Napa’s Grape Crusher

  By admin | August 2, 2013 - 11:52 am | ,
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Figure 16–1 The Grape Crusher Sculpture on the road to Napa ValleyIf you’ve ever been to Napa, you’ve seen him.  You may have wondered what the 16-foot gentleman wearing the wide-brimmed hat was doing crushing grapes at the top of a lonely hill in the middle of the night, but you can’t deny you noticed him.  I’m talking about – of course – “the Grape Crusher,” the lovely statue sitting atop Vista Point near Napa Valley Corporate Drive, looming over the vineyards as you buzz past on Highway 29.

Having been an admirer of this particular blending of art and wine, and having wondered just who the Grape Crusher was and what he was doing there; I did a bit of digging. It turns out the Grape Crusher was created by a well-known artist named Gino Miles in 1986. Mr. Miles created the sculpture as a tribute to the dedicated vineyard workers of the valley, in honor of 200 years of grape growing in Napa Valley.  The sculpture was purchased and dedicated by the city of Napa in 1987.

The Grape Crusher weighs 6,000 pounds, stands 16 feet tall, and is set atop a 10-foot base covered in river rock. The statue, which took over a year to complete, is hollow and made of bronze.  The artist built sculpted the piece and brought it to the Shidoni Foundry in Tesuque, New Mexico.  At the foundry, the statue was cast into 135 separate bronze pieces, assembled, and shipped to Napa in one piece.

Gino Miles has been an artist since the 1970’s.  After attending the University of Northern Colorado, he spend many years in Europe studying art and art history, and founding Italart, an art school for American and German students in the Chianti region outside Florence.  For many years he taught design and sculpture classes while presenting his original pastels and sculptures as well. Gino and his wife now live in Santa Fe, New Mexico, and are the owners of Sculpture 619, a gallery in the heart of Santa Fe’s Art District.

If you’d like more information on the artist who created Napa’s iconic Grape Crusher, click here for a link to his Santa Fe Studio: http://www.sculpture619.com/about/

 

The (Confusion of the) Torrontés Family Tree

  By admin | July 27, 2013 - 1:26 am | ,
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Chenin Blanc GrapesTorrontés, a vinifera cross native to Argentina, is known for producing crisp, fruity, and floral wines redolent of peach, apricot, mandarin orange, honey, melon, and rose.  While Chile, Spain, and a few other countries grow grapes that go by the same name, Torrontés – actually several closely-related varieties –  is grown primarily in Argentina. Along with Malbec, it is considered one of the two “signature varieties” of the country.

A wine labeled “Torrontés” from Argentina may actually be made from three separate but related varieites.  Torrontés Riojano is the most widely grown, the most aromatic, and is considered to produce the highest quality wines.  Torrontés Mendocino, the least aromatic, is also the least widely grown; and Torrontés Sanjuanino takes the middle ground.

All three varieties of Argentine Torrontés are thought to be natural vinifera crossings involving Muscat of Alexandria that occurred on Argentine soil. As for the parentage of each, it gets a little tricky:  The leader of the pack, Torrontés Riojano, is known to be a crossing for Muscat of Alexandria and Criolla Chica (a version of the Mission grape). Torrontés Sanjuanino is a separate crossing of those two same grapes. Torrontés Mendocino is a mystery, thought to be a crossing of Muscat de Alexandria and an unknown variety.

Casa Rosada ArgentinaOf the versions of the grape grown in Argentina, Torrontés Riojano is by far the most widely grown and renowned. As the name suggests, it thrives in the La Rioja region, and is also widely planted in Mendoza and the Salta region of northern Argentina.  It seems to do particularly well in the arid, ultra-high altitude vineyards of Salta where the conditions allow the grape to retain a crisp acidity and develop the intense floral aromas the grape is known for.  Torrontés Sanjuanino is planted mainly in the San Juan province, but even there plays second fiddle to Torrontés Riojano.  Torrontés Mendocino, despite being named after Mendoza, is rarely seen there and is mostly found in the southern province of Rio Negro.

