Chinato: Cocchi, or Cappellano?

cappellanoIf you love Italian wine, you can most likely discuss the intricacies of Brunello, Barbaresco, and Bardolino.  If you love Italian food, you probably crave Bolognese, Balsamic, and Burrata on a daily basis. But what can you tell us about Barolo Chinato?

Don’t worry – you don’t have to give up your Italophile badge just yet.  Barolo Chinato is rare – it’s not exactly easy to find in America, despite it being more widely available than ever these days, thanks to the longevity of the craft cocktail craze and an ever-growing American fondness for all things Italian.

Barolo Chinato is digestive (equally qualified to serve as aperitif) produced in Piedmont, Italy created from a base of Barolo wine.  The word “china” (pronounced “key-na”) in Italian refers to “cinchona bark,” known to Americans as quinine. This, if we want to stay literal, Barolo Chinato (pronounced “key-not-o”) is Barolo wine that has been  infused with quinine bark and other herbs and spices.

Technically, Barolo Chinato is considered a quinquina (an aperitif that contains cinchona bark) as well as an aromatized (flavored) wine.  With alcohol levels of 16.5 – 18%, some versions of Barolo Chinato may also be considered a fortified wine, as some of the flavorings may be added in the form of extracts produced using alcohol.

Cocchi ChinatoWhile the actual recipe of Chinato varies by producer and is a closely guarded secret, the flavorings are rumored to include sugar, rhubarb root, cinnamon, mint, vanilla, star anise, citrus peel, fennel, juniper, gentian root, and cardamom in addition to quinine. Don’t forget that all those layers of flavors are added to a base wine of Barolo – undisputedly one of Italy’s most complex wines to begin with. This is a smooth, spicy, flavorful sip with a hit of bitterness on the end – enough to wake up any appetite, or help smooth out an over-indulged one.

Barolo Chinato was first produced in the area around the city of Turin sometime in the 19th century.  By this time, companies like Martini & Rossi and Cinzano were already producing Vermouth and other aperitifs in the region.

A Tuscan pastry chef named Giulio Cocchi is often cited as the inventor of Barolo Chinato.  After moving to Asti, he was inspired by the region’s vermouth industry and founded his winery in 1891. Soon after, he invented a formula for Barolo Chinato. Dr. Giuseppe Cappellano is also believed by many to the Barolo Chinato’s creator.  Dr. Cappellano was a pharmacist in Turin and the second son of the owner of the Cappellano Winery, which was founded in 1890.

Luckily, both companies are still around, and Barolo Chinato from both the Cappellano and Cocchi wineries are available in the United States. We may never decide who was first, you can decide for yourself who you think is best.

While the debate rages on, there are a few things that fans of Barolo Chinato can agree on:  Barolo Chinato can help calm down a rumbly tummy after a hearty meal; it be used like an Amaro or Vermouth in a creative cocktail recipe, and it pairs very well with chocolate cake.

Cappellano Barolo Chinato:  http://madrose.com/index.php/italy/piedmont/cappellano#barolo-chinato

Cocchi Barolo Chinato:  http://www.cocchi.it/eng/barolo_chinato.htm

 

 

 

 

 

 

Hugel’s Law

Alsace SceneAlsace, with its strategic location tucked between the Vosges Mountains and the Rhine River, has passed between French and German rule for hundreds of years. As a matter of fact, in the period between 1844 and 1919, Alsace was passed back and forth between the two regions four times! However, with the ratification of the Treaty of Versailles in 1919, Alsace became officially French.

Alsace has a long history of wine production…viticulture and wine making in the region has been traced to the fourth century BC!  However, due to the fact that even after Alsace’s return to France in 1919, German wine laws remained in effect for quite some time, Alsace was not granted an Appellation d´Origine Controllê until 1962.

Currently, 119 communes are allowed to produce Alsace AOC using the following ten grape varieties: Riesling, Gewurztraminer, Pinot Gris, Pinot Noir, Pinot Blanc, Sylvaner, Muscat, Chasselas, Auxerrois, or Klevener de Heilgenstein.  (Klevener de Heilgenstein, aka Savignin Rose, may only be grown in a few areas.)

