New Grape Varieties approved for Austrian Wine

Vineyards in Kamptal - photo via: www.austrianwine.com

Vineyards in Kamptal – photo via: www.austrianwine.com

The Austrian Wine Marketing Board has just made a big announcement: four new grape varieties have been added to the list of “approved” varieties for use in the PGI and PDO wines of Austria! This makes for a total of 40 approved grapes, including 14 red and 26 white varieties, all of which will be valid for use as of the 2018 vintage.  All of the newly-approved grape varieties are white.

Here is a bit more information on these grapes:

Blütenmuskateller: Blütenmuskateller is a hybrid white grape variety created in Russia (then the USSR) in 1947. It is a somewhat complicated combination of Severny (itself a vinifera X amurensis hybrid) crossed with Muscat Blanc à Petits Grains. In Russia, the grape was known as Cvetocny (Cvetochny). The grape is renowned for its ability to achieve high sugar content and is often used in sweet wines. Wines based on Blütenmuskateller tend to show “grape-y” Muscat-like notes in addition to aromas of tropical fruit, flowers, perfume, and sweet spices such as nutmeg.

Goldmuskateller: Goldmuskateller is a golden-berried version of Muscat believed to be native to northern Italy—where it is known as Moscato Giallo and used in some of the DOC wines of Trentino and Alto Adige. It is most likely a descendant of Muscat Blanc à Petits Grains. Goldmuskateller is often used to produce sweet wines, but dry wines can be delightful as well. Goldmuskateller-based wines tend to show the rich fruit, “grape-like” aromas common to Muscat as well a deep yellow-gold color and musky-spicy-floral aromas and flavors.

Vineyards in Bergland - photo via: www.austrianwine.com

Vineyards in Bergland – photo via: www.austrianwine.com

Muscaris: Muscaris is a German-bred hybrid grape created via the combining of Solaris (a white-skinned hybrid of Merzling and Geisenheim) X Muskateller (Muscat). Muscaris grapes tend to develop high levels of sugar and acidity, making them a good choice for sparkling wines. Typical aromas include lemon, orange, tangerine, and “musky perfume.”

Souvignier Gris: Souvignier Gris is a pink-skinned, German-bred hybrid grape created via the union of Cabernet Sauvignon and Bronner (a white-skinned hybrid of Merzling and Geisenheim). Souvignier Gris is known for high must weights and somewhat neutral fruity-floral aromas reminiscent of Pinot Blanc.

Three of the new grape varieties—Blütenmuskateller, Muscaris, and Souvignier Gris—are considered to be particularly resistant to fungal diseases such as powdery mildew and downy mildew. Such grapes are known as “PIWI” varieties (Pi = Pilz [fungus]; wi = widerstandsfähig [resistant]) and are well-suited to organic and sustainable viticulture.

Vineyards in Styria - photo via: www.austrianwine.com

Vineyards in Styria – photo via: www.austrianwine.com

Wine students might find it surprising that the list of newly-approved grape varieties includes hybrids. However, Austria has included hybrids (specifically Ráthay and Roesler) on its list of approved varieties for several years.

Click here for an updated list of:  The Austria 40-wine grapes approved for use in Austria

References/for more information:

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

The Darnibole PDO

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England and Wales have both had a set of PGI- and PDO-designated regulations for certain wines (both still and sparkling) since 2007. These regulations are approved for a range of grapes (including Chardonnay, Bacchus, Pinot Noir, Pinot Meunier, Pinot Blanc, Pinot Gris, and about 60 other grapes) and encompass the entirety of the countries’ geographical areas—save for those spots with an elevation higher than 220 meters (722 feet) above sea level.

However, since early 2017 England has also had a PDO for one very specific wine—Darnibole Bacchus—grown in one very specific 5-hectare (12.4-acre) plot and produced at one very specific winery. To date, Darnibole is the only single-vineyard wine in the UK to be awarded PDO status. Sounds interesting!

For starters, Darnibole PDO wine may only be produced at the Camel Valley Winery, located in Cornwall County in south east England. Darnibole PDO is a dry white wine made from 100% Bacchus grapes.

The regulations for Darnibole PDO are quite specific, and include the following:

  • Must be produced from 100% Bacchus grapes, grown in the specified region
  • Must be hand-harvested, and crushing must begin within 2 hours of the completion of the harvest
  • May not be acidified, de-acidified, chaptalized, or sweetened
  • Must be cold-pressed with minimal pressure and cold-fermented to dryness
  • May be racked and fined, but no animal products may be used at any point in the production process
  • Must be bottled under screw cap
Photo via: www.camelvalley.com/gallery

Photo via: www.camelvalley.com/gallery

The PDO application and document declare that the Bacchus wine produced in Darnibole is sufficiently different from the other Bacchus-based wines produced in England to warrant its own PDO, and may be described as follows: “Fresh with an expression of minerality providing for apple or gooseberry notes beginning at the front and persisting throughout. Occasionally, notes of kumquat and white peach appear and grassy notes at the end. Less obviously fruit-driven and more mineral than other Bacchus.”