For many years it was thought (naturally, I think) that the Torrontés of Argentina was the same grape, known by the same name, grown in Galicia and other regions of Spain. It was thought that the grape was simply brought to the new world along with an influx of immigrants from Galicia into Argentina.  However, recent DNA evidence has shown there is no relation between the two grapes. The Torrontés of Galicia, grown mainly in the DO of Ribeiro, is now known to be identical to the Fernão Pires of Portugal.  It aslo appears that many different grape varieties go by the name “Torrontés” in Spain. To quote Jancis Robinson and her co-authors in Wine Grapes, “Confusion reigns supreme over Torrontés in the Iberian Peninsula.”

Crios TorrontesChile grows a good deal of Torrontés, sometimes under the synonym “Moscatel de Austria.”  There are varying reports of its exact provenance, with some publications claiming that most Chilean Torrontés is the Sanjuanino version and others that claim it to be Riojano. We do know for certain that much of the Torrontés grown in Chile ends up distilled into Pisco.  Wines (and grapes) labeled as Torrontés in Chile may also actually be Torontel, a closely related but separate crossing of Muscat of Alexandria and Criolla. Tortontel—known by its correct name—is grown in many regions in Chile.

In case you would like to be confused even more, there is also a red grape known as Torrontés, which also goes by the names Tarrantes and Turrundos. Perhaps that is a good topic for another day.  For now, I think I need a glass of Crios de Susana Balbo Torrontés, Cafayate, 2012 (peach, melon, honeysuckle, tropical fruit, and most likely Torrontés Riojano) to calm my brain down.

Post authored by Jane A. Nickles, your SWE Blog  Administrator – bevspecialist@societyofwineeducators.org
 References/for more information:
  • Robinson, Jancis and Hugh Johnson: The World Atlas of Wine, 7th edition. London, 2013: Mitchell Bealey (Octopus Publishing Group).
  • Robinson, Jancis, Julia Harding and José Vouillamoz: Wine Grapes. New York, 2012: Harper Collins Publishers
  • http://www.winesofargentina.org/argentina/variedades/malbec-torrontes/torrontes/

The Cannons of Cape Town

  By admin | July 22, 2013 - 1:00 am | , ,
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The Victoria and Alfred Waterfront, Cape Town, South Africa

The Victoria and Alfred Waterfront, Cape Town, South Africa

If you ever visit the wine regions of South Africa, and find yourself wandering around Cape Town at lunch time, be warned:  a cannon is about to go off! There’s no need to worry, but if you aren’t expecting the resounding boom, the sound of the Noon Gun may have you running for cover.

The Noon Gun has been fired in Cape Town at noon, every day except Sunday, since 1806.  The gun – two cannons, actually – is located just outside of the center of the city on Signal Hill. Signal guns have been a part of Cape Town since the Dutch settled here in 1652, and the two cannons on Signal Hill were part of the original artillery stashed at the Imhoff Battery at the Castle in Cape Town. In 1806, the two cannons were removed from the Battery and placed in town for use as signal guns.  After the loud retort from the cannons unnerved a few too many citizens, the cannons were move to Signal Hill, where they still stand.

The Noon Guns atop Signal Hill

The Noon Guns atop Signal Hill

The original signal cannons of Cape Town, 18-pounder, smoothbore muzzle-loaders, are still in use today. The ritual represents one of Cape Town’s oldest living traditions. They fire every day at 12 noon sharp, except Sundays and public holidays, and are maintained by the South African Navy. On Friday January 7, 2005, both the main gun and backup gun failed to fire owing to a technical difficulty. This was the first time in 200 years that the noon gun had not fired as scheduled.

The Noon gun was used as a time signal for the sailing ships in the harbor, to allow them to calibrate their navigational instruments and accurately calculate their location. However, their original use as a “signal gun” is much more interesting.