The AOC for Traditional Method Sparkling Wines – Crémant d’Alsace – was approved in 1976. Crémant d’Alsace may be produced using any of the 10 approved grapes of the region, and may include Chardonnay as well.

Johnny Hugel in 2004

Johnny Hugel in 2004

Despite the fact that most Alsatian wines are dry, in 1983 two new designations were introduced – Vendange Tardive (Late Harvest) and Sélections de Grains Nobles (Botrytis-affected) – which may be used for sweet wines. These changes, now known affectionately as “Hugel’s Law,” came about as a result of an effort by Jean “Johnny” Hugel, who first described a wine as a “vendage tardive” after the long, hot summer of 1976.  Interestingly enough, up to this point the laws of the Alsace AOC stated explicitly that the wines be dry, despite the region’s Germanic influences and the long history of dessert wine production just across the border.

Johnny Hugel recognized that despite the laws, warm vintages had produced wines with residual sugar and the accompanying lushness and longevity.  He also knew that shortcuts could be taken in the cellar to produce sweet wines, so he drafted a set of strict rules and regulations for Vendage Tardive* and Sélections de Grains Nobles, which were eventually accepted by the INAO in 1984 (with the minimum sugar levels increased in 2001).  The Hugel & Fils website has a very nice summary of the regulations, and an homage to Johnny and his dedication in getting Hugel’s Law passed…click here and follow the link to “Vendage Tardive and SGN.”

Alsace ViewIn 1975, the laws were revised once again to designate some of the outstanding vineyards of Alsace as “Alsace Grand Cru.” Beginning with the 1983 harvest, 25 vineyards were allowed to use the “Grand Cru” designation on their labels.  The law was revised in 1992 when another 25 vineyards were added to the list.  The 51st Grand Cru, Kaefferkopf, was awarded in 2007. As of 2011, each of the Alsace Grands Crus was awarded its own AOC.

With very few exceptions, all of the Alsace Grands Crus wines are 100% varietal white wines and must be exclusively produced with one of the four “approved” varieties of the Alsace Grand Cru:  Riesling, Muscat, Pinot Gris, and Gewurztraminer.  The few exceptions include:

  • Zotzenberg, which may be produced from 100% Sylvaner; blends are also allowed.
  • Altenberg de Bergheim, which may produce blends containing 50-70% Riesling, 10-25% Pinot Gris, and 10-25% Gewurztraminer; as well as up to 10% (total) of Pinot Blanc, Pinot Noir, Muscat, or Chasselas – but only if the grapes were planted before 26 March 2005.
  • Kaefferkopf, which may produce blends containing 60-80% Gewurztraminer, 10-40% Riesling, up to 30% Pinot Gris, and up to 10% Muscat.

The website Alsace-Wine.net has a sortable list of Alsace Grand Cru linking to a great deal of information about each of these fascinating vineyards!

*Interesting Factoid:  The name “Vendage Tardive” is sometimes written in the plural form, “Vendages Tardives,” to indicate that several actual “sweeps” of the vineyard might be used during harvest. Both versions are correct.

 

 Post authored by Jane A. Nickles, CWE – your SWE Blog Administraor bevspecialist@societyofwineeducators.org

 

 

The (Confusion of the) Torrontés Family Tree

Chenin Blanc GrapesTorrontés, a vinifera cross native to Argentina, is known for producing crisp, fruity, and floral wines redolent of peach, apricot, mandarin orange, honey, melon, and rose.  While Chile, Spain, and a few other countries grow grapes that go by the same name, Torrontés – actually several closely-related varieties –  is grown primarily in Argentina. Along with Malbec, it is considered one of the two “signature varieties” of the country.

A wine labeled “Torrontés” from Argentina may actually be made from three separate but related varieites.  Torrontés Riojano is the most widely grown, the most aromatic, and is considered to produce the highest quality wines.  Torrontés Mendocino, the least aromatic, is also the least widely grown; and Torrontés Sanjuanino takes the middle ground.

