Search Results for: Rocks

New Standards for Vermouth di Torino!

.

.

Turin has long been recognized as the birthplace of vermouth, and has remained a center of vermouth production since Benedetto Carpano first added an infusion of herbs and spices to the local wines of the region, back in 1786.

Vermouth di Torino is still a popular style of vermouth, and has had protected status since 1991. As of March 22, 2017, the protected status for Vermouth di Torino has been further defined by a new set of technical standards, presented by the Italian Ministry of Agriculture and Forestry.

Under these new standards, Vermouth di Torino IGT is defined as an aromatized (flavored) wine produced within the province of Piedmont, using a base of Italian wine, and fortified with the addition of spirits.

Other standards include the following:

  • The main flavoring must be artemisia (an herb also known as wormwood), with additional herbs and spices allowed
  • Alcohol by volume must be between 16% and 22%
  • The color may range from light yellow to amber yellow and red; the color of the final product should reflect the color of the base wines and the flavorings, although the use of caramel coloring is permitted
  • Allowed sweeteners include sugar, grape must, caramel, and honey
  • The type and origin of the base wines may be specified on the label if they represent at least 20% by volume of the finished product

The new standards also allow for a Vermouth di Torino Superiore IGT, with a minimum of 17% alcohol by volume. At least 50% of the base wine and the flavorings used for Vermouth di Torino Superiore (aside from the artemisia) must be grown in Piedmont.

It seems like tonight would be an excellent time to enjoy a Vermouth di Torino straight up or on the rocks—or perhaps a Negroni or a Boulevardier.

What is your favorite way to enjoy Vermouth di Torino?

References/for more information (in Italian):

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

 

Guest Post: A Trip to the Ramona Valley AVA

.

.

Today we have a guest post from SWE member Jan Crocker. Jan has just completed our CSW Online Prep Class and is planning on taking her CSW exam next month. Wish her luck!

Jan works on the “front line” of the wine industry as a beverage steward in an upscale grocer in Southern California. Read on as Jan shares about her recent trip to the Ramona Valley AVA.

Whenever I discuss California wine with wine shoppers at work, nearly all mention Temecula, since it’s extremely familiar to oenophiles in Orange County, California. I can also count on several folks each day singing the praises of the Napa Valley (“isn’t that where the greatest wines in the world come from?” they invariably comment), as well as Paso Robles and Sonoma.

However, because I relish exploring obscure wine varieties and regions—that’s why I’ve been a wine nerd for more than 15 years, after all—I’m genuinely excited about watching the emergence of a certain young American Viticultural Area that’s fast gaining acclaim among local wine writers, professionals and judges.

.

.

With that, I’ll present the 162nd AVA in the United States: the Ramona Valley AVA.

As the third AVA in the sizable South Coast “super AVA” at 33.1 degrees north, the Ramona Valley celebrated its 10th anniversary in January 2016. The region itself is 14.5 miles long and nine and a half miles wide, and is home to 25 bonded wineries within its 89,000 acres over 139 square miles. (Note to wine nerds everywhere: the other two AVAs located within the South Coast AVA are the San Pascual Valley, founded in 1981, and the Temecula Valley, founded in 1986.)

Located about 35 miles northeast of San Diego in north-central San Diego County, the Ramona Valley is a destination famed for its balmy climate throughout the year. On the other hand, the area is no stranger to scorching summers, with daytime temperatures often above the century mark. Winters, by contrast, are brisk, with afternoons reaching the mid-60s and nights often dipping below freezing. Small wonder: Ramona is exactly 25 miles east of the Pacific Ocean, and 25 miles west of the Colorado Desert. Rainfall is moderate, with roughly 16 inches each year.

Julian, the historic burg famed for its apple pies and winters with light snow, is a mere 22 miles east of Ramona and more than 4,200 feet above sea level.  (That’s why I describe the Ramona Valley’s climate as “Mediterranean, with an asterisk.”)

.

.

Grapes thrive as a result of the Ramona Valley’s vineyard elevation: about 1,400 feet above sea level. At least two of the region’s wineries sit at nearly 2,000 feet at elevation.

Indeed, the Ramona Valley’s neighboring mountains, hills, and rocks are a force in defining the character of the region’s wines. The Cuyamaca Mountains, Mount Palomar, and Vulcan Mountain are the “high points” of the steep inclines surrounding the valley. At the western portion of the region, 2,800’ Mount Woodson does its part as a rain shadow by keeping the Pacific Ocean’s trademark fog and chill at bay.

Let’s get back to those rocks.

During each of the four visits my husband and I have made to Ramona, we’ve never failed to be wowed by the huge boulders and striking rock formations along picturesque Highway 67, the only path leading into the region. On our first trip in early 2015, I hummed “The Flintstones” theme as we approached those monster rocks, since many of them resemble Bedrock, the cartoon’s setting. The closeness of those boulders, however, kept us alert: We fervently hoped that we’d be spared one of our home state’s signature earthquakes during our drive.

.

.

Granite dominates the geological landscape, either in its original form as rocks or boulders or within the region’s loamy soil as decomposed granite. (During our four days in the region this August, we also spotted milky and rose quartz, as well as some tiny flakes of pyrite, during our “personal tours” of the 11 vineyards we visited.)

Granite’s presence also makes itself known in Ramona Valley wines: Of the 100 or so wines from the region that my husband and I have tasted in the last year and a half, all have an elegant flintiness and a backbone of minerality that’s riveting.

Southern California’s “soft chaparral” is the garrigue that shows up in Ramona Valley’s wines, reds especially. Many of my tasting notes include “sage and rosemary,” so it’s no mystery  to find that flora in the region’s natural landscape, along with wild oak, toyon, chamise and numerous species of cacti.

Local winemakers embrace the Ramona Valley’s terroir, planting varieties that develop deep flavors as they echo the area’s climate, soil types and ever-present breezes. John Saunders, the proprietor/vineyard manager/winemaker at Poppaea Winery, mentioned that a few local enologists have identified “at least 11 different microclimates” within the 139-square-foot valley, so the range of wine grapes compatible to those potential “mini-AVAs” is broad – and speaks to the stunning diversity of the region.

Red varieties flourish, especially those with their roots (no pun intended) in France, Italy and Spain. To that point, two wineries – Poppaea Winery and Principe de Tricase – are planted to white and red varieties spanning the length of Italy. Not surprisingly, Tempranillo craves the region’s sunshine and wide diurnal swings.

.

.

Other growers and winemakers opt for Rhone varietals, as Syrah, Grenache, Mourvedre and Viognier flourish in similar conditions in the Ramona Valley: rocky and barren soils, ample sunshine and a steady, moderating breeze, albeit without the destructiveness of the mistral. Woof ‘n Rose Winery was planted to Grenache Noir in 2004, with consultation from fifth-generation winemaker Marc Perrin of Château de Beaucastel—as well as Grenache rootstock from the French vineyard. Ramona Syrahs showcase a brooding, deep style much like their Cornas or St. Joseph cousins; those from Ramona Ranch Winery and Eagles Nest both offer elegant, haunting scents and flavors with earthiness and garrigue.

