels) were produced. Bodega Colomé also grows small amounts of Torrontés, Pinot Noir, Merlot, Syrah, Sauvignon Blanc and Chardonnay in their ultra-high altitude Altura Maxima vineyard.

The Winery at Bodega Colome - photo via http://www.bodegacolome.com/

The Winery at Bodega Colome – photo via http://www.bodegacolome.com/

Here in the U.S. we look to areas like Lake County AVA (with vineyards at 2,000 to 2,400 feet), Howell Mountain (1,600 to 2,400 feet), Spring Mountain (2,000 feet), Mount Veeder (400 to 2,600 feet), Atlas Peak (1,400 to 2,600 feet), Diamond Mountain (1,200 to 2,200 feet) and Sonoma Mountain (600 to 2,400 feet) as examples of high altitude viticulture. Howell Mountain was designated as Napa Valley’s first sub AVA, and is well-known for its high-altitude Cabernet Sauvignon. The region’s volcanic ash–red clay soil, delightfully infertile, produces intense wines from small berries. In the end, the altitude and rocky, dry soil conditions create complex, tannic and concentrated wines with firm structure, incredible varietal intensity, and excellent aging properties. Cabernet Sauvignon is King of the Mountain but Cabernet Franc, Merlot, Zinfandel and Chardonnay excel as well. Who is up on Howell Mountain? Charles Krug, Cade, Cakebread, Duckhorn, Robert Foley, La Jota, and Pine Ridge—to name a few.

The world of wine evolves and changes with each passing year with more regions discovering wine, both as consumers and producers. Each of these new areas brings a new dimension to the world of wine. One in particular caught the eye of Karen MacNeil, author of The Wine Bible enough to make her declare that “the Book of Cabernet has just been rewritten.” The wine she is talking about is made in Shangri-La. Really. The wine is 2013 Ao Yun (Tibetan for Proud Cloud), produced in the Himalayas just 50 miles from the border of Burma. This area is within the Yunnan Province in the far southwest of China. The areas “Three Parallel Rivers” region (now a National Park) was made famous as the mythical Shangri-La in James Hilton’s novel Lost Horizon. The Vineyard is at 8,500 feet, and the air is so thin that fermentation doesn’t quite work like it does as we may know it. Karen MacNeil described the wine like this: “Drinking it makes you feel like you’ve been pulled down into the dark body of the earth itself. There is a sense of delicious corruption to the wine.”

Ao Youn is 90% Cabernet Sauvignon and 10% Cab Franc, bottled at 15% alcohol by volume. It should be (or will soon be) available at Sherry Lehman’s in New York and Wally’s in Los Angeles.

We can never overestimate the contributions made by the pioneers, innovators and artists of the wine making world. So get out there and open that mountain wine—climb high, my friends.

JoAnn DeGaglia, CSW, CS works at Brotherhood Winery, “America’s Oldest Winery.” In addition, she teaches wine appreciation classes at libraries all over the Hudson Valley as well as with Ned Towle at the Westchester Wine School. JoAnn’s writings may be found on Facebook on the “The Wine Lovers Journey through the World of Wine” page.

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Meet the Board: Valerie Caruso, FWS, DWS, CWE

Valerie Caruso, FWS, CWE

Valerie Caruso, FWS, CWE

Last August, at our annual conference, SWE welcomed its new Executive Committee and Board of Directors.  While many of our board members have served for quite a few years, there are also some new faces in the group as well.  Today we’d like to introduce you to one of our new board members, Valerie Caruso, FWS, DWS, CWE…and thank her for her service to the Society!

Valerie retired after 25 years in the Air Force and moved to Italy a few months later to study wine at an international hospitality school. It started as a personal travel and learning adventure for a wine lover, but turned into much more. She was only back in the states 90 days before returning to Italy to study advanced Italian, speak on a collaborative book project about Tuscan wines, and then proceeded to another international culinary academy in France.

In 2010 Valerie began doing private tastings for friends and military spouse groups, and the following year started a business doing in-home tastings and while working with direct-to-consumer sales for a Napa winery. It was in 2012 when she discovered the Society of Wine Educators and the CSW program, and also when she started teaching wine tasting classes in Colorado Springs. She credits her first CSW preview that year as the moment that learning bug would formally establish itself as the desire to not only further her own education, but to bring others along for the exciting wine education ride.

