SWE’s 42nd Annual Conference: Registration is Now Open!

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Registration is now open for the Society of Wine Educators’ 42nd Annual Conference!

Experience three phenomenal days—August 15 to 17, 2018—with the best wine educators, winemakers, and wine experts from around the world. If you want to take your wine education to the next level, this is the conference to attend. We hope you’ll be able to join us in the Finger Lakes region of New York! We will sell out, please don’t wait to register.

Here is just a sample of some of the sessions we have to offer this year:

  • GSM: Grenache-Syrah-Mourvedre Blends Around the World—led by Roger Bohmrich, MW
  • Wine Tasting: The Object, the Perceiver and the Experience—led by Serafin Alvarado, MS
  • To Disgorge, or Not to Disgorge (sparkling wines and sparkling wine production)—led by Eric Bauman and Nancy Irelan
  • A Journey through American Whiskey—led by Russ Kempton, CSS
  • Vino Auténtico: Sustainable, Organic, & Biodynamic Practices in the Ribera del Duero & Rueda Regions—led by Felipe Gonzalez-Gordon
  • International Syrah Styles, A Comparative Blind Tasting—led by Eric Hemer, CWE, MW, MS
  • Better ’Bang for the Buck’ – Second Wines From Renowned Châteaux or Unclassified Petits Châteaux—led by Mary Gorman-McAdams, MW, and Linda Lawry, CWE, DWS
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SWE’s 42nd Annual Conference (August 15 – 17, 2018)  will take place at the picturesque Woodcliff Hotel and Spa, located close to the Finger Lakes and just 20 minutes from downtown Rochester, New York.

For more information, see the conference website.

See you in New York!

The 2018 CSS Study Guide and Workbook are here!

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What do all of these items have in common: The Vermouth di Torino PGI…the Norma Oficial Mexicana for Mezcal…and the Protected Geographical Indication for Irish Poitín? Answer: they are newly-changed or updated topics in the world of spirits—launched in the last few years! You’ll find all of these updates (and more) in the just-released, 2018 version of the Certified Specialist of Spirits (CSS) Study Guide and Workbook.

We’ve also made a change in how the books are distributed, and the 2018 CSW Study Guide and Workbook are now in stock and shipping from Amazon.com.

Click here to find the 2018 CSS Study Guide on Amazon. The cost is $49.

Click here to find the CSS Workbook 2018 on Amazon. The cost is $39.

CSS Exam Availability: CSS Exams based on the new 2018 edition of the Study Guide are already up and running at Pearson Vue Testing Centers. Exams based on the 2016 book are also still available (for those that have a 2016 exam attendance credit) and will continue to be available until July of 2020.

Online Prep Course: Our next instructor-led CSS Online Prep Course is scheduled to begin in June 2018. The aim of the prep course is to get attendees “as prepared as humanly possible” for a successful sitting of the CSS Exam. Online prep courses are available, free-of-charge, to Professional members of SWE who have a valid CSS Exam attendance credit.

The CSS Exam may be purchased via the SWE website: Click here to purchase the CSS Exam.

Click here for an addendum listing the substantive changes between the 2016 and 2018 versions of the CSS Study Guide: Addendum for the CSS 2018 Study Guide

Practice Exams and Quizzes: Our popular online practice exams and quizzes have also been updated for 2018 (and the 2016 versions remain available). The cost is $19, which includes unlimited use of the practice exams and quizzes for six months. Click here for the practice quizzes.

If you have any questions regarding the CSS Study Guides or Exams, please contact our Director of Education at jnickles@societyofwineeducators.org

Prestige de Loire Sparkling Wines

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At last month’s Vinovision show in Paris, the InterLoire organization (Interprofession des Vins du Val de Loire) announced a new quality designation known as Prestige de Loire. The Prestige de Loire title is designed to recognize sparkling wines of the Loire Valley that meet certain specifications indicating ultra-high quality and Loire Valley-specific typicity.

Like the Grand Eminent designations allowed for Crémant de Bourgogne, Prestige de Loire is not a new AOC nor a revision to an existing AOC, but rather a branded designation allowed for use on the sparkling wines produced under the existing AOCs of Anjou, Crémant de Loire, Saumur, and Vouvray. Wines certified as Prestige de Loire will be designated by a gold crown emblem affixed to the neck of the bottle. The gold crown is a nod to the Loire Valley’s reputation as a “royal river,” earned through centuries of serving as the homeland of many royal families—and royal châteaux—of Europe.