Wine fans searching for varieties above and beyond their tried-and-true classics will have a field day with offerings from the region. During our four days in the Ramona Valley, my husband and I visited 11 of the region’s 25 wineries, tasted 82 current releases – and had the good fortune to try six varieties we’d never before had the opportunity to taste: Alicante Bouschet, Refosco, Aleatico, Fiano, Sangrantino and Bolizao. Tannat, the pride of Madiran, is a featured variety at Ramona Ranch Winery, one of the wines my husband and I enjoyed thoroughly.

.

.

There’s no wonder why proprietors Marilyn and Steven Kahle at Woof ‘n Rose take pride in their Alicante Bouschet, the gorgeous teinturier: It’s generous, opulent, complex and undeniably enjoyable – and, my husband and I thought, a varietal that red fans would love if they tried it.

Speaking of Refosco: When was the last time we wine fans tasted one other than from their original northern Italian homes of Friuli or Trentino? Mike Kopp, proprietor/vineyard manager/winemaker at Kohill, offered us a barrel tasting of his signature Refosco, which nearly brought us to our knees.

Although heat-loving red varieties have a joyous home in the Ramona Valley, many whites do as well. Wine fans who enjoy their Chardonnays most when they’re flinty and zesty will appreciate the mineral influence of Mount Woodson and the nearby Cuyamacas; the elegant Chards featured at Lenora and Eagles Nest showcase that sculpted, sinewy quality as a counterpart to the variety’s richness.

Our Guest Blogger: Jan Crocker!

Our Guest Blogger: Jan Crocker!

It’s impossible to overlook how well Mother Nature took care of us during our four days during the first week of August. During each of our visits to the 11 wineries, every proprietor, winemaker and vineyard manager gushed over the gorgeous weather that week—sunny, of course, but with soft breezes. It’s usually blazing hot, “about 100 degrees at this time of year,” our winery hosts pointed out. “But it’s only in the high eighties. Isn’t it beautiful?”

We couldn’t have agreed more. And the Ramona Valley AVA’s future looks equally gorgeous – with the distinct likelihood that California wine fans will soon discover its current excellence and stunning future.

Photo Credits: Jan Crocker

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

 

 

Saké…A Practical Guide

Today we have a guest post from Mark Rashap, CWE who, fresh from a holiday trip to Japan, gives us a practical guide to sake. Enjoy!

...

I hope you were able to read, enjoy, and garner some sight from my previous saké post, Tasting Saké from a … Champagne Perspective.  Focusing more on the sensory perception and the metaphorical side of saké, I left the practical and general explanation of saké for this post.  I hope to distill the pertinent information about the uniqueness of production, variety of styles, and different classifications that are important for any beverage professional in the US to know and understand.  For a more comprehensive yet still manageable guide, I would recommend John Gaunter’s The Saké Handbook.

Let us first tackle the differences in production from that of wine and beer.  First and foremost, all fruit, during their ripening cycle, naturally produce fermentable sugars (glucose and fructose).  This is obvious because when you taste fruit before fermentation, it will be sweet on the palate.  Grains are made up of starches, or long chain carbohydrates, that must be broken down through a process called saccharification.  In beer production, this is done in the mash by mixing water and grain, mostly barley, at various relatively high temperatures.  Enzymes in the grains are activated to break down the starches, then the sweet liquid is cooled so alcoholic fermentation can occur.  In saké production, rice grain cannot go through saccharification on its own, so a mold called Kōji-Kin (the Kōji is steamed rice plus the Kōji-Kin) is added and, under very controlled circumstances, winds up permeating the entire batch (or Moromi).  Because this saccharification happens at temperatures equivalent to those for alcoholic fermentation, both processes can and must happen simultaneously in the same vessel.

You might read very detailed accounts of how the Kōji is made, such as being cultivated in small slotted boxes and moved around every hour. All this is done so the mold is properly developed and consistently permeates the entire Kōji.  Additionally, a yeast starter, or Moto, occurs separately to ensure a healthy yeast population.  However, don’t let all this Japanese pomp and circumstance confuse you; all these processes are done simply to create a batch that has fully functioning saccharification and fermentation at the same time.  Every brewery does things slightly different, but this is the take home point.

...

Let’s review: rice is polished (more on this later).  It is washed, soaked, and steamed.  Part of it goes to the Kōji and part of it goes to the yeast starter.  These two separate batches are incrementally combined along with more water to ensure consistent mixing.  Saccharification and fermentation occur simultaneously for anywhere between 18-32 days.  It is pressed, usually filtered, usually watered back from 20 to 16 percent ABV, usually pasteurized twice, and bottled.  Violá!  When any of those “usuallys” don’t occur, there is a different name described below.

Now that you have the general idea of production, let’s talk about some variations and classifications.  All saké is classified as either Junmai, which means strictly made from water, yeast, kōji, and rice, or as Honjōzō, which has a small amount of brewer’s alcohol added just before pressing.  In my tastings, Junmai saké tends to have more delicate, pure, and subtle flavors, and Honjōzō sakés tend to be a bit fuller and rougher around the edges which might be desired in some situations.

The next uber-important variation of production is the amount of polishing before the brewing takes place.  With the varieties of rice commonly used for premium saké production, there are proteins, fats, and minerals occupying the outer layers of the rice grain that tend to cause off flavors in the finished saké.  Therefore, the outer layers are polished away to reveal the pure starches in the center of the grain.  It is easy to get confused by the percentage that is removed vs. the percentage left behind, so it is a good idea to get in the habit of referring to the polish as a percentage of what is left behind because that’s how the Japanese categorize it (called the Seimaibuai).  So, table rice will have a polish leaving 90% rice behind, cheap saké will be 80%, and most general saké is 70%.  Now for the important terms:  Ginjo is 60-50% left behind, and Daiginjo is between 50-35%.  So, the yields can be very low, and for the very best sakés only 35% of the grain remains after polishing!

...

So, to reinforce our understanding of this, within the Junmai (no distilled alcohol added) category: 70-60% grain remaining is simply called Junmai, 60-50% is Junmai Ginjo, and 50-35% is Junmai Daiginjo.  Within the category of Honjōzō (which is brewed with added distilled alcohol), simple Honjōzō is 70-60%, Ginjo (notice you don’t say Honjōzōginjo, it’s just Ginjo) is 60-50% polish, and Daiginjo is 50-35%.  I supposed you need to taste the difference between all these different categories for yourself for it to really sink in; do it comparatively just like when you’re trying to grasp the difference between Burgundy and Cali Pinot Noir.