All three varieties of Argentine Torrontés are thought to be natural vinifera crossings involving Muscat of Alexandria that occurred on Argentine soil. As for the parentage of each, it gets a little tricky:  The leader of the pack, Torrontés Riojano, is known to be a crossing for Muscat of Alexandria and Criolla Chica (a version of the Mission grape). Torrontés Sanjuanino is a separate crossing of those two same grapes. Torrontés Mendocino is a mystery, thought to be a crossing of Muscat de Alexandria and an unknown variety.

Casa Rosada ArgentinaOf the versions of the grape grown in Argentina, Torrontés Riojano is by far the most widely grown and renowned. As the name suggests, it thrives in the La Rioja region, and is also widely planted in Mendoza and the Salta region of northern Argentina.  It seems to do particularly well in the arid, ultra-high altitude vineyards of Salta where the conditions allow the grape to retain a crisp acidity and develop the intense floral aromas the grape is known for.  Torrontés Sanjuanino is planted mainly in the San Juan province, but even there plays second fiddle to Torrontés Riojano.  Torrontés Mendocino, despite being named after Mendoza, is rarely seen there and is mostly found in the southern province of Rio Negro.

For many years it was thought (naturally, I think) that the Torrontés of Argentina was the same grape, known by the same name, grown in Galicia and other regions of Spain. It was thought that the grape was simply brought to the new world along with an influx of immigrants from Galicia into Argentina.  However, recent DNA evidence has shown there is no relation between the two grapes. The Torrontés of Galicia, grown mainly in the DO of Ribeiro, is now known to be identical to the Fernão Pires of Portugal.  It aslo appears that many different grape varieties go by the name “Torrontés” in Spain. To quote Jancis Robinson and her co-authors in Wine Grapes, “Confusion reigns supreme over Torrontés in the Iberian Peninsula.”

Crios TorrontesChile grows a good deal of Torrontés, sometimes under the synonym “Moscatel de Austria.”  There are varying reports of its exact provenance, with some publications claiming that most Chilean Torrontés is the Sanjuanino version and others that claim it to be Riojano. We do know for certain that much of the Torrontés grown in Chile ends up distilled into Pisco.  Wines (and grapes) labeled as Torrontés in Chile may also actually be Torontel, a closely related but separate crossing of Muscat of Alexandria and Criolla. Tortontel—known by its correct name—is grown in many regions in Chile.

In case you would like to be confused even more, there is also a red grape known as Torrontés, which also goes by the names Tarrantes and Turrundos. Perhaps that is a good topic for another day.  For now, I think I need a glass of Crios de Susana Balbo Torrontés, Cafayate, 2012 (peach, melon, honeysuckle, tropical fruit, and most likely Torrontés Riojano) to calm my brain down.

Post authored by Jane A. Nickles, your SWE Blog  Administrator – bevspecialist@societyofwineeducators.org
 References/for more information:
  • Robinson, Jancis and Hugh Johnson: The World Atlas of Wine, 7th edition. London, 2013: Mitchell Bealey (Octopus Publishing Group).
  • Robinson, Jancis, Julia Harding and José Vouillamoz: Wine Grapes. New York, 2012: Harper Collins Publishers
  • http://www.winesofargentina.org/argentina/variedades/malbec-torrontes/torrontes/

The Cannons of Cape Town

The Victoria and Alfred Waterfront, Cape Town, South Africa

The Victoria and Alfred Waterfront, Cape Town, South Africa

If you ever visit the wine regions of South Africa, and find yourself wandering around Cape Town at lunch time, be warned:  a cannon is about to go off! There’s no need to worry, but if you aren’t expecting the resounding boom, the sound of the Noon Gun may have you running for cover.

The Noon Gun has been fired in Cape Town at noon, every day except Sunday, since 1806.  The gun – two cannons, actually – is located just outside of the center of the city on Signal Hill. Signal guns have been a part of Cape Town since the Dutch settled here in 1652, and the two cannons on Signal Hill were part of the original artillery stashed at the Imhoff Battery at the Castle in Cape Town. In 1806, the two cannons were removed from the Battery and placed in town for use as signal guns.  After the loud retort from the cannons unnerved a few too many citizens, the cannons were move to Signal Hill, where they still stand.