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The specifications for attaining the Prestige de Loire designation are an interesting study in the parameters of high-quality sparkling wine production in the Loire Valley. The requirements include the following:

  • Only fully sparkling white wines produced under the existing requirements of the Crémant de Loire, Saumur, Vouvray, Anjou, and Touraine AOCs are eligible. These include the use of the Traditional Method of sparkling wine production as well as a minimum of 9 months aging on the lees and a total of 12 months of aging in the bottle. The total aging requirement for Prestige de Loire wines is raised to 24 months.
  • The allowed grape varieties are limited to Chenin Blanc, Cabernet Franc, Chardonnay, and Pinot Noir; single-varietal and any combination in a blended wine is permitted. Red grapes must be vinified in the style of a white wine.
  • The wines must have 12 g/L or less of sugar (in some cases this may be increased to 15 g/L or less). As such, these wines must be designated (or equivalent to) Brut Nature, Extra Brut, or Brut levels of sweetness.
  • Wine estates using the Prestige de Loire designation must strive to be certified as Haute Valeur Environnementale (“High Environmental Value”) within 5 years of the use of the mark.
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In order to earn the Prestige de Loire designation, wines must be approved by a five-member tasting panel. Wines are eligible to earn a maximum of five points on each of five specific aspects of quality. In order to qualify, a wine must earn a minimum of 15 points (out of a possible 25). The five aspects are as follows:

  • Aromatic intensity
  • Bubble finesse
  • Balance
  • Richness
  • Finish/length

Interestingly enough, wines are considered disqualified if two or more members of the tasting panel note any of the following faults in the wine:

  • Reduced
  • Coarse bubble texture
  • Geranium fault
  • Mold aroma/flavor
  • Overly dry/harsh
  • Acescence
  • Overly herbaceous

Some of these wines, as announced at Vinovision, are already on the market in Europe and should find their way to other parts of the world in short time. Have you seen one?

References/for more information:

CSS Practice Tests and Quizzes!

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Are you nervous about your upcoming Certified Specialist of Spirits (CSS) exam?

Has it been a while since you took the CSS exam, and you’d like to know if you “still got it”?

Are you considering studying for the CSS and would like to know how it stacks up against other programs you’ve taken?

Are you a student of distilled spirits looking for some new study tools?

If you answered “yes” to any of these questions, we have an announcement for you! We now have a suite of CSS practice quizzes and practice exams available! The complete set includes four practice quizzes (each based on the entirety of the Study Guide and Workbook) of 20 questions each, and three complete 100-question practice exams. The practice exams may be taken in either a “quiz” format (where you get the results to each individual question immediately), or in a timed, one-hour “practice exam” format. The price is $19.00, which includes unlimited use of the exams and quizzes for six months.

For more information, click here (navigate to “course catalog”) Please note that this is a separate website from the SWE site, and you’ll need to create a new user name and password.

Bailey’s and Beyond: The Irish Cream PGI

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Everyone I know loves Bailey’s Irish Cream. In coffee, on the rocks, or in a fanciful cocktail such as the Mudslide, Girl Scout Cookie, or Nutty Irishman—it is just plain delicious.

Bailey’s Irish Cream was the first Irish cream liqueur on the market.  It was created in the early 1970’s by Gilbey’s of Ireland, a large distillery borne out of a gin distillery founded in 1857 by Sir Walter Gilbey.  The name “Bailey’s” was inspired by the name of a local restaurant owned by John Chesterman, who gave permission to use the name. The distillery—Gilbey’s of Ireland—eventually became a division of the even-larger International Distillers & Vintners, which eventually merged in with Diageo (the current producer of Bailey’s).

The Bailey’s brand of Irish cream liqueur may have been the first, and it may be the best-known, but it is certainly not the only Irish cream on the liquor store shelf—other brands include Carolan’s, Cremór, Kerrygold, Molly’s, and St. Brendan’s. Give one of these others a try, and you may find you fall in love with Irish cream liqueur all over again.

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As of 2015, Irish Cream is a Protected Geographical Indication (PGI) and recognized as a unique product of Ireland. Irish Cream may be produced anywhere in Ireland (including the Republic of Ireland and the country of Northern Ireland), and may not be produced anywhere else.

Irish Cream is classified as a liqueur under the rules of the European Union, and as such must have a minimum alcohol by volume of 15% and a minimum of 100 g/L of sugar (approximately equivalent to 10%).  Irish cream liqueurs vary in terms of alcohol and sugar, but many are in the range of 17% to 20% alcohol by volume and 20% to 25% sugar.