In the 1800’s, Cape Town was known as “The Tavern of the Seas,” as one of its main commercial functions was the provisioning of vessels making the long trip from Europe to India and the rest of the East. As the ships approached, the cannons atop signal hill were fired to let the farmers and the merchants know that provisions were needed.  A series of cannons, all set on hilltops, would relay the message far inland.

The Kanonkop Wine Estate

The Kanonkop Wine Estate

One such cannon was located on a farm called Kanonkop, Afrikaans for “Cannon Hill.”  Kanonkop, located in the “red wine bowl” of Stellenbosch, is now a well-known, fourth generation family wine estate producing highly regarded red and rosé wines.  The vineyards at Kanonkop are heavily planted to Pinotage, Cabernet Sauvignon, Merlot, and Cabernet Franc.

The top-flight wine at the Kanonkop Wine Estate, Paul Sauer, is a Meritage blend named for one of the original owners.   Their widely distributed Cape Blend, Kanonkop Kadette, is produced as both a medium-bodied, crisp red wine and a dry, lively rosé.

The term Cape Blend can be used to denote any red wine produced in the Cape Winelands made with a minimum of 20% Pinotage, South Africa’s “native home” vinifera variety.  However, many winemakers think that Pinotage should a larger part of the blend, in homage to the unique characteristics of the region and the grape.  Kanonkop’s Kadette is 57% Pinotage, while the rosé version is 100% Pinotage.

For more information on Cape Blends: http://www.capeblend.co.za/news.aspx

The Wine Formerly Known as Tricastin

  By admin | July 19, 2013 - 1:34 pm |
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Rhone1973 was a very good year for the winemakers of the Côteaux du Tricastin.  The region, which sits on the eastern bank of the Rhône River, was approved as an AOC after nine years as a VDQS.  It’s a unique area, slightly at a crossroads, being the northernmost appellation of the southern Rhône, with vineyards sitting at a slightly higher elevation than elsewhere in the Rhône.

A year later, construction began on the Tricastin nuclear plant, just west of the Rhône, and within a few miles of the vineyards. In France, where three quarters of the electricity is generated via nuclear power, you are never far from a reactor. So, life went on, both nuclear and bucolic.

That is, until July 2008, when 4,755 gallons of Uranium solution were accidentally released in a “Level One International Nuclear Event.” That’s level one out of seven, on the Nuclear Reactorsmall side, so officially this event was labeled as an “anomaly” as opposed to an “accident” or even an “incident.” However, no one seems to like the thought of nuclear radiation near their food, wine, or water!

Needless to say, sales of Côteaux de Tricastin wines plummeted.  In a business where image is everything, the name “Tricastin” had become associated with a nuclear error, however small. Some producers reacted by printing the name of the appellation in teeny-tiny print, or even moving it to the back label.  Others brought in Geiger counters to prove the wine was not radioactive. Some even gave into EU incentives to dig up their vines and find a new profession.

Others began to look for a more permanent solution, and petitioned the INAO for a name change.  The INAO, defenders of terroir that they are, do not take name changes lightly. However, in this case, a change was allowed and as of the 2010 vintage, Côteaux du Tricastin is now officially known as the Grignan-Les Adhémar AOC.

Château de Grignan

Château de Grignan

The new name refers to Grignan, the main village of the region, which comes complete with an elegant Château and ties to both nobility (the dashing Count of  Grignan was a member of the noble Adhémar family) and French literature (the 17th-century letters of the Marquise of Sévigné were addressed to an inhabitant of the Château). The vignerons of the region thought this was a nicer association than glow-in-the-dark wine.

Along with the name change, tougher standards for the wines of the region were enacted, which include lower permitted yields, restrictions on herbicides, and minimum percentages for the highest quality grapes.

Red wines of the Grignan-Les Adhémar AOC are made from Syrah and Grenache, with Carignan, Mouvèdre, and Cinsaut permitted up to levels of 15% each, as long as their combined total does not exceed 30%. Whites are a blend of Grenache Blanc, Clairette, Marsanne, Roussane, and Viognier; with no single variety allowed to exceed 60% of the final blend.