The Darnibole PDO is of particular interest at this point in time, as it remains to be seen how the United Kingdom-based geographical indications (which include Scotch Whiskey, Irish Whiskey, and Stilton Cheese in addition to other products) will be handled after the UK exits the EU (if this does indeed come to pass). The subject was discussed a few weeks ago on the Drinks Business website.

 References/for more information:

 Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Austria’s Styria presents: Junker Wine 2018!

Photo via: www.steirischerwein.at

Photo via: www.steirischerwein.at

Austria’s Styria presents: Junker Wine 2018!

First things first: It’s pronounced yun-ker. 

There have been some significant changes to the wine regulations of Austria’s Steiermark (Styria) region this year. For instance, all three of the wine-producing regions within the Federal State of Styria—Vulkanland Steiermark, Südsteiermark, and Weststeiermark—were declared to be Districtus Austriae Controllatus (DAC) regions. And just like that, the Schilcherland DAC, which was approved as a DAC for dry rosé produced using the Blauer Wildbacher variety in October of 2017, is now gone (poof!) although the famous Schilcher Rosé will continue to be produced under the new Weststeiermark DAC.

Specific details (and EU approval) of these new DACs is still in the works, so more details—as well as changes—are expected in the next few months. We’ll do our best to keep you posted.

However, it’s good to note that one thing remains unchanged, and that is the tradition of Der Steirische Junker (the release of the year’s first wines of Styria) on the Wednesday before Saint Martin’s Day (November 11). This year, the release fell on Wednesday, November 7.

Photo via: www.steirischerwein.at

Photo via: www.steirischerwein.at

Junker is a wine you’ll most likely need to travel to experience. These young, fresh, and fruity “nouveau” wines are produced in red, white, and rosé versions and may be made using any of the approved grapes of the region.

The release of Junker wine has been accompanied by huge Präsentationen held (since 1995) in Graz (the capital of Styria) and Wien (Vienna) to celebrate the new wines of the year produced in Styria. This year, over 200 Junker wines were released, including included those produced using the following varieties: Sauvignon Blanc, Riesling, Chardonnay (known here as Morillon), Pinot Blanc (Weissburgunder), Welschriesling, Pinot Gris (Grauburgunder),  Traminer, and Blauer Wildbacher (Schilcher).

From the looks of the pictures on the Junkerpräsentation website, it might be worth a trip.

References/for more information:

  • https://www.austrianwine.com/our-wine/wine-growing-regions/steiermark-styria/
  • https://www.austrianwine.com/our-wine/glossary/?tx_a21glossary%5Bletter%5D=J&cHash=811f21096db518a3e201d9a63e068541
  • https://www.steiermark.com/en/styria/destinations-for-day-trips/styrian-junker-presentation_p905227
  • https://www.steiermark.com/en/holiday/food-and-drink/delicatessen-stores/wine/grape-varieties
Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Guest Post: What exactly is a natural wine?

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Today we have a guest post authored by Roger Bohmrich, MW. Roger is one of the most respected wine professionals in the country, as well as one of our all-time favorite SWE conference speakers. Read on while Roger untangles the confusion surrounding natural wine! 

What exactly is a natural wine, you may ask? Are wines with this moniker officially regulated by governments? Are they required to meet certain universal standards? How do they differ from – and are they superior to – organic or biodynamic wines? These and other salient questions frustrate inquiring wine drinkers. The fundamental problem is that, for now, the exact definition is both elusive and variable; consequently, winemakers, proponents and private associations have stepped into the void, minting their own rules. There is a degree of commonality, but not enough to come away with a precise characterization of natural wine, a term which is being applied to a myriad of styles from “orange” wines made in amphora to far more conventional iterations.

Undoubtedly, there is implicit appeal in the idea. Many of us, or at least a significant minority, tend to favor the pure and unadulterated in what we eat and drink. Wine is late to the natural party, however, and follows in the footsteps of the food industry. The word “natural” on all manner of foods from cereals to condiments does, studies show, speak to many U.S. consumers. On the other hand, few realize these supposedly unvarnished edibles may contain numerous artificial ingredients owing to lax or non-existent regulations. This should be a cautionary tale for those who willingly opt to apply “natural” to wines. They might have been wiser to choose another term – if indeed these wines share a definable profile and deliver added value to consumers.

