Wine, Wit, and Wisdom

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Today we have a guest post from Mark Rashap, CWE, who tells us about the lesser-known white wines of Puglia!

As I was preparing for SWE’s first ever Certification Summit focused on the lesser known regions of Italy, I delved into the great wines of Puglia.  And now, as I’m reflecting on that research, I’ve realized that my focus was heavily based on red wine production; well, that’s what Puglia is famous for, right?  It is indeed the color that is most prominently regarded—with the four DOCGs of the region being from dark skinned grapes (3 for the Riserva versions of Castel del Monte, and one for the sweet Primitivo di Manduria Dolce Naturale).

Many of the 32 DOC/DOCGs on the “heel of the boot” allow for red and rosé production primarily, while only 3 focus on white wine. This is despite the fact that white wines occupies  40% of the total production.  My interest was further piqued when I saw minimum percentages for the foreign Chardonnay written in the law for multiple DOCs.  This contradicts many other regions that might allow Chardonnay in the blend but almost never require it.  I think that this not the only thing that is backwards in Puglia.  All of which makes the production of white wine in Puglia and interesting topic!

Puglia—which is extremely flat, sundrenched, and fertile relative to the other areas of Italy—is evolving from its historic culture of bulk production and co-ops to become an area where there is great opportunity.  Producers from Tuscany and abroad are investing in Puglia and experimenting with their native grapes as well planting the international grape varieties such as Cabernet Sauvignon, Syrah, and Chardonnay.  In the context of white wine, native Puglian grapes include Bombino Bianco, Verdeca, Bianco d’Alessano, Impigno, Francavidda, Pampanuto, Fiano, and Moscato. International grape varieties include Chardonnay (as previously mentioned) as well as Sauvignon Blanc and Pinot Bianco.

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To understand the wine production, we must first talk a little geography.  I like to think of Puglia split into 3 broad zones. They are:

• The Daunia: Located in the north and encompassing the province of Foggia; characterized by the pre-Apennine mountains
• The Murgia: Located in the center of the state surrounding the capital city of Bari; may be further divided into Upper and Lower Murgia
• The Salento Peninsula: Located on the Adriatic Coast

Puglia’s Valle d’Itria area (which corresponds to one of Puglia’s 6 IGPs), located on the Adriatic Coast/Salento Peninsula just south of Murgia, is home to the area’s most historic and productive white wines. This valley features clay soils sprinkled with stones. Here, both the Locorotondo DOC and the Martina Franca DOC focus solely on white and sparkling wine based in the tart, vegetal indigenous Verdeca grape variety. Production is quite high. The ancillary grapes of these DOCs are Bianco d’Alessano and Fiano di Puglia. (Note: Fiano di Puglia has been renamed to Minutolo and is not the same grape as Fiano di Avellina).

Just a bit further south, we find the area around the city of Ostuni and the eponymous Ostuni DOC featuring the Impigno grape variety. Impigno is thought to be an offspring of Bombino Bianco—an interesting local white variety occupying the majority of production in the northern areas of Puglia. Bombino, considered to be native to Puglia, has a genetic fingerprint similar to Trebbiano d’Abruzzo.  This is supported by its flavor profile, soft acidity and medium to light body.  The most notable DOCs for Bombino are Castel del Monte Bianco and Gravina and is often blended with Pampanuto and Chardonnay.

map via http://www.winesofpuglia.com

When we move to the Salento Peninsula in the far south, surrounded by the Adriatic and Ionian Seas, we find that Chardonnay is a requirement in many of the DOCs.  Most notably, it must make up at least 70% (85% if listed on the label) of the blend of white Salice Salentino, normally know for the dark and spicy Negro Amaro.  Other DOCs in Salento that focus on Chardonnay include: Galatina (55% min), Squinzano (90% if listed on label), Leverano (85% if listed on label), and Coline Joniche Tarantine (no minimum).

Finally, we find a DOC that is solely based on Moscato, Moscato di Trani DOC.  The DOC requires 100% Moscato Bianco, which is the same as the Moscato Bianco from Asti and Muscat Blanc à Petits Grains.  Locals call this Moscato Reale to differentiate from the Moscato Selvatico which is a cross between Muscat de Alexandria and Bombino Bianco and found elsewhere in Puglia.  There are only sweet wines made in this DOC, one Dolce Naturale made from dried grapes and a fortified version.

The whites of Puglia are quite obscure and perhaps justifiably overshadowed by the reds. However, I think that as the overall quality of the wine in Puglia continues to improve we will see interesting things emerge from the white segment.  Verdeca can show similar to Vinho Verde and provide an acidic backbone to a blend, Bombino Bianco is improving in quality and growing in acreage, and Chardonnay will continue to proliferate and find its place in the export market.  Hopefully, someday we can all visit the beautiful landscape of Puglia and taste these grapes with the incredible seafood served on the typical Puglian table.