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In addition to meeting the EU standards for liqueurs, the PGI for Irish Cream requires the following:

  • Irish Dairy Cream: Irish Cream liqueur must contain a minimum of 10% milk fat (which does not sound very appealing), all of which must be from cream produced from milk produced in Ireland. Ireland is known for the quality of its dairy products, and many top-bred Irish dairy cows create the “cream” in Irish cream.
  • Irish Whiskey: Irish cream is required to contain at least 1% by volume Irish whiskey. The remainder of the alcohol content may be from any type of alcohol of agricultural origin (and in most cases is likely to be neutral spirits).
  • Specific Production Techniques: Ireland claims to have created the technique of creating shelf-stable cream liqueurs. Two techniques are allowed for use in the production of Irish Cream. One technique—known as the single-stage method—involves mixing together the spirits, sugar, cream, flavorings and emulsifiers and sending the entire batch through a process of homogenization until the average particle size of the cream globule is reduced to less than 5 microns, preferably less than 2 microns. This will allow the liqueur to remain emulsified. The second method—known as the two-stage method—involves homogenizing the cream (to the same micron-size standard) first and then mixing it into the remainder of the ingredients (sprits, sugars, flavorings, and emulsifiers).
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There are few specifications as to the stabilizers, colorings, emulsifiers, and flavorings that may be used in Irish cream liqueur beyond those typical for food safety, additives, and advertising. While many flavors are produced—Strawberries-and-Cream! Pumpkin spice! Espresso! Salted Caramel! Chocolate-Cherry!—the original Bailey’s Irish Cream Liqueur is reported to be flavored with Irish whiskey, Irish Cream, and chocolate or cocoa. The formulas are typically considered closely guarded secrets, but other flavors may include a bit of honey, caramel, vanilla, almond, coffee, or cinnamon.

The production requirements and product analysis do not make the delicious and delectable Irish Cream liqueur sound very appealing, so we’ll end with a few tasting notes. For starters, here is the official tasting note for Bailey’s Irish Cream: “the perfect marriage of fresh, premium Irish dairy cream, the finest spirits, aged Irish whiskey, and a unique chocolate blend.”  Other often-used descriptions include velvety, creamy, smooth notes of toffee, burnished gold, and honeyed memories of the Emerald Isle. That’s more like it.

References/for more information:

 

 

Guest Blogger: Reasons to Drink Wines from Uruguay… on site, if you can!

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Today we have a post from guest blogger Lucia Volk, CWE. Lucia tells us about a recent trip to Uruguay, where she toured the wineries and tasted the local wine, which in this case happened to include some world-class Tannat! 

When I watch sports games, I tend to root for the underdog. Drinking wine, I feel drawn to bottles that are lesser known.  While I congratulate estates and regions that enjoy high sales volumes because everyone agrees they are great, I truly admire winemakers who toil knowing that their wines will not easily find a space on a wine list or store shelf, no matter how good and how genuine the bottles they produce.

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Uruguay remains an underdog in the South American wine world, despite the quantum leap forward in quality wine production in the Canelones and Maldonado regions over the past decades. You probably remember the last time you had an Argentinian Malbec or Chilean Cabernet, but when did you pour your last glass of Uruguayan Tannat?

I recently had the opportunity to travel to Uruguay, and I can tell you right off the bat that everything that the travel literature says about how friendly and welcoming the Uruguayans are is true.  Moreover, winemakers I met were philosophical, (com)passionate, perfectionist, with a hint of non-conformist and quirky thrown into the mix—not every day do you encounter a wild hog kept as a vineyard pet, as you do at Los Nadies in Santa Lucia, Uruguay.

Canelones, the main wine region outside the capital, features a mildly hilly terrain crisscrossed by rivers, and inhabited by colorful birds. Agriculture makes up a significant part of the country’s GDP.  If you have recently eaten top quality grass-fed steak, it may have been raised in Uruguay.

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Winemakers search for poorer soils in the windier, coastal areas to plant their vines. Blessed with abundant sunshine and nightly cooling breezes from the ocean, their grapes ripen slowly and maintain a refreshing acidity. In most years, rain is sufficient and occurs at the right time, allowing for dry farming. Recurring humidity requires the application of copper/sulfur sprays during the growing season, but pesticides or fertilizers are generally not needed. Contrary to Argentina and Chile, most wineries in Uruguay are small to moderately-sized and family-owned. Chile’s Concha y Toro produces more than all of Uruguay put together on the 11,000ha it owns.

So if you want a hand-crafted South American red, sustainably farmed, your best bet is a bottle from Uruguay. Their specialty is the robust, red Tannat grape, imported by Basque migrants at the end of the 20th century.  While the European version of Tannat tends to live up to its tannic name, requiring extended aging before it shows its full potential, Uruguay’s more moderate climate and modern cellar practices—cold soaking and cool maceration—yield a softer version of Tannat, one that can be enjoyed quite young.

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In a still, dry, single-varietal Tannat you can expect to find tannins and acidity, for sure, alongside plum and blackberry, plus secondary aromas of French and American oak.  It is the perfect complement to grass-fed Uruguayan beef, fresh off the grill. Single varietal Tannat is varied, as I learned at a comparison tasting at Deicas Winery in Juanico. While every bottle—Mar de Piedras, Valle de los Manatiales, and Domaine Castelar—had a peppery-spicy-smoky component, there were clear differences between grippier, earthier wines and more velvety, vanilla-and-plum versions. The 2013 flagship Massimo Deicas Tannat was densely layered with aromas and flavors, a wine that will make you a believer.