Now there are a myriad of other styles, most of which are quite obscure, but there are a number worth detailing:

  • Nigori (cloudy):  this is saké that is unfiltered or filtered using a rough mesh.  The rice sediment left behind does give a sweeter profile.
  • Taru Saké: Sake which is aged in cedar barrels and has a woodsy aroma
  • Namazaké: unpasteurized saké.  This must be kept cold or else a haze and undesirable aromas will form.  It is thought of as fresher and livelier.
  • Tokubetsu (special):  bottles do not have to indicate what is special, but is usually a higher grade seimaibuai (polish) or special variety of rice.
  • Genshu: saké to which no water was added to bring down the alcohol to 16%.  These usually have 20% alcohol and have more robust flavors.  Popular as Genshu on the rocks.

It is easy to get wrapped up in all the minor details making understanding saké seem like an unattainable goal.  However, I believe that the information in this post will be a great foundation around which you can start to recognize the most important production terms on the label and make an educated guess as to what will be in the glass.  Of course, just like wine, we need to not be afraid of a different language, taste a wide variety of saké styles, take notes, and retain that information.  I hope that will be fun and rewarding!

MarkPost authored by Mark Rashap, CWE. Mark has, over the past ten years, been in the wine world in a number of capacities including studying wine management in Buenos Aires, being an assistant winemaker at Nota Bene Cellars in Washington State, founding his own wine brokerage, and working for Texas-based retail giant Spec’s as an educator for the staff and public.

In August of 2015, Mark joined the team of the Society of Wine Educators as Marketing Coordinator to foster wine education across the country.

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

Guest Blog: Exploring Germany’s Mittelrhein

.....

…..

Today we have a guest blog from Lucia Volk, CSW, reporting from Germany, where she is visiting the lesser known wine regions.

If you are a fan of Riesling, you undoubtedly know the Rheingau. The Rheingau is home to  Germany’s prestigious, over 1,000-year-old Schloß Johannisberg, where late harvest (Spätlese) was allegedly invented. You probably also know the neighboring Rheinhessen, Germany’s largest and most productive wine area.

Next to those Riesling wine super-powers, the Mittelrhein region, which the German Wine Institute ranks second-to-last by size – only Hessische Bergstrasse is smaller  has to struggle to be noticed. It does not help that regional wine advertisement budgets in Germany are pegged to acres cultivated, or that the Mittelrhein extends into the jurisdiction of two German states, Rhineland Palatinate and North Rhine Westphalia, that do not always agree politically. Depending on the size of the harvest, the Mittlerhein region contributes somewhere between 0.3 and 0.5% to Germany’s wine total. Let’s face it: even within Germany, Mittelrhein Riesling is an insider wine.

Castle Reichenstein

Castle Reichenstein

Most of this lesser-known region – almost 85% – consists of terraced slate slopes that require manual labor, and yields are low. Because of the extra labor hours required per acre cultivated, it can be difficult to find a successor for a Mittelrhein winery after a vintner retires. The overall area under wine has fallen from 1,800 acres in the early 1970s to approximately 1,100 now.

Fortunately for wine lovers, the numbers are beginning to hold steady.  About 70% of grapes planted are Riesling, another 10% go to Müller-Thurgau and Kerner combined, 10% to Pinot Noir, and the remaining 10% to Pinot Gris, Pinot Blanc, Dornfelder, Portugieser and others. In other words, the Mittelrhein is primarily a place for white wine lovers, although Pinot Noir acreage is on the rise.

Historically, the Rhine river separated the Roman Empire from the realm of the Gauls. The Romans planted the first vines in the region, and they built the first fortifications, a tradition that was adopted by German nobility in the Middle Ages. Fortresses, castles and and customs towers – the Rhine river was an important trading route – line the hilltops.  These historical remains – many carefully restored, others in ruins – create the backdrop for the “Romantic Rhine.“ Tourists can book river boat trips, with scheduled stops for guided castle tours and subsequent wine tastings. Because of its cultural and historical significance, the Mittelrhein valley was designated a UNESCO world heritage site in 2002 , thirteen years before Champagne and Burgundy received similar badges of distinction.

The Rhine River is responsible for the favorable growing conditions in most of Germany’s northern latitude vineyards. Already at its source, close to Lake Constance, grapes are under cultivation, and if you follow the stream you will be able to taste, in succession, Baden, Pfalz, Rheinhessen, and Rheingau wines, before you reach the wine growing limit (for now) at the Mittelrhein. Mild winters allow for early buds in spring and extended sunshine permits ripening into October, resulting in unique aromas that are difficult to replicate in Riesling vineyards elsewhere.

Bopparder Hamm, part of the Mittelrhein’s Loreley Bereich (photo by Lucia Volk)

Bopparder Hamm, part of the Mittelrhein’s Loreley Bereich (photo by Lucia Volk)

The picturesque Mittelrhein geography was created at the end of the Devonian Age – 360 million years ago – when what used to be the bottom of the prehistoric ocean rose up all at once, and the water subsequently had to cut a path through the rocks. The Anbaugebiet  Mittelrhein is divided into two districts (Bereiche): the larger Loreley** between Bingen and Koblenz in Rhineland Palatinate, characterized by slate and greywacke soils, and the smaller Siebengebirge between Neuwied and Bonn in North Rhine Westphalia, which also contains volcanic rock and loess.

Eleven larger sites (Großlagen) are divided up into 111 vineyard sites (Einzellagen). The soil is nutrient-poor and well-drained, so roots go deep.  With the exception of irrigating freshly planted vines, most Mittelrhein winemakers dry-farm, although irregular rainfall over the last decade has some winemakers worry about the increasing stress levels of their vines. A quarter of the harvest turns to Prädikatswein, and the rest to Qualitätswein.  Deutscher Wein or Landwein production is negligible.

You can still find cooperatives that produce Mittelrhein wines, a tradition that dates back to the late 1800s, when phylloxera devastated most of the region’s vineyards.  But more commonly, you now find small family wineries that trace grape production back for several generation, as well as new ventures of enterprising young winemakers.

Photo Credit: Lucia Volk

Photo Credit: Lucia Volk

For instance, Peter Jost and his daughter Cecilia today run the Toni Jost winery, named after Cecilia’s grandfather.  Their prized Einzellage is the Bacharacher Hahn, which overlooks the Rhine outside the town of Bacharach. The word Hahn translates to rooster, which decorates the Jost label, but the vineyard’s name probably stems from Hain (=grove). Founding members of the VDP – Verein Deutscher Prädikatsweingüter – their estate comprises 40 acres, not all of them on the Mittelrhein, and they produce almost 100,000 bottles a year, predominantly Riesling.