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Consumer Reports, an independent nonprofit organization, conducted tests on a variety of food products displaying the term natural on their packaging. Their analysis revealed that Del Monte Fruits Naturals contain preservatives potassium sorbate and sodium benzoate. Kraft Natural Cheese has cellulose powder and an antifungal, natamycin. Alexia Sweet Potato Fries, which claim to be “All Natural,” contain xanthum gum. “We have long argued,” Consumer Reports writes, “that consumers should not be duped by ‘natural’ labels that currently aren’t backed by meaningful standards.” The U.S. Food and Drug Administration (FDA) has not put forward a rigorous, comprehensive set of rules governing the use of natural with respect to foods. In 2016, they sought comments from the public and a ruling may be forthcoming. The FDA says they have interpreted the term “natural” to mean products “with nothing artificial or synthetic.” As Consumer Reports points out, that may not be the case in practice. Moreover, FDA admits that they do not consider production methods – a major oversight. Similarly, the Alcohol and Tobacco Tax and Trade Bureau (TTB) has left the door wide open when it comes to alcoholic beverages. Their longstanding Ruling 85-4 stipulates that the designation “natural” with reference to wine is allowed provided that there is no added alcohol or brandy. Is it unreasonable to believe that wine drinkers are entitled to more than this?

Current definitions of natural wine provide a big tent to practitioners. Importers Jenny & François in New York, who are specialists in this niche, say on their website: “What we call natural wines are wines made with the least possible use of chemicals, additives and overly technological procedures.” That seems reasonable as far as it goes, yet it does not translate to an identity clearly distinct from organic or biodynamic wines. Alice Feiring, an American writer who supports the movement, offers an even more flexible concept she calls “natural enough.” This represents a pragmatic concession to the intervention every winemaker must undertake at some point. Tim Patterson, an insightful winemaking consultant, wrote in Wines & Vines that the challenge in finding a coherent definition “stems ultimately from the fact that no wine on earth is entirely natural—and yet every wine is, at its core, natural.”

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All this leaves us wondering about the genesis of the natural wine movement. Some say it was spawned in Beaujolais in the 1980s, when a small band which became known as the “gang of five,” headed by Marcel Lapierre, chose to pursue a non-interventionist winemaking regime. They were inspired by Jules Chauvet, a winemaker and researcher, who aspired to return to the hands-off practices of old. This group became known above all for their sans soufre approach: no sulfur dioxide was added. This by itself was a radical choice since sulfites were (and remain) the universal additive to protect wine from spoilage.

Curiously, though, today’s so-called natural wines are not, except in rare cases, as free of sulfites as possible. Limits on SO2 vary considerably within the natural wine community. France’s Association des Vins Naturels (AVN) says their members must agree not to add sulfites, yet they accept limits of 20 mg/l for red wines and 30 mg/l for whites (that is, above the naturally occurring level). Italy’s Association VinNatur apparently does not set limits but claims wines from their members range from less than 10 mg/l to 70 mg/l in total SO2, “with a few exceptions.” The Consorzio Vini Veri (CVV) sets a cap of 80 mg/l for dry wines and 100 mg/l for sweet wines. Raw Wine, a fair orchestrated by natural wine champion Isabelle Legeron MW, accepts at most 70 mg/l for all colors and styles. This limit was adopted by Decanter Magazine when they assembled 122 natural wines for review (May 2017). In other words, consumers seeking a sulfite-free drinking experience – or as close to that as possible – need to look elsewhere. One option would be wines labeled “USDA Organic,” which do not allow sulfites to be added and are permitted to contain a maximum of 10 mg/l, the level typically created as a byproduct of fermentation.

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The natural movement is struggling with – or, in some cases, trying to avoid – the issues surrounding terminology and definition. Isabelle Legeron chose as the subtitle of her book, Natural Wine, “An introduction to organic and biodynamic wines made naturally.” Does this shine a bright light on the true identity of natural wine, or simply reinforce the confusion with other methods? She recognizes that “there is, as yet, no official accreditation” for natural wines, “which leaves the term open to abuse and thus to criticism.” In the face of the limitations, she admits in all honesty that “perhaps ‘natural wine’ is not the best term to use.” Her passionate conviction is nonetheless expressed in the following statement: “…people all over the world have chosen to use the term ‘natural,’ in the face of all the alternatives, to describe healthily grown, nature-friendly, low-intervention wines that truly express their place of origin.” It seems unfair to quarrel with this idealistic depiction. The commitment at the heart of the cause to unsullied wine with authentic character is an attractive attribute; the devil is in the detail.

Among the intellectual leaders of the movement, there seems to be a consensus that, to qualify as a natural wine, the vineyards should be farmed in accordance with organic or biodynamic methods. Raw Wine has proposed a charter with this stipulation along with other criteria: a manual harvest, no added yeasts, no interference with the malolactic conversion, no additives (except sulfites), no sterile filtration or pasteurization. Reverse osmosis and the spinning cone (to remove alcohol) are disallowed. The AVN essentially agrees with these rules. The CVV stands apart, saying their rules “are even more restrictive” than organic or biodynamic. Overall, natural appears to straddle these alternate designations, depending on the country, but lacks rigorous independent certification or official regulation. This raises an obvious question: What precisely does natural wine offer that is not already delivered by certified organic and biodynamic wines?