Tannat’s grippiness can be tamed.  Frequently, you find it blended with Merlot (Equilibrio, Los Nadies; Gran Guarda, Stagnari) and the less tannic [!!] Cabernet Sauvignon (Rio Colorado, de Lucca). Less frequently, it is blended with Syrah (de Lucca), Zinfandel (Artesana, the only Uruguayan Zin producer so far) or Viognier (Alto de la Ballena).  You can reduce the tannin load by fermenting Tannat entirely in stainless steel (Bouza, sin barrica). You can submit Tannat grapes to carbonic maceration and produce a berry basket of aromas easy on the palate (Don Prospero, Pizzorno). You can turn Tannat into a refreshing, bright red, raspberry rosé (Tannat Rosado, Artesana).  You can even produce an acid-driven base wine, add more sugar, and re-ferment, hand-riddling it into a deeply colored, dry sparkling wine (Brut Nature, Gabriel Pisano).

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You can also dry the grapes—think Recioto and Amarone—and fortify Tannat to produce a purple-colored, spicy chocolate, peppery blackberry sweet desert wine (EtXe Oneko, Gustavo & Gabriel Pisano). And of course you can distill Tannat into a version of grappa (Bernardi). The options are endless!  It was fun to witness the inter-generational discussions between Gabriel and his uncle Daniel Pisano, or Agostina and her father Reinaldo de Lucca about new ways to produce or market Uruguayan wines. Family wine-making means preserving traditions, yet also moving along with the times.

Tannat is not only tasty, it is also good for you!  Polyphenols, compounds found in the skins and seeds of grapes, are responsible for most of the wine’s aromas. Among polyphenols are procyanidins, which have been shown to inhibit cholesterol plaque in blood vessels. Tannat contains almost four times as many polyphenols as Merlot or Cabernet Sauvignon.  Turns out that the tannin that gives the grape its name takes care of your heart!

Of course grapes other than Tannat grow in Uruguay, especially Bordeaux and Northern Rhone varietals. While most of Uruguay’s wine is red, whites are also produced.  I was able to try remarkable Riesling, Albariño, Viognier, Torrontés, Sauvignon Blanc and Chardonnay.  A recently established winery that is generating significant international buzz is Garzón in the eastern Maldonado region.  Conceived and financed by Argentine billionaire Alejandro Bulgheroni in consultation with Alberto Antonini, Garzón covers nearly 10,000 acres and uses the most up-to-date vinification technologies. Garzón’s Tannat Reserva 2015 made the Wine Spectator’s Top 100 Wines of 2017, the first Uruguayan wine to be thus honored.

Reinaldo and Agostina De Lucca’s photograph on shelf in tasting room, next to a vineyard map and Che…

Reinaldo and Agostina De Lucca’s photograph on shelf in tasting room, next to a vineyard map and Che…

If you are eager to explore Uruguay, I recommend reading the Uruguay chapter in Evan Goldstein’s Wines of South America, and studying www.uruguaywinetours.com, which lists all the wineries that are open to visitors.  The website makes it easy to contact bodegas ahead of time and arrange a tour. One thing to keep in mind is that Uruguay enforces a “zero tolerance law” that forbids drinking-and-driving. The solution is to hire a car for the day, or take a cab or ride share to where you want to go. Most Canelones wineries are 20-40 min outside the capital. If you want to visit Maldonado wineries, plan to spend a night in the lovely beach town of Punta del Este.

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Beyond wine, Uruguay offers natural beauty. It has an amazing coastline and expansive interior. Montevideo features museums, galleries, and restaurants. Its rambla, nearly 14 miles of uninterrupted sidewalk along the Rio de la Plata, bustles with locals, who drink their mate tea or other beverage of choice, waiting for the sunset.  You can pick up a friendly game of basketball or soccer in parks along the rambla or chat with cheerful locals walking their dogs. And do not forget to stop by the Montevideo Wine Experience, the friendliest wine bar on earth, on your way out of town, to sample local wineries you did not have time to visit.

If Uruguay is a bit too far for you right now, ask your local store to stock Tannat or your favorite restaurant to include one on its wine list, if they don’t do it already. Uruguayan wines have grit and personality, and are made by people who love what they do. They stand proudly apart from the wines of their better known neighbors—underdogs, for the time being, among South American wines.

Lucia-150x150Photos and story by Lucia Volk, CWE. Lucia runs MindfulVine, a Wine Education business in the Bay Area that specializes in tailored, at-home tastings to promote a greater enjoyment of wine. She grew up in Germany, where her grandfather started a Riesling winery. She knows what it takes to work those steep slate slopes by hand, and decided to start promoting Riesling and other European wines after obtaining a PhD in Anthropology in the United States, and working briefly in wine sales.