The Noon Guns atop Signal Hill

The Noon Guns atop Signal Hill

The original signal cannons of Cape Town, 18-pounder, smoothbore muzzle-loaders, are still in use today. The ritual represents one of Cape Town’s oldest living traditions. They fire every day at 12 noon sharp, except Sundays and public holidays, and are maintained by the South African Navy. On Friday January 7, 2005, both the main gun and backup gun failed to fire owing to a technical difficulty. This was the first time in 200 years that the noon gun had not fired as scheduled.

The Noon gun was used as a time signal for the sailing ships in the harbor, to allow them to calibrate their navigational instruments and accurately calculate their location. However, their original use as a “signal gun” is much more interesting.

In the 1800’s, Cape Town was known as “The Tavern of the Seas,” as one of its main commercial functions was the provisioning of vessels making the long trip from Europe to India and the rest of the East. As the ships approached, the cannons atop signal hill were fired to let the farmers and the merchants know that provisions were needed.  A series of cannons, all set on hilltops, would relay the message far inland.

The Kanonkop Wine Estate

The Kanonkop Wine Estate

One such cannon was located on a farm called Kanonkop, Afrikaans for “Cannon Hill.”  Kanonkop, located in the “red wine bowl” of Stellenbosch, is now a well-known, fourth generation family wine estate producing highly regarded red and rosé wines.  The vineyards at Kanonkop are heavily planted to Pinotage, Cabernet Sauvignon, Merlot, and Cabernet Franc.

The top-flight wine at the Kanonkop Wine Estate, Paul Sauer, is a Meritage blend named for one of the original owners.   Their widely distributed Cape Blend, Kanonkop Kadette, is produced as both a medium-bodied, crisp red wine and a dry, lively rosé.

The term Cape Blend can be used to denote any red wine produced in the Cape Winelands made with a minimum of 20% Pinotage, South Africa’s “native home” vinifera variety.  However, many winemakers think that Pinotage should a larger part of the blend, in homage to the unique characteristics of the region and the grape.  Kanonkop’s Kadette is 57% Pinotage, while the rosé version is 100% Pinotage.

For more information on Cape Blends: http://www.capeblend.co.za/news.aspx

Land of Two Seasons: The Mediterranean Climate

Olive LeavesThe area around the Mediterranean Sea, home to miles of sun-drenched beaches, mild winters, olive groves and (of course) fabulous wine, has been a cultural crossroads since the dawn of civilization. The beautiful weather, with the four seasons seemingly compressed into two, is surely one of the major reasons why so many people decided to make this region their home.

The comfortable climate typical of the Mediterranean Basin is found in many other areas throughout the world, including California and Baja California, the Central Coast of Chile, Southwest and South Australia, and the Western Cape Region of South Africa.  We serious students of wine will easily recognize these areas as major wine producers, and, of course, areas blessed with a Mediterranean Climate.

The Mediterranean Climate, known as a “dry-summer subtropical” climate under the Köppen climate classification, is generally found between 31 and 40 degrees latitude north and south of the equator, on the western side of continents. The climate can be summarized as “warm, dry summers and mild, rainy winters.” The climate zone can extend Mediterranean Climateeastwards for hundreds of miles if not thwarted by mountains or confronted with moist climates, such as the summer rainfall that occurs in certain regions of Australia and South Africa.  The furthest extension of the Mediterranean Climate inland occurs from the Mediterranean Basin up into western Pakistan.  In contrast, areas of California and Chile are constricted to the east by mountains close to the Pacific Coast.

The oceans and seas bordering the land areas with a Mediterranean climate work their moderating magic and keep the temperatures within a comparatively small range between the winter low and summer high.  Snow is seldom seen and winters are generally frost-free.  In the summer, the temperatures range from mild to very hot, depending on distance from the shore, elevation, and latitude. However, as anyone who has experienced Southern California’s Santa Ana Winds will tell you, strong winds from inland desert regions can bring a burst of dry heat to even the mildest season.