Val has since established her own wine education company, Vino With Val, LLC, where she provides customized tastings for private and corporate clients and even organizations and tour groups. In 2015, she launched the Wine Two Five podcast with fellow CWE Stephanie Davis. Together they built a strong wine media presence and brand as well as a worldwide community of engaged listeners who want to be entertained, educated, and empowered as consumers. Val’s time is now largely consumed nearly full-time as executive producer, content writer, and host for the weekly show which can be found on iTunes, IHeartRadio and many other destinations.

After attending the 2014 conference and the CWE preview, Val knew she’d found her wine education home. She has since contributed to SWE’s popular SWEbinar and Certification Summit program as a presenter. Many of the SWE’s own professionals have found their voices warmly welcomed on the Wine Two Five podcast by the listener base to help spread the word as well, and affectionately refers to the friends she’s made at SWE as her “tribe” and believes strongly in the mission and spirit of the organization.

In her time on the board, Val would like to continue to proudly carry (some would say shamelessly promote) the torch of SWE to those who seek quality wine education and community, especially online for those who don’t live in the most restaurant-and study-group-rich locations.  Just as she has for those who have reached out to her for mentoring—particularly veterans who find her online—she is  determined to be instrumental in expanding the study resources for wine learning and contribute to the excellence in the SWE’s educational endeavors.

Welcome, Valerie!

 

Meet the Board: Marc DeMarchena CWE, CSS, CHE

Marc DeMarchena CWE, CSS, CHE - a newly-elected member of the SWE Board of Directors.

Marc DeMarchena CWE, CSS, CHE – a newly-elected member of the SWE Board of Directors.

Last August, at our annual conference, SWE welcomed its new Executive Committee and Board of Directors.  While many of our board members have served for quite a few years, there are also some new faces in the group as well.  Today we’d like to introduce you to one of our new board members, Marc DeMarchena…and thank him for his service to the Society!

Marc DeMarchena CWE, CSS, CHE is a newly-elected member of the SWE Board of Directors. Mark is currently an Associate Professor of Beverage and Dining Services with the College of Culinary Arts at Johnson & Wales University. During his 18 years as an instructor, Marc has taught a variety of classes, including Foundations of Wine and Spirits, Principles of Beverage Service, Dining Room Supervision, Contract Food Service Management, and Old World Wines.

Many of our members have met Marc throughout his 18 years of involvement with SWE, including our conference speakers who have found Marc to be a true life-saver in his frequent role as our Conference Audio-Visual Liaison.

Marc was lucky enough to spend a few weeks in Bordeaux last summer as part of this third re-accreditation as a Bordeaux Wine Tutor. He describes this journey through Bordeaux, hosted by the L’ École du Vin de Bordeaux, as a “dash between all the subregions visiting and tasting the deliciousness along the way.” He goes on to say that “this captures what I love about wine education.  The connection to the culture—seeing, feeling and tasting how it transcends into our subject matter—is simply fabulous.”

When asked how he sees his role on SWE’s Board of Directors, Marc replied, “My 18-year relationship with the Society has given me so much opportunity to connect to the world of wine. I would like to share that community with future members and help them see the value of our organization’s ability to light their beverage passion. It is pretty amazing to have witnessed the past decade of growth and educational programing that the Society offers. I believe my years managing in the food and beverage business and my time teaching at the university level can bring a combination of skills that will be useful to the Society as we face new opportunities and challenges.”

Welcome, Marc!

 

Guest Post: Moonshine Goes Modern!

Today we have a guest post from Harriet Lembeck, CWE, CSE. Harriet tells us the story of how she came to deliver a lecture of Moonshine for this year’s 40th Annual SWE Conference, and tells us how it went!

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Why Moonshine?

I was recently invited to judge Moonshines for The Fifty Best, an on-line Wine and spirits ratings magazine, whose website gets over 1 million monthly page views. Through the process, I learned that Moonshines are diverse, varied, and so interesting, and I wanted to share this info. Publisher and Founder William Rosenberg was kind enough to give me the contact info for the Gold and Double-Gold medal winning Moonshines, so that I could create this presentation with the best of the examples.