Sources:

• Wine Grapes, Jancis Robinson, Julia Harding and José Vouillamoz, 2012
• Vino Italiano, Joseph Bastianich and David Lynch 2005
• winesofpuglia.com official trade association site

Post authored by Mark Rashap, CWE. Mark has, over the past ten years, been in the wine world in a number of capacities including studying wine management in Buenos Aires, being an assistant winemaker at Nota Bene Cellars in Washington State, founding his own wine brokerage, and working for Texas-based retail giant Spec’s as an educator for the staff and public.

In August of 2015, Mark joined the team of the Society of Wine Educators as Marketing Coordinator to foster wine education across the country.

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

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Today we have a guest post by an anonymous writer, who we will know by the name Candi, CSW. Candi has been visiting some of the lesser-known wine regions of the US, and has been generous enough to share her experiences with us! Read on!

Since obtaining my CSW certification in 2014, I have been looking forward to opportunities to apply my new knowledge and skills. One of my favorite ways to do this is to visit winery tasting rooms. This year was unusual for me, in that I was able to do tastings in two states which are among emerging areas for domestic wine. This post features a late spring trip to Colorado; next week’s post will discuss a fall trip to Arizona.

Grand Valley AVA: Palisade, Colorado

The town of Palisade is probably best known for its peaches, which are indeed fabulous. Palisade, however, is also the site of the fall Colorado Mountain Winefest. If my e-mail is to be believed, this event was a sell-out this year with more than 6,300 attendees.

My last wine tasting experience here was in 2003. At that time, I was much less well- informed and not quite the enthusiast that I am today.  I do recall that the white wines were pleasant enough, especially the Rieslings. And, to this day, I enjoy Colorado Rieslings. As for the reds, though, they were not especially memorable.

I had to make an unscheduled trip to Colorado in May of this year. A bright spot of that trip was a free Sunday afternoon. While I vastly prefer tasting during the week to avoid crowds, I had identified a few wineries for potential visits, just in case. I am blessed to have a tolerant designated driver. So off we went, our time limited to two choices.

My impression: what a difference 12 years makes! These wines, particularly red varietals, are growing up!

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One stop was Plum Creek Winery, just on the outskirts of Palisade with vineyards nearby. Despite the fact that this was Sunday afternoon, there were only a few others tasting. Tasting five wines was complimentary. I chose two whites, Pinot Grigio and Chardonnay, as the former seemed unusual for Colorado and the latter more typical. Reds included Cabernet Franc, Cabernet Sauvignon, and a Bordeaux-style blend of Cabernet Franc, Cabernet Sauvignon and Merlot. My developing palate was most intrigued by the reds, particularly the Bordeaux blend, “Grand Mesa”. This wine has limited distribution, which added to the attraction.

Another visit was Debeque Canyon Winery, conveniently located near a distillery. Hey, something for everyone. Again, the tasting room was relatively quiet, with a few apparent walk-ins. Tasting was complimentary, there were multiple choices, and it certainly seemed that the winery is focused on red varietals. Works for me. I tasted the Riesling, Tempranillo, Pinot Noir, Cabernet Franc, and Cabernet Sauvignon.

Wait a minute. Pinot Noir? One of my favorite varietals? In Colorado?

Most definitely, and a wine that made an impact. The current release is 100% Pinot Noir, a non-vintage blend of 2010 and 2011. The grapes are grown at a vineyard situated at an altitude of more than 7,000 feet. The climate is much less humid, with more diurnal temperature variation, than in some coastal areas where Pinot Noir is often found. These factors, along with the vintner’s special touch, may have contributed to a distinct, even concentrated palate impression, so to speak. This enabled me to identify the wine as varietally correct, balanced, and complex.

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When we were preparing to leave Debeque Canyon, a gentleman entered, walked behind the counter and poured himself a full glass of wine as if he owned the place. Becoming a CSW has made me, ahem, more assertive in a tasting room setting. So I asked him if he was the vintner. Turns out I was about to meet Bennett Price, who did indeed make the wine. And, who, maybe, does own the place. My enthusiasm and Bennett’s connected in a way that we were invited to the back for a barrel tasting of the 2013 and 2014 Pinot Noirs.

Quiet, low-key tasting rooms enabled a leisurely experience. Many varietals from which to choose. Difficulty making purchase decisions due to quality. And, a personal barrel tasting with the vintner. All in just a side trip for the afternoon. We clearly plan to return to Colorado wine country.

For further information, please see Justin Gilman’s informative Guest Post: On the Wines of Colorado.

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

photo via: http://www.azstronghold.com

Today we have another guest post by Candi, CSW. Last week Candi shared her trip to Colorado wine country, this week she has a story about the tasting rooms of Arizona. Read on!