Post authored by Jane A. Nickles, CWE – your SWE Blog Administration jnickles@societyofwineeducators.org

Blood and Wine…Sangre and Sangria

  By admin | July 17, 2013 - 4:59 pm |
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SangriaSomewhere near the very beginning of every wine class, an eager student asks about Sangria.  They seem to think it is a type of wine, most likely because they have seen bottles of it alongside the wine selection at their local supermarket.

Now, before I go any further, let me assure you: I love Sangria. I’ve served many a punch bowl of it, and often order it a restaurant where the wine-by-the-glass selection looks otherwise questionable.

However, I want to get the point across to my students and fast…Sangria is not a type of wine, despite the bottles you see at the grocery store.  While we’re at it, I remind them that a Mimosa is not wine and a Kalimotxo is not wine.  What all three are, however, are popular cocktails, and in the case of Sangria, a type of punch made out of wine. The tradition of making punch from wine, such as Claret punch in Bordeaux and Gluhwein in Germany, is widespread.

Sangria actually has an interesting history, as should be expected for a drink whose name is based on “Sangre,” the Spanish word for “blood.”  If we go back to 200 BC, we arrive at the days when the Romans were conquering the Iberian Peninsula. The Romans, of course, brought their tradition of wine and viticulture everywhere they went, and planted some of the first vineyards in Spain.

The locals, looking for refreshment, made fruit-infused, watered-down drinks from the hefty red wines of the region. We know that the tradition of wine consumption at the time was to dilute wine with water, so this makes sense. One theory states that the drink was simply called “sangria” after the color of blood.

Another theory on the name Sangria is based on the “four humors,” or bodily fluids (blood and three others too gross to mention). In the days of Ancient Rome, it was thought that varying levels of the four humors were present in a person based on their diet and activity. Personality characteristics and temperament were also based on humors.  A person who aligned with the blood humor was said to be sanguine and considered to be courageous, hopeful and amorous.  It doesn’t take much imagination to see how these traits can also be the result of daily dose of wine punch!

Sangria and TapasAt the 1964 World’s Fair, held in New York, the Spanish “world area” served its traditional fruity red wine punch to the crowds, and the people loved it! Sangria became popular in the United States, and started its inevitable march towards American commercialization and bottles of Arbor Mist Zinfandel “Sangria” in the ensuing years.

In case you are now dying to try a glass of refreshing Sangria, or think it would be a hit at your next Tapas or Paella party, here’s my recipe.  From what my fuzzy memory can recall, this recipe grew out of a version that I copied down from a library copy of Time Life’s “Food of the World – Spain” book back in the 1980’s. I’ve revised it constantly over the years so that it doesn’t much resemble that original, but I would love to see the original, if anyone still has a copy of those books!

Sanguine Sangria:

  • 1 Bottle Red Rioja Crianza Wine (sure, you can substitute any red wine, or even white wine, but we are trying to keep it real here)
  • ½ Cup Spanish Brandy (again with the keeping it real)
  • ½ cup sugar
  • 1 orange, seeded and cut into thin rounds
  • 2 lemons, seeded and cut into thin rounds
  • 1 red apple, cored and cut into thin slices
  • 1 bottle (750 ml) sparkling water

Method:

  • Place the prepared fruit, sugar, and brandy in the bottom of a large pitcher or other container.  Stir around a bit until well mixed, and place in the refrigerator for at least one hour.  If you need to prepare ahead, you can do this step the night before, and leave it in the refrigerator overnight.
  • When ready to serve, add the wine and stir well.  Add the sparkling water and give another stir.
  • Serve over ice in a tumbler or wine glass.  Make sure everyone gets a few pieces of fruit.

Be careful with this…its goes down easily and is thirst-quenchingly refreshing.  However…it packs a punch.  You’d best know what you are doing.

Post authored by Jane A. Nickles, your SWE Blog Administrator…bevspecialist@societyofwineeducators.org

 

Pineau de Charentes…Extreme Fortification?