She now gets to have the best of two worlds and teach about global politics and cultures, as well as the many wonderful wine regions across the world. She is also working–slowly–on a book about the lesser known German Anbaugebiete.

Read more at:

If you read Spanish, try also these links:

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

 

 

Guest Blogger: Southwest Sojourn Part 3: Arizona Adventures

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Today we have a guest post—the third and final in a series—by an author we have all gotten to know by the nom de plume of Candi, CSW. Click here to read the first article in the series, as Candi takes us on a tour of the Grand Canyon, and click here for the second stage as she makes her way through New Mexico. Today, Candi takes us on the final leg of her southwest sojourn with a trip through Arizona—with plenty of local wine along the way!

It was time to leave Santa Fe with good memories and ideas for our next trip there. Such a great destination that we were glad we allowed four nights for exploration. On to the final stop: Scottsdale, Arizona.

We had our longest drive of the trip from Santa Fe to Scottsdale. But it was mostly interstate highways with minimal traffic. We took our time, allowed frequent rest and stretch breaks, and enjoyed the view as scenery transitioned from canyons and mesas to deeper red rocks and pure desert. I couldn’t help but wonder if Saguaro cactus is used for margaritas, like the Prickly Pear of the Yellowstone area.

We had traveled to and through the Phoenix area many times for business and family visits. And, while we have enjoyed the Sedona area as a vacation stop, it seemed that Scottsdale had more of a resemblance to Santa Fe. The area offered an opportunity for more museum exploration and shopping. And, once I found that Scottsdale now has a wine trail, the decision was made.

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Many Arizona wineries are located in remote areas of the state, such as Cochise County. Cochise appears to be one of the southernmost counties, with the Mexican border to the south. (For more details and another perspective, see a 2016 SWE blog post titled “Arizona Wines are gaining recognition — Imbibe and take notice!“) Some wineries have tasting rooms in Cochise County. I can see, however, that it would make sense to take some tasting rooms to the populous areas. Scottsdale appears to have the demographics to be a great location for an urban area tasting room.

Multiple wineries had already come to the same conclusion as I did about Scottsdale. The Scottsdale Wine Trail now features five winery tasting rooms/wine bars. I suppose an ambitious sort would be able to walk to all of them for tasting in a single day. That’s not our style, and the trip planner (me) had to account for temperatures of 90+ degrees, arid weather, and sun. Another opportunity for wise pacing. We chose to allow the morning for a museum, and the afternoon for two wine tastings.

We had checked into our hotel on a Friday evening. Quiet in-room dinner, a very good night’s sleep, then great morning coffee. A full Saturday on the agenda. The weather gods had smiled upon us; temperatures in the 80s to about 90. Cooler than expected equated to walk-friendly and wine-friendly.

We found that, unlike Santa Fe, free, underground, shaded parking is readily available in Scottsdale. Secured our shaded, delightfully cool space. Short walk to the Museum of the West, an affiliate of the Smithsonian. This museum was not widely mentioned in mainstream travel guides, so it may qualify as another “hidden gem”. And a valuable gem it is.

Given that we visited the Museum on a Saturday, I was concerned about crowding. Not at all. Very quiet, plenty of helpful docents. Exhibits of, it seemed, anything and everything Western culture-related. Paintings, pottery, ceramics, wildlife. All of these were well-done and enjoyable.

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But two exhibitions were just outstanding. One featured Western clothing, leather goods, and accessories such as spurs and saddles. All of these were items that either were or could be actually used by ranchers, cowboys, law enforcement, etc. And the beautiful leather tooling! Some of the saddles struck me as works of art.

The second standout featured a vast collection of movie posters and film history. OK. This sounds lightweight and even a bit immature, but the depth and breadth of the display had me taking notes. We have since viewed a western movie or two that have demonstrated great acting, scenery, and a touch of history. Before we knew it, we had spent more than 3 hours exploring the Museum.

Meanwhile, the wine tasting rooms had begun the afternoon hours. We left the Museum of the West a bit reluctantly, wearing our stickers so we could get back in if time allowed. But two tasting rooms were calling, and one must have priorities.

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Old Town Scottsdale, a brief walk from the Museum, features shopping, dining, and the Wine Trail. We did a quick reconnaissance of the shops; nothing compelling for us. On to the all-important afternoon stops.

Airidus Wine Company combines a tasting room and wine bar. The wine is produced in Willcox (Cochise County). Five wines of your choice per tasting; a one-bottle purchase of the higher-end bottlings waives the tasting fee. Fair enough. My tasting included Malvasia Blanca, Rose’ of Mourvèdre and Grenache, Grenache, Malbec and Petite Sirah. Service was excellent, with plenty of information volunteered in response to my geeky questions. My only criticism: while my palate is still developing, I clearly recognized that the Petite Sirah was corked. All of the other wines were purchase-worthy.