Verde Valley Wine Trail: Northern Arizona

Our main destination for a September, 2015 trip was Wyoming, to revisit Yellowstone and Grand Teton National Parks. We were, however, within one day’s drive of Sedona, Arizona. Sedona, in addition to being a beautiful stop, has the advantage of being very close to one of Arizona’s three wine trails. So, of course, we added a stop in Arizona to appease the wine enthusiast of the family.

I had never tasted Arizona wine. My pre-trip research indicated that there are three geographically distinct wine trails, each of which has about a dozen wineries. The Verde Valley Wine Trail centers on several small towns in Northern Arizona. The trail is also near two national monuments, if you can tear yourself away from the tasting rooms.

We had just one afternoon in which to taste, which meant two tasting rooms before palate fatigue would occur. By the time we departed, I had done online research and chatted with staff at several alternatives. I believe that, since this area is newer for tourism than some, I had to dig more to get the planning information needed. That’s okay; all part of the fun of trip anticipation.

We arrived in Sedona on a Monday evening, in time for me to do a bit of pre-tasting reconnaissance at the nearest grocery store.  There was an entire aisle devoted to in-state wine, with wide price and varietal variation. This gave me clues to local distribution, and also identified wine that could be purchased at retail if I ran out of tasting room time. So far, so good.

On Tuesday afternoon, we were there at opening time for Arizona Stronghold’s tasting room in Cottonwood, Arizona. Cottonwood features several tasting rooms on its main street, along with other shopping and dining.

Within 15 minutes, this tasting room was busy – on a Tuesday in September, which I found surprising. But the efficient, friendly staff was able to accommodate all of us, from true enthusiasts who wanted detailed information to walk-ins who just wanted a glass of wine and relaxation.

Photo via: http://www.azstronghold.com

Arizona Stronghold has a well-organized tasting procedure, which I appreciated. You choose from one of at least four different tasting flights, five wines each. I had difficulty choosing among the four flights – so many varietals! My server graciously accommodated a customized list. Onward and cheers!

My tasting included Viognier “No Mal” (they make one with, one without), rose’, a red blend (Sangiovese, Cabernet Sauvignon, Merlot and Petite Verdot), Syrah, and Nebbiolo. One smart feature: wines with wide distribution have a colorful label, while those limited to the tasting room and certain wine clubs have a more understated, discreet label. This is also the first tasting room I have visited that openly discussed the retail distribution of some of their wines. So I learned that the wines with retail distribution can be found in 23 states. How user-friendly is that?

As is often the case for me (pun intended), it was difficult to choose among the wines. But the limited distribution wines did have a practical attraction and made an impression. Overall, a solid introduction to the breath and depth of Arizona wines.

On to Clarkdale, Arizona, and the tasting room/cooperative that is Four Eight Wineworks. My understanding of the concept is that this facility provides a place for small production, start-up wineries to market and sell their product. The specific wineries change as some grow and move out. Upon reaching about a 1,500 case/year production level, wineries typically set up individual facilities.

I have always been intrigued by small wineries and tend to seek these out for my tasting trips. I believe that part of the fun of wine is the constantly evolving nature and the entry of new participants, which made Four Eight Wineworks an easy choice for the agenda.

We had this tasting room to ourselves, which allowed for plenty of discussion with our helpful server. I learned that Cochise County in southeastern Arizona is the site of many producers’ vineyards. Most wines featured here were, indeed, labeled Cochise County.

Four Eight offered a choice of two wine flights. Each flight included two wines made from grapes grown within Arizona, and two made from grapes imported from outside the state. My preference was to taste wines made from Arizona grapes, so again I requested a customized flight. Not a problem.

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My flight included Bodega Pierce Chardonnay, Saeculum Cellars Sauvignon Blanc, Bodega Pierce Petite Sirah and Saeculum Cellars Cabernet Sauvignon. I had not previously experienced a tasting sequence in which Sauvignon Blanc was poured after Chardonnay, but after tasting the fuller body of the Sauvignon Blanc, I understood. I learned that not all New World Sauvignon Blancs are lighter in body. This wine was aged in oak; what an interesting example of southeastern Arizona terrior and vinification!

Saeculum Cellars is another label of Michael Pierce. My high school Latin was more years ago than I care to admit. Online dictionaries define “saeculum” as a long period of time, such as a generation or a lifetime. A bit of trivia, but I just had to know.

Both tasting room servers asked about our additional planned stops, and offered suggestions to promote others. There seems to be a spirit of cooperation here that I do not always experience. The wide variety of choices was another key impression. Along with Colorado, this will be another wine area to explore in more depth.