VineyardIn addition to the influence of water, specific atmospheric conditions create the Mediterranean climate. Every area that enjoys a Mediterranean Climate is located near a high pressure cell that hovers over the ocean or sea.  These high pressure cells move towards the poles in summer, pushing storms away from land. In the winter, the Jet Streams shift the cells back towards the equator, drawing stormy weather inland.

The long, dry summers of the Mediterranean Climate zones limit plant growth for much of the year, so the natural vegetation of such areas has adapted into evergreen trees such as Cypress and Oak as well as shrubs such as Bay Laurel and Sagebrush.  Trees with thick, leathery leaves and protective bark such as olive, walnut, citrus, cork oak, and fig are also abundant; and as those early settlers in the Mediterranean Basin figured out—grapevines thrive here as well.

 

 

The Winds of Wine: Le Mistral

Van Gogh's "Starry Night"

Van Gogh’s “Starry Night”

Convinced that it comes in multiples of 3 days, residents of Provence will tell you that the Mistral Wind blows for 3, 6, 9 or 12 days. Referred to as “Le Sacre Mistral,” it is blamed for headaches, edginess, and the bad behavior of husbands, pets, and children. They swear it is what drove Vincent Van Gogh to chop off his own ear.

The Mistral is a cold, dry, regional wind that occurs each time there is an area of high pressure in the Bay of Biscay accompanied by an area of low pressure around the Gulf of Genoa.  It occurs mainly during the winter and spring, but it can happen at any time during the year. Its cooling effect is perhaps most welcome in the summer, but during the winter it can chill one to the bones.

Schematic diagram of mistral wind by Piotr Flatau, via Wikimedia Commons

Schematic diagram of mistral wind by Piotr Flatau, via Wikimedia Commons

In the Rhône Valley and Provence, the regularity and force of the mistral causes trees to grow leaning to the south. Vines are often kept low to the ground, their thick and sturdy branches developing a permanent south-facing bow. The rows of Cypress and Poplar trees typical of the region provide shelter from the dry force of the wind.

The Mistral, despite its ferocity, can nevertheless be beneficial to the vineyards in its path. The mistral blows the clouds from the sky and heralds the arrival of sunny weather.

When the Mistral blows during the warm parts of the growing season it cools down the vines, helping the grapes to retain acidity through the hot summers. The dryness of the wind keeps the grapes free from humidity and mold, and has earned it the nickname mange-fange, or “mud-eater.”

The bell tower of the hilltop village of La Cadière-d'Azur is open, which allows the mistral to pass through. Photo via Wikimedia Commons (Public Domain)

The bell tower of the hilltop village of La Cadière-d’Azur is open, which allows the mistral to pass through. Photo via Wikimedia Commons (Public Domain)

The name of the Mistral is traced to the Provencal word for “Masterly” and it certainly has had such an effect on life in Provence.  Old farmhouses were built facing south, with sturdy north walls devoid of windows.  The bell towers of the churches in the region are often topped by open iron frameworks, which allow the wind to pass through.

There was even once a law that stated that anyone who claims to have gone mad on account of the Mistral may be pardoned of their crime.  Sacre Mistral!

References/for more information:

  • https://www.weatheronline.co.uk/reports/wind/The-Mistral.htm
  • https://www.britannica.com/science/mistral
  • http://www.languedoc-france.info/110515_mistral.htm

For more information on “the winds of wine,” see our posts on The Zonda and The Roaring 40’s.

Post written by Jane A. Nickles, CWE (your SWE Blog Administrator) bevspecialist@societyofwineeducators.org

 

 

Gimblett Gravels, via Aerial Topdressing

The Auster Agricola

The Auster Agricola

It’s amazing the things the study of wine can lead you to.  Do you know what “aerial topdressing is?” Neither did I, until I set about to research some of the more unique wines of New Zealand for SWE’s “Wines in the Dessert” event last May. It turns out that aerial topdressing is an agricultural application that uses aircraft to spread fertilizers over farmland.  The practice was developed in New Zealand in the 1940’s. A special plane known as “The Auster Agricola” was designed specifically for the new industry, which was quickly adopted elsewhere, although it remains a New Zealand specialty.