But it seemed to me that the reds were the most attractive. Overall impressions: deep, compelling, long finish, oak, varietally-correct fruits. So this frugal soul was drawn to not one, but two bottles. Malbec and Grenache. Plus 2 bottles of their version of casual wines, the Tank Blends. One white (Viognier, Sauvignon Blanc, Chenin Blanc, Chardonnay and Malvasia Blanca). One red (Malbec, Mourvèdre, Syrah and Montepulciano). Blends, indeed!

Map of the Scottsdale Wine Trail via: http://www.scottsdalewinetrail.com/

Map of the Scottsdale Wine Trail via: http://www.scottsdalewinetrail.com/

Carlson Creek is another tasting room with wine bar. This venue was very busy, but Wendy, the sole server, was efficient, friendly, informative, and kept moving. She gets credit for noting and understanding my CSW pin. She returned to us frequently so we could learn from each other. What fun!

With a choice of 12 wines, narrowing the field was a challenge. We sampled Sauvignon Blanc, Chardonnay, a Rose’ of Grenache, Sangiovese, Mourvèdre, a GSM blend and Syrah. Okay, maybe I didn’t narrow the field too well; but, I had my trusty designated driver. I was walking a short distance back to the car. I kept hydrated. It was my last wine stop of the trip. I was relaxed and enjoying myself. Did I mention I was on vacation?

Decisions, decisions. The whites were enjoyable, and I can see how a white-only afficianado would have several options. But we enjoy whites, Rose’ (technically a red, but always a bridge wine to me), and reds. The reds of Carlson Creek were even more appealing to me than those of Airidus. Complexity, balance, evolving-over-minutes. Food pairings already in the mind. Evoking memories of a warm to hot climate.

Two bottles waived the tasting. Not. A. Problem. After deliberation, wine one was Mourvèdre, because of the attractive leather aromas and flavors. Could this have been a flashback to the exhibition at the Museum of the West? Possible.

Wine two, Rule of Three as a well-done GSM and for potential food-friendliness. Wine three, our favorite, the Syrah. The deep, intense, varietally-correct Syrah. Yes. If you are a Sryah lover and visit, please, please try this wine.

More water, another short walk, wine returned safely to car in cool space. Yet more water and another short walk to pick up the takeout we’d ordered. The dining establishments were not yet busy and we wanted to exit before the Saturday night crowd began. Dinner secured, all missions accomplished.

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Our final evening of the vacation. Plenty of time to begin packing and organizing for the final day of driving. Hydration, hydration, hydration. And, when we were ready, a great meal courtesy of Cowboy Ciao. This place had come highly recommended; they were correct. One of the best chopped salads I’ve ever had, truffle macaroni and cheese, and a wine pairing of Vivac Sangiovese.

Another good night’s sleep. On the drive home, I began to reflect on the many things that went well on our trip. Key success factors, to use business-speak. Pacing ourselves. Blending culture, shopping, moderate walking, wine tasting. Recognizing when it was wise to end the day and elevate feet. Stretch breaks on the road. Agenda to minimize crowds and noise. These may not be critical items for go-go-go extroverts. But they are for, ahem, aging introverts.

What about the common themes of Southwest wine? Based on my initial impressions, of course. Further study is clearly indicated. How’s that for justification of already considering what to do on the next trip?

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Shared characteristics we experienced were young wineries, many varietals per winery, more reds than whites. Maybe these vintners are still trying to establish a strategy of which grapes grow best, and then plan to focus on those. Maybe not. We also noted more reds than whites, which may equate to warm, arid climate. Pleasant, approachable whites. Clearly more compelling reds. If I had to find comparable areas, the Sierra Foothills for the New World and Spain for Old World would suffice.

Now, we have the post-trip enjoyment of seeing whether our decisions in the short-term reward us as the drinking windows begin to open. For some reason, I am optimistic.

Southwest Salute’, Cheers, and Happy New Year!

As American as Apple…Cider?

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Traditional cider is a lightly alcoholic beverage (usually less than 7% abv) produced from apples that have been crushed and pressed, with the resultant juice fermented. It is often called “hard cider” in the United States to distinguish it from unfiltered apple juice. Cider production is centered in the UK, which has the highest worldwide consumption, but many other countries and regions—including the United States—produce it as well, and cider and perry (cider produced from pears) are experiencing a renaissance that is running parallel to the other craft beverage industries.

Drawing of John Chapman (Johnny Appleseed)

Drawing of John Chapman (Johnny Appleseed)

Early American settlers took great pride in cultivating the apple tree, as evidenced by the story of the folk hero and nurseryman Johnny Appleseed (John Chapman, 1774 – 1845). Some of the oldest apple orchards in the United States are located in the more temperate areas of New England, such as Vermont, upstate New York, Massachusetts, and New Hampshire.