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Leaving technical nuances aside, there is as well an enormous range of styles which enthusiasts place under the natural umbrella. This only adds to the challenge of coherent messaging. The diversity is reflected in the standouts in Decanter’s tasting of natural wines. There are orange-colored whites fermented with the skins such as La Stoppa “Ageno” from Emilia-Romagna made from Malvasia di Candia Aromatica, Decanter’s top wine. (Interestingly, the proprietor, Elena Pantaleoni, prefers artisanal to natural to describe her wines.) There are many other grape varieties well out of the mainstream including Vitovska and Pinela. But the selections are not limited to the obscure and encompass familiar grapes and appellations. There is a Muscadet from Domaine des Cognettes, a Riesling Kastelberg from Marc Kreydenweiss in Alsace, and a Chinon from Domaine de L’R. These producers are organic or biodynamic and may refer to making wine as “naturally as possible,” but they do not advertise that they are producing “natural wine” per se. Evidently, the winemakers themselves recognize the ambiguities.

When some professionals hear the term natural, they think of faulty, cloudy, quirky wines they may have tasted. It appears, however, that the category has been extended well beyond the oddities which were the leading edge of the movement; now, natural embraces wines which, in most respects, look and taste like mainstream counterparts. Putting bad winemaking aside, there is nothing wrong with the spirit behind natural wines. The quest for wines free of chemicals and heavy-handed manipulation is admirable and should be encouraged. As for the adventurous amphora-made examples with unusual flavor profiles, drinkers can approach each iteration on a take-it-or-leave-it basis. Circling back to the initial questions, we have to conclude that natural as a descriptor for wine means different things to different people. To gain a larger audience, exponents must work toward a universal definition and prove how the label differs from organic and biodynamic. Until then, the concept is likely to remain an ideal in search of an identity.

Roger Bohmrich, MW

Roger Bohmrich, MW

About the author: Roger Bohmrich, MW has enjoyed a fulfilling career in the wine trade and is currently an independent consultant, educator, writer and competition judge. He has worked for two national importers, last as Senior VP-Marketing of Frederick Wildman & Sons. More recently, he was Managing Partner of Millesima USA, the U.S. affiliate of Europe’s leader in direct sales of fine wines to consumers. Roger became one of the first U.S. Masters of Wine in 1993 and led the formation of the Institute of Masters of Wine (North America), where he served as its first President. He has appeared often as a speaker at wine festivals and conferences, and his articles and writing have been published in the Journal of Wine Research, Wine Business Monthly, Santé, Wines & Vines, and other publications. Roger has traveled extensively around the world of wine, and in recent years he has judged competitions in Argentina, Turkey and China.

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This article was first published on the Wine Knowledge section of the website of Wine Auction Prices—the Bluebook of Wine Values. It is re-published here with the permission of Edward Brooks, Managing Director of Grande Marque Management (owner of Wine Auction Prices). Click here to visit their site, which includes a wealth of wine information (and a podcast version of this article as well). Some of our favorites include “Unraveling the Tangled Web of Terroir,” “Bordeaux Classifications—do they have Relevance and Value,” and “A Story of Mystery and Romance: the Family Tree of Famous Grape Varieties.” The next essay to be published will be “Premox – Is the Threat Over?” – we are looking forward to it!

References/for more information:

  • Feiring, A. Naked Wine: Letting Grapes Do What Comes Naturally. Da Capo Press, 2011.
  • Legeron, I. Natural Wine: An Introduction to Organic and Biodynamic Wines Made Naturally. CICO Books, 2014.
  • “Natural” on Food Labeling. www.fda.gov/Food, November 11, 2017.
  • Patterson, T. Inquiring Winemaker. Natural, Natural Enough, And Sort of Natural. Wines & Vines, December 2011.
  • Rock, A. Peeling Back the ‘Natural’ Food Label. www.consumerreports.org, January 29, 2016.
  • Woolf, S. It’s only natural: the 31 wines you need to try. Decanter, May 2017.
  • www.jennyandfrancois.com

Shuswap, Lillooet, Thompson Valley, and Kootenays (What’s new in British Columbia)

Photo via wines of British Columbia: http://winebc.com/

Photo via wines of British Columbia: http://winebc.com/

Shuswap, Lillooet, Thompson Valley, and Kootenays…what do these four things have in common?

They are newly-approved geographical indications (GIs) for quality wine in British Columbia (Canada)!  These four areas are all located just north of Washington State,  inland from British Columbia’s coastal wine-producing regions—Vancouver Island, the Gulf Islands, and Fraser Valley—and somewhat to the north and east of the well-established Okanagan Valley and Similkameen Valley GIs.

Here’s a quick look at these four new regions:

Shuswap: Located in and around the shores of Shuswap Lake, the Shuswap GI is located just to the north of the Okanagan Valley in the mountains of the Coast Range (on the map, it’s located to the west of the city of Kamloops). At 50°59´N latitude, it is among the northern-most fine wine producing regions in the world.  This area has been producing wine since the late 1990s, focusing on cool-climate varietals. There are currently about 85 acres of commercial vineyards and ten licensed wineries in the area, including Larch Hills Winery, Baccarta Ridge Winery, Ovino Winery, and the irresistibly-named Edge of the Earth Vineyards. The name Shuswap is derived from the Shuswap (Secwepemc) First Nations people.