Following VDP regulations, their vineyard sites are ranked according to their potential for excellent, terroir-specific wine. Additionally, Cecilia recently introduced Devon-S (S for Schiefer=slate) Riesling that brings white flowers to the nose, offers stone fruit in the glass, and finishes with pronounced Mittelrhein minerality. If you do not know what rock tastes like, Devon-S will take you there.

In the middle of the Mittelrhein, Florian Weingart makes his wines in premium Einzellagen between Boppard and Spay, especially Engelstein  and Ohlenberg. Dedicated to the local soil, he searched historical records for documentation of former vineyard sites – areas that had gone wild – and spared no effort to rehabilitate the most promising among them.

Florian Weingart on camera for Terry Theise’s Leading between the Vines documentary (photo by Lucia Volk)

Florian Weingart on camera for Terry Theise’s Leading between the Vines documentary (photo by Lucia Volk)

On 11 acres, he produces around 45,000 bottles of wine in a regular year.  In 2014, when late rains and pests ruined much of the Riesling crop, it was closer to 30,000. He coaxes each of his wines to develop his own character, using ambient yeast, if possible, and he allows them to finish fermenting early, if that is what the yeast decides to do. If his wine cannot obtain a certain (legal) quality level, because of it, he will rename (and effectively declassify) it. A philosopher in his spare time, he has started writing a Modern Ethics of Wine based on his “less is more“ winemaking principles.

The town of Leutesdorf in the Siebengebirge Bereich of the Mittelrhein claims to be the last big bastion at the northern Riesling frontier. Here, wine technician Marc Josten and enologist Torsten Klein acquired vineyards in the famed Einzellage Gartenlay, where they produce both Riesling, and, in a bold move, Sauvignon Blanc. Their first wines were introduced in 2012, when they were still a garage winery in Remagen, operating out of rented space.

Lucia 4For their Sauvignon Blanc and some of their Riesling, they employ traditional, large oak barrels. While Riesling, Pinot Gris, and Sauvignon Blanc comprise 75% of their total production, they also grow 25% Pinot Noir in vineyards in the neighboring Ahr region, a red-wine stronghold. Altogether, they work about 14 acres. They focus exclusively on dry wines, and promote food pairing events jointly with local restaurateurs. Josten & Klein were the prestigious Gault&Millau Wineguide’s 2013 Discovery of the Year.

A relatively recent initiative specific to the region is the Mittelrhein-Riesling Charta. Participating winemakers agreed on a unified front label for their bottles, which shows the Charta grape symbol, the names of one of the categories – Handstreich, Felsenspiel and Meisterstück – and the two words: Mittelrhein and Riesling. Winery-specific information can be found on the back label. If the categories remind you of an Austrian classification system, you are correct. The Mittelrhein group consulted with Wachau wine producers who use similar designations and production guidelines for a variety of their wines.

...

Rather than focus on terroir (i.e. Bacharacher Hahn) or ripeness category (i.e. Kabinett or Spätlese), the Mittelrhein-Riesling Charta promotes flavor profiles: light, easy-to-drink, food-friendly (= Handstreich, metaphor for “spontaneous, quick action”); medium, balanced, expressive, good on its own or with a meal (=Felsenspiel, “rock play”); or full-bodied, quite dry, deeply aromatic and lingering (=Meisterstück, “master piece”). With this approach, the Charta members avoid the traditional sweet, medium-dry, or dry labels that suggest sugar (and alcohol) levels matter most in wine. Think of the Charta as a new generation of Mittelrhein winemakers jointly re-thinking and re-branding what they think is important about a segment of their Riesling production. All of them continue to offer traditionally labeled bottles.

Next to well-known German Riesling exporters Leitz, Dönhoff, Dr. Loosen, Deinhard/Von Winning, or Schloss Johannisberg, winemakers along the UNESCO world heritage valley have an undeniable underdog status. You will not find Mittelrhein wine in many stores in the United States, but what wine drinker does not like the occasional treasure hunt for a rare bottle? For an authentic Mittelrhein Riesling experience, book a boat trip down the Romantic Rhine, open a bottle on the sun deck, and count the castles as you go by.

**The name for the Bereich Loreley derives from a famous promontory on the Rhine river near St. Goarshausen. Because of the narrow fairway, accidents were not infrequent before modern navigation technology. Poet Heinrich Heine turned the site of captains’ misfortune into a metaphor for unrequited love: the beautiful, blond Loreley perched on her rock, singing her siren’s song, while forever staying out of reach, caused men to lose their bearings, if not their lives.  In English, it sounds like this.

Lucia Volk, CSW, is working on a manuscript on the lesser known wine regions of Germany. This summer, she discovered vineyards in Berlin, excellent Pinot Noirs along the Elbe and the Ahr, and phenomenal Riesling wines on the Mittelrhein. Her first SWE blog described the re-emerging wine region of Saxony.

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

New Map of the Willamette Valley

.

.

We just added a new map to our collection!

We’re already hard at work on our 2016 update for the CSW Study Guide, and we’ve created this new map of the AVAs of Oregon’s Willamette Valley.

Other new features in the upcoming study guide include an update on the Nizza DOCG, the new Fountaingrove District AVA in Sonoma County, Oregon’s “The Rocks” AVA, and a new chapter on the wines of Asia.

To download a picture or pdf of the Willamette Valley wine map, click here.

 

Conference Preview 2015: Four Decades of Three Palms

Photo via: http://www.duckhorn.com/Our-Story/Vineyards/Three-Palms

Photo via: http://www.duckhorn.com/Our-Story/Vineyards/Three-Palms

Today we have a guest post by Pete Przybylinski – Sr. VP of Sales and Strategy at Duckhorn Wine Company. Pete gives us the story of the Napa Valley’s Famous Three Palms Vineyard. Pete will be sharing his story – and the wines of Three Palms – at SWE’s NOLA Conference on August 13, 2015.

It’s not easy to say whether Duckhorn made the Three Palms Vineyard famous, or whether it was the other way around. Three Palms, situated at the northern end of the Napa Valley along the Silverado Trail, has been a star in the world of California wine since Duckhorn made its first vintage in 1978.” – Robert Whitley, October 2014

“[Three Palms] the best Merlot I have ever tasted, at least from outside Bordeaux’s Right Bank.” – Nick Passmore, May 2013

May 13th, 2015, was a very special day for all of us here at Duckhorn Wine Company. After 37 years of making wine from its coveted grapes, we proudly announced that we acquired the 83-acre Three Palms Vineyard from our longtime friends, and renowned winegrowers, Sloan and John Upton. As someone who has been with Duckhorn Wine Company for 20 years, both personally and professionally, it is incredibly gratifying that the vineyard that has always been synonymous with Duckhorn Vineyards finally took its rightful place as the crown jewel of our estate program.