It turns out aerial topdressing is the reason that Gimblett Gravels, one of the most unique wine terroirs in the new world, came to be.  You know there’s a story there!

The story begins in 1980, in the Hawke’s Bay Region of New Zealand.  Hawke’s Bay, being at the east end of one of the widest portions of the islands of New Zealand, is one of the warmest sections of the country and for that reason is one of the few places where red grapes (other than Pinot Noir) can fully ripen. Due to its geography, the area gets less rain, and more sun than other areas of the country.

Within the Hawke’s Bay Region, the forgotten area down at the end of Gimblett Road was considered to be the poorest, least productive land in the area; too infertile even to use to graze sheep, so nobody dared plant a thing.  The area instead was given over to warehouses, strip malls, an army firing range, and a concrete company that used the area to mine for gravel.

Gimblett GravelsChris Pask, a local businessman, owned a few vineyards in the Hawke’s Bay Region but often had difficulty getting his Cabernet Sauvignon to fully ripen.  Coincidentally, Chris’ day job, aerial topdressing, had him flying over the area near the end of Gimblett Road every day.  One day, as he looked down on the dry, dusty wasteland, he had a crazy idea that maybe his grapes would have a chance of ripening if planted there.

In 1981, risking ridicule, he bought nearly 100 acres at the end of Gimblett Road and planted Cabernet Sauvignon.  His first wine from these newly planted vines,  produced with the 1985 vintage, was released to wide acclaim.  Assured that he wasn’t crazy, Pask proceeded to buy more vineyard land and plant more grapes, including Malbec, Syrah, Viognier, and Sauvignon Blanc in addition to Cabernet Sauvignon.

Despite Pask’s initial success, it was no easy task getting the region zoned for viticulture and wine making.  As a matter of fact, it was not until 1992 that all the legal battles were won, enabling wine making facilities and full-scale viticulture to come to the area.  As one can well imagine, a land stampede soon followed as companies such as Babich and Villa Maria set up shop.  Malls gave way to Merlot, warehouses became wineries, and the concrete company at the end of Gimblett Road gave up their gravel dreams and sold their land to a winery. The Gimblett Gravels Winegrowing District now has almost 2,000 acres of vineyards.

Gimlett gravels SoilThe Gimblett Gravels region is strictly determined by its soil.  The unique gravelly soils of the region are the result of a huge flood on the Old Ngaruroro River in the 1860’s.  Due to the heat retention of the gravelly soil, Gimblett Gravels is warmer during the day in summer and autumn than the surrounding areas of Hawke’s Bay. The evenings are also warmer due to the heat retention of the stony ground. It is this extra heat that allows red grapes, including Syrah, Cabernet Sauvignon, and Merlot, to ripen so well here, and puts Gimblett Gravels among the world’s best terroirs for growing fine wine.

For more information:

Post written by Jane A. Nickles, CWE (your SWE Blog Administrator)

Klevener de Heiligenstein and the Alsace Eleven

5.10-Klevener-1441-ZvardonThe grape known as Klevener de Heiligenstein is an enigma. It is an allowed grape in the Alsace AOC, but can only be grown in certain places.  It has nothing to do with Klevner, as Pinot Blanc is often called in many places, including Alsace.  Klevener de Heiligenstein should not be confused with Gewurztraminer, although the grapes appear almost identical while on the vine and they are closely related. Got that?

So, now that we are clear on what Klevener de Heiligenstein is NOT, let’s talk about what it is.

Klevener de Heiligenstein is a pink-skinned grape variety that is considered to be a local clone of the grape known as Savagnin Rose or Roter Traminer.  There are currently about 240 acres of Klevener de Heiligenstein planted in Alsace, where it is made into a concentrated wine of good acidity with a characteristic hint of bitterness on the finish.  While not overly aromatic, the wines are often described as similar to Gewurztraminer in terms of a slight spiciness and a rich texture.