Map via Wines of British Columbia: http://winebc.com/

Map via Wines of British Columbia: http://winebc.com/

Lillooet: The Lillooet GI is located to the north of both the Fraser Valley and the Okanagan Valley, at just above 50°N in latitude. Despite this fact, however, the area can experience very warm days during the summer—as a matter of fact, this area sometimes clocks some of Canada’s highest temperatures during the summer days. The area is also dry, some years receiving as little as 13 inches (33 m) of rain. This is all due to the rain shadow and impressive gorges of the Coast Mountain Range. However, the high temperatures of the summer days drop steeply down at night, making this area slightly cooler overall than surrounding regions—considered the overall average temperature (hot days + cool nights). Commercial viticulture arrived in Lillooet in 2004, and there are currently 54 acres of vines, as well as one winery, Fort Berens Estate Winery in the area. The name is derived from the St’at’imc First Nations People, also known as the Lillooet Nation.

Thompson Valley: The Thompson Valley GI is located near the town of Kamloops—in and around the spot where the North Thompson River flows into the South Thompson River. Similar to the climate of Lillooet, the area is affected by the rain shadow of the Coast Mountains, and experiences some hot temperatures during the summer (accompanied by a nice diurnal swing). The area’s first commercial winery, Harper’s Trail Estate Winery, opened in 2012. The area boasts over 95 acres of vineyards and a handful of wineries—including Sagewood Winery and Privato Winery. The Thompson River and the Thompson Valley are named for David Thompson, an explorer and surveyor who mapped the entire length of the Columbia River in the early 1800s.

Photo via Wines of British Columbia: http://winebc.com/

Photo via Wines of British Columbia: http://winebc.com/

Kootenays: The Kootenays area, located along the southern border of British Columbia just to the east of the Okanagan Valley, is sometimes referred to as the “first shores” due to the fact that, according to geologists, the area was the original west coast of North America. The region has long been planted with apple orchards and is known for its many cider, cyser, and mead producers. Grapes have also been planted here, among the rivers, lakes, and waterfalls, since 1995. The Kootenays GI currently has just over 68 acres planted to vines and a handful of wineries, including Ballie-Grohman Estate Winery, Wynnwood Cellars, and Skimmerhorn Winery.   The area is named for the Kootenay River (and Kootenay Mountain), which are themselves named for the Kutenai First Nations people.

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For those of you studying for advanced wine certifications, it might be noted that that British Columba now has a total of 12 GIs (10 GIs and two sub-GIs).   The entire list (as of October 1, 2018) is as follows:

  • British Columbia GI
  • Fraser Valley GI
  • Gulf Islands GI
  • Kootenays GI
  • Lillooet GI
  • Okanagan Valley GI (contains two sub-appellations: Golden Mile Bench GI and Okanagan Falls GI)
  • Shuswap GI
  • Similkameen Valley GI
  • Thomson Valley GI
  • Vancouver Island GI

*Keep those flashcards handy, however. There are two more sub-GIs in the pipeline: Skaha Bench and Naramata Bench (both of which are pending sub-GIs of the Okanagan Valley).

References/for more information:

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Introducing Burbujas Riojanas—Rioja Bubbles

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Enquiring wine students most likely know that Cava—Spain’s well-known and widely-popular traditional method sparkling wines—can be produced in various parts of Spain. While the majority of Cava DO is produced in Catalonia, in reality the geographical indication for Cava spreads across eight regions of Spain, including La Rioja (and overlapping portions of the Rioja DOCa). While somewhat of a rarity, there are about five wineries that produce Cava within the confines of the Rioja DOCa. They have, in the past, been bottled under the Cava DO (and may continue to be).

However….as of 2019, consumers will be able to drink sparkling wines produced under the Rioja DOCa. That’s right…sparkling Rioja—known as Vino Espumoso de Calidad de Rioja DOCa—is now a thing. This is a big change in the rules and regulations concerning the wines of the Rioja DOCa; part of a wave of modernization and re-organization of the Rioja DOCa that has been brewing for the last few years. You may recall that last year (in 2017), single-village designations and single-vineyard designations were approved for wines produced under the Rioja DOCa.

Espumoso de Calidad de Rioja DOCa may be produced in white (blanco) and rosé (rosado/rosat) styles, and must be produced using the traditional method of sparkling wine production with the second fermentation occurring in the bottle. Any of the grape varieties approved for use in the still wines of the Rioja DOCa may be used in the production of these sparkling wines. The approved grapes include the following white varieties: Viura, Chardonnay, Sauvignon Blanc, Verdejo, Malvasía, Garnacha Blanca, Tempranillo Blanca, Maturana Blanca, and Turruntés—and these red varieties: Tempranillo, Garnacha Tinta, Mazuelo, Graciano, and Maturana Tinta.