“Moonshine” is a catchall name for un-aged white whiskies, usually distilled from corn. As I learned from going through the 14 that we tasted at the Conference, contrary to that casual definition, some Moonshine happens to be aged, and others aren’t even made with corn!

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According to David Fleming, Executive Editor of Market Watch, Impact and Shanken News Daily, demand for Moonshine leveled off in 2014 after an initial rise in 2012. While the big spirits brands may be leveling off, there is no drop in enthusiasm from the top players, and also the smaller producers. Many are going upscale, playing to sophisticated tastes, and trying to lose the “hokey” character. Many are craft distillers. Others still package in jars and jugs.

Distilling moonshine is a simple process, requiring only 4 main ingredients: corn, sugar, yeast and water. Barley, rye, or fruits may be used, and even hogfeed is not unheard of. Simple pot stills do the job. Further, there is little emphasis on aging or maturation. Some future Bourbon producers are making Moonshine to tide them over, while waiting for their Bourbon to finish aging.

From George Washington, who built a grist mill in 1770, and returned to Mt. Vernon, VA (where he planted Indian corn and rye) in 1797 after his Presidency; through the Whiskey Rebellion (which occurred after Alexander Hamilton showed Congress that it could use its power to tax [repealed in 1801]); through Prohibition (1920 -1933); and to today – when distilling is now legal, distillers’ taxes are collected, and distillation is done in daylight, and not “by the silvery moon” – Moonshine has been part of Americana.

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If you want to learn how to distill nowadays, and your grandfather is no longer around to teach you, there is Moonshine University in KY, where a 5-day Distiller Course will set you back $5,000-$6,000. Students say it is definitely worth it. Colin Blake, its Creative Director, warns that any illegitimate distilling flirts with breaking more than 100 state and federal laws. Small wonder that students gladly pay their tuition!

In order to get an official definition of Moonshine, I turned to the ‘Standards of Identity for Distilled Spirits and Amendment’ (Code of Federal Regulations – Chapter 4: Class and Type Designations), and – surprise – there is no regulation for Moonshine! I saw an ‘Amendment’ from February 2013, and I thought a definition would be there, but it turned out to be for Caçhaca, a type of rum, and a distinctive product of Brazil.

So there is no legal definition for Moonshine, and I believe that’s how everyone wants it! The taxman is very happy that he can collect taxes without being threatened!

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For our SWE Moonshine tasting, Bill Lembeck reduced all the proofs by 50% with high-quality bottled water. We ditched the crackers, and served organic, unsalted popcorn. In addition, Bill created the artwork, with a bottle shot superimposed on its home state for each moonshine. Click here to download a pdf of our guided Moonshine tasting, including tasting notes for the 14 different products tasting during: harriet-lembecks-moonshine-tasting-notes-august-2016

One final note: Attendees were loved this session, and were impressed with the uniqueness of the topic, and the range of products tasted!

HarrietHarriet Lembeck is a CWE (Certified Wine Educator) and a CSE (Certified Spirits Educator – a new designation). She is President of the Wine & Spirits Program, and revised and updated the textbook Grossman’s Guide to Wines, Beers and Spirits. She was the Director of the Wine Department for The New School University for 18 years. She can be reached at h.lembeck@ wineandspiritsprogram.com.

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

 

Guest Post: Montefalco Sagrantino

Montefalco, Italy

Montefalco, Italy

Today we have a guest post from Steve Armes. Steve is a wine-loving artist who resides in Irving, Texas. In this article, Steve takes us along on a trip to Montefalco, in Italy’s Umbria province, where he discovers the lovely countryside and architecture of the region – in addition to the area’s wine.

“In the horse race that is the Italian wine scene, the field is populated by the usual suspects. In the straight, Brunello di Montalcino leads by a length, followed by Amarone and Barolo in a dead heat. You can bet across the board on these. But my money is on a dark horse that is on no one’s preferred list: Montefalco Sagrantino.  Focus on the backstretch and look for this wine to finish in the money.

Montefalco (mountain of the hawk) is a small town tucked away in central-eastern Umbria, half way between Spoleto and Assisi. Encircling this walled city are 250 magical acres where God, man and Mother Nature collaborate to produce a little-know grape that is about to shift our wine paradigm: Sagrantino.