  By admin | July 11, 2013 - 6:40 pm |
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Vieux Pineau“Fortified Wine Day” in my professional wine studies class is one of my favorite classes to teach.  The incredible array of colors, aromas, and flavors offered by fortified wines amazes the students, and the rich histories of Port, Madeira, and Sherry are full of tales ripe for the telling.

It’s a favorite day for the students as well, although that could be due to the 20% alcohol content of some of the wines.

Yesterday, after tasting Ruby Port, one of my students asked, “dude, what would happen if you just added brandy to grape juice…would it be like extreme fortification?” At least that’s what I think he said.

It’s a good question, albeit in need of some editing. What if we asked it question a bit more properly, as in: “What would happen if a winemaker added grape spirits to wine must, before it even begins to ferment?”

The answer would be “Vin de Liqueur!” Vin de Liqueur is a unique type of fortified wine that is fortified just before or just after fermentation begins, creating a strong, sweet liquid.  Vin de Liqueur is very close in style to Vin Doux Naturel; the main difference being that Vin Doux Naturel is allowed to ferment until the residual sugar reaches around 10%.

Vins de Liqueur are made in many places throughout Europe. They are often referred to as “Mistelle” or “Mistela,” and the style has been copied in the new world as well.  The Italians make good use of the technique, producing a blend of unfermented grape juice and brandy called “Sifone” that is often used, in turn, as a sweetening agent in Marsala.

CharentesThe most famous French Vin de Liqueur is Pineau des Charentes, made in the départements of Charente and Charente-Maritime in Southwestern France.  The region of origin is technically the same as the region of origin for Cognac.  Pineau de Charentes is produced by combining Cognac with freshly pressed grape juice, in a ratio of approximately one part Cognac to three parts must.  The Cognac must be at least one year old, and the mixture is aged for at least 18 months in oak.

Two older varieties are also made, including Vieux Pineau, which is at least 5 years old, and Tres Vieux Pineau, (“Very Old Pineau,” if my high school French hasn’t failed me), which is at least 10 years old. These older versions are rich, complex works of art as compared to the fruity, floral, and crisply acidic young version.

Many of the large Cognac houses make Pineau, and there are several small, artisan producers that focus on Pineau exclusively.  The Cognac house of Normandin-Mercier makes several versions, including white, rosé and “Tres Vieux.”  Almost 90% of the Pineau de Charentes that is produced is consumed locally, with another large percentage going to Belgium.  However, it is available in the United States and seems to have been discovered by the “Craft Cocktail Movement,” so it should be easy to find…just ask your local celebrity mixologist.

Cognac and Pineau de CharentesAs with many fortified wines, Pineau de Charentes has a good back story. This one tells of a wine and brandy making Monk who, in 1589, filled a barrel with freshly pressed grape must, not knowing that the barrel was already partially full of aging Cognac.  Five years later, a bumper crop had him emptying out a series of barrels to use for new wine, and he discovered what he had done five years earlier.  By this time, of course, his Cognac and grape juice “mistake” had evolved into a rich, thick, sweet liquid…and, as they say, the rest is history.

Pineau de Charentes from Nonmandin-Mercier:  http://cognacnm.fr/products-page/pineau-des-charentes/pineau-des-charentes-tres-vieux-blanc-75-cl-17-vol

 

 

 

 

 

Lillet. Kina Lillet.

  By admin | July 6, 2013 - 10:24 pm | ,
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Vespter MartiniFrom the book Casino Royale (Chapter 7), by Ian Fleming:

“A dry martini,” (Bond) said. “One.  In a deep champagne goblet.”

“Oui, monsieur.”

“Just a moment. Three measures of Gordon’s, one of vodka, half a measure of Kina Lillet. Shake it very well until it’s ice-cold, then add a large thin slice of lemon peel. Got it?”

“Certainly, monsieur.” The barman seemed pleased with the idea.

“Gosh, that’s certainly a drink,” said Leiter.