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Further rules and regulations concerning Vino Espumoso de Calidad de Rioja DOCa include the following:

  • The finished wines must contain between 11% and 13% alcohol by volume.
  • All wines using the Espumoso de Calidad de Rioja DOCa must be sur lie aged (in the bottle, following the second fermentation) for a minimum of 15 months.
  • Those wines labeled as “reserva” must be sur lie aged in the bottle for a minimum of 24 months
  • Those wines labeled as “gran reserva” must be sur lie aged in the bottle for a minimum of 36 months
  • These wines may only have a limited amount of sugar, and may only be produced in the following styles: Brut (less than 12 g/L of residual sugar), Extra Brut (less than 6 g/L of residual sugar), and Brut Nature (less than 3 g/L of sugar, no dosage allowed).
  • Sparkling rosés must contain a minimum of 25% red grapes
  • The term “Vino Espumoso Gran Añada” may be used for vintage wines with the vintage date stated on the label.

I am looking forward to trying a sparkling wine from the Rioja DOCa and will be on the lookout for one beginning in 2019. Let us know if you find one!

References/for more information:

Post authored by Jane A. Nickles – SWE’s Director of Education and Certification –  jnickles@societyofwineeducators.org

Guest Post: Lugana—Liquid Gold from Lake Garda

The harbor of Desenzano del Garda (on the southwestern edge of Lake Garda)

The harbor of Desenzano del Garda (on the southwestern edge of Lake Garda)

Today we have a guest post authored by Susannah Gold, DipWSET, CSS, CSW. Susannah tells us about the “liquid gold” wines of the Lugana DOC!

Lugana is a name to know. A white wine from the Lake Garda region of Italy made with the Turbiana grape, Lugana is a wine that can be drunk both in the young, fresh style as well as with some age on it.

Lying on the border between the two provinces of Brescia and Verona, the Lugana denomination stretches along the plains of morainic origin to the south of Lake Garda, within the communes of Sirmione, Pozzolengo, Desenzano and Lonato (in Lombardy) and Peschiera del Garda in the Veneto. The denomination is in both Lombardy and the Veneto. One of the only inter-regional DOC wines, some 90% of the vineyard holdings are located in Lombardy.

The “Lugana” Controlled Denomination of Origin (DOC), was instituted in 1967 as the first to be awarded this status in Lombardy as well as one of the very first in Italy as a whole.

Claysoils

Clay soils

The Lugana denomination can essentially be divided up into two zones.  The first—and larger—area is that with firmer clay soils. It is fairly flat and stretches along the hinterland of the lake, including Desenzano, Sirmione, part of the commune of Pozzolengo, and Peschiera. This is the heart of the denomination which produces the most “lacustrine” and mineral style of Lugana.

In the Veneto part of Lugana, there is just one commune, Peschiera del Garda. However, this includes one of the most interesting subzones, that of San Benedetto di Lugana, one of the denomination’s real “crus”.

The second, hillier zone stretches from the famous Monumental Tower of San Martino della Battaglia in two different directions: towards Pozzolengo and towards Lonato. Here the clays are sandier; the hills are more undulating and gentle, with altitudes of no more than 130 meters; the soils are more morainic (especially towards Lonato), with a considerable presence of gravel; the wines are less mineral-drivenl, more acidulous and voluminous.

In Lugana, the microclimate—influenced positively by the temperate breezes from Lake Garda—is mild and fairly constant, with little difference between day- and night-time temperatures. This is a “climatic cradle” that is perfect for highlighting the peculiarities of a special grape like Turbiana

Luca Formentini of Podere Selva Capuzza

Luca Formentini of Podere Selva Capuzza

Never heard of Turbiana? Not a surprise. It only grows in this area. Related to Trebbiano di Soave—a variety that is quite close geographically speaking, but whose vineyards lie on a different type of soil, of volcanic rather than morainic origin—the Turbiana grape was considered for a long time to be related to (if not actually confused with) the Verdicchio grape variety from Castelli di Jesi in the Marche Region. However, recent studies have shown that it is different from that cultivar in its aromatic characteristics, as well as from a phenological, agronomical, and oenological point of view.

Less high-yielding than most of the other Trebbianos of Italy, Turbiana is a grape that has a medium-sized, compact bunch, with a long, pyramidal shape; the pulp is juicy and loose, slightly acidulous, and neutral in flavor. It is sensitive to rot, oidium and peronospora. When vinified on its own, it shows great versatility both in the classic still versions and in sparkling ones.

Even if the production regulations allow for the presence of up to 10% of complementary white varieties (as long as they are non-aromatic), nowadays the zone’s producers tend to make their Luganas exclusively from Turbiana. Five different styles are permitted: standard Lugana, Superiore, Riserva, Vendemmia Tardiva (Late Harvest) and Spumante (Sparkling).