The popularity of apples and the subsequent spread of various types of apple seeds gave rise to myriads of new, purely American varieties, such as the Newton Pippin, that were then grafted and propagated. By the mid-1800s there were over 1,000 varieties of apples growing in the United States, most of which were used for cider.

The popularity of American cider declined with the rise of industrialism (in the mid-1800’s) as the population migrated towards city life, and was further thwarted by Prohibition. This coincided with a drastic decline in the cultivation of cider apples. These days, the majority of the apples and pears in the United States are grown in the Pacific Northwest, and most of these are for eating; however, small pockets of cider apple production may still be found in many parts of the country.

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Leading areas for American cider production include New England, the Blue Ridge Mountains of Virginia, the Great Lakes area, and pockets of the Pacific Northwest. The most recent statistics from the Alcohol and Tobacco Tax and Trade Bureau (TTB) show that Vermont produces the most cider at about 5.3 million gallons, with New York second at 4.4 million, and California and Tennessee both at about 2.9 million gallons.

The craft cider movement is growing in the United States, but is considerably behind the renaissance sweeping craft beer and local wine. There is, however, a noticeable interest in reviving heirloom cider apple varieties, whole fruit processing, and artisan cider production.

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Some American cider producers are making ciders inspired by the Old World, while others are proving to be more experimental and creating hopped versions of cider, wine barrel-aged ciders, or combining honey and fruit to produce cyser, sometimes referred to as “apple mead” and best described as a cross between cider and mead.

American cider, as well as the production, culture, and sensory evaluation of ciders from all over the world is just a small part of the information included in the Society of Wine Educators’ Beverage Specialist Certificate.

Other topics included in this 100% online program include coffee, tea, sake, beer, distilled spirits, and—of course—wine. Click here for more information.

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

 

The 2018 CSW Study Guide and Workbook are here!

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What do all of these items have in common: The Petaluma Gap AVA…the Delle Venezie DOC…the Vézelay AOC…and the “New” New Zealand geographical indications? Answer: they are newly-changed or updated topics in the world of wine—launched in 2017! You’ll find all of these updates (and more) in the just-released, 2018 version of the Certified Specialist of Wine (CSW) Study Guide and Workbook.

We’ve also made a change in how the books are distributed, and the 2018 CSW Study Guide and Workbook are now in stock and shipping from Amazon.com. 

Click here to find the 2018 CSW Study Guide on Amazon. The cost is $49.

Click here to find the CSW Workbook 2018 on Amazon. The cost is $39.

CSW Exam Availability: CSW Exams based on the 2018 edition of the Study Guide will be available at Pearson Vue Testing Centers starting on February 1, 2018. Exams based on the 2017 book are also still available (for those that have a 2017 exam attendance credit) and will continue to be available until July of 2020.

Online Prep Course: Our next instructor-led CSW Online Prep Course is scheduled to begin in May 2018. This class will use the 2018 version of the CSW Study Guide and Workbook. The aim of the prep course is to get attendees “as prepared as humanly possible” for a successful sitting of the CSW Exam. Online prep courses are available, free-of-charge, to Professional members of SWE who have a valid CSW Exam attendance credit.

The CSW Exam may be purchased via the SWE website: Click here to purchase the CSW Exam.

Click here for an addendum listing the substantive changes between the 2017 and 2018 versions of the CSW Study Guide: Addendum for the CSW 2018 Study Guide

Flashcards and Practice Quizzes: Our popular online flashcards and practice quizzes have also been updated for 2018 (and the 2017 versions remain available). The cost for these products is $19 each. Click here for the flashcards and practice quizzes.

If you have any questions regarding the CSW Study Guides or Exams, please contact our Director of Education at jnickles@societyofwineeducators.org

 

Asti: Simple, Fruity, Delicious (and yet so Complicated)

http://www.astidocg.it/en/prodotto-gallery/

http://www.astidocg.it/en/prodotto-gallery/

Every wine lover—whether we admit it or not—has enjoyed a glass of Asti Spumante (which the wine cognoscenti will refer to simply as “Asti”) or Moscato d’Asti with lunch, brunch, or on New Year’s Eve.

It is predictable and quite correct—in most cases—to dismiss these sweet wines as “easy to love,” “great for beginners,” or “just a simple little quaff.” However, if we dig into the disciplinare of the Asti DOCG, we see that a range of wines are allowed to be produced under the designation—including wines from three sub-zones, late harvest wines, and bottle-fermented wines—all of which have probably never been referred to as “simple.” Add to these complications the fact that the rules of the DOCG were recently changed to allow the production of dry wines under the Asti DOCG—and we’ll see that perhaps we need to change our minds about Asti.

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For starters in breaking down the wines of Asti, we can determine that all of the wines produced under the Asti DOCG (located in Piedmont, Italy) are sparkling or slightly so, and are, in all cases, produced using 100% Moscato Bianco (more commonly known [outside of Italy] as Muscat blanc à Petits Grains). That’s pretty must where the similarities end. The differences are discussed below, after a short discussion on sweetness.