Three Palms Vineyard is deservedly legendary. By almost any estimation, it is one of a handful of Napa Valley’s greatest vineyards, and is, without question, the most important Merlot vineyard in North America. Our history with Three Palms goes back to our inaugural Three Palms Vineyard Merlot in 1978. We released that inaugural vintage at the then high price of $12.50, because we wanted people to understand that it was a Merlot of exceptional quality. This iconic wine helped pioneer luxury Merlot in California, and played a pivotal role in establishing it as one of North America’s great premium varietals.

“As recently as 1978, Merlot was rarely bottled in California as a varietal wine. Duckhorn changed that. Their single-vineyard bottling from northern Napa Valley’s Three Palms Vineyard showed the heights that this grape, in the right hands, could achieve.” – Michael Apstein, April 2014

San Francisco's Coit Tower

San Francisco’s Coit Tower

For those familiar with San Francisco and its famed Coit Tower, Three Palms has a history that predates its renown as a winegrowing site. In the late 1800s, the land that is now home to the vineyard was a residence for famed San Francisco socialite Lillie Hitchcock Coit. She called her home Larkmead, and it was there that she hosted legendary parties and numerous celebrities of the time. She left her mark on San Francisco in the form of Coit Tower. She also left her mark in Napa Valley in the form of three lone palm trees, which were all that remained from her estate after the house fell into disuse after Lillie died in 1929, at the age of 86.

In 1967, the 83-acre property was acquired by brothers Sloan and John Upton. The following year, they began planting it to Pinot Noir, Merlot, Cabernet Sauvignon, and Chenin Blanc. The site, which is located on the northeast side of Napa Valley, is in an alluvial fan created by the outwash of Selby Creek where it spills out of Dutch Henry Canyon. As a result, Three Palms is covered with volcanic stones washed down from the canyon over the centuries. The soil—what there is of it—is rocky and well drained, causing the vines to send their roots far, wide and deep to find the necessary nutrients and water. The stones in the vineyard aid the vines by absorbing the sun’s heat during the day and radiating it back to the plants during the night. This protects the vines during frost season, and helps to ripen the fruit. “People thought we were nuts,” recalls Sloan. “City slickers planting a vineyard amongst the rocks!” Time and a great deal of very hard work proved these people wrong.

“It has long defied the conventional wisdom that Merlot thrives in cooler climes but comes off dull and flabby in warmer areas. Three Palms is at the warm end of the valley, yet it consistently produces remarkable Merlot that combines firm structure with power and grace.” – Robert Whitley, October 2014

Over the years, as the Uptons grew to understand the site’s almost otherworldly ability to make profound Merlot and Bordeaux-varietal red wines, the Pinot Noir and Chenin Blanc were T-budded to more Merlot, as well as Cabernet Franc, Malbec, and Petit Verdot. Like any great vineyard, Three Palms has suffered a few setbacks and losses. In 1990, the vineyard began to show the serious effects of Phylloxera, so the long and arduous task of replanting began—the final phase of which was completed in 1999. And in 1992, the vineyard suffered the loss of one of its 105-year-old palm trees. The Upton brothers hosted a brief ceremony in which a 40-foot Washington palm was planted in its place, and since then, many of us have affectionately nicknamed the vineyard 2-1/2 Palms.

.

.

But mostly the story of Three Palms has been a testament to the phenomenal nature of this famed vineyard, and its ability to produce wines as remarkable for their structure and complexity, as for their vibrant and alluring red fruit. There are many things that contribute to the greatness of the vineyard: the meticulous farming, the Spartan bale loam soils that send the roots down as much as 18 feet in search of nutrients, the unique warm up-valley location, and more. 

“Over the years, we’ve listened to the quiet voice of the vineyard, and learned what works. Part of that is about farming Three Palms for the right reasons, for love of the land, not ego. That’s a vision we have always shared with the people of Duckhorn.” -Sloan Upton

In 2011, we inked a deal for the exclusive rights to the grapes from Three Palms Vineyard, and three years later, we took over the farming. When Sloan and John decided it was time to sell, purchasing the vineyard was the natural next step. Not only has the Duckhorn Vineyards story always been tied to the story of Three Palms, our long friendship with Sloan and John has been one of the wine industry’s most successful and enduring partnerships. We are honored that they are entrusting us to carry on their life’s work, and to carry their great legacy forward. 

“The iconic flagship wine that began Duckhorn’s success in 1978 is the Merlot Three Palms Vineyard, one of the first single-vineyard Merlots produced, and no doubt an inspiration for the Merlot boom in the 1980s. This has always been one of the benchmark wines for this varietal.” – Robert Parker, October 2013

While this blog has focused on the history and significance of Three Palms Vineyard, in my August 13th “Four Decades of Three Palms” conference session, I look forward to sharing more about our relationship with this vineyard, and its evolution. As we taste through some of our finest vintages spanning four decades, this will include details about changes in terms of vineyard practices, rootstock, use of oak in our winemaking, and the varying degrees of alcohol and acid in the wines—all of which have changed dramatically in the last 35 years. I am also looking forward to talking about the evolution of our marketing and sales strategies for this great vineyard and its wines, as these too have evolved dramatically over the years.

I hope to see you there!

Pete’s Session – “Four Decades of Three Palms” will be held on Thursday, August 13th, at 8:45 am as part of the Society of Wine Educators’ 39th Annual Conference, to be held in New Orleans.

 

Guest Post: A Trip to Mendoza

Photo credit: Justin Gilman

Photo credit: Justin Gilman

Today we have a guest post from Justin Gilman, CSW who went on the wine-travel “bucket list” trip of a lifetime to Mendoza, Argentina. Read on to hear about this high-altitude wine region, from the ground up!

I traveled to Mendoza on April 13th as a guest of the “Familia Zuccardi” family winery.  I had been introduced to this family winery years ago, carried numerous labels and all along the way, discovered more about their quality wines.  I’ve attended the “Mendoza Masters” seminars in Denver led by winemaker Sebastain Zuccardi and importer Winesellers LTD.  I was excited and anxious to meet the family, become familiar with Mendoza, and experience these great wines at the source.

The trip began in Denver, and onto Miami.  An 8-hour long flight down to Santiago, Chile was the grunt of the trip.  All along I had anticipated the notable flight over the Andes Mountains.  Anyone who has made wine their carrier knows about the Andes and the important role they play to Argentina wine.  As simple as it sounds, you don’t realize just how real the mountains are until you experience it for yourself.

Our plane landed in Santiago around 7am.  The sun wasn’t up yet, and it was pitch black outside the window.  The pilot announced he would land with autopilot because of the dense fog prohibiting any sort of vision to the runway.  Shortly after we landed, standing at the gate, the sun came out and exposed a marine layer of which we couldn’t see 50 feet outside the airport window.  This had caused our connecting flight to be slightly delayed to Mendoza.