Susannah Gold

Susannah Gold

The Lugana production is limited, only about 16 million bottles per year. Much of it is exported to Germany and the U.K but a fair portion arrives in the U.S. as well. See if your local retailer carries some, you will be richly rewarded with this versatile and easy to pronounce wine.

Susannah Gold is the founder of Vigneto Communications, a New York City-based marketing and communications agency focusing on the food & wine industry.

Susannah is one of only a handful of non-Italians in the Associazione Italiana Sommeliers (AIS) and has received her Diploma of Wine & Spirits (DWS) from the Wine & Spirits Education Trust (WSET), a prestigious British program. She has also completed the Certified Specialist in Wine (CSW) and Certified Specialist of Spirits (CSS) exams at the Society of Wine Educators, a school in the United States and has completed her certification as a Spanish Wine Educator at the Wine Academy of Spain. Susannah is also a highly-rated, frequent speaker at SWE Conferences and we look forward to having her present a webinar on the wines of Lugana for SWE sometime very soon!

 

 

Attitude Adjustment: Worthy-Cause Wine

Table set for an event party or wedding reception

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Today we have a guest post from a frequent contributor that we know as Candi, CSW. Read on to see how Candi experienced an attitude-adjusting evening (all with the wine in mind, of course).

Recently I had some exposure to the not-for-profit benefit sphere. My prior experience was confined to what I saw in the back of “brain vacation” magazines. I admit to mostly negative, preconceived notions about benefits. Garden clubs, lawn clubs, sororities, any organization for those with too much time on their hands.

No one has ever accused me of the glamour often associated with such events. I’m a former Midwesterner whose wine acquisition strategy is frugal, sometimes even cheap. But what happens when a wine geek finds a benefit-related attraction for a worthy cause or two?

I learned about a benefit event a few months ago from a fellow wine geek. The event was only about an hour from our home, has a 10+ year track record, and the cause is related to my volunteer work. There is significant overlap between “my” charity and the “benefit” charity. There was an attraction…and I felt strangely drawn to attend.

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As in many benefits, there was a silent auction. Never been there, never done that. More than 100 “lots”, which I learned are items or a group of items. In this situation, about 90% of the lots were wine. Other lots were wine-related.

The event sponsor demonstrated a strong sense of commitment to the cause and ethics in the preceding months. Admission tickets were obtained via payment directly to the charity. All auction lots were donated. All auction proceeds would go directly to the charity. I searched appropriate charity-screening websites. The cause and organization passed all tests.

I was hooked. My husband graciously agreed to go, and to be my trusty designated driver. Did I mention that donated wine and food would be served during the event? And that some of the vintners who donated would attend? Sounded even better!

Tickets purchased, well before the event sold out. Which it did. As it has for years.

Then came the anticipatory fun. We were given a list of the silent auction items, which continued to increase as the event drew near. I began picking out my target lots, having no idea what to expect. Same drill for target wines to taste. Got to at least have a plan as a starting point.

The big day arrived. A bright, sunny, beautiful day. All afternoon, we were plied with more fine wine and fine food than I had ever seen. A very high-class operation, featuring many small-production wines with which I had no experience. An emphasis on several of my favorite varietals: Pinot Noir, Syrah, Zinfandel, Cabernet Sauvignon. With the auction set to end about an hour before the event.

The crowd was about evenly divided between wine geeks and folks who simply appreciate wine. Usually one geek and one non-geek per couple. We mingled. We tasted. There were many opportunities to sample, to chat with vintners, to learn more about the charity from their development staff and clients, and to share feedback with fellow geeks. I began to feel a strong sense of community. A strong bond, almost like, for that day, we were family.

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In short, it was extraordinary. The experience does not rise to the level of an epiphany, but certainly changed my perspective. This development was not the result of the wine talking. I have enough experience at wine events to employ food strategically, to hydrate, and to sip and spit. My critical thinking was clear.

As the time allocated for the silent auction drew to a close, I bid on one lot of wine. Bids were consistently well above the “actual” value of each lot. But, again, all payments would be made directly to the charity. So I participated. I did not win, but that’s okay. I learned. In any other setting, paying above reasonable value would have equaled a rip-off to me. Not when the proceeds go to a worthy cause, though. Thus the term “worthy-cause wine”. I have a new category added to my acquisition repertoire.

Less than one week later, my husband casually mentioned that a close relative was attending a benefit in her small town in a different state. Apparently, she was volunteering to assist in setting up the event, then attending the “gala”.

Now that I had personal experience, something triggered. I went online, got an overview of the event. It was on a much larger scale than the one I experienced, and would benefit yet another worthy cause.

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The family geek ended up calling said relative a few days before the gala. She agreed to check out the silent auction area the next day, and to let me know if there were any wine lots. This event’s silent auction was broader in focus, with most items being in the luxury goods category. Examples: one-of-a-kind trips, fine dining, jewelry. You get the picture.

But among the many items, there were two wine lots. One case of whites, one mixed case of reds and whites. Knowing our taste, she sent a photo of the mixed case. The photo clearly showed the label, the vintner, and a few of the specific wines. Uh oh. Up went my wine-dar (i.e., wine radar).