Bond laughed. “When I’m…er…concentrating,” he explained, “I never have more than one drink before dinner. But I do like that one to be large and very strong and very cold and very well-made. I hate small portions of anything, particularly when they taste bad. This drink’s my own invention. I’m going to patent it when I can think of a good name.”

A few chapters later, Bond names the drink the Vesper Martini, in honor of Vesper Lynd, a Special Agent at M-16, who of course turns into a love interest, at least until it is revealed that she is a double agent.

While James Bond, double-agents, and strong cocktails might seem to be the key points of this story, as a true student of spirits, I am even more intrigued by the mention of Kina Lillet…so I decided to do a bit of detective work myself.

Lillet BlancLillet is a French aperitif that has been produced since 1872 in the town of Podensac, France, just south of Bordeaux. Lillet is based on Bordeaux wine that has been both aromatized (flavored with herbs) and fortified (strengthened with distilled spirits).  Lillet is made with the typical grape varieties of the region: Sauvignon Blanc, Semillon and Muscadelle for the Blanc; Merlot and Cabernet Sauvignon for the Rouge and Rosé.

Lillet is approximately 85% wine, sweetened and fortified with various citrus liqueurs, flavored with orange peel, and aged in French oak barrels. Lillet also includes Cinchona bark from Peru, the “secret ingredient” that contains quinine, as is used in tonic water, thus making Lillet a “cousin” of Vermouth and technically an aperitif known as a quinquina.  Lillet actually contains very little quinine, and no other botanical flavorings besides citrus fruit, making it one of the mildest quinquinas in terms of both botanicals and flavor. Other brands of quinquina include Dubonnet, Cocchi Americano, and St. Raphaël.

The original Lillet, once known as Kina Lillet, was re-formulated in 1986 to make it a bit less bitter and a bit less sweet, is now known as “Lillet Blanc.” Lillet Blanc is a light, refreshing, fruity drink that is crisp, sweet, and somewhat floral. Lillet Blanc is popular as an aperitif in France, served chilled or on ice with a garnish of lemon, lime or orange.

Maison du Lillet now produces four versions of its product, including Lillet Blanc. Lillet Rouge, released in 1962, might remind you of the sweet, fruity red wine flavors of James BondLambrusco.  Lillet Rosé, released in 2012, has a grapefruit-edged bitterness and is the sweetest of the four products. Reserve Jean De Lillet 2009, vintage-dated and based on Sauternes, is the newest (and most expensive) product, released in 2013.

Aspiring mixologists who want to make an authentic Vesper Martini may want to use Cocchi Americano instead of Lillet Blanc in the recipe, as purists insist that Cocchi Americano is closer in taste and flavor to the original Kina Lillet, being stronger in quinine and therefore more bitter than today’s version of Lillet Blanc.  After all, you wouldn’t want to disappoint Mr. Bond.

Maison du Lillet – http://www.lillet.com/

 

Neither Petite nor Syrah…Petite Sirah

  By admin | July 3, 2013 - 7:23 pm |
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Petite SirahZinfandel and Malbec, take a seat…the big dog has arrived.  I hold in my hand a glass of Michael-David Vineyards “Earthquake” Petite Sirah.  This wine looks like red crude oil, weighs as much as a linebacker, blasts flavors like a blow torch and leaves some cotton on the roof of your mouth.  Despite the name, there is nothing petite about Petite Sirah. It’s not a small version of the grape known as Syrah.  And, for the record, the “i” in “Sirah” isn’t a typo – but if you spell it with a “y” that’s ok as well.

So, if Petite Sirah is not petite and not syrah, what is it?  The grape is one of those vinous mysteries, solved CSI-style with the miracle of modern DNA testing in the U.C. Davis laboratory of Dr. Carole Meredith.