Although the origin of the grape is unclear, with some researchers attributing its birth to Asia and others to Greece, this variety is quickly becoming Italy’s next rock star. We know that behind every great grape is a sublime terroir, and this is no exception. Montefalco is surrounded by the Apennines, and its playground is an admixture of clay with limestone and sand. The hot summers there are ameliorated by a cooling breeze known as la tramontana (the north wind). The grape is ancient, but its reputation is young. How, in this what-have-you-done-for-me-lately wine universe is this possible? The answer is one of vinification.

57044157 - italian vineyard in autumnal foliage and sagrantino grapes

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Unlike Brunello di Montalcino, which was sitting around in the cellars of Tuscany waiting for enologists to stumble upon it in the late 70s and make it an overnight sensation, Sagrantino languished in obscurity. Vintners often made Sagrantino in the passito style, drying the berries on straw mats prior to fermentation, making them raisin-like, which increased the sugar and the resulting alcohol content—the latter often exceeding 14%. But as wine cognoscenti will aver, the 1970’s brought a great change to the juice universe and tenacious growers of this region were determined to bring out the grape’s full potential. Discarding the older methods, visionaries of vinification began to make the wine in the secco or dry style, transforming it from a sweet wine into a bold and tannic contender. The wine would earn DOC status in 1979, and DOCG status in 1992. The Montefalco Sagrantino DOCG is approved for both dry (secco) wines and passito wines with between 80 and 180 grams/liter of residual sugar.

Sagrantino, with its deep garnet color, foretells a nose of blackberry, violets, and other floral scents. The palate reveals itself to be full of plum, lingering earthiness, and spice with a finish that will make tannin-lovers go wild. In its dry (and most popular) form, it can be a big, big wine. The grape is one of the most tannic of extant varietals, and will pair with a range of dishes as well as with spicy entrees. Or, savor it alone and decipher its amazing complexity and balance. It cellars well for at least a couple of decades, and in most versions, can profit from being opened and allowed to breathe for hours.

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Those of us who have sipped our way through Italy know that the best Italian wines can be costly. But the manna from heaven in this promised land called Italy is that these premiere wines are also produced in a junior version which is made affordable by either an admixture of lesser grapes or a shorter aging period. Examples are Amarone/Ripasso, Brunello di Montalcino/Rosso di Montalcino, and Vino Nobile di Montepulciano/Rosso di Montepulciano. Following suit, Sagrantinos await the wine enthusiast in 3 forms:  The passito style, which is still available, the secco Montefalco Sagrantino , both of which contain 100% Sagrantino, and the Montefalco Rosso DOC, which contains 10-15% Sagrantino blended with Sangiovese or other grapes. The dry Sagrantino di Montefalco is aged for 37 months, including 12 in oak. The sweet version is also aged for 37 months (with no minimum requirement for oak). Montelfaco Rosso DOC has a minimum aging requirement of 18 months (30 for the Riserva, which includes at least 12 months in oak).

To trek through Italy is to make un giro di gusto, a taste tour. In Montalcino, the world revolves around Brunello. In Montepulciano, vino Nobile flows from the tap. And anyone who has taken an excursion through Tuscany is familiar with the strada in chianti, and the tour bus from Florence to Siena that stops in Greve so tourists can consume Chianti Classico, the delectable poster child of Italian wine. But the people of Umbria have been taking notes. What they have learned is that tourists long to travel through the rustic campagna to discover for themselves the next great culinary Arcadia. It seems that the Umbrians know what is coming, so they have created La strada del Sagrantino. All roads leading to Montefalco host signs with the best logo I have seen of all Italy’s strade del vini (wine trails).