The flight over the Andes brought a new perspective on time and distance.  Literally climbing, then diving down over the mountains on a 45 min flight.  The Andes below were vast.  Mountain tops sharp and jagged at the highest points.  Winds blow the peaks clean and the wind chill easily froze any existing moisture the weather provided. You can easily see where glaciers melt and the runoff slowly descends down the mountain.  Small lakes form in craters and some parts of the mountain looked smooth from the distance – most likely shaped by extreme winds over time.

Photo credit: Justin Gilman

Photo credit: Justin Gilman

On the Eastern side of the mountains descending, we didn’t see ocean fog, but cumulous nimbus clouds contoured into every nook of the mountain.  This was a picturesque definition of “Rain Shadow”.  The Andes are measured at 310 miles wide at its farthest points and 4,300 miles long. The average height is 4,000 feet.  This mountain range is longer than the U.S. is wide (excluding Hawaii and Alaska).  Cumulus clouds max out at around 3,300 feet.  These clouds never cross over these massive peaks.  This experience has allowed me to completely understand the effect of the Cascade Mountains in Washington and the role they play to that wine region as well.  Living in Denver, I’m used to flying over the Rockies going to and from the West Coast.  Somehow, the jagged peaks of the Andes seemed much more dominant.

The “Santa Julia Winery” in Maipu was our first stop.  This is the family’s large production facility that has sustainable and organically farmed grapes.  The Zuccardi family is one of the largest producers in Argentina, meanwhile keeping a humble, small family mentality.  They are 2nd in sparkling wine production, making both charmat and traditional method styles.  The honesty and transparency to their wines, along with commitment to sustainability and organics were quickly displayed.  Producing entry-level wines with native yeasts and labeling wines honorably with their family name was refreshing.  The location has two “farm to table” restaurants on site, “Casa Visatante” and “Pan & Oliva”, both catering different styles of culinary genius.  They produce olive oil and have a spirit still for brandy. They are well under way with Solera aging for their Port style wines.

The Santa Rosa Vineyard is among the family’s largest acreage.  It has been in the family and helped the Zuccardi’s learn and become who they are today.  The family knows where they’ve been, where they are, and clearly has a vision for the future.  The Santa Rosa Vineyard dedicates 1 hectare to numerous plantings of experimental or as they say “Innovacion” grapes.  Nero D’Avola, Albarino and even Mersalan (a cross between Cabernet Sauvignon/Grenache) are planted, along with many more.  Each year, the two best are bottled and sold in the tasting room.  These grapes are monitored and progress is considered for the Valle de Uco vineyards.

Photo via http://www.zuccardiwines.com/145/Fotos/

Photo via http://www.zuccardiwines.com/145/Fotos/

The Maipu winery has clearly been the anchor for the family since the 1960’s with each new generation benefiting from the last.  It’s reaching production capacity and the family is aligning its future behind the addition of the new Valle de Uco winery set for completion in September 2015.

The week progressed like the perfect storyline.  Starting with family history and their bulk facility on the first day, then escalated to the new winery and top tiers over night.  I had seen, tasted and carried these quality wines, but visiting the new winery on this day was mind blowing.  In my 15 years in the industry, I’ve never witnessed such attention to detail and commitment to terroir on such a large scale.

The next day we drove almost an hour to the “Altamira Vineyard” site.  The elevation for this vineyard area is 3,412-3,772 feet. Uco Valley is one of the world’s highest wine growing regions, with over 80,000 hectares planted between 3,000-3,900 feet and plenty of sunlight.

We started the day with the winery geologist “Martin”, and it was clear that his mission first and foremost was to explain in detail, the terroir of the Uco Valley, as well as introducing us to the philosophy going forward.  Martin had aerial terrain maps and technology graphs to explain why the vineyard was planted the way it was.  Blocks and rows were planted after using electric mapping in the soil to determine soil density, help determine erosion and gather more info as to which varietals were best suited on particular blocks.  Blue colors were less dense with red being extremely dense.

The highlight of this visit was his explanation of alluvial rocks scattered throughout the vineyard.  Glaciers melt atop of the Andes and the runoff carries down the soil and nutrients to the valley floor.  The point at the base of the mountain, in which the soil spreads out is known as an “alluvial fan” or “alluvial zone”.  Topographical maps clearly show green, thriving soil and moisture at the end of these zones and much less moisture at the beginning of these patterns.

Photo via: http://www.zuccardiwines.com/145/Fotos/

Photo via: http://www.zuccardiwines.com/145/Fotos/

Martin took us into the vineyard and removed alluvial rocks from holes dug within 50yds of one another.  He mentioned roughly 400 holes had been dug over a few years’ time to completely understand what was taking place along the surface of the vineyard block.  Explaining that there was a film of calcium deposit on the rocks, he rubbed his palm on a medium size rock and clearly the white coating from the rock transferred to his palm, leaving a bare spot on the rock.  He then asked for participants to do the same and lick our palms.  We did.  The taste was clearly salty.  He had explained to us earlier that this was a reaction to elements in the soil and limestone coating the rock.  Calcium deposits in water drift to the bottom of the ocean through pressure.  Over time, the layers of deposits consolidate and create a hard mass.  He explained that the fossilized rocks in his office were proof that rocks traveling down from the top of the Andes to the valley floor were evidence that the top of the Andes Mountains were once underwater.  These are the things you hear, but of course have a stronger realization when you’re there looking at fossils.

After the vineyard tour we were lead to the new winery building.  It has been in use for two years, though still under construction.  In fact its first harvest began without the roof on the building.  The new winery is made from the same rocks scraped from under the foundation.  Binding clay and sediment soils from the nearby Rio Negro River used with alluvial rocks to make the walls of the building.  No two walls are the same.  It was explained that from a distance, the profile of the winery roof blends into the Andes Mountain behind it and that the path from the front door will mimic the “alluvial fan” of the mountain base.  It will not be landscaped, but left to develop with the terroir.  Weeds, erosion, grass and flowers will occur naturally.

We ventured into this amazing structure.  Plans were discussed for an open kitchen with a concrete oven, and a huge 6ft rock they discovered while digging into the plans for a 10,000-bottle wine cellar would remain in place.  Concrete eggs a long time ago were decided to be the fermenters of choice.  More stable fermentation temps and the fact that stainless steel fermenters discharge a slight electric current influencing the wine just were two reasons behind the change.  State of the art made with what nature has given, we were all astounded.

Photo via: http://www.zuccardiwines.com/145/Fotos/

Photo via: http://www.zuccardiwines.com/145/Fotos/

We tasted four different samples of 2014 Malbecs.  Samples were chosen to display extreme differences in terroir.  From soft and grapey in clay soil, to minerally/chalky in alluvial rock.  The Altamira showing a slight ‘forest floor’ and moist dirt on the nose and in the glass, similar to Oregon Pinot Noir, but with Malbec.  One of the samples came from the “Gualtallary Vineyard”.  Very much a point of focus in the future, this region seems to be up and coming and on their radar.  Located Southwest of Tupungato, Gualtallary is even higher elevation of 3,937-4,921 feet and different soil compositions of course, meaning extreme “terroir-ists” can remain excited about possibilities for time to come.   We sampled both 2014 and 2015 wines displaying these extreme differences in terroir.