It is believed that the grape was originally brought to the town of Heiligenstein in 1742 by the mayor of the town, Erhard Wantz. Klevener 1742Mayor Wantz was a big fan of the grape, and petitioned Le conseil des Echevins de Strasbourg for permission to plant the grape in the region. He won the right to plant his grapes, and soon the wines were well received and even earning higher prices than other wines of the region.

In 1971, the Klevener de Heiligenstein grape was approved for use in Alsace AOC wines.  However, it is the only grape in Alsace that has geographic restrictions placed on it. As such, it is only allowed to be grown for use in AOC wines in specified vineyards located in the village of Heiligenstein and four of its neighbors—Bourgheim, Gertwiller, Goxwiller, and Obernain.  A grandfather clause allows specific vineyards outside of these regions to use the grapes in AOC wines until 2021; however, outside of the 5 approved villages, plantings or re-plantings are no longer allowed.

KlevenerAmpelographer Pierre Galet claims that Klevener de Heiligenstein is a pink-berried mutation of Savagnin that traveled to Alsace, Germany, and other parts of Central Europe.  But here’s where the story gets interesting…Savagnin Rose, aka Traminer, aka Klevener de Heiligenstein, apparently, somewhere along the way, went through a secondary mutation that became Gewurztraminer.  It makes sense, as Gewurz is often thought to be the musqué, or highly aromatic, version of Traminer.

The Alsace 11: The curiosity known as Klevener de Heiligenstein is often referred to as the “phantom” grape of Alsace.    The other 10 grapes of Alsace, as every serious wine student should know, are Riesling, Gewurztraminer, Pinot Gris, Pinot Noir, Pinot Blanc, Sylvaner, Muscat, Chasselas, Auxerrois, and Chardonnay.  Chardonnay is also something of an outlier, as it may only be used in Crémant d’Alsace AOC – the sparkling wines of the region.

The Winds of Wine: The Zonda

TArgentina Vineyard Malbechey call it Huayrapuca, “the witches’ wind.”  It sends birds flying, makes the sun appear brown, and knocks down trees. When they feel it approaching, people complain of sleeplessness, anxiety, a suffocating feeling, and depression. It usually starts up between noon and six pm, can last anywhere from one to 12 hours, and sounds eerily like a human whistling sound.

They also call it the Zonda wind, “viento Zonda.”  Technically, the Zonda wind is a type of foehn wind, that is, a dry, down-slope wind that occurs on the lee (downwind) side of a mountain range. The Zonda is a regional term used for this type of wind as it occurs over those parts of western Argentina tucked into the slopes of the Andes, including the wine regions of Mendoza, La Rioja, and San Juan.  The wind is especially brutal in these areas due to the high altitude of the mountain range it must climb over (and swoosh down.)

The Zonda forms as a result of humid air rising off the Pacific Ocean, where it travels up and over the Chilean side of the Andes.  In the winter it helps the snow build-up in the high elevations of the Andes, which provides the much-needed melt-off (and the possibility of irrigation) to this otherwise arid area. The wind—as long as it stays somewhat moderate—can also help keep the vineyards dry, hygienic, and with a low level of risk from molds and fungi.

Argentina Andes ValleyIn the spring and summer, however, the Zonda can create havoc as it descends down the Argentine side of the mountains.  It loses its moisture, becomes warmer and warmer, and gathers up large clouds of dust.  The Zonda generally rushes off the mountains at 25 miles per hour (40km/h) but can reach speeds of 120 miles per hour (~200 km/h). The Zonda can raise temperatures by as much as 54°F (30°C) in just a couple of hours; and the wind event is often followed by a freezing cold front.  No wonder people go crazy!

While this unique weather phenomenon is a necessary part of the terroir of the region, it can also be disastrous to the vineyards.  A Zonda in the spring can wind-burn a vine’s leaves and shoots or shake them right off the vine. The cold front that often follows the hot, dry wind can bring with it the risk of severe frost damage.  For an interesting, short interview with a winemaker in his vineyard after a Zonda, click here.