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As you encounter the fare in the area, you will find that their world revolves around the grape (as in Montalcino). There are lenticchie (lentils) soaked in Sagratino, cheeses produced in similar fashion, so that the rind is the garnet red of the wine, even Sagrantino jelly. Walk into a shop in Montefalco, and they will be only too happy to offer you a sample of Sagrantino, but will also force upon you salumi e formaggi  (salami and cheese). Typically, shops will have about 15 to 20 different bottles of Sagrantino di Montefalco and 8 to 10 rossos. We saw few passito or sweet versions, but they are certainly available. As we gravitated toward the rossos, we were quickly told that they were misti (meaning “blends”), and we assured them that we understood. The rossos start at around 12 Euros, and the Sagrantinos begin just over 20 Euros. The 250 acres that spawn Sagrantino do not allow for a large yield, so the wine will likely stay in limited supply. And even though some prescient grapesters are experimenting with it in Tuscany, it will perforce be a different wine, for the elements that make up terroir differ  from mile to mile, if not from acre to acre.

As I wade through the travel magazines and blogs, I see that Tuscany is no longer the destination du jour, and that Puglia and Sardegna are the new hot spots, which is fine in my opinion, for I will continue to frequent Tuscany, hoping to find fewer tourists there. But the unavoidable truth is that Umbria, and Montefalco in particular, is going to be on the short list of savvy travelers. This region, known for such attractions as Lake Trasimeno, a popular sporting destination, and Assisi, the best-preserved medieval walled city in Italy, is poised to become the next Mecca for eager globe-roamers. Information is available from the Associazione Strada del Sagrantino, Piazza del Comune n.17 06036 Montefalco, telephone 0742 378490, email info@stradadelsagrantino.it.

Although it is unimaginable now, growers of Sagrantino nearly plowed the vines under, intending to replace them with more profitable varieties. But they didn’t. And thus they have given us Sagrantino di Montefalco, the best Italian wine you have never heard of, saving it from being the best Italian wine the world would never know.

Come to think of it, the Italian wine world really isn’t like a horse race. Horse races are loud, frantic and fast. Italian wine is more like a leisurely afternoon stroll through the dappled sunlight on a dirt path that separates the olive groves from the vineyards, the breeze carrying the ancient aromas of growth, fruit, and rebirth. And the Italians have caught it all and put it in a bottle.

Copyright Steve Armes 2009

Steve Armes is a classically trained painter who travels to Italy to paint the landscape. He is an ardent student of wine, with a particular interest in Italian wines. You may see his work at www.stevearmes.com. He lives in Irving, TX.

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Guest Post: Vinifera is the new Black

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Today we have a guest blog post from Elizabeth Miller, who takes a step back and looks at Vitis Vinifera from the “big picture” point of view. Read on – its very interesting!

Congratulations wine regions of America, you made it!  You’ve graduated from being an emerging wine region and are now enjoying widespread commercial success and the respect you deserve.

How did you do it?  By mastering Vitis vinifera.

In the American wine industry, vinifera is the new black.  A wine lover might take this for granted, until he or she realizes the bounty of non-vinifera native grapes growing on the American land mass.  Despite this, it seems that only through mastering the imported vinifera that a wine region earns commercial success and respect.  I must ask: why does making it in America mean making vinifera?

Vinifera in a Land of ‘Other’

From sea to shining sea, the Lower 48 is a deluge of wine grapes, with the widest variety of wild grapes on the globe.  Of the eight species of grapevines in the Vitis genus noted for wine, six are native to North America, while only vinifera is native to Europe.  Despite the numbers game, the powerhouse species from across the pond is viewed as the most legitimate amongst all the grapevines in America.

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The Path to Success

America is now producing more wine than ever, and wine is made in all 50 states. Since the 1960s the modern industry has been born anew and grown rapidly.  In my research in preparation for an upcoming Society of Wine Educators webinar “Emerging Regions of the US”, a pattern became quite clear…

First, Vitis vinifera is planted in a young wine region.  This decision is greeted with a mix of optimism and skepticism, and many people are dubious that vinifera can grow in a particular place or climate.  Over time, viticulturists and winemakers learn about how vinifera interacts with a specific place, how best to cultivate it, and what authentic palate will be expressed from the region’s terroir.  Then the magic happens!  Articles are written, gold medals are bestowed, and the emerging region starts seeing sales in larger markets—first state, national, maybe even international!

Sometimes this path to success has a pioneer.  In the 1800s, Agoston Haraszthy introduced many new vinifera varieties to California, and 125 of them are still found in California today, earning him the title “Father of Modern Viticulture in California.”  We know how it turned out for California!