Sebastian and his family are passionate about terroir, and determined enough to break the mold stylistically of what we see every day with Malbec, Torrontés and Cabernet Sauvignon coming from Argentina.  The mass exodus of Malbec over the years to America seems to have thinned out quality and damaged Argentina’s reputation in some circumstances.  This trip was truly insightful and has given me an extreme appreciation of terroir and diversity of varietals grown in Argentina, not to mention seeing the potential first hand.  The family has tremendous integrity and dedication to organic practice.  I look forward to returning to the new winery after its completion and possibly visiting other wineries both big and small, to help further my knowledge of this region that is much, much more than just Malbec.

Justin Gilman, CSW is the Store Manager/Buyer for Jordan Wine & Spirits, a leading retailer in Parker, Colorado, located in Denver’s South Metro area.  With over 15 years in alcohol beverage retail, in the major markets of Orange Co., and Los Angeles California, he now resides in Denver Colorado, where his skill set as an operator and buyer are utilized for both retail and as a consultant in the industry.

For more information on the Familia Zuccardi and their wines, visit their website here.

 

 

Oregon, Washington, and the AVA Shuffle: It’s Complicated.

It's complicatedWinemakers in Oregon rejoiced on February 6, 2015, when the TTB finally approved the The Rocks District of Milton-Freewater AVA in Umatilla County, Oregon.  The Rocks, as you may recall, is a tiny area located entirely within the large, dual-state (Oregon/Washington) Walla Walla Valley AVA – however, it resides 100% within the state of Oregon.

During the public comment period for the approval of the AVA, it became clear that most of the wineries that grow grapes within the new AVA are actually located across the state line in Walla Walla, Washington – which makes sense, as Walla Walla is only about 10 miles away.

Keep in mind that The Rocks District of Milton-Freewater AVA is a single-state AVA, located entirely in Oregon. Here’s where it gets interesting:  under current TTB labeling requirements, even if 100% of the grapes in a particular wine are grown in The Rocks District, if the wine is produced at a winery located just ten miles away but in Washington State, the wine will not be allowed to use The Rocks District AVA as its region of origin. This is due to the current law that states that in order use an AVA as a wine’s appellation of origin, the wine must  “be fully manufactured and finished within the State containing the named region.”

The TTB – bless their hearts – have determined that this is indeed a problem.  Several commenters stated that it makes no sense that they could truck their grapes 200 miles away to a winery facility in Oregon and use The Rocks AVA, but if they truck their grapes 10 miles north to their winery in Walla Walla, they cannot.  In response, the TTB “determined that the concerns raised in the comments have merit.”

Therefore, the  TTB has proposed an amendment to its regulations in order to allow wines to be labeled with a single-State AVA name as an appellation of origin if the wine was fully finished either within the State in which the AVA is located or within an adjacent State.

This proposed rule is now up for public comment, and will remain so until April 10. At that point, the proposed rule will – or will not – move forward to the next stage! The outcome is yet to be seen, and as we know – it’s complicated.

You can read the details of the proposed change on the TTB website

Post authored by Jane A. Nickles, your blog administrator

Are you interested in being a guest blogger or a guest SWEbinar presenter for SWE?  Click here for more information!

A Few of my Favorite Scarps

Devil's Tower

Devil’s Tower

To look at it, a scarp seems like the edge of the world – and, in a manner of speaking, it is. The term “scarp” technically refers to the wall of bare rock that makes up the cliff-face of an area of land that stands much higher than the land that surrounds it. For an extreme example, think of the Devil’s Tower in Wyoming. Quebec City’s Cap Diamant – those gorgeous sheer cliffs just in front of the Château Frontenac dividing the upper section of the town from the Saint Lawrence lowlands below – is a more typical example.
The uplifted area of land sitting above a scarp is known as an escarpment, although the two terms tend to be used interchangeably, except perhaps by geologists. A good way to describe an escarpment is basically as an area of the earth where the elevation changes suddenly. Escarpments are often found along the ocean shore, such as the Devil’s Slide area of California’s Highway One.

Escarpments are also found on dry land. Inland escarpments, where the ground is separated into two level land surfaces divided by a sheer cliff wall, may be formed by erosion, the action of rivers or streams, via seismic activity, or a combination of these forces. And – which makes it interesting for us – many of the world’s wine regions are built around escarpments.

Escarpments created by erosion are generally composed of different types of rock or rocks from different geologic eras.  Erosion creates the two levels of land as one of the types of rock erodes much faster than the other. One well-known example of an escarpment formed by erosion is the Niagara Escarpment.

The Niagara Escarpment

The Niagara Escarpment

The capstone of the Niagara Escarpment is a type of limestone (dolomite rock, or dolostone), while the underlying rock is a more easily erodible shale.  The Niagara escarpment is famous for the Niagara Falls, which is the part of the escarpment where the Niagara River plunges over the side. We wine lovers also appreciate the region as the home of the Niagara Escarpment AVA – located along the edge of the ridge, and home to 17  wineries.

Escarpments formed by seismic action are created when a fault displaces the ground surface so that one side is higher than the other. Examples include Africa’s Great Rift Valley and Australia’s Darling Scarp. The Darling Scarp cuts through the wine-growing regions of Western Australia and forms a distinct dividing line between the Perth Hills region, which sits atop the escarpment, and the Swan District, which resides below. The difference in climate between the two next-door neighbor regions due to the resulting change in elevation is striking. The Swan District, resting on the plains below, has a warm-to-hot Mediterranean climate.  The Perth Hills, perched above, is characterized by cooler nights, lower temperatures overall, and a harvest that typically begins 10 days to 2 weeks later than its warmer neighbor.

Other escarpments can be found along ancient river valleys, where a river, over the centuries, carved the landscape into a terrace. The Huangarua Scarp, found in New Zealand’s Martinborough wine region, is one example. The Huangarua Scarp is home to several wineries, including Craggy Range and the appropriately named Escarpment Vineyard. The highest uprise of the Huangarua Scarp, at about 150 feet higher than the surrounding area, is believed to have been formed over 250,000 years ago.