My perspective in terms of wines that I discuss with others has changed based upon what I consider to be introductory experiences in Colorado and in Arizona. Most people who wanted to hear about my trips, and have recently visited these states, did not know that there were even wineries to be experienced. As a CSW, I consider it part of my responsibility to spread the word about emerging wine areas. And I have been, most enjoyably. Cheers!

For further information, please see two SWE Conference Recaps: Getting High in Arizona by Gary Spadafore, CSS, CWE, and Paula Woolsey, CSW; and, Interview with Michael Pierce – Arizona Wines.

A guest post by Harriet Lembeck, CWE, CSE…

At a recent gallery opening, I was offered a glass of Prosecco. A stroll to the bar showed that they were pouring Cava! Is Prosecco – the lovely, frothy bubbly wine – turning into a generic? 

The reality is that since 2009, there has been a progression of steady changes and classifications in this wine from northeast Italy, starting with the creation of a classic area – where the existing DOC wines became DOCGs – and the balance of the areas remained DOCs. These newly-classified wines began to arrive in the US market in 2011. 

There are now 3 Prosecco appellations; 2 DOCGs are located in the center of the northern hills – Colli Asolani DOCG, which is very small, and Prosecco Conegliano Valdobbiadene DOCG, another small zone. The third appellation – the Prosecco DOC, is located mainly in the province of Treviso. 

At least 90% of Prosecco comes from the larger DOC area, which contains 556 municipalities. While most of Prosecco is produced in the plains, there is a lot of overlap. Many wineries produce under more than one designation, crossing regional boundaries. 

In addition the DOC/DOCGs, there are a few other Prosecco designations you might like to know. One of these is the 265 acre (107 hectare) Cartizze vineyard, located in the western side of the DOCG area of Valdobbiadene. Cartizze, officially a sub-zone of the Prosecco Conegliano Valdobbiadene DOCG is also designated cru. Its ancient soils are a combination of moraines, sandstone and clay, said to give floral notes to the wines. Villa Sandi “‘la Rivetta” Brut, imported by Folio Fine Wine Partners, is an elegant example. 

The next area you should know about is Rive, which in local dialect means “steep sites.” These sites are located within the in the Prosecco Conegliano Valdobbiadene DOCG, and considered to be almost as prestigious as Cartizze in the scheme of special sites. The grapes must be hand-harvested (which is impossible to do otherwise in those hilly villages), production is limited, and the wines are all classified as Superiore.  

At a recent tasting conducted by Alan Tardi, the US Ambassador of Conegliano Valdobbiadene Prosecco DOCG (a new position created by the Consorzio), I tasted three different Rives of increasing sweetness, showcasing different styles.

• Adami’s “Col Credas” Brut, from Dalla Terra Imports, was the driest and had a very fine bead.
• Masottina’s Extra Dry, from Vin Divino, coming from an area where the temperatures are above average, was off-dry and had jasmine notes.
• Védova (the widow) from Orvino Imports had the most sweetness; it was labeled “dry” as these designations follow the terminology used in Champagne. Its unique terroir also gives it a touch of salinity.

All of these DOCG Proseccos were closed with corks (crown caps and twist offs may only be used in the DOC appellation) and open with the requisite pop. The pressure categories are similar to those in Champagne. The highest pressure is spumante, followed by a slightly lower pressure known as frizzante. There is an even softer category called tranquillo, which has no pressure and no bubbles. Nino Franco produces a single vineyard example, from Terlato Wines International – a Brut made from 100% Glera grapes. It is so unique that the IGT examiners couldn’t say it was typical, and refused the designation!  

Speaking of the Glera grape, the minimum amount is 85%. Other varieties may be Verdiso, Bianchetta, Perera, Glera Lunga, as well as Chardonnay and Pinot Blanc. Glera is actually the ancient name of the Prosecco grape. As was explained to me by Pierluigi Bolla, President of Valdo, from Pasternak Wine Importers, the name “Prosecco” was starting to appear in places like Romania, Brazil, and China. In order to protect the name, the region was named “Prosecco, thus forbidding its use by others. Once that happened, the informing grape needed a new name, and that new name was its old name – Glera.

Click here to visit the website of the Prosecco Consorzio for more information on the designations of Prosecco, click here.

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Harriet Lembeck, CWE, CSE is a prominent wine and spirits educator. She is president of the renowned Wine & Spirits Program, and revised and updated the textbook Grossman’s Guide to Wines, Beers and Spirits. She was the Director of the Wine Department for The New School University for 18 years. She may be contacted at hlembeck@mindspring.com.

This article was originally published in the article was originally published in Beverage Dynamics Magazine – reprinted with permission!

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Photos of Prosecco bottles via:

• http://www.adamispumanti.it
• http://www.masottina.it

http://www.adamispumanti.it

http://www.masottina.it