The vintner was a small producer whose tasting room we had visited a few years ago. We bought some of his wines. We met the vintner and got a sense of his approach and, most importantly, his underlying sense of pride in his work.

Did we need a mixed case of wine? Of course not. But consider our prior experience with the wine. And the fact that we trust the relative’s judgment. We chose to give the relative a maximum amount that we would bid through her. We noted that if any other family members who were attending wanted to participate as well, that was fine. We could work out specifics in the unlikely event that we won.

In prior years, cases of wine lots at this event were won at a substantial markup to actual value. So we had no expectation of winning. And, the prior week, I had lost my bid which was above value. But so what? Let the games begin!

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The night of the gala, we received a few photos of the setting and of people having a wonderful time. Beautiful setting, everyone glammed up. All having a great time to support the cause. We vicariously enjoyed their sense of community. After all, we had been there and done that.

Overnight, we received a text message from our bidder-in-chief (or, if you’re a baseball fan, our designated bidder). Much to our amazement, we won. The full case. She had gone just a bit over our maximum bid, and was prepared to take some of the wine in return. But we realized that she really was not interested in the wine, and was just being polite. We took the entire case.

We have no idea why we won. What I do know is that our bidder-in-chief was superb. Together with her, my husband and I did the right thing. And we will find a place to put that wine. We will enjoy it, knowing why and how it was acquired.

Worthy-Cause Wine Cheers!

 

SWE News: Digital Badges!

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So…you studied for months, drew upon all the wisdom garnered through your years in the industry, experienced the last minute jitters and (finally) earned your CSW! Or your CSS, CWE, CSE, or HBSC!

Of course, now you’d like to tell the world, post it to LinkedIn, and make sure potential clients, employers (or maybe even dates) know what it means to have earned your credential.

Here’s how you can do that: download a digital badge (available via Acclaim) and post it to your social media accounts, your email signature, and use the jpeg to attach it to your paper resumes and business cards

Digital badges serve as verification of your credential and may be shared via Facebook, Twitter, LinkedIn, blogs, and other websites. For old-fashioned paper uses, the badge may be added (as a jpeg image) to business cards, resumes, or any other printed materials.

Digital badges shared electronically provide a link that provides the following information:

  • Name, date, and title of the credential and the certifying agency
  • Links to a list of skills that are represented by earning the credential
  • Lists the knowledge, skills, and abilities required to earn the credential
  • Links to additional information about the credential (on the SWE website)
  • Links to related jobs and information about employer demand for the credential

For current holders of the CSW, CWE, CSS, and CSE certifications—as well as all current and future holders of the HBSC certificate, please contact Ben Coffelt of the SWE Home Office for information on how to claim your badge: bcoffelt@societyofwineeducators.org

SWE_Badges2

For future CSS and CSW credential holders: information on how to claim your digital badge will be forwarded to you after completion of your certification exam at a Pearson Vue Testing Center.

For more information on digital badges click here: https://www.youracclaim.com/badge-overview

 

SWE Conference Recaps 2018

Beaujolais Master Class

Beaujolais Master Class

We had a wonderful time at the 42nd Annual Conference of the Society of Wine Educators, held August 15-17, 2018 at the lovely Woodcliff Hotel and Spa, located just outside of the city of Rochester in the Finger Lakes Region of New York State!

The pre-conference activities included CWE Boot Camp, certification exams, tours of the Finger Lakes Wine Country, and a series of Master Classes on Beaujolais. The Beaujolais Master Classes included “The Art of Wine Making in Beaujolais, “Women Winemakers in Beaujolais,” and “an Exploration of the Crus of Beaujolais,” each complete with a guided tasting.

Eduardo Chadwich

Eduardo Chadwich

On Wednesday morning, our opening keynote Speaker, Eduardo Chadwick, told us the story of modern Chilean Wine via his experiences that led him to become the president of Viña Errázuriz Viña Seña, as well as the recipient of the prestigious title of “Decanter Man of the Year 2018” for devoting his life to the service of fine wine and recognized excellence in the wine world.  This auspicious beginning was followed by three days of over 50 unique and fascinating speakers and topics ranging from Wine Tasting: The Object, the Perceiver and the Experience; the Role of Oxygen in the Evolution of Red Wine, Dueling Bubbles (Prosecco and Champagne), and  Wines from Corsica—the Island of Beauty. 

During Conference, we welcomed Margaret (Meg) Hansen, CSS, CSW as our newest Board Member and presented the Lembeck Award (with the help of Bill and Harriet Lembeck) to Board Member and Director Emeritus Henry Wasserstein.

Click here for the available recaps, presentation slides decks and handouts from some of our individual conference sessions. We will be adding to our collection of recaps as the information becomes available. If you are a presenter and you’d like to share your materials on this site, please contact Jane Nickles, our Director of Education, at jnickles@societyofwineeducators.org.