"Caprock Escarpment Garza County Texas 2010" by Leaflet - via Wikimedia Commons

“Caprock Escarpment Garza County Texas 2010” by Leaflet – via Wikimedia Commons

The Caprock Escarpment, found in west Texas and eastern New Mexico, was formed via a combination of erosion and water. The top layer of the area is composed of caliche, a type of calcium carbonate that resists erosion. The erosion of the softer underlying stone was aided over the millennium by the action of rivers and streams. The Caprock Escarpment is an abrupt, 200-mile long ridge that divides the high plains area known as the Llano Estacado from the surrounding rolling terrain of the Great Plains below. In some places, the Caprock Escarpment rises more than 1,000 feet above the surrounding plains. The Texas High Plains AVA, covering almost 8 million acres of land, sits atop this huge plateau. The outline of the AVA follows the contour of the ridge at an elevation of 2,800 feet, and extends north and west. At its highest point, the elevation of the Texas High Plains AVA reaches 4,100 feet. The AVA currently has about 4,000 acres of vines and is home to over 75 mostly family-owned vineyards and at least 8 wineries.

Burgundy’s Côte d’Or, Sancerre in the Loire Valley, and Australia’s Murray Darling region are a few of the many other wine regions affected by scarps and escarpments.

For more information please contact Jane Nickles, our Director of Education and Certification at: jnickles@societyofwineeducators.org

 

 

Guest Blogger: Alsace – The Unheralded King of White Wines!

Rue Mercière in Strasbourg

Rue Mercière in Strasbourg

Today we have a guest post from Houston-based Wine Educator James Barlow, CS, CWE. James article is all about the glory that is Alsatian wine – and an attempt to understand why more wine professionals and consumers alike don’t seem to truly appreciate this unique wine region.

In my humble opinion, Alsace is, unequivocally, one of the best producers of white wine in the world.

And yet, I have worked in wine retail industry for a decade and have often scratched my head at lack of Alsatian sales.  The region seems to play second fiddle to Germany and other white wine producing areas in France.

There’s no argument that Alsatian wines are an enigma – first and foremost for the mere fact that it is the only region in France that puts the varietal on the front label. But somehow, this does not lead the American consumer to gravitate more towards these wines.  Sommeliers and retailers alike often note that the wines of Alsace are a niche hand sell.  The question is why?

It could be due to the common misperception that Alsace produces wines that are light and sweet; in reality, they are, for the most part, dry and full bodied. It could also be that all of us – consumers and wine professionals alike – just need to take a closer look at Alsace and its long history of vine and wine.

Alsace SceneThe region has exchanged hands between France and Germany several times and even had its independence for a brief period.  It is separated from the rest of France by the Vosges Mountains in the west.  Most vineyards are located in a long thin strand throughout the foothills of the Vosges.  This mountain range gives Alsace a unique ‘rain shadow’ effect which makes it one of the driest climates in all of France.  Colmar, the capital of the Haut Rhin, is the driest city in France.

Alsace is divided into two departments, the Haut-Rhin and Bas-Rhin with the former housing over two-thirds of the regions Grand Cru vineyards.  There are 51 Grand Crus overall with Kaefferkopf being the latest addition in 2006.  The Grand Cru vineyards are typically located on south or southeasterly exposures which give the vines ample sunlight to reach phenolic ripeness.  Most Grand Crus require 100% single varietal wines produced from one of the four noble varietals, which include Riesling, Muscat, Pinot Gris, and Gewurztraminer. Grand Cru vineyards have strict requirements as to minimum must weight, alcohol, and hand harvesting.

Alsace is a kaleidoscope of soil structures with ‘gres de Vosges’ pink sandstone being the most famous. The higher elevation villages are generally composed of schist, granite and volcanic sediment, whereas the lower villages typically are more clay over limestone based.  The plains consist of richer more alluvial clay and gravel soils.

White varietals are 90% of the production of wine in Alsace, which in turn are dominated by the four noble grapes.  These wines are markedly different than those of neighboring Germany.  Alsatian wines are typically fermented dry, whereas the Germans have a classically sweeter appeal.  The dry wines of Alsace can be some of the most food friendly wine in the world, especially with spicy cuisine. They have higher alcohol while retaining excellent acidity which makes them some of the longest lived white wines in the world.

Half-timbered houses in ColmarAlsace is the one region on Earth where these four noble white grapes are at their richest and most voluptuous expressions.  Alsatian Rieslings are some of the more powerful expressions of the varietal produced.  They are amongst the longest lived dry whites in the world with a plethora of acidity and minerality to go with the higher alcohol content.  Zind Humbrecht Riesling Brand Grand Cru is a stellar example with Master of Wine Olivier Humbrecht at the helm.  He is an ardent believer in biodynamics and the terroir really shows in the wines produced.  One might note that the residual sugars have been creeping up in recent years.

Pinot Gris (formerly Tokay d’Alsace) thrives in Alsace.  In fact, this region may have the most complex expression of the varietal in the world.  The Pinot Grigios of Italy are typically light and tart, whereas Pinot Gris in Alsace tends to exude a rich, round mouth feel with just a touch of residual sugar and higher alcohol.  Trimbach is one of the better producers.  They make a moderately priced Reserve Pinot Gris that is full bodied and power packed full of delicious tropical fruits, crushed rocks, and poignant acids.

Gewurztraminer is a pink skinned variety that shows excellent aromatics and spiciness combined with a round, textured mouth feel and spectacular minerality when grown in Alsace.  Gewurz, meaning spice in German, is believed to have been first encountered in the German speaking town of Tramin located in northern Italy, and thus the complicated name.  Gewurztraminer is usually sweeter than Riesling and offers perfumed bouquets of white flowers and rich tropical fruits.  Domaine Weinbach’s Gewurztraminer Altenbourg Cuvee Laurence offers one of the best versions of this dynamic variety.

Street Corner in Strasbourg

Street Corner in Strasbourg

Muscat is more distinguished here than its counterparts throughout France.  Alsatian Muscat offers grapey, floral notes that can be appreciated in a young wine, but can also produce some age-worthy dessert wines. Selection de Grains Nobles is a wine produced from botrytised grapes.  This only occurs in perfect weather conditions, so the wines are quite rare.  These wines are fully sweet and can be aged indefinitely.  They are considered some of the best dessert wines in the world.  Marcel Deiss is a stunning producer of not only Muscat but all the noble varietals in the Selection de Grains Nobles style.

I believe the average consumer’s misunderstanding of the Alsatian wines keeps them from delving fully into its wines.  The stigma that is haunting Alsace must be changed. It must be up to the wine professionals who are in love with these exquisite wines to slowly but surely teach the modern, wine-savvy consumer to fall in love with Alsace – the unheralded king of white wines.

Our guest author, James Barlow, CS, CWE, is a wine director of over 6,000 wines labels for a store owned by Spec’s Fine Wines and Liquors in Houston, Texas.   He is also the author of the widely recognized wine blog thewineepicure.com.  James is also a recent recipient of the CWE Certification (Congratulations, James!) and as such has taken on the duty of teaching the Certified Specialist of Wine course to fellow employees in hopes of having the best educated staff in the state of Texas. Way to go, James!

Click here to return to the SWE Website.