What we call Petite Sirah, it turns out, is a very old variety born and bred in the 1870’s by a French Nurseryman named Dr. Francois Durif.  It seems that the good doctor wanted to create a grape that had the flavor components of Syrah and the resistance to powdery PS on the vinemildew of a grape known as Peloursin. He crossed Peloursin and Syrah and named the resulting grape, like any proud father, after himself.  Durif became a minor success, was planted in quite a few vineyards, and was used as a blending grape in Rhône Reds.  But, alas, Durif never really became a major French variety as it failed to produce high-quality, distinguished wines in the South of France.

Durif migrated to the United  States in the 1890’s, where it fared somewhat better.  Durif thrived in the California sun, was easy to grow, and produced a high yield of  four to eight tons per acre in the Sierra Foothills and Central Valley of California.  In those days, Durif was a major player in the red blends of the Golden State.  If we could go back in time to the days of Gallo Hearty Burgundy, we’d be able to detect a bit of the deep, dark red fruit and dusty cinnamon flavors of Petite Sirah in there…maybe even dominating the blend.

However, in the early days of California wine making, many vineyards were field blends – a variety of grapes grown together in one vineyard with little regard to varietal pedigree and the name “Durif” got lost along the way, much like what happened to Carmenère in Chile.  Later, when someone needed a name for the variety, the grape was named “Petite Sirah.” We can only assume this was due to its Syrah-like flavor and the small size of the grape – the only possible explanation for the moniker “petite”.

Those small grapes grow in big clusters with very thick skins and high tannins.  A good Petite Sirah has a deep red color, a hefty, somewhat “rustic” feel and substantial but ripe Earthquake Petite Sirahtannins. Walk carefully around this wine…it can pack quite an alcoholic punch, sometimes reaching as high as 15%.  In the bottom of the glass you will find rich fruity aromas including of sweet plum, blackberry, cherry, currant and cassis.  Take a sip and you’ll notice the rich fruit flavors…I think this wine defines the term “jammy”. Go ahead and take another sip…look for the flavors of black licorice, chocolate, coffee, black pepper, vanilla, and cedar.  This wine can be quite complex…you might also find aromas and flavors of herbs, violets, brown sugar, orange peel, clove, and cinnamon.  It’s got a lot going on.

Petite Sirah is still grown in France, although like many a local celebrity, it was never much appreciated in its home town.  Australia has a few vines, as well as Argentina, Chile, Israel, and recently, Washington State. The one region to really take to Petite Sirah is California.  The grape is grown throughout California and does particularly well in the warmer regions of the Golden State such as the Sierra Foothills and Lodi, where, in the words of the back label of Earthquake Petite Sirah, it makes a wine that is “over the top and shattering to the veins!”  I couldn’t agree more.

Land of Two Seasons: The Mediterranean Climate

  By admin | June 28, 2013 - 12:22 pm | ,
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Olive LeavesThe area around the Mediterranean Sea, home to miles of sun-drenched beaches, mild winters, olive groves and (of course) fabulous wine, has been a cultural crossroads since the dawn of civilization. The beautiful weather, with the four seasons seemingly compressed into two, is surely one of the major reasons why so many people decided to make this region their home.

The comfortable climate typical of the Mediterranean Basin is found in many other areas throughout the world, including California and Baja California, the Central Coast of Chile, Southwest and South Australia, and the Western Cape Region of South Africa.  We serious students of wine will easily recognize these areas as major wine producers, and, of course, areas blessed with a Mediterranean Climate.

The Mediterranean Climate, known as a “dry-summer subtropical” climate under the Köppen climate classification, is generally found between 31 and 40 degrees latitude north and south of the equator, on the western side of continents. The climate can be summarized as “warm, dry summers and mild, rainy winters.” The climate zone can extend Mediterranean Climateeastwards for hundreds of miles if not thwarted by mountains or confronted with moist climates, such as the summer rainfall that occurs in certain regions of Australia and South Africa.  The furthest extension of the Mediterranean Climate inland occurs from the Mediterranean Basin up into western Pakistan.  In contrast, areas of California and Chile are constricted to the east by mountains close to the Pacific Coast.