The Legend of the Zonda

Legend holds that a Calchaqui Indian named Huampi was an arrogant hunter who spared no creature on his frequent hunting trips.  He killed every creature in his path, from the tiniest wood birds to the majestic llama.  His hunting prowess earned him great respect and he enjoyed being revered and even feared.  However, his hunting was out of control to point that all of the region’s animals were on the brink of extinction.

dust stormOne day, as he was returning from the hunt, Pachamama, the earth goddess, appeared before him in a blinding light and said, “Humapi, villainous child of the earth! Do you intend to kill all the animals? Who will feed you when there is no meat, and who will clothe you when there is no wool?”  And then, in a flash, she was gone.

As Huampi slumped against a tree and tried to calm himself, he heard a strange whistling sound.  He felt his face lashed and burnt by the wind.  All around him, trees crashed to the ground, flowers and fruit swirled over his head, and he was blinded by the stinging dust in his eyes.  Pachamama’s revenge was upon him, and since that day, as the Zonda screeches through the Andean valleys, it cries out with a human voice, causing all in its path to stop and pay respect to the power of mother earth.

For more information on “the winds of wine,” see our posts on The Mistral and The Roaring 40’s.

Post written by Jane A. Nickles, CWE (your SWE Blog Administrator)

 

 

Le Pays Diois

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According to an old legend, thousands of years ago a Gallic shepherd was placed a bottle of local wine in the cold, winter waters of the Drôme River in order to cool the wine. The shepherd became distracted and forgot about the bottle, only to re-discover it several months later. When he opened the wine, he was met with a delightful spray of spritz; the wine had become lightly carbonated as the waters warmed up in the spring.

Many years later, distant relatives of that first Gallic shepherd can drink the same type of wine, now called Clairette de Die.  The vineyards of Die are located about 30 miles east of the Rhône River, at just about the spot where the Northern and Southern sections of the Rhône Valley meet.  This section of the French département of the Drôme, actually part of the Rhône Valley wine region, is home to four distinct AOCs.

To make authentic Clairette de Die, the grapes are pressed immediately after harvest and placed in vats to ferment at very low temperatures, replicating the process used in ancient times when jugs of wine were kept in the icy waters of the local rivers.  After one or two months of slow fermentation, the sweet, still-fermenting wine is bottled.  The bottles are kept at a constant temperature of about 50°F and the wine is allowed to continue fermenting for another four months.  Fermentation ends naturally when the wine is still slightly sweet.  The wine is usually clarified by being emptied and quickly re-filled (this is the ancient method, after all).  This method of making Clairette de Die, based on the tradition founded 2,000 years ago, was officially recognized as the “ancestral dioise process” in 1941, and considered unique to this area.

Map of the Diois appellations via the INAO

Map of the Diois appellations via the INAO

There are four AOC’s in the Pays Diois:

Clairette de Die AOC, the most famous of the wines, is a low-alcohol (about 8%), semi-sweet, slightly sparkling wine made using the officially recognized “ancestral dioise process.” Clairette de Die is made from the Muscat Blanc à Petits Grains (75% minimum) and Clairette (25% maximum) grape varieties. Look for aromas and flavors of apricot, peach, tropical fruit, citrus, honeysuckle and white rose.

Crémant de Die AOC, a Traditional Method sparkling wine, historically produced from 100% Clairette, is now made with a Clairette/Aligoté/Muscat blend.  This wine is dry and crisp with aromas and flavors of apple and green fruit.

Coteaux de Die AOC is a still, dry white wine made from 100% Clairette grapes.  The annual production is quite low…only around 1,500 cases, so you’ll most likely have to take a trip to the Diois for a sip!

Châtillon-en-Diois AOC is a still wine made in white, red, and rosé.  The red and rosé versions, produced from Gamay, Pinot Noir, and Syrah, are only made in the vineyards immediately surrounding the village of Châtillon-en-Diois.  The more widely available white version, made from the Aligoté and Chardonnay grapes, is produced throughout the Pays de Diois region.

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It’s a tricky word, to be sure. Those in the area pronounce Diois as “dee-wah”. Say it right, and you’re halfway there.

References/for more information:

Post written by Jane A. Nickles, CWE (your SWE Blog Administrator) jnickles@societyofwineeducators.org