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On the opposite coast, Dr. Konstantin Frank advocated for planting vinifera in the cold region of upstate New York in the 1960s, despite opposition.  Riesling became an early winner.  As I discussed in a recent Society of Wine Educators webinar, “I’m in a New York State of Wine”, the state rapidly grew and achieved national renown just a few decades later.

Many states are poised to leap into the limelight… with vinifera in hand.  Grapevines have grown naturally in Texas along rivers and streams for thousands of years.  The industry began on a commercial scale in the 1970s and today it’s ranked sixth nationally in number of wineries.  The land bears one of the most diverse arrays of grapevines on earth, yet, the commercial industry is 99% vinifera!

What’s Going On?

To understand why the imported Vitis vinifera has emerged as the king in a sea of native species, we can look at several factors:

  • Vinifera is tried and true.  Humans are known to have interacted with vinifera as far back as the Neolithic period.  The Latin root of the word literally means “wine-bearing.”  The idiosyncrasies of making wine with vinifera have been fine-tuned for several thousand years.  Physiologically, its skin thickness, sugar, alcohol content, and phenolic compounds make for a readily fermentable and universally palatable product.
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    American wine traditions came from Europe.  The “old world” has been drinking wine and creating traditions for centuries.  When European settlers came to the American continent, they brought their vinifera with them.  While initial plantings of vinifera in the untested American climates resulted in many early failures, the sense of the superiority of vinifera as a wine grape remained.  Traditions like the 1855 Bordeaux classification were in essence effective marketing schemes.  They contributed to the sense that the apex of viticultural excellence reaches back to medieval Europe and Vitis vinifera.

  • Other vitis species taste different.  In the early days of American wine, settlers didn’t appreciate just how different American grapevine species were.  They tried to make wine from the native grapes but found their flavors and textures off-putting and unfamiliar.  Vitis labrusca, in particular was deemed “foxy”, and not in the good way.  The early misunderstanding of native species left a lingering and tainted reputation, and today some consumers and sommeliers will not even pay a wine produced from a native grape variety.
  • Native grape cultivation is fairly new.  In the global race of grape cultivation, vinifera has a several thousand-year head start.  In contrast, the identification of native grape species in America has only occurred in the last few hundred years.  Due to the low demand for these native grapes, there is very little incentive to study them, and very few are in commercial cultivation.  Until native grapes’ viticulture, vinification and styles are understood, only vinifera will be viewed as legitimate.
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The Future of Vitis in America

Undeniably, Vitis vinifera has carried many American wine regions from obscurity to international fame.  Yet, what might the Vitis scene be of the future?

Might an influential native grape emerge?  A possibility could be Norton, a grape cultivar from Vitis aestivalis, grown widely through the Mid-Atlantic and Midwestern states. It has even begun to be grown in California.  Norton’s cultivation dates back to the early 1800s, and it’s a candidate for a real contender on a global stage.  It produces deeply-colored red wine with mouth-filling texture, ages very well, and has been compared to Zinfandel.  It is also the cornerstone of the Missouri wine industry, whose current reputation pales in comparison to its pre-Prohibition standing when it was the second-largest wine-producing state in the nation!  Could a non-vinifera grape like Norton find market power for itself and for Missouri?

Another thing to consider is what happens when Vitis vinifera fails. From the 1990s through the start of the millennium, the Colorado industry grew quickly.  Its winemakers have enjoyed a growing reputation for Riesling and Cabernet Sauvignon.  Unfortunately, that time also saw several fierce damaging freezes in a land of brutal winters, finicky springs, and some of the highest elevation vineyards in the Western hemisphere.  Grape growers are now looking at more resilient hybrids which can produce great wines but are unfamiliar to Americans.  Might a larger market embrace them, and then Colorado, in the future?

For the foreseeable future, though, Vitis vinifera is staying in style!

Elizabeth Miller is the General Manager of Vintology Wine & Spirits and the Associate Director the Westchester Wine School in Westchester County, NY.  She will present a SWEbinar “Emerging Regions of the US” on Wednesday, December 7th, and 7:00 pm central time.  Her blog ‘Girl Meets Vine’ is found at http://www.elizabethmillerwine.com/girlmeetsvine.

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