The oceans and seas bordering the land areas with a Mediterranean climate work their moderating magic and keep the temperatures within a comparatively small range between the winter low and summer high.  Snow is seldom seen and winters are generally frost-free.  In the summer, the temperatures range from mild to very hot, depending on distance from the shore, elevation, and latitude. However, as anyone who has experienced Southern California’s Santa Ana Winds will tell you, strong winds from inland desert regions can bring a burst of dry heat to even the mildest season.

VineyardIn addition to the influence of water, specific atmospheric conditions create the Mediterranean climate. Every area that enjoys a Mediterranean Climate is located near a high pressure cell that hovers over the ocean or sea.  These high pressure cells move towards the poles in summer, pushing storms away from land. In the winter, the Jet Streams shift the cells back towards the equator, drawing stormy weather inland.

The long, dry summers of the Mediterranean Climate zones limit plant growth for much of the year, so the natural vegetation of such areas has adapted into evergreen trees such as Cypress and Oak as well as shrubs such as Bay Laurel and Sagebrush.  Trees with thick, leathery leaves and protective bark such as olive, walnut, citrus, cork oak, and fig are also abundant; and as those early settlers in the Mediterranean Basin figured out—grapevines thrive here as well.

 

 

The Winds of Wine: Le Mistral

  By admin | June 25, 2013 - 6:01 pm | ,
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Van Gogh's "Starry Night"

Van Gogh’s “Starry Night”

Convinced that it comes in multiples of 3 days, residents of Provence will tell you that the Mistral Wind blows for 3, 6, 9 or 12 days. Referred to as “Le Sacre Mistral,” it is blamed for headaches, edginess, and the bad behavior of husbands, pets, and children. They swear it is what drove Vincent Van Gogh to chop off his own ear.

The Mistral is a cold, dry, regional wind that occurs each time there is an area of high pressure in the Bay of Biscay accompanied by an area of low pressure around the Gulf of Genoa.  It occurs mainly during the winter and spring, but it can happen at any time during the year. Its cooling effect is perhaps most welcome in the summer, but during the winter it can chill one to the bones.

Schematic diagram of mistral wind by Piotr Flatau, via Wikimedia Commons

Schematic diagram of mistral wind by Piotr Flatau, via Wikimedia Commons

In the Rhône Valley and Provence, the regularity and force of the mistral causes trees to grow leaning to the south. Vines are often kept low to the ground, their thick and sturdy branches developing a permanent south-facing bow. The rows of Cypress and Poplar trees typical of the region provide shelter from the dry force of the wind.

The Mistral, despite its ferocity, can nevertheless be beneficial to the vineyards in its path. The mistral blows the clouds from the sky and heralds the arrival of sunny weather.

When the Mistral blows during the warm parts of the growing season it cools down the vines, helping the grapes to retain acidity through the hot summers. The dryness of the wind keeps the grapes free from humidity and mold, and has earned it the nickname mange-fange, or “mud-eater.”

The bell tower of the hilltop village of La Cadière-d'Azur is open, which allows the mistral to pass through. Photo via Wikimedia Commons (Public Domain)

The bell tower of the hilltop village of La Cadière-d’Azur is open, which allows the mistral to pass through. Photo via Wikimedia Commons (Public Domain)

The name of the Mistral is traced to the Provencal word for “Masterly” and it certainly has had such an effect on life in Provence.  Old farmhouses were built facing south, with sturdy north walls devoid of windows.  The bell towers of the churches in the region are often topped by open iron frameworks, which allow the wind to pass through.

There was even once a law that stated that anyone who claims to have gone mad on account of the Mistral may be pardoned of their crime.  Sacre Mistral!

References/for more information:

  • https://www.weatheronline.co.uk/reports/wind/The-Mistral.htm
  • https://www.britannica.com/science/mistral
  • http://www.languedoc-france.info/110515_mistral.htm

For more information on “the winds of wine,” see our posts on The Zonda and The Roaring 40’s.

Post written by Jane A. Nickles, CWE (your SWE Blog Administrator) bevspecialist@societyofwineeducators.org