How Sweet it is: There is no simple statement of required levels of sweetness for the various versions of Asti. The appellation’s disciplinare does, however, state a required level of alcolometrico volumico potenziale—potential alcohol volume (the abv that would be achieved if all of the fermentable sugar was allowed to convert to alcohol)—in other words, a required ripeness at harvest for each style of wine. In addition, there is a required level of alcolometrico volumico effettivo—the actual alcohol by volume stated for each wine. By doing a bit of math, we can determine the difference between each wine’s required potential alcohol and required actual alcohol —which (using more math) will reveal the approximate amount of sugar allowed or required to be in the finished wine. For the purposes of this discussion, we’ll use the following formula: Brix X 0.55 = Potential Alcohol (or, Potential Alcohol/.55 = Brix).  Note: This calculation is at best a generality, but it is a good-enough starting point for a discussion on the character of these wines.

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Asti DOCG: Asti DOCG is sometimes referred to as Asti Spumante; both terms are acceptable for use under the DOCG. Asti/Asti Spumante DOCG is produced via second fermentation in pressurized tanks (autoclaves) using the production method commonly referred to as the Charmat Method—known in Piedmont as the Metodo Marinotti.  By EU definition, spumante means “sparkling” and as such, the minimum pressure of the dissolved bubbles of Asti is 3 atm. For these wines, the required minimum potential alcohol is 11.5%. Until recently, the required actual abv was 6.0% to 9.5%; a bit of math tells us that the (previsouly) required minimum residual sugar was around 3.6% (making these wines demi-sec or dolce [semi-sweet to sweet]). However…

New! Asti Secco: In August of 2017, the regulations were revised, and the maximum required actual alcohol (formerly 9.5%) was deleted. This means that Asti DOCG may now be produced in a dry style.  The only change in the actual rules appears to be the deletion of the 9.5% maximum actual abv requirement, but the Asti DOCG Consortium is encouraging the use of the term “secco” for wines with a 11% minimum abv (actual), and the use of the term “dolce” for the traditional, sweet wines. (The revision in the disciplinare only applies to Asti/Asti Spumante DOCG and does not affect the wines described below.)

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Asti Metodo Classico DOCG: These wines, which may also be referred to as Asti Spumante Metodo Classico DOCG, are required to be produced using the Traditional (bottle-fermented) Method of sparkling wine production and must be aged on the lees for a minimum of nine months. The required minimum sweetness (based on a required potential minimum alcohol of 12% and a required actual alcohol of 6% to 8%) is approximately 7% residual sugar and are therefore all of these wines are sweet (dolce).

Moscato d’Asti DOCG: This is the beloved, sweet sipper that has recently become so popular (although experienced wine lovers see this as a prime example of “everything old is new again” popularity). Moscato d’Asti is made using the “partial fermentation” method of sparkling wine production (also—somewhat obviously—also known as the “Asti method”). This means these wines are made by one pressurized fermentation (only) that is interrupted while there is just a bit of bubble (a maximum of 2 atm) built up in addition to a good deal of sweetness still left in the wine.  The numbers of 11% minimum potential alcohol and 4.5% to 6.5% acquired alcohol means that these wines are always sweet with at least 8% residual sugar (to use generalized terms).

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Moscato d’Asti Vendemmia Tardiva DOCG: This late-harvest version of Moscato d’Asti requires a minimum potential alcohol of 14% and a acquired alcohol of 11%, meaning these wines will have at least (approximately) 5% residual sugar. This wine is not allowed to be chaptalized and must be aged for at least one year from the date of harvest.

Sub-regions: As for the sub-regions of the Asti DOCG, they are only approved for a few of the wines and (of course) they have a few of their own requirements:

  • Canelli: This sub-zone (located in the center section of the DOCG) is only approved for Moscato d’Asti, and the wines using this designation must have a potential alcohol of 12% abv (slightly higher than the general requirement of 11%).
  • Santa Vittoira d’Alba: This sub-zone (located to the west of the central DOCG zone) is approved for Moscato d’Asti and Moscato d’Asti Vendemmia Tardiva.  Moscato d’Asti Santa Vittoira d’Alba must have a potential alcohol of 12%. The vendemmia tardiva wines have quite a few unique requirements, including: a potential alcohol content of 15% and an actual minimum of 12% abv, a minimum aging of two years (beginning with January 1 of the year after the vintage year), and partial-drying of the grapes (post-harvest).
  • Strevi: Like the Canelli sub-zone, Strevi (located on the eastern edge of the DOCG) is approved for Moscato d’Asti only, and the wines using this designation must have a potential alcohol of 12% abv (slightly higher than the general requirement of 11%).

Asti….like we said, so fun, fruity, simple, and (sometimes) sweet….and yet again, so complex.

